Advanced Digitization: Creating Sustainable Collections Class # 3 | February 4, 2008 Paper ,materials, Photographs, Transparencies – Part 1 School of Information | UT @ Austin | Spring 2008 Digitization as Preservation (?) Why? •Increased accessibility •Increased functionality •Output capability to other media •Systematic and purposeful collaboration •Identification and selection of materials •Increased capture capability Because this is reality…(?) Digitization as Preservation Comparing to what other methods? • Microfilm facsimile • Printed facsimile • Digital facsimile 3 Digitization as Preservation What would we need? • Standards / Consensus • Best practices / Guidelines For: • Sustainable framework (repositories) • File formats / Scanners • Digital Preservation / Metadata 4 Characteristics / Perception • • • • • • • • Physical characteristics Visual perception Physical condition Handling Color representation Tonal representation (dynamic range) Detail representation How much is enough? 5 Best Practices 1 • Capture once at the highest possible/ required) level • Create a faithful archival master • Scan from 1st generation, if possible • Avoid proprietary formats • Gather appropriate metadata • Use appropriate equipment • Back up! Monitor! 6 Best Practices 2 • Calibrating the scanning device • Calibrating other processing components to the scanner (imaging software, monitor) • Control lighting conditions (consistent with those of production and post-processing) • Scan grayscale and color targets with each image 7 Best Practices 3 • Use a scanner for what it is meant to do • Should I go with a higher bit depth? • Save as _un-compressed_ TIFF with embedded color profiles • Create and maintain metadata for resource discovery and sustainability support 8 Metadata • • • • Descriptive (DC, VRA, CDWA, MODS) Technical (MIX, XMP, EXIF) Preservation (PREMIS) Wrapper for Descriptive, Administrative, and Structural (METS) • Think what is needed • Deal with what you have in hands and go from there 9 Capture Options • Bitonal • • One bit per pixel Best suited for high-contrast documents • Grayscale • • 8 or 16 bits per pixel (shades of gray) Best suited for continuous tone (b&w) documents (printed text with illustrations, photographs) • Color • • 24 or 48 bits per pixel Best suited for continuous tone (color) documents 10 Project Management • • • • • • • • (try to) Plan ahead Project scope – defining goals Integration – taking all players into account Budget – can we afford it? Purchasing – (appropriate) equipment Workflow – from capture to delivery Staffing – hiring, training Time management – deadlines, due dates - be realistic… 11 Project Management – Cont. • Quality Control / Assurance – making sure “it works” • Communication – with clients, vendors, staff members • Risk Management – anticipate potential failures and be prepared to address them • Sustainability – ‘Exit Strategy’ - ensuring on-going maintenance and preservation (the Utopia example) 12 Cost / Budgeting / Staffing • • • • • • • In-house / out-source / rent? Automation How much does it cost? (equipment, staff) Estimates…. Hiring staff, training, compensating… Grant proposal sample RFP (Request for Proposal) sample 13 Workflow Management • • • • • • • Accession / documentation / file naming Shared (virtual) working area (SharePoint) Assign X to Y Processing (scanning / conversion) Post-processing (QA/QC / derivatives) De-accession Archiving • SharePoint – Virtual Workspace • What is missing? • DAM (Digital Assets Management) 14 Workflow Sample 1 15 Workflow Sample 2 16