SCHOOL OF ART, UNIVERSITY OF MANITOBA Permission to Register in STDO 7300 Special Topics in Fine Art (3 credit hours) Fillable Form SECTION A: Student information Student Name: (Last name) (First name) Student Number: Phone number: Email address: Your term in MFA Program GPA attach transcript report: 1 2 3 4 *Students can create an academic transcript for the MFA program through Aurora Student. List your Advisory/Examining Committee members: Type of Course: Studio practice Reading Other: Term and dates for the course: Program of MFA research: (150 words maximum) SECTION B: Course Proposal INSTRUCTIONS: On a separate sheet, attach the following: 1. 2. 3. 4. 5. 6. 7. 8. Your proposed course title. Develop a brief outline of course objectives. (At the conclusion of the course I will… ) Outline the topics you wish to cover. Outcomes (Include production goals and other considerations appropriate to graduate study at the University of Manitoba.) Create a syllabus, week by week for 12-13 weeks. Include readings, and/or other materials to be used as sources for research, and proposed instructional methods. Resources required (studio space, materials, technical support, etc.) Grading /Evaluation Criteria: to be agreed upon by instructor and student. See attached grading chart. Also make a statement regarding practice for late assignments. Note: The minimum acceptable grade is “C+” for Master of Fine Art elective courses. See page 2 for examples of grading formats and the letter grade system. Include a statement of Academic Integrity. Name of proposed professor:. Student signature: __________________________________________ Date _____________________________ SECTION C: Permission to Register The undersigned agree(s) that the proposed course is appropriate for a Special Topics in Fine Art course. (Chair of Graduate Program) Signature Date (Director of School of Art) Signature Date Nov. 2011/ Permission to register in STDO 7300 Special Topics in Fine Art/Fillable/Version 2 Page 1 SECTION D I have reviewed the proposed course with the student, and agree to be the instructor of record. (Professor) Signature Date I have reviewed the proposed course with the student, and agree that it is appropriate for the student’s course of study. (Thesis Advisor) Signature Date For the Office For the School of Art Office: Term: _______________________________________ Calendar Year__________ CRN __________________ AO ___________Date entered: __________________________ Nov. 2011/ Permission to register in STDO 7300 Special Topics in Fine Art/Fillable/Version 2 Page 2 INSTRUCTIONS STDO 7300 Special Topics in Fine Art (3 credit hours) Please use this fillable form. 1. STUDENT Complete SECTION A: Student Information. Program of MFA research is a brief description of the research/thesis topic and the work that is being carried out in its investigation. SECTION B: Course Proposal The student works with their Thesis Advisor to identify the course topic and what goals the course should meet. To assist in the development of the course proposal, a syllabus form template, grading /evaluation criteria, University of Manitoba letter grade system and a Statement of Academic Integrity are included below. The student works closely with a proposed professor to develop and build a course and a syllabus that is appropriate for a graduate level course, and that ensures that the objectives and outcomes can be realized. The student is expected to complete the form. Incomplete proposals will not be accepted. 3. INSTRUCTOR: Once the course proposal is satisfactorily completed, the proposed professor will, with his/her signature agree to be the instructor of record. 2. THESIS ADVISOR: The Thesis Advisor reviews the completed course proposal to assess its appropriateness to the student’s program of research and, if necessary, makes suggestions for improvement. When the Advisor is satisfied with the course, he/she will sign the form, giving student permission to register. 4. GRADUATE CHAIR: On the recommendation of the Thesis Advisor and with the agreement of the Instructor to work with the student, the Chair of the Graduate Program signs the permission form to permit the course to be presented and the student to register. 5. DIRECTOR: On the recommendation of the Chair of the Graduate Program, Director of the School of Art will sign to permit the course to be presented and the student to register. Nov. 2011/ Permission to register in STDO 7300 Special Topics in Fine Art/Fillable/Version 2 Page 3 Syllabus Form Template Date (or Week) Topic or Lesson Required preparation (reading, assignment, etc.) Nov. 2011/ Permission to register in STDO 7300 Special Topics in Fine Art/Fillable/Version 2 Page 4 Grading Format Grading/Evaluation Criteria used for Course Credit Grading Format: Identify the percentage weighting of the total grade (100%) for each aspect, i.e. Engagement /Assignment #1, #2, etc. Identify the evaluation criteria for each of the percentage breakdowns and how these criteria will actually be applied. The link to the percentage format should be explained. Evaluation feedback should be given to the student prior to the voluntary withdrawal deadline. Mention the practice to be followed regarding late submission of assignments and whether there will be penalties for late submissions and what they are. Letter Grade System The minimum acceptable grade for Master of Fine Art elective courses is “C+”. Letter Grade A+ A B+ B C+ C D F P S Grade Point Value 4.5 4.0 3.5 3.0 2.5 2.0 1.0 0 Percentage 90-100% 80-89.9% 75-79.9% 70-74.9% 65-69.9% 60-64.9% 50-59.9% 0-49.9% Description Exceptional Excellent Very Good Good Satisfactory Adequate Marginal Failure Pass Standing Nov. 2011/ Permission to register in STDO 7300 Special Topics in Fine Art/Fillable/Version 2 Page 5 Statement of Academic Integrity Students at the University of Manitoba are responsible for understanding the meaning of academic integrity and ensuring that they apply this concept to all their work at the University in order to ensure a successful career as a graduate student. Some examples of academic dishonesty include plagiarism, cheating, data manipulation, inappropriate collaboration, and transcript fraud and manipulation. A full description of these terms and other matters relating to plagiarism and cheating can be found in Section 7 of the General Academic Regulations and Requirements of the University of Manitoba. This is available at http://umanitoba.ca/faculties/graduate_studies/publications/ School of Art Plagiarism and Cheating Policy To plagiarize is to take ideas or words of another person and pass them off as one's own. In short, it is stealing something intangible rather than an object. Obviously, it is not necessary to state the source of well-known or easily verifiable facts, but students are expected to acknowledge the sources of ideas and expressions they use in their written work, whether quoted directly or paraphrased. This applies to diagrams, statistical tables and the like, as well as to written material, and materials or information from Internet sources. To provide adequate and correct documentation is not only an indication of academic honesty but is also a courtesy, which enables the reader to consult these sources with ease. Failure to do so constitutes plagiarism. It will also be considered plagiarism and/or cheating if a student submits a term paper written in whole or in part by someone other than him/herself, or copies the answer or answers of another student in any test, examination, or take-home assignment. Plagiarism or any other form of cheating in examinations, or term tests (e.g., crib notes) is subject to serious academic penalty (e.g. suspension or expulsion from the faculty or university). A student found guilty of contributing to cheating in examinations or term assignments is also subject to serious academic penalty. Similarly, to copy, parts, or to reproduce everything from an artist’s individual artwork and pass them off as one’s own is also considered a form of plagiarism. When completing assignments or presenting work done in self-directed studio art projects, students should be avoiding this practice, since what is expected is that you will originate the ‘look or ‘style’ of the work from your own responses to the subject or ideas in question. To do otherwise, through the knowing use of printed or internet reproductions of published artists work would be academically dishonest, except in cases where to make direct copy was a requirements of the assignment by an instructor, or that your idea required such a response. In those cases it is clear as to the intent to copy and is a pubic aspect of the meaning of the work. Nov. 2011/ Permission to register in STDO 7300 Special Topics in Fine Art/Fillable/Version 2 Page 6