Publications for Simon Weir
Publications for Simon Weir
2016
Weir, S., Moult, D., Fernando, S. (2016).
Stereotomy of Wave Jointed Blocks - Toward a
wave-jointed stone construction using wire cutter
toolpath generation. Robotic Fabrication in
Architecture, Art and Design 2016, (pp.
284-293). Vienna: Springer International
Publishing Switzerland.
2015
Fernando, S., Saunders, R., Weir, S. (2015).
Digital stereotomy - The rejuvenation of stone
masonry. 16th International Conference, CAAD
Futures 2015: The Next City: New technologies
and the future of the build environment, Sao
Paulo, Brazil: Ficha Catalografica Elaborara Pela
Biblioteca Da �?rea De Engenharia e
Arquitetura - Bae - Unicamp.
Fernando, S., Saunders, R., Weir, S. (2015).
Surveying stereotomy: Investigations in arches,
vaults and digital stone masonry. Future of
Architectural Research: ARCC 2015 Conference,
Chicago: Perkins+Will.
Weir, S. (2015). Xenia in Vitruvius’ Greek
house: andron, ξείνία and xenia from Homer to
Augustus. The Journal of Architecture, 20(5),
868-883. <a
href="http://dx.doi.org/10.1080/13602365.2015.
1098717">[More Information]</a>
2013
Anderson, R., Liu, K., Weir, S. (2013). A Room
An Eye. In: Expanded Architecture At The
Rocks. Sydney Architecture Festival. 136-138
Cumberland Street The Rocks, Sydney,
Australia.
Weir, S. (2013). On the Ability to Disable Provocations Advocating the Necessity of
Philosophy in Design Studios. 7th International
Conference of the Association of Architecture
Schools of Australasia, Melbourne, Australia:
National Library of Australia.
Digital Processes and Theatrical Performance,
(pp. 35-42). Melbourne, Australia: Freerange
Press.
Weir, S. (2012). Paranoiac Critical
Interiorisations | Odysseus in Mies van der
Rohe's Seagram Building and Buckminster
Fuller's domes. IDEA Journal, 2012, 60-71.
2011
Weir, S. (2011). Untitled 1-5. In: After Images.
Sydney Architecture Festival 2011. Boutwell
Draper Gallery, Sydney, Australia.
2009
Weir, S. (2009). Being Preseen: Marion,
Academicism and Architecture. Architecture and
Phenomenology, Japan: Kyoto Seika University.
Weir, S. (2009). The Nearness of Texture:
Apparent Depth in the Oil Paintings of
Velazaquez & Raphael. AIC 2009 11th Congress
of the International Colour Association, Sydney,
Australia: The Colour Society of Australia, Inc.
2008
Heneghan, T., Weir, S., Dzonlagic, H., Seyama,
S. (2008). Elevation. Phillip Cox Australian
Pavilion S. Marco, 1364/ A 30124 Venezia,
Italy: Australian Institute of Architects. Public
international exhibition. Unrealized.
2007
Weir, S. (2007). "To Look is to Invent":
Speculations on the Influence of Salvador Dalí in
the Work of Rem Koolhaas. 24th International
Conference of the Society of Architectural
Historians, Australia and New Zealand
(SAHANZ 2007), Adelaide: Society of
Architectural Historians, Australia and New
Zealand.
2005
Weir, S. (2005). 1 (degrees) C Spring - Hartz
Mountains National Park. In: Glover Prize. The
John Glover Society. Falls Park Pavilion,
Evandale, Tasmania, Australia.
2012
2004
Weir, S. (2012). Dalí, Le Corbusier and the
Presence of Technology. 38th Annual ICOHTEC
Conference, Warsaw, Poland: International
Commitee for the History of Technology.
Weir, S. (2004). <i>1. Body
Weir, S. (2012). Delirious Catalysis. Horizonte |
Zeitschrift fur Architekturdiskurs (Journal of
Architectural Discourse), Ausgabe 05 Fruhjahr
2012, (pp. 123 - 128). Weimar, Germany:
Bauhaus-Universitat Weimar.
Weir, S. (2012). On the Edibility of Theatres. In
Dagmar Reinhardt (Eds.), Youtopia. A Passion
for the Dark: Architecture at the Intersection of
2. Summer Horizons
3. Everytime i close my eyes</i>. In: Body and
Soul. Global Gallery, Sydney, Australia.
Weir, S. (2004). 1. Michelangelo & Muse. In:
Body & Soul. Global Gallery, Paddington, NSW,
Australia.
Weir, S. (2004). Untitled 1-10. In: Summer
Horizons: new works by Simon Weir. Global
Gallery. Global Gallery, 5 Comber St,
Paddington, 2021, Sydney, Australia.
Publications for Simon Weir
2003
Weir, S. (2003). <i>1. Everytime I Close My
Eyes 1
2. Everytime I Close My Eyes 2
3. Apparition of Lovers
4. Myth Free 1
5. Myth Free 2
5. Nude
6. Walking Meditation
7. Wishing Well
8. Untitled Landscape 1
9. Untitled Landscape 2
10. Untitled Landscape 3
11. The Bard 1
12. The Bard 2
13. The Bard 3
14. Otis with the Fishing Hook
15. Leon by the Road</i>. In: Everytime I close
My Eyes. Global Gallery, Paddington, NSW,
Australia.