ENGLISH 1301 SYLLABUS
PART I: ENGLISH 1301 COURSE INFORMATION
Spring Semester 2012
When the student is ready, the teacher appears. (ancient proverb)
Know thyself. (inscribed on the Temple of Apollo, Delphi, Greece)
Explore thyself! / Therein thyself shalt find / The "Undiscovered Continent"—
(Emily Dickinson)
COURSE INFORMATON
Instructor
Name: Mr. Jeff Lindemann, English Professor, English and Education Department
West Loop Student Association Advisor
Office: West Loop: Office 221
Office hours:
Monday/Wednesday: 9:30 – 12:00, 1:00 – 2:00
Tuesday/Thursday: 3:30 – 4:30
Friday: 9:30 - 12:30 and by appointment
E-mail: Jeff.Lindemann@hccs.edu
Voice mail/office phone number: 713-718-8853
Learning Web address: http://learning.hccs.edu/faculty/jeff.lindemann
Textbooks/Website
You do not need to purchase textbooks for the English 1301 courses that I teach. I use
sample essays (most from the approved anthologies/readers for English 1301) that I have
found on the Internet through open access. Similar materials available in the approved
handbook for the Southwest College are also available online. I will also be
supplementing the course with handouts that I have created and other readings available
online. I have these materials posted on my Learning Web. Instead of the Little Brown
Handbook, we will be using
Capital Community College Guide to Grammar and Writing:
http://grammar.ccc.commnet.edu/grammar/
Diana Hacker Guide to Research and Documentation:
http://bcs.bedfordstmartins.com/resdoc5e/
Purdue University OWL (Online Writing Lab): http://owl.english.purdue.edu/owl/
If you wish to purchase The Little Brown Handbook you can purchase it at the Southwest
College bookstores or on Amazon.com.
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OTHER COURSE MATERIALS
 Paper for printing at home
 Three ring notebook for syllabus/course calendar and handouts that you print
 Jump drive to save (1) drafts of essays and (2) research documents (for Essay #4)
 A vivid imagination, self-discipline, persistence, and desire to learn and succeed!
ENGLISH 1301 COURSE DESCRIPTION
English 1301 is a course devoted to improving the student's writing and critical reading.
The course involves writing essays for a variety of purposes from personal to academic,
including the introduction to argumentation, critical analysis, and the use of sources.
English 1301 is a core curriculum course. Three credit hours (lecture).
DIAGNOSTIC ESSAY
All English 1301 students write a diagnostic essay during the first class session in order
to confirm their placement into English 1301. The essay will not be graded or returned
unless it must be used for placing a student into another English class. One goal of the
Houston Community College English Department is to place students in appropriate
English classes where they will learn and succeed.
ESSAY GRADE PERCENTAGES
Essay #1 (10%): Personal writing: Memory and Memoir (narrates and describes a
personal experience plus lesson, value, impression, significance, and/or commentary)
Essay #2 (10%): Expository essay: Exploration and Exposition (informs and explains
using observations on gender, race, class, body, and language and one’s construction of
identity)
Essay #3 (10%): In-class mid-term essay: A Sense of Place and a Sense of Self
(memoir and expository essay that narrates and informs/explains your response to a visit
at a Houston-area site: Historic Places and Sacred Spaces)
Essay #4 (30%): Researched argumentative/persuasive essay: Ethics and Issues
(argues and persuades on a relevant topic)
Essay #5 (20%): In-class final exam critical analysis (critiques and reviews an essay or
a short work of fiction)
Daily quiz average (20%): daily quizzes, research process checks, and peer critique
ENGLISH 1301 DEPARTMENTAL WRITING REQUIREMENT
English 1301 students are required to write 6,000 words by the end of the semester. This
word count includes creating activities, outlining, multiple rough drafts, and a final essay
of finished prose.
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GRADING SCALE
A = excellent (90-100): A+ = 100, A = 95, A- = 93
B = good (80-89): B+ = 88, B = 85, B- = 83
C = average (70-79): C+ = 78, C = 75, C- = 73
D = needs work (60-69): D+ = 68, D = 65, D- = 63
F = (0-59) Writing is unacceptable in the Houston business community. (Point value is
determined by what student submits.)
(Note: a grade of FX is an F due to excessive absences given at the end of the semester.)
OTHER ABBREVIATIONS
L = late (-10 points/ a letter grade)
R = no grade until revised (for a grade of 75)
P = plagiarized (0 for the assignment)
? = question about your essay—see me!
GRADING COMPONENTS
Content (earns most points)
Organization
Sentences
Diction (word choice)
Punctuation and mechanics
GRADING STANDARDS
1. Content
Highest Standard (A): Superior understanding of writing assignment. Strong sense of
purpose and audience. Insightful thesis supported with substantial, thorough, significant,
and meaningful content. Intelligently handled focused topic and depth of development.
This essay is distinctive because of originality and perceptiveness. Because of powerful
content, this essay produces strong reader interest.
2. Organization
Highest Standard (A): Excellent organizational plan related to thesis. Excellent use of
appropriate developmental strategies (any use of narration, description, examples,
definition, classification, and/or comparison/contrast). Excellent use of topic sentence
paragraphs with topic sentence, development, unity, and coherence. Excellent “framing”
with related introductory and concluding paragraphs. Organization might also include
excellent use of transition paragraphs to create essay coherence. Excellent title.
3. Sentences
Highest Standard (A): Sentences are artistically constructed. Excellent sentence variety
achieved adding a richness and sophistication to the essay. No major sentence errors of
fragment, comma splice, run-on, and/or awkward sentence. Correct and effective
modification and parallelism. No awkward of confusing sentences. Effective use of
intentional fragment (if used) for stylistic effect. Forceful sentence style: graceful yet
energetic. Polished, finished prose.
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4. Diction (word choice and usage) and Tone
Highest Standard (A): Excellent use of diction and tone. Diction for the essay is
distinctive and exhibits word form mastery. No clichés. Artistic use of figurative
language: metaphor, simile, personification, allusion, symbol, hyperbole, understatement.
Vivid imagery. Strong verbs. No errors in idiomatic language. Concrete and specific
language. No errors in subject-verb agreement, pronoun-antecedent agreement, pronoun
case, or pronoun reference. Tone is appropriate and complements the subject. Any switch
in tone is done carefully. Mature vocabulary. No misspelled words.
5. Punctuation, Capitalization, and Manuscript Mechanics
Highest Standard (A): Clarity and effectiveness of expression are promoted by effective
and consistent use of standard punctuation and capitalization. Attractive and correct
manuscript mechanics (margins, course information, placement of title, and headers).
NOTE ON MAJOR SENTENCE/GRAMMAR ERRORS
Major errors of fragment, comma splice, run-on, garbled sentence, and subject-verb
agreement cause you to lose valuable points. You have plenty of opportunity to edit these
errors during peer critique and through tutoring. However, this policy applies to the inclass essays as well. Since in-class essays are shorter (and have no opportunity for peer
critique and tutoring), you must use your editing time carefully.
ATTENDANCE POLICY
You want to attend all your classes! I take attendance every class session and note when
students arrive late or leave early.
Students who miss the first two days of class are automatically withdrawn (W). No
exceptions.
On most days I give a daily quiz at the beginning of class—so come to class on time and
prepared to participate.
Regular attendance is required at Houston Community College. HCC class policy states
that a student who is absent more than 12.5% (6 hours) of class may be administratively
dropped.
Students who have excessive absences (missed six hours) by the 12th class day will be
withdrawn (W).
Students who have excessive absences after the last day to drop (check youor course
calendar) will be assigned a grade of FX (failure due to excessive absences).
I cannot assign you a grade of W at the end of the semester. The W will be assigned by
our computer system based on your absences.
Coming in late or leaving early will constitute a tardy. I count all tardies toward your
allotted absences. For example, if you are fifteen minutes late, I will deduct fifteen
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minutes from your six hours of allotted absences. If you leave thirty minutes early, I
subtract the time you leave.
If you come in late, please see me at the end of the period so I can mark you on my roll.
If you need to leave early, please tell me at the beginning of class.
Students who intend to withdraw from the course must do so by the official last day
to drop. Students who prefer to receive an F rather than a W will need to attend classes
throughout the semester and take the final exam. In other words, you must earn your F!
WITHDRAWAL POLICY
The State of Texas has begun to impose penalties on students who drop courses
excessively. For example, if you repeat the same course more than twice, you have to pay
extra tuition. Beginning in the Fall of 2007, the Texas Legislature passed a law limiting
first time entering students to no more than six total course withdrawals throughout their
academic career in obtaining a certificate or baccalaureate degree. There may be future
penalties imposed.
If you do not withdraw before the last day to drop deadline, you will not receive a W.
You will receive the grade of FX (failure due to excessive absences).
You should visit with your instructor, an HCC counselor, or HCC Online Student
Services to learn what, if any, HCC interventions might be offered to assist you to stay
in class and improve your performance. Such interventions could include tutoring, child
care, financial aid, and job placement.
GRADES OF “I”
A grade of “I” is given for “incomplete.” An “I” is for emergencies only. You have one
semester to complete the missing work. If you do not complete the work within one
semester, the “I” becomes an “F.”
INTERNATIONAL STUDENTS
Receiving a “W” in a course may affect the status of your student visa. Once a “W” is
given for the course, it will not be changed to an “F” because of the visa consideration.
Please contact the International Student Office at 713-718-8520 if you have any questions
about your visa status and any other transfer issues.
STUDENT COURSE REINSTATEMENT POLICY
Students have a responsibility to arrange payment for their classes when they register,
either through cash, credit card, financial aid, or the installment plan. Students who are
dropped from their courses for non-payment of tuition and fees who request reinstatement
after the official date of record can be reinstated by making payment in full and paying an
additional $75.00 per course reinstatement fee. The academic dean may waive the
reinstatement fee upon determining that the student was dropped because of a college
error.
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HCC STUDENT EMAIL ACCOUNTS
All students who have registered and paid for courses at HCC automatically have an
HCC email account generated for them. Please go to http://www.hccs.edu/students/email/
to review how to activate and send email using this account. NOTE: You must use your
HCC email account when you want to contact the on-line tutors at Askonline.
SPECIAL CONDITIONS
Any student with a documented disability (e.g. physical, learning, psychiatric, vision,
hearing, etc.) who needs to arrange reasonable accommodations must contact the
Disability Services Office at the Southwest College at the beginning of each semester.
Professors are authorized to provide only the accommodations requested by the Disability
Support Services Office. Contact Dr. Becky Hauri at 713-780-7909.
FREE ENGLISH TUTORING
The Southwest College offers you numerous opportunities for free English tutoring at our
tutoring center (c-129) or our 24/7 AskOnline tutoring support services. Signs will be
posted once the HCC tutoring hours have been established. On-line tutoring services
include askonline.net and mycomplab.com. More information about the on-line services
will be available once the semester gets started.
OPEN COMPUTER LAB
You have free access to the Internet and word processing in the open computer lab on the
second floor of the West Loop Campus. Check on the door of the open computer lab for
hours of operation. You need a print card (purchased at the Cashiers Office) in order to
print. A print card is $2.00 (ten cents a page).
LIBRARY
You may check out books with your student ID card. The Library home page is <
http://library.hccs.edu/ >.
STUDENT ORGANIZATIONS
Organizations of interest to students taking English classes are Southwest Writers, Phi
Theta Kappa, Women’s Studies Club, and West Loop Student Association.
The Southwest Writers is a group of students who write and read their works (in a
public forum as well as on the Internet) and receive peer support and constructive
criticism. Students in this group create a supportive network to create poetry, fiction,
drama, and non-fiction prose. Contact advisors Dr. Christopher Dunn at
christopher.dunn@hccs.edu and/or Helen Jackson at helen.jackson@hccs.edu.
Phi Theta Kappa is the honor society of two-year colleges. Students must earn a 3.5
grade point average and accumulate 12 credit hours at HCCS. HCCS has an
internationally recognized chapter: Omega Sigma. Numerous transfer scholarships are
offered through this honors organization. Contacts are available at www.omegasigma.org
.
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The Women’s Studies Club meets each month and online to discuss the roles of women
and men in society and to investigate how sexual differences and cultural constructions of
gender may affect identity. The organization promotes awareness of gender issues on
campus, encourages research and discussion of gender issues, hosts prominent speakers
in the field, and serves the community. Faculty advisors are Ms. Marie Dybala
(marie.dybala@hccs.edu) and Iliana Loubser (iliana.loubser@hccs.edu)
The West Loop Student Association exists to improve campus life at the West Loop
Campus. Led by student officers, the Association meets to discuss and implement
programs and projects. Contact Jeff Lindemann, Faculty Advisor, at
jeff.lindemann@hccs.edu.
INCLEMENT WEATHER
During inclement weather conditions, monitor major local channels for updates on school
closings. If we have to cancel a class due to inclement weather, follow your course
calendar for reading and writing assignments.
LATE PAPER POLICY AND MAKE-UP EXAMS
All assignments are required to be submitted at the beginning of class the date they are
due. Due dates are posted on your syllabus and/or assignment page. Late papers will be
docked a letter grade (ten points) per week. No papers will be accepted more than a week
late. If you miss any in-class essays, contact me immediately to schedule a make-up
exam.
DAILY QUIZ GRADES
I give daily quizzes on a regular basis. Some of them are “pop” quizzes. They are usually
ten short multiple choice questions. No make-ups on daily quizzes! You can drop two
low or missed quiz grades the end of the semester. (Note: in three-hour class sessions and
in summer school, you might have two or more quizzes during one class session.)
USE OF CAMERAS OR RECORDING DEVICES
Use of recording devices, including camera phones and tape recorders, is prohibited in
classrooms, laboratories, faculty offices, and other locations where instruction, tutoring,
or testing occurs. These devices are also not allowed to be used in campus restrooms.
Students with disabilities who need to use a recording device as a reasonable
accommodation should contact the Office for Students with Disabilities for information
regarding reasonable accommodations.
SCHOLASTIC DISHONESTY
According to the current Student Handbook for the Houston Community College
System:
“Students are responsible for conducting themselves with honor and integrity in fulfilling
course requirements. Penalties and/or disciplinary proceedings may be initiated by
College System officials against a student accused of scholastic dishonesty. ‘Scholastic
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dishonesty’ includes, but is not limited to, cheating on a test, plagiarism, and collusion.”
Cheating on a test includes:
Copying from another student’s test paper;
Using materials during a test that are not authorized by the person giving the test;
Collaborating with another student during a test without authority;
Knowingly using, buying, selling, stealing, transporting, or soliciting in whole or part
the contents of an unadministered test; and/or
Bribing another person to obtain a test that is to be administered.
Plagiarism means the appropriation of another’s work and the unacknowledged
incorporation of that work in one’s own written work offered for credit.
Collusion means the unauthorized collaboration with another person in preparing written
work offered for credit” (34-35).
Please note the possible consequences of such dishonesty, as stated in the Student
Handbook: Possible punishments for academic dishonesty may include a grade of “0” or
“F” for the particular assignment, failure in the course, and/or recommendation for
probation or dismissal from the College System (35).
ACADEMIC DISHONESTY POLICY
Plagiarized papers or projects will receive a grade of “0” (zero). No exceptions.
Cheating or collusion will also result in a grade of “0” (zero) on that paper or project.
Plagiarism or collusion on a second major assignment will result in a zero in the course.
Students need to be aware that the instructor will be utilizing plagiarism software and
internet sources to check student work for potential plagiarism. This will be discussed in
more detail during class lecture.
MY COURSE POLICIES
Together we must create a supportive and positive learning environment for everyone in
class. I am asking you to please respect these policies:
1. Please come to class on time. Time missed before class is subtracted from the 12.5%
attendance policy. Leaving class early or arriving late also results in time subtracted from
the 12.5% attendance policy.
2. Sorry! No sleeping or heads on desks permitted. If you fall asleep, I’ll wake you up by
tapping on your desk.
3. Please do not ever ask, “Are we doing anything important in class today?” The answer
always is “Yes! We are!”
4. If you must leave early, please tell me before class starts.
5. No food allowed in class. Beverages are fine. Please throw away trash at end of the
class session.
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6. I dismiss class ten-fifteen minutes early so you can take a break before another class;
therefore, do not pack books before I dismiss class.
7. Please do not chat with class colleagues during discussion. Let us listen to what our
class members have to contribute.
8. Do not bring small children to class.
9. An 89.4 average at the end of the semester is a B. A 79.4 average at the end of the
semester is a C.
10. The time to discuss an essay grade is after it is returned, not at the end of the
semester.
11. The out-of-class essays (mid-term and final) must be typed. The in-class essays will
be typed in the computer lab or library classroom.
12. If for some reason, I am more than fifteen minutes late, class is dismissed. Follow
your course calendar and complete any assignments for the next session.
13. When you email me, please use correct English (and not text message English).
Proofread your message. Use correct grammar, punctuation, and spelling. Do not send a
message such as “Can’t b in class 2day have to pay fine b4 car taken away pleze snd any
signment.”
14. Save an electronic copy of out-of-class essays and the final draft of your
argumentative/persuasive research paper.
15. The HCC Southwest English Department believes that a turn-around time in grading
a set of essays should be no more than two weeks.
16. Essays #1 (childhood and family memoir) and #2 (expository essay on gender)
require peer critique sessions in class. We gather in groups of three and exchange rough
drafts. On these days, you need to come to class with three copies of your rough draft.
You participation is worth a 100 for a daily quiz grade providing you have a draft of 750
words. Shorter drafts will receive grades based on the percentage of the draft you bring.
If you are absent on a peer critique day, you receive a “0” for the daily quiz grade with no
opportunity to make up that grade.
17. If you come in late, please see me after class so I can mark you on my roll.
18. If you come in late and miss the daily quiz, you cannot take it. You can count it as
one of the two daily quiz grades you can drop at the end of the semester.
19. You must be making a passing grade in order for me to write you a letter of
recommendation during the semester. You must have made a passing grade in the course
in order for me to write you a letter of recommendation after the semester ends. I do not
write “last minute” letters of recommendation. I need two weeks’ notice to write you a
thoughtful letter and place it on HCC stationary.
20. Good learning attitude, cooperative demeanor, and courteous behavior all go a long
way with me!
Electronics Policies
1. Turn off and put away all cell phones, beepers, text-messaging devices and other
electronic devices when class starts. The sounds of cell phones ringing during class
are disruptive to me and other students.
2 Students should not leave the class to make a call or answer one (or worse—answer a
call in class).
3. No cell phones permitted on top of desks.
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4. No Bluetooth devices in ears allowed during class.
5. No MP3 players or other music devices with earphones allowed during class.
6. No laptops open during class (except by permission).
7. You can answer your calls and make calls before or after your English class!
8. If you have an impending emergency and need to keep an electronics device turned
on, I would like to know as soon as class starts.
Policies for Courses I Teach in the Writing Lab (C-129/West Loop Campus)
1. Log in to your own HCC Active Directory (AD) account and be sure to log out before
you leave class (so no one else will have access to your account).
2. No food or beverages (except water) permitted in the writing lab.
3. Do not view personal email or surf the web during class. If you are reading email and
web surfing, you are obviously not engaged in the class session.
4. Absolutely no viewing of pornography. Remember you are logged on with your
personal ID number.
5. Do not change screen savers.
6. Do not print until it is time to print! I keep the tray open during lecture and
discussion.
7. Do not print materials for other classes. Printing is reserved only for English 1301
and 1302 class materials.
8. Make sure to take your jump drive with you after class.
Consequences for Violating Electronics Policies
I view the use of personal electronic devices during class to be a distraction of the normal
educational process and a failure on your part to abide by basic and reasonable standards
of classroom conduct. If you are text messaging to someone during class, you are
obviously not engaged in the classroom experience.
If I have to ask you to put away a cell phone, text messaging device, or other electronic
communications device, then you will have disrupted the class, and I, as the instructor,
will ask you to leave that day’s class session. (If you have been asked to leave class and
subsequently miss a daily quiz, you may not make up that daily quiz.)
If you refuse to leave the classroom voluntarily, I will call campus security. (The
consequences for violating my class policies are backed by the Student Conduct section
of the Student Handbook.)
FACULTY EVALUATION (EGLS3 -- Evaluation for Greater Learning Student Survey
System)
At Houston Community College, professors believe that thoughtful student feedback is
necessary to improve teaching and learning. During a designated time, you will be asked
to answer a short online survey of research-based questions related to instruction. The
anonymous results of the survey will be made available to your professors and division
chairs for continual improvement of instruction after the semester has ended. Look for the
survey as part of the Houston Community College Student System online near the end of
the term.
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Meningitis Immunization Now Required
Texas Senate Bill 1107 passed in May 2011, requires that new HCC students and former
HCC students returning after an absence of at least one fall or spring semester who are
under the age of 30 are required to present a physician-signed certificate showing they
have been vaccinated against bacterial meningitis. Beginning with Spring registration,
November 7, students will have to satisfy this requirement prior to enrollment. For more
information and a list of exemptions please go to
http://www.hccs.edu/hccs/admissions-registration-center/new-student-generaladmissions-steps/submit-meningitis-documentation
COURSE DESCRIPTION, PURPOSE, OBJECTIVES, AND SLOs
MISSION STATEMENT OF THE ENGLISH DEPARTMENT
The purpose of the English Department is to provide courses that transfer to four-year colleges;
introduce students to literature from diverse traditions; prepare students to write clear,
communicative, well-organized, and detailed prose; and develop students’ reading, writing, and
analytical skills.
COURSE PURPOSE
English 1301 is designed to help students write multi-paragraph expository, analytical, and
argumentative essays that have the following qualities:
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clarity in purpose and expression,
appropriate and sensible organization,
sound content, including applications of concepts from and references to assigned readings,
completeness in development,
unity and coherence,
appropriate strategies of development,
sensitivity to audience
effective choice of words and sentence patterns,
grammatical and mechanical correctness, and
appropriate MLA citation format.
STUDENT LEARNING OUTCOMES (SLOs) FOR ENGLISH 1301
1. Demonstrate knowledge of writing as a process
2. Apply basic principles of critical thinking in analyzing reading selections, developing
expository essays, and writing argumentative essays.
3. Analyze elements such as purpose, audience, tone, style, and strategy in essays and/or
literature by professional writers.
4. Write essays in appropriate academic writing style using varied rhetorical strategies.
5. Synthesize concepts from and use references to assigned readings in their own academic
writing.
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EXEMPLARY EDUCATIONAL OBJECTIVES
 To understand and demonstrate writing and speaking processes through invention,
organization, drafting, revising, editing, and presenting.
 To understand the importance of specifying audience and purpose and to select appropriate
communication choices.
 To understand and appropriately apply modes of expression (descriptive, expositive,
narrative, scientific, and self-expressive)
 To participate effectively in groups with emphasis on listening, critical and reflective
thinking, and responding.
 To understand and apply basic principles of critical thinking, problem solving, and technical
proficiency in the development of exposition and argument.
 To develop the ability to research and write a documented paper and/or to give an oral
presentation.
EDUCATIONAL COMPETENCIES IN HCCS CORE CURRICULUM
Reading: Reading material at the college level means having the ability to analyze and interpret
a variety of printed materials--books, articles, and documents.
Writing: Writing at the college level means having the ability to produce clear, correct, and
coherent prose adapted to purpose, occasion, and audience. In addition to knowing correct
grammar, spelling and punctuation, students should also become familiar with the writing
process, including how to discover a topic, how to develop and organize it, and how to phrase it
effectively for their audience. These abilities are acquired through practice and reflection.
Speaking: Effective speaking is the ability to communicate orally in clear, coherent, and
persuasive language appropriate to purpose, occasion, and audience.
Listening: Listening at the college level means the ability to analyze and interpret various forms
of spoken communication.
Critical Thinking: Critical thinking embraces methods for applying both qualitative and
quantitative skills analytically and creatively to subject matter in order to construct alternative
strategies. Problem solving is one of the applications of critical thinking used to address an
identified task.
Computer Literacy: Computer literacy at the college level means having the ability to use
computer-based technology in communicating, solving problems, and acquiring information.
Core-educated students should have an understanding of the limits, problems, and possibilities
associated with the use of technology and should have the tools necessary to evaluate and learn
new technologies as they become available.
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PART II of SYLLABUS: ENGLISH 1301 STUDENT CALENDAR
Fifteen Weeks for 29 Sessions (plus a final exam session)
Tuesday/Thursday
Spring 2012
The journey is just as important as the arrival. (ancient proverb)
NOTE: The class agenda items listed under the session number indicate the topics to be
covered in class that day. The items in the assignment section constitute the homework to be
completed for the next class session.
WEEK ONE
SESSION #1 (Tuesday, January 17th)
 Brief Introduction to English 1301
 Proof of registration (official class roster)
 Diagnostic essay (brief writing sample) written in class
Assignment for Session #2: Explore our English 1301 Learning Web at
http://learning.hccs.edu/faculty/jeff.lindemann. Note the various locations to visit for Essay #3
by noting the handout: “List of Houston Area Sites.”
SESSION #2 (Thursday, January 19th )
 Introduction to English 1301 (continued in greater detail)
 Course description, purpose, objectives, grades, and class policies
Assignment for Session #3: Read Introduction to Essay #1 Read William Zinsser’s excerpt from
How to Write a Memoir: “On Memoir, Truth, and Writing Well.” Read Saira Shah’s “The
Storyteller’s Daughter.” Read brief biography of Langston Hughes. Read Langston Hughes’
“Salvation.” Read the Reading Guide questions on “Salvation.” Be prepared for a daily quiz on
“Salvation.”
WEEK TWO
SESSION #3 (Tuesday, January 24th)
 Overview of stages in writing as process
 Stage 1: Assessing the writing situation: Purpose, audience, tone
 Introduction to Essay #1: Memory and Memoir
 Writing purposes: Reflecting and expressing
 Writing strategy: Narration
 Critical reading/Forming critical perspectives
 Critical analysis/discussion of Langston Hughes’ “Salvation”
 Brief review of phrases and simple sentences (and avoiding phrase fragments)
 Sentence style: Intentional fragments for stylistic effect
Assignment for Session #4: Brainstorm a list of five (or more) personal experiences as possible
topics for Essay #1 and bring this list to the next session. Focus on experiences that involved
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conflict. Read “Description” (LW). Read Annie Dillard’s “The Chase.” Study “Reading Guide”
on “The Chase.” Be prepared for quiz. Read “Freewriting” on CCC.
SESSION #4 (Thursday, January 26th)
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Brainstormed list due
Brief review of compound sentences (and avoiding run-on and comma-spliced sentences)
Stage 2 of writing process: Developing your ideas (freewriting)
Stage 3 of writing process: Planning your essay (thesis, strategies, and optional rough
draft outline)
 Writing strategy: Description (imagery, vivid diction, figurative language)
 Using correct modification (and avoiding dangling modifier, misplaced modifier)
 Critical analysis/discussion of Annie Dillard’s “The Chase”
Assignment for Session #5: Make notes on your planning page. You can download the planning
page from our Learning Web. Your planning page is due next session. (LW).
WEEK THREE
SESSION #5 (Tuesday, January 31st )
 Planning Page is due (purpose, audience, tone, strategy, and tentative thesis)
 Stage 4 of writing process: Drafting your essay
 Landing an egg on the Moon
Assignment for Session #6: Read “Dialog” (LW). Read George Orwell’s “Shooting an
Elephant.” Be prepared for a daily quiz. Begin rough draft of Essay #1.
SESSION #6 (Thursday, February 2nd )
 Complex sentences (and avoiding dependent clause fragments)
 Compound-complex sentence
 Achieving sentence parallelism
 Using dialog
 Titling your essay
 Critical analysis/discussion of George Orwell’s “Shooting an Elephant”
 Stage 5: Revising your essay
 Conduct a peer critique session
 Manuscript mechanics (course info, headers, margins)
Assignment for Session #7: Complete a typed draft (double spaced) and bring three copies for a
peer critique session. Your three copies and participation in the peer critique session count as a
daily quiz grade of 100.
WEEK FOUR
SESSION #7 (Tuesday, February 7th)
 Peer critique session for Essay #1 (groups of three)
Assignment for Session #8: Read “Editing Your Essay” and “Proofreading Your Essay” in
“Writing as Process” (LW). Edit and proofread your essay. Complete Essay #1 and have it ready
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to submit on the next class session (final draft on top, list of possible topics, freewriting and any
other creating activities, planning page, rough draft(s), and self/peer critique response page).
SESSION #8 (Thursday, February 9th )




Essay #1 is due at beginning of the period
Introduction to Essay #2/Assessing the writing project: Exploration and Exposition
Writing purposes: Informing and explaining (the expository essay)
Introduction to writing strategies: Example, definition, comparison/contrast,
classification, and process
Assignment for Session #9: Read essay on gender and identity: Leslie Marmon Silko’s “In the
Combat Zone.” Be prepared for a daily quiz. Review “Agreement: Subject-Verb” on CCC and
do practice interactive quizzes. Read CCC on “Clustering.”
WEEK FIVE
SESSION #9 (Tuesday, February 14th)




Developing ideas (creating activity): Clustering
The topic sentence paragraph: Paragraph development
Brief review of subject-verb agreement
Critical analysis/discussion of essay dealing with gender and identity: “In the Combat
Zone”
Assignment for Session #10: Read CCC on “Agreement: Pronoun-Antecedent” and do practice
quizzes. Read essays on race/ethnicity and identity: Brent Staples’ “Black Men and Public
Spaces” and Jhumpa Lahiri’s “My Two Lives.”
SESSION #10 (Thursday, February 16th)



Brief review of pronoun-antecedent agreement
The topic sentence paragraph: Paragraph unity
Critical analysis/discussion of essays dealing with race/ethnicity and identity: “Black
Men and Public Spaces” and “My Two Lives.”
Assignment for Session #11: Read essays and song on class and identity: Alfred Lubrano’s
“Blue Collar Roots, White Collar Dreams” and Scott Russell Sanders’ “The Men We Carry in
Our Minds.” Be prepared for a daily quiz on the two assigned essays. Complete your planning
page and bring it to the next class session. Begin working on your rough draft of Essay #2.
WEEK SIX
SESSION #11 (Tuesday, February 21st)




Planning page is due (I want to hear your tentative thesis.)
Brief review of pronoun case
The Topic sentence paragraph: Coherence
Critical analysis/discussion of essays dealing with class and identity: “Blue Collar Roots,
White Collar Dreams” and “The Men We Carry in Our Minds.”
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Assignment for Session #12: Read Nancy Mairs’ “On Being a Cripple,” Alice Walker’s
“Beauty: When the Other Dancer Is the Self,” and Rachel Remen’s “Remembering.” Continue
working on your rough draft of Essay #2.
SESSION #12 (Thursday, February 23rd)



Brief review of pronoun reference
Special kinds of paragraphs (introductory, concluding, transitional, other)
Critical analysis/discussion of essays dealing with body and identity: “On Being a
Cripple,” “Beauty: When the Other Dancer Is the Self,” and “Remembering”
Assignment for Session #13: Read Amy Tan’s “Mother Tongue,” and Gloria Anzaldua’s “How
to Tame a Wild Tongue.” Continue working on your rough draft of Essay #2.
WEEK SEVEN
SESSION #13 (Tuesday, February 28th)


Brief review of writing Essay #2
Critical analysis/discussion of essays dealing with language and identity: “Mother
Tongue” and “How to Tame a Wild Tongue”
Assignment for Session #14: Complete rough draft of Essay #2 and bring three typed, double
spaced copies for critique on Session #14. Your three copies and participation in peer critique
count as a daily quiz grade of 100.
SESSION #14 (Thursday, March 1st)
 Peer critique of Essay #2
Assignment for Session #15: Complete final draft of Essay #2 and have it ready to submit on the
next class session (final draft on top, listing, freewriting, clustering, planning page, optional
outline, rough draft(s), and self/peer critique response page).
WEEK EIGHT
SESSION #15 (Tuesday, March 6th)
 Essay #2 is due at beginning of class
 Introduction to Essay #3: A Sense of Place and a Sense of Self
 List of Houston-area sites for site visit
 Notes on visiting your site
 Effective diction
 Critical analysis/discussion of “Walking into Horror” (in class)
Assignment for Session #16: Read Henry Louis Gates’ “Rope Burn.” Be ready for daily quiz.
Consider five possible sites for your visit. Bring your list to class.
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SESSION #16 (Thursday, March 8th)
 Effective diction, continued
 Critical analysis/discussion of “Rope Burn”
 Sample student essay: “Sylvia Hererra’s “Whose Story?”
Assignment for Session #17: Make your site visit over the spring break if you have not already
done so. Prepare for in-class mid-term essay. Be sure to purchase a print card at the Cashier’s
Desk.
SPRING BREAK (March 12th - 18th)
(Reminder: Over Spring Break, make your site visit for Essay #3.)
WEEK NINE
SESSION #17 (Tuesday, March 20th)
 Effective diction, continued
 Critical analysis/discussion of “Rope Burn”
 Sample student essay: “Sylvia Hererra’s “Whose Story?”
Assignment for Session #18:
SESSION #18 (Thursday, March 22nd)
 In-class Essay (Essay #3: Mid-Term Essay) on A Sense of Place and a Sense of Self
Assignment for Session #19: Read “Critical Reading” under “Essay #4” on Learning Web. Read
Gore Vidal’s “Drugs” under “Essay #4.” Be prepared for a daily quiz on “Drugs.”
WEEK TEN
SESSION #19 (Tuesday, March 27th)
 Introduction to Essay #4: Argumentative/persuasive research paper
 Research paper schedule
 Argumentative strategies: Reasons, concessions, and refutations
 Reading arguments critically
 Critical analysis/discussion of Gore Vidal’s “Drugs”
Assignment for Session #20: Purchase (or recycle) a pocketed paper folder for your research
paper project. Make a list of five (or more) topics that are of significant interest to you. Bring
your list to the next class session. Narrow your list of topics down to one (or two) possibilities
for your argumentative/ persuasive research paper. Read Adam Gopnik’s “Shootings.” Be ready
for a daily quiz. Locate at least two sources (one for and one against your stance) on your topic.
Bring these sources to next class session.
SESSION #20 (Thursday, March 29th)

Considering sources and search strategies (books, journals, magazines, newspapers,
databases, Internet, interviews)
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 Finding sources in the library and on databases
 Evaluating Internet sources
 Outlining and organizing your essay (plus formal topic outline formatting)
 Critical analysis of Adam Gopkik’s “Shootings”
Assignment for Session #21: Bring copies of your sources in paper pocketed folder to next
session. Work on your research proposal and bring research proposal to next class session.
Remember, at this point your thesis is tentative.
WEEK ELEVEN
SESSION #21 (Tuesday, April 3rd)
 Today we meet in the library!
 Folder with at least two sources (for and against) on your topic due at end of period
 Research proposal due
 Library Orientation
Assignment for Session #22: Continue research project. Begin outlining. Read Roger Sipher’s
“So Nobody Has to Go to School if They Don’t Want To.” Read sample research paper in Diana
Hacker Guide to Research and Documentation: “On-Line Monitoring: A Threat to Employee
Privacy in the Workplace”:
http://bcs.bedfordstmartins.com/resdoc5e/pdf/Hacker-Orlov-MLA.pdf
SESSION #22 (Thursday, April 5th)


Analysis of sample argumentative/persuasive researched essay (in Diana Hacker)
Using sources correctly and effectively: Incorporation of facts and statistics, direct
quotes, paraphrases, and summaries
 MLA documentation: In-text and works cited page
 Avoiding plagiarism
Assignment for Session #23: Read Martin Luther King’s “I Have a Dream” and Barbara
Huttmann’s “A Crime of Compassion.” Be ready for a daily quiz on assigned essays. Work on
your rough draft outline that reflects your argumentative structure of your essay. Put your
research question and tentative thesis at the top of your rough draft outline. Bring your rough
draft outline to the next class session. Begin your rough draft. Incorporate your sources as facts
and statistics, direct quotes, paraphrases, and/or summaries.
WEEK TWELVE
SESSION #23 (Tuesday, April 10th)




Rough draft outline due (with research question/problem/controversy and tentative thesis)
Persuasive style: Selection of details, sentences, diction, tone
Critical analysis/discussion of “I Have a Dream” and “A Crime of Compassion”
Review of argumentative/persuasive research project
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Assignment for Session #24: Prepare your folder for a research check and bring folder to the
next class session. (Bring list of topics, copies of sources, rough draft outline, rough draft, draft
of works cited page.)
SESSION #24 (Thursday, April 12th)
 In-class research paper check
 Rough draft due
 Self-critique of rough draft
 Final checklist for research paper project
 Strategies for giving an oral report
Assignment for Session #25: Complete your research paper project and have it ready to submit
at the beginning of the next class session. Be ready to give your five minute oral report.
WEEK THIRTEEN
SESSION #25 (Tuesday, April 17th)
 Research paper is due!
 Introduction to Essay #5: Critical Analysis
 Oral reports (five minutes each)
Assignment for Session #26: Read “So That Nobody Has to Go to School if They Don’t Want
To.” Prepare for your oral report.
SESSION #26 (Thursday, April 19th)

Critical analysis/discussion of “So That Nobody Has to Go to School if They Don’t Want
To”
 Oral reports, continued
Assignment for Session #27: Read Michael Levin’s “A Case for Torture” and Marzieh Ghiasi’s
“A Case for Torture.” Prepare for your oral report.
WEEK FOURTEEN
SESSION #27 (Tuesday, April 24th)


Oral reports, continued
Critical analysis/discussion of Michael Levin’s “A Case for Torture” and Marzieh
Ghiasi’s “A Case for Torture”
 Organizing/writing the critical analysis
Assignment for Session #28: Review notes on the critical analysis for the final exam essay.
Prepare for your oral report.
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SESSION #28 (Thursday, April 26th)
 Oral reports, continued
Assignment for Session #29: Review notes on the critical analysis for the final exam essay. Your
final is an on-the-spot critical analysis essay that you write on a short argumentative essay or a
short work of fiction that I will distribute on the day of the final.
WEEK FIFTEEN
SESSION #29 (Tuesday, May 1st )
 Oral reports, continued
Assignment for Final Exam: Review the critical analysis for final exam essay. Your final is an
on-the-spot critical analysis essay that you write on a short argumentative/persuasive essay or
short work of fiction that I will distribute on the final exam date.
SESSION #30 (Thursday, May 3rd)
 Oral reports, continued
Assignment for Final Exam: Review the critical analysis for final exam essay. Your final is an
on-the-spot critical analysis essay that you write on a short argumentative/persuasive essay or
short work of fiction that I will distribute on the final exam date.
WEEK SIXTEEN (Final Exam Week: No classes—only exams!)
Final Exam Session for English 1301:

Essay #5: In-class critical analysis
9:30 – 11:00 class meets on Tuesday, May 8th
12:30 – 2:00 class meets on Thursday, May 10th
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