COURSE SYLLABUS MUSI 1210, SECTIONS 101 AND 102 FALL 2015 DR. ERIK JANNERS, CONDUCTOR Meeting Time and Location - M/W/F from 3:30 – 4:50 p.m., Varsity Theatre Stage Instructor Contact Information Dr. Erik Janners Varsity Theatre, Room 016N 288-7125 erik.janners@marquette.edu OFFICE HOURS: MWF 2-3 pm, other times by appointment Course Description The Marquette University Wind Ensemble is a competitively-auditioned ensemble for upper level wind and percussion players, and provides a venue for students to participate in high-level performance of wind band repertoire. The ensemble also provides music for certain University functions. The Wind Ensemble is one of the two core ensembles from which the Marquette Pep Bands are drawn. Students may enroll in Wind Ensemble for 1 credit or for 0 credits, but they must be enrolled in order to be granted card access to the Varsity Theatre main doors, practice room area, and instrument storage area. Attendance Attendance at all rehearsals and performances is the general expectation for students participating in the Marquette University Wind Ensemble. Documented class conflicts will be accepted for the zero-credit participants. Other conflicts should be cleared with the Director on a case-by-case basis. The Director reserves the right to determine an individual’s eligibility to participate in any performance, based upon their attendance and ability to execute their parts. In addition to regular attendance at rehearsal and at all performances of the Wind Ensemble, each member is also required to attend a minimum of 5 events as a part of the Marquette Pep Band as a part of their grade for the fall semester for Wind Ensemble. More information will be available about this when we begin pep band rehearsals. Students who fail to attend at least 5 pep band events will receive a grade of “Incomplete” for Wind Ensemble for the semester. Attendance is tracked electronically through your MUID swipe cards. Every day when you arrive to rehearsal and depart from rehearsal it is your responsibility to swipe your card at the door in the basement of the Varsity Theatre, and again when you leave at the door in the basement. If you do not swipe you will not receive credit for attendance. We obtain an electronic record from public safety each week of the card swipes on that door, making our attendance tracking absolutely foolproof. What it means is that the responsibility for your grade and your attendance falls entirely on you – remembering to swipe in and out. If you should someday forget to swipe, you must contact both myself and the band secretary THAT SAME DAY via email. It must be via email so we have a written record of the communication. Any course conflicts should also be documented with the band secretary so that your attendance can be accurately tracked. Grading Students enrolled in Wind Ensemble for credit will be graded on the following criteria: attendance, attitude, improvement, and performance. It is the general expectation that students taking Symphonic Band for credit will be present at all rehearsals (excused absences for special circumstances will be allowed). Additionally, students enrolled for credit are expected to work diligently to improve their performance skills, to display a willingness to work during rehearsal and a generally positive attitude, and to be present at all performances. Additionally, as mentioned above in “Attendance,” all Wind Ensemble students are required to participate at a minimum of 5 pep band events for the fall semester as a part of their grade. Generally, students can expect to receive an excellent mark if they have perfect attendance at rehearsals and performances, display a positive attitude, and work hard. Any unexcused absence will have a strong negative impact on the grade. If the student must miss rehearsal for an unavoidable conflict, it is the responsibility of the student to communicate with the Director regarding the absence to resolve the situation. The rehearsal immediately prior to each concert is a REQUIRED dress rehearsal for all members of the Wind Ensemble. You must re-arrange any other commitments for this one rehearsal – it is the only rehearsal which I will not excuse anyone from. Failure to attend the required dress rehearsal will cause removal from the concert. Failure to attend any performance scheduled by the Marquette Wind Ensemble will result in automatic failure of the course. Rehearsal Etiquette - - You are expected to arrive 5 minutes prior to the start of rehearsal, at the latest, unless running from a class to rehearsal. Rehearsal begins at 3:30 promptly, and you are expected to be on stage with your instrument assembled at that time. Absolutely NO cell phones or text messaging during rehearsal. To text or play on your phone is rude in the extreme and totally unnecessary. Those caught doing so will be dealt with extremely harshly. Use good posture while playing at all times. Posture affects your ability to breathe, as well as your attitude. If asked to sit up straight, do so without giving any attitude. Rehearsal Philosophy The philosophy of the MU music program in general is to provide ensembles for students to perform in which will require a minimum of outside practice time. Our effort is to choose music for our ensembles which can be learned and perfected during rehearsal time. In the MU Wind Ensemble, I will be approaching rehearsal with the following points in mind: 1. The first 5-10 minutes of rehearsal are for tuning and warmup. These activities are extremely important to improving our sound, intonation, and ensemble tightness throughout the year. 2. Intonation is different than tuning. While tuning your instrument puts it generally in good tune with the rest of the group, intonation refers to specific pitches in relation to other pitches. Our tuning might be good in a given situation, but our intonation might be terrible. 3. Rhythm comes first! We must be able to play our music in the correct rhythm before issues of intonation, balance and blend can be addressed. When reading new music, get the rhythm correct first. 4. Rhythm-Intonation-Dynamics-Ensemble, or RIDE, is the order of approach to our music. First comes Rhythm, which includes articulations (the beginnings of notes) and releases (the endings of notes). After rhythm is perfected comes Intonation, the note-to-note pitch relationships that may be wrong even if your tuning is right. After intonation is Dynamics, including all extremes, crescendo and decrescendo. Finally comes Ensemble, which includes all of the above plus balancing voices, blending sounds, tone colors, rubato, and general polish. 5. You are expected to watch the conductor and be responsive to the baton or hand gestures in terms of articulation, tempo, dynamics, and releases. Responding to conducting gesture will be a part of the daily warmup. Pattern size should indicate dynamic level, and there are four basic articulations that you should be able to recognize in conducting: Legato – A smooth, flowing beat pattern Tenuto – A flowing beat pattern with a heavy baton that drags behind the hand Staccato – A beat pattern with quick, clear beats Marcato – A heavy beat pattern with a stop after each beat 6. Markings on your parts are there to help you learn the music more quickly and should be observed and used to help you. Common marks you will see include: Breath mark – this means to end a note earlier than notated and breathe prior to the next attack Crossed-out note – This means that this note should be omitted and should become a rest of the same value. Most often seen at the end of tied notes. Triangle – Used to show longer beats or note groupings in odd meter Single slash – Used to show shorter beats or note groupings in odd meter Emarq Usage In accordance with the University Official email usage policy, regular class information forwarded via the University emarq email system will be assumed to be received and read – communications are regularly sent via emarq, so make sure you are using it. Please follow the links on d2l to review the policy. Feel free to contact Dr. Janners with any questions. Academic Dishonesty In accordance with the high standards of excellence set forth by, and for, all members of the Marquette University community, the College of Communication finds it imperative that each student understand that the responsibilities associated with high standards of excellence include ensuring that all class work undertaken in this College is performed in an environment that promotes serious scholarship and moral rectitude. Therefore, the College herein delineates a zero-tolerance policy for acts of academic dishonesty. All acts of suspected academic dishonesty will be thoroughly investigated in a manner that is fair, timely, and efficient and done so in a manner that protects the rights of both the faculty member and the student. Any individual that is found to have committed an act of academic dishonesty may receive a penalty, up to and including expulsion from Marquette University. Special Needs Please inform the instructor during the first week of class if you have any conditions that may limit or affect your ability to participate in this course so that we can make necessary arrangements. You may also contact the Office of Student Educational Services (OSES), located in AMU 317 (288-3270) for additional information (see also: http://www.marquette.edu/oses/). Emergency Plan Every Marquette University campus building has emergency shelter and evacuation plans. Please familiarize yourself with the plans of each building in which you take classes or attend meetings. Make sure to note the routes to the lowest level of the buildings for shelter during inclement weather, as well as exits from the buildings in the event of fire or other emergency. Counseling Center Sometimes personal issues or health issues, such as depression, anxiety, stress, career uncertainty, and/or relationships, can interfere with your ability to function as a student. If you feel that this is happening to you, please contact the Counseling Center. The Counseling Center offers free, confidential counseling services for all full time students. For more information or to make an appointment, call 414-288-7172, or visit their website at www.marquette.edu/counseling. Performance Attire Men – Tuxedo (short coat) with black tie and cummerbund or vest Women – Black dress (below the knee) or pantsuit Tasteful personal jewelry is acceptable Fall Semester Performances and other events Holidays: Labor Day September 7 Fall Break October 22-25 Thanksgiving Break November 25-29 Pep Band: Men’s and Women’s Home Basketball Games Women’s Volleyball Matches Wind Ensemble Concert Dates: October 4 November 22 December 6 (Holiday) Wind Ensemble Concerts: Family Weekend (42 minutes) Sunday, October 4, 11 am, Varsity Theatre Xerxes – Mackey (5 minutes) Second Suite in F – Holst (11 minutes) Paris Sketches – Ellerby (16 minutes) Cartoon – Hart (10 minutes) Concert II – “Angels in the Architecture” (61 minutes) Sunday, November 22, 2 pm, Varsity Theatre Abram’s Pursuit – Holsinger (5 minutes) “La Vita” Symphony – Ito (19 minutes) Angels in the Architecture – Ticheli (15.5 minutes) Mystic Chords of Memory – Jager (9 minutes) Danzon No. 2 – Marquez (9.5 minutes) Zenyatta – Speck (3 minutes) Music Area Holiday Concert Sunday, December 6, 2 pm, Varsity Theatre Various Holiday Music/TBA Concert III – Guest Artist Adam Frey (59 minutes) Sunday, February 28, 2 pm, Varsity Theatre Rocky Point Holiday – Nelson (5 minutes) October – Whitacre (7 minutes) Piece of Mind – Wilson (20 minutes) Symphonic Variants – Curnow (19 minutes) Adam Frey, Euphonium Soloist Scootin’ on Hardrock – Holsinger (8 minutes) Concert IV – “Carmina Burana” (60 minutes) Sunday, April 17, 2 pm, Varsity Theatre Poet and Peasant Overture – von Suppe (10 minutes) Mars and Jupiter from “The Planets” – Holst (15 minutes) Toccata and Fugue in D minor – Bach (9 minutes) Carmina Burana – Orff (26 minutes)