Frankenstein as a Gothic Fiction

Frankenstein as a Gothic Fiction
The term ‘Gothic’ is highly amorphous and open to diverse interpretations; it is suggestive of an uncanny atmosphere
of wilderness gloom and horror based on the supernatural. The weird and eerie atmosphere of the Gothic fiction was
derived from the Gothic architecture: castles, cathedrals, forts and monasteries with labyrinths of dark corridors, cellars
and tunnels which evoked the feelings of horror, wildness, suspense and gloom.
The haunted castles with secret passages, vaults and dark galleries full of terrible howling wind, which caused
thunderous noises of a mysterious nature aroused fear and terror in the minds of the readers as if they were trapped
within a graveyard. Belief in the supernatural, the magic and in the existence of spirits and ghosts have always haunted
In the Introduction to the 1831 edition of the novel, Mary Shelley informs the readers that the novel emerged from the
notorious ‘ghost story’ contest in which Mary, Percy Shelley, Lord Byron and Dr Polidori were involved. It was fine
weather at the Villa Diodati in Switzerland. It was decided that each one of them should write a ghost story for their
mutual amusement. However, she also tells us that it emerged from a long discussion between Percy Shelley and Lord
Byron concerning the ‘Principle of life’ which sharpened and gave rise to the mental vision. The scientific experiments
made by Darwin on the one hand and by Galvani and Giovanni Adini on the other considerably influenced Mary Shelley.
Thus, she had an enormous fund of written materials, including her father’s epoch-making CALEB WILLIAMS which
conceives of a Utopia where the presence of women is ruled out and that child would be produced by what he calls
‘social engineering’ and not by sexual intercourse.
There are many passages which evoke the feelings of fear and terror. Victor collecting bones in the charnel houses and
graves and working in his filthy workshop totally cut off from the rest of the habitation. He himself feels horror struck
when he looks at his own creation – the yellow skin which scarcely covered the muscles and arteries, watery eyes almost
of the same colour as the dun white sockets, shriveled complexion and black-lips. The gigantic figure he creates horrifies
the creator and he rushes out, tries to get sleep finds the monster looking at him; the very sight shocks him and he
rushes out to spend the entire night walking about in the courtyard down below. There is then the monster’s attempt to
coax the child William to befriend him and strangle him. Though the narratives come from the mouth of the Monster to
Victor and Victor to Walton, the effect is truly uncanny and eerie. The same feelings are evoked by the long chase by
Victor all through the wilds, hazardous terrains, then getting a sledge, exchanging it with another to pursue the monster
as he follows the words carved and engraved on the bark of the trees and on stones, and finally, getting trapped in the
ice. All such descriptions are suggestive of the Gothic.