LAURIE SAURBORN EDUCATION MFA, Creative Writing: Poetry (2008) Warren Wilson MFA Program for Writers BA, Psychology (1996) University of North Carolina at Chapel Hill HONORS & AWARDS NEA Creative Writing Fellowship Recipient, Poetry (2015) Resident, Brush Creek Foundation for the Arts (November 2014) Resident, Madroño Ranch: A Center for Writing, Art, and the Environment (May 2014) First Place, New South poetry contest for “The Making of History” (2008) Poet of the Week, North Carolina Arts Council (February 2006) PUBLICATIONS Books (poetry) Industry of Brief Distraction, Saturnalia Books, 2015 Carnavoria, Hangman Books, 2012 Chapbooks (poetry) Patriot, Forklift, Ink., 2013 Anthologies (poetry) “Particulates,” Ley Lines, ed. H. L. Hix, WLU Press, 2014 “Briar Patch” and “The Making of History,” Another and Another: An Anthology from the Grind Daily Writing Series, Bull City Press, 2012 Periodicals (poetry) “Meditation at Madroño Ranch,” Spoke Too Soon: A Journal of the Longer (Issue 2.5, 2015) 1 “Sunday Morning,” Columbia Poetry Review (2015) “17 Bellis Circle,” “Citizen to Citizen,” and “Perennial Drive,” Waxwing Literary Journal (February 2015) “Abortion,” “Talking Into My Hat,” and “Upon Learning of the Word Everlasting,” Banango Street (July 2014) “Drone,” jubilat, Issue 25 (2014) “In Answer” and “Pretty Girls are Everywhere,” The American Reader, v.1 n.8 (2013) from “Various Generations of Plastic Horses,” Better: Culture & Lit, Issue 3 (2013) “Eudaimonia,” Phantom Limb, Issue 7 (2013) “from Approximate Sonnets,” In Quire (February 2013) “Charles Olson in Berkeley, 1966” and “Patriot,” Forklift, Ohio, Issue 26 (Winter 2013) “After Odysseus Says She’s Beautiful,” Jellyfish Magazine 7.0 (2012) “Collage of My Best Intentions” and “But When I Get to Heaven I will Have Sex with Clouds,” iO: A Journal of New American Poetry, Issue 6 (2012) “Draught,” The Collagist, Issue 36 (2012) “Translated from the Russian,” “Searching for Calvin Coolidge,” and “My Mother was an Anthropologist,” Everyday Genius, Issue 3 (March 2012) “The Art of James Franco” and “Young Love,” Forklift, Ohio, Issue 24 (Winter 2012) “Hale” and “Life as an Uncast Spell,” H_NGM_N #13 (2012) “A Perpetuall Light,” “One,” “The Bride, Unbuttoned,” “Goodnight Moon,” and “Of Measures Imperfect & Precise,” Narrative Magazine (Winter 2012) “Salvage Op” and “Wife of Bird,” Borderlands, n.36 (Summer 2011) “Theory of Continual Drift” and “Decamping,” Redheaded Stepchild (Spring 2011) “Sequence in the Specific,” “After Our Mothers Return to the Armories,” and “Practice Test,” Denver Quarterly, v.45, n.3 (2011) “Prometheus Day,” Big Bell, n.5 (2011) “Call Me” and “The Name of the World,” Bat City Review, n.7 (2011) “Colonization,” Mississippi Review, v.38, n.1&2 (2010) “Little Company” and “Confession Twenty-Seven,” Crazyhorse, n.76 (Fall 2010) “The Making of History,” New South, v.1, n.2 (Spring/Summer 2008) “Bloom” and “Briar Patch,” The Southeast Review, v. 27, n.1 (2008) “Cousin Gideon,” The Pedestal Magazine (June 2006) 2 “Paddler,” The News and Observer (May 2006) “My Last Night with Chloe,” NC Arts Council (February 2006) “Swing Shift,” Tar River Poetry (Fall 2005) Periodicals (fiction) “Trailing,” The Southern Review (forthcoming Winter 2016) “Appearance of the Deer Woman: Diptychs,” Tupelo Quarterly, Issue 2 (January 2014) “Parameters of a Kingdom,” SmokeLong Quarterly, Issue 38 (November 2012) Periodicals (essays) “Interstitial Days,” The Rumpus (February 14, 2013) Book Reviews (poetry) In The Cincinnati Review: “Angles of Approach: New Books by Martha Collins, Carl Dennis, and Claudia Rankine” (Summer 2015) In American Microreviews & Interviews: “Poems Descriptive of Rural Life and Scenery, by Tim Earley” (November 2015) “Think Tank, by Julie Carr” (July 2015) “Short Talks, by Anne Carson” (February 2015) “Shadow of a Cloud but No Cloud, by Killarney Clary” (January 2015) “Lake of Two Mountains, by Arleen Paré” (December 2014) “Or Replica, by Paige Taggart” (November 2014) “Ventriloquy of Light, by Douglas Blazek” (October 2014) “There’s A Box In The Garage You Can Beat With A Stick, by Michael Teig” (September 2014) “A Boot’s a Boot, by Lesle Lewis” (August 2014) “The Itinerant Girl’s Guide to Self-Hypnosis, by Joanna Penn Cooper” (July 2014) “The Wish Book, by Alex Lemon” (June 2014) 3 “Blood Orange, by Angela Narciso Torres” (May 2014) “Practice On Mountains, by David Bartone” (April 2014) “Thunderbird, by Jane Miller” (March 2014) PHOTOGRAPHY Credits “The Birth of Flight,” cover image for Shock by Shock (Copper Canyon Press, 2015) Photographs accompanying the poem, “Meditation at Madroño Ranch,” Spoke Too Soon: A Journal of the Longer (Issue 2.5, 2015) “After You Left,” cover artwork for Waxwing Literary Journal (February 2015) “Asymptote,” cover artwork for Industry of Brief Distraction (Saturnalia Books, 2015) “The Bird Circus,” cover image for Twenty Thousand Pigeons (iO Books, 2014) Photographs in “Appearance of the Deer Woman: Diptychs,” Tupelo Quarterly, Issue 2 (January 2014) “Elemental,” cover image for Patriot (Forklift, Ink., 2013) “Barn Burn,” cover image for Debacle Debacle (Forklift, Ink., 2013) “Escape,” SmokeLong Quarterly (November 2012) “In the Peach Orchard,” Photoplace Alternative Realities Annex, selected by Laura Moya, July 2012 “Paul’s Window II,” cover image for Fall Higher (Copper Canyon Press, 2011) Exhibitions WORD IMAGE IMAGE WORD Exhibition. Photograph/text: “Break-in at Shoal Creek (2014).” Art Academy of Cincinnati, Convergys Gallery, January 2015 Friends and Family: Third Anniversary Show. Gallery Black Lagoon, Austin, TX, June 2013 2012 Texas National Juried Art Exhibition. Photograph: “Lullaby.” Selected by Dave Hickey, Stephen F. Austin State University, April 2012 Shutter Speed Juried Exhibition. Gallery Black Lagoon, Austin, TX, March 2012 West of East. Gallery Black Lagoon, Austin, TX, November 2011 Southampton Cultural Center Juried Show. Photograph: “The Idiot.” Southampton, NY, Fall 2011 4 Austin Series, Part III. Gallery Black Lagoon, Austin, TX, August 2011 ACADEMIC & TEACHING EXPERIENCE Director, Undergraduate Creative Writing Program, University of Texas at Austin, 2015Duties include coordinating course scheduling and teaching assignments for UG CRW course offerings; advancement of the CW certificate program; and serving as special advisor to certificate students. Lecturer, Creative Writing, University of Texas at Austin, Summer 2014; Fall 2015Classes include workshop of student poems; analysis and close reading of poems from a range of historical and contemporary time periods and cultural perspectives; and the reading and discussion of essays on various poetic themes. Instructor, University of Texas at Austin Informal Classes, Spring & Fall 2015 Created and designed a six-week class, “Writing from Photographs,” for adult students from the Austin community, a class born from the belief that writing and photography are natural creative companions. Classes included writing exercises, discussion of elements of creative writing such as image, point of view, and revising, and workshop. Instructor, Texas State University, San Marcos, Fall 2013 Lead instructor of ENG 1310, College Writing I, a class focused on reading, rhetoric, and expository essay writing. Designed syllabus; created and graded essay assignments and a final; met with students individually over the course of the semester to discuss their writing and progress. Incorporated essays from a range of philosophers and writers (Hobbes, MLK, Gloria Anzaldúa, Toni Morrison) for inclass discussion and as student essay resources. Taught MLA documentation style. Creative Writing Instructor, Badgerdog Literary Publishing, 2009-2010 Taught creative writing (poetry and prose) to students from elementary and middle school classes for community outreach organization. Prepared lesson plans; responded to student work in and out of class; assisted students in the revision and presentation of their writing. 5 INTERVIEWS “Q&A with Laurie Saurborn,” Book Q&As with Deborah Kalb, April 2015 “On Patriot,” Speaking of Marvels, April 2015 “Aesthetics and Endings,” LitBridge, December 2012 “Smoking with Laurie Saurborn Young,” SmokeLong Quarterly, Issue 38 (2012) “The Sound of a Hand Pulling a Bell: An Interview with Laurie Saurborn Young,” The Collagist, Issue 36 (2012) “Laurie Saurborn Young on Particulates,” In Quire, 2011 Writing on the Air, KOOP Austin, November 2011 “An Interview with Laurie Saurborn Young,” The American Literary Review, October 2011 READINGS Strange Pilgrims Reading Series, Austin, TX, May 2015 So-and-So Reading Series, Raleigh, NC, April 2015 Texas Book Festival Lit Crawl, Austin, TX, October 2014 Everything Is Bigger Reading Series, Austin, TX, April 2014 LitBridge Reading, Denton, TX, January 2014 Borderlands Poetry Reading, Austin, TX, April 2013 Jones/jubilat Reading Series, Jones Library, Amherst, MA, April 2013 AWP 2013 Reading hosted by iO Journal, Jellyfish Magazine, and Inter|rupture, Boston, MA Kraken Eats Boston Alive: AWP 2013 Reading, Cambridge, MA Bookwoman, Austin, TX, 2013 Trinity University, San Antonio, TX, 2012 The Kraken Reading Series, Denton, TX, 2012 Lord Weary’s Reading Series, Austin, TX, 2012 KinCity Reading Series at Bookwoman, Austin, TX, 2011 Carport Reading Series, Austin, TX, 2010 New South/Georgia State University, Decatur, GA, 2010 Flood Poetry Reading Series, Asheville, NC, 2008 6 SERVICE Texas Book Festival Panel Moderator, October 2015 Poetry Manuscript Contest Submission Reader, Saturnalia Books, 2014 Guest Editor, Crazyhorse Literary Magazine, Fall 2010 Poetry Submissions Reader, Carolina Quarterly, 2008 MEMBERSHIPS & CONFERENCES Member, VIDA Women in the Literary Arts, 2014Advisory Board Member, Flying Object Art and Publishing, 2013-2015 Member, Association of Writers and Writing Programs, 2006-present Squaw Valley Community of Writers, 2010 (support recipient) Participant, Bread Loaf Writers’ Conference, 2006 North Carolina Writers’ Network Conference, Fall 2004 and 2005 COURSES TAUGHT CRW 325P: Poetry Writing (UT Austin) CRW 340P: Poetry Workshop (UT Austin) CRW 370H: Honors Creative Writing Project (UT Austin) ENG 1310: College English I (Texas State San Marcos) 7