Audio Products
for Professionals
2016 All Products Catalog
HAL System
2-14
Automixers14
Mongoose Network Audio 15
Paging Processors
16-17
Distribution Amplifiers
19
Mic & Line Mixers
18-19
Compressors & Gates
20
Graphic Equalizers
21
Audio Delay
22
22
Headphone Amplifier
Isolation Transformer
22
Multichannel Amplifiers
23
DJ Mixers
24-38
Serato DJ
28-37
HAL System
Introduction
HAL is more than just another DSP drag-and-drop system. It has revolutionized
system design and installation.
HAL is an expert in room combining, paging and distributed audio systems. This
groundbreaking architecture is dimensions beyond any solution in any industry. HAL
easily guides even novice users through what used to be complex tasks in just minutes.
No intricate matrix mixing or presets are required for room combining and paging. No
virtual wiring is required to distribute pages and background music to multiple, even
hundreds of zones.
Seamlessly interface HAL to your application with web controls and/or a broad
variety of peripheral devices including smart Digital Remotes, a 7-inch programmable
touchscreen, Remote Audio Devices (RADs), portable or rack automixers, audio
I/O, Dante, and logic expansion devices, wall sensors, ambient sensing mics, and
an advanced Paging Station. Control HAL functions from a web browser in any
smartphone, computer or tablet – including iPads, iPhones, Androids, Samsung, etc.
The Event Manager can automate HAL's DSP using dates and times.
In addition, the HAL Multiprocessor and Halogen™ software check the status,
location, CAT 5 wiring integrity, and that audio is flowing in all peripheral devices, so you
know your system is properly connected and ready to go. Does your DSP troubleshoot
the cable install for you and offer a “Get on the Plane” indicator that shows you that the
installers have truly finished their job? It should.
Halogen software includes Ethernet control support for third-party control systems
such as AMX®, Crestron® and Stardraw Control™, including well-documented examples.
Standard TCP/IP set and get ASCII text messages control levels, selectors, presets and
toggle software actions. Since the same Halogen software code runs on both Windows®
and within HAL hardware, third-party control developers can test all their code using
only the Halogen Windows software. Use only software for complete system design
and validation. Buy the hardware only when the install date arrives and completely skip
needing it early solely for control system programming verification.
Analog audio has always offered “plug it in, it works!” functionality. With HAL’s
modern DSP system, finally digital audio offers “plug it in, it works”. Without IP anything,
without DHCP servers, without unblocking ports, without firmware mismatches, without
hours (or days?) of bad cable termination or swapped cable-pull troubleshooting, and
other troubles caused by Ethernet and other supposedly modern digital audio and
control transports.
Four HAL multiprocessors provide various audio I/O and control options for both
large and small installations.
„„ HAL1x supports 16 in x 16 out audio, which may be increased up to 528 in x 528
out by adding up to 32 daisy-chained Expanders to a single HAL1x. Add a few to
hundreds of more mic inputs with AM Automixers.
„„ HAL2 supports 18 in x 18 out audio, of which 2 x 2 are via AES3 on XLR connections.
„„ HAL3s supports 6 in x 10 out audio. The 2 “Mic/Line-Plus” Inputs accept balanced,
or unbalanced left/right monoed.
„„ HAL4 supports 2 in x 2 out audio. The 2 “Mic/Line-Plus” Inputs accept balanced, or
unbalanced left/right monoed.
Download Halogen and design a system now!
rane.com/hal
Applications, installations and solutions are at
blog.rane.com
2
HAL System
HAL1x Expansion Bus Supports 32 Daisy-chained EXPs in Any Combination
• Connects with shielded CAT 5e (or better) cable and RJ-45s; Maximum distance between units = 100 meters (300 feet).
• Supports Gigabit Ethernet Media Converters: Multimode max = 2 km (1.2 miles); Singlemode max = 12 km (7.5 miles).
HAL1x Multiprocessor
Analog Mic / Line Inputs 8
• 16 in x 16 out - 8x8 analog & 8x8 digital (RAD ports).
• Up to 4 RADs (without EXP1x), up to 260 RADs (with 32 EXP1s).
• Up to 12 Digital Remotes (without EXPs), up to 268 (with EXPs).
• Four logic inputs, Two relay outputs (more with DR4 or DR5).
1
2
3
4
5
6
7
8
1
8 Analog Line Outputs
Digital RAD Port Inputs 8
8 Digital RAD Port Outputs
Digital Expansion into HAL1x 512
512 Digital Expansion from HAL1x
Total in the HAL1x DSP Brain 528 528
Inputs
Outputs
2
3
4
5
6
7
8
ENABLED
OVERLOAD
DIGITAL REMOTES
SIGNAL
MIC / LINE INPUTS
HAL1x
1
IN
1
2
3
4
5
6
7
8
OVERLOAD
OVERLOAD
SIGNAL
SIGNAL
ENABLED
OUT
2
IN
OUT
3
IN
OUT
4
IN
OUT
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
LINE OUTPUTS
DIGITAL REMOTES
REMOTE AUDIO DEVICES
4
8
7
6
5
4
3
2
3
2
1
2
RELAY OUT
C NC NO C NC NO
1
1
POWER
EXPANSION
BUS
ETHERNET
8
+
–
LOGIC IN
+
8
+
G 4 3 2 1 G
FAULT
LINK
REMOTE AUDIO DEVICES
HAL1X
–
+
7
–
+
7
–
+
HEURISTIC
AUDIO
LABORATORY
Daisy-chain
upLOCATE
to 32 EXPanders
LINK
COMM
6
–
6
–
+
MIC / LINE INPUTS
5
4
+
–
+
–
LINE OUTPUTS
5
4
–
+
–
STATUS
3
+
–
+
3
+
–
+
2
–
1
+
2
–
–
1
+
–
RANE CORPORATION
EXPANSION BUS
ETHERNET
100-240 V
50/60 Hz 55 WATTS
DIGITAL REMOTES
8
LINK
SHIELDED CAT5e OR BETTER
7
6
5
REMOTE AUDIO DEVICES & DRs
4
3
2
1
4
24 VDC @ 50 mA
CLASS 2 WIRING
3
2
1
24 VDC @ 100 mA
Daisy-chain up to 32 Expanders with the Expansion Bus (in red).
1
IN
REMOTE
AUDIO
DEVICES
OVERLOAD
SIGNAL
ENABLED
OUT
2
IN
OUT
3
IN
OUT
4
IN
OUT
5
IN
OUT
6
IN
OUT
7
IN
OUT
8
IN
OUT
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
EXP1x RAD Expander for HAL1x
• Adds 16 in x 16 out digital (8 more RAD ports) to HAL1x.
• Up to 8 Digital Remotes or RADs in any combination.
• Chain up to 32 EXP1x units to a HAL1x for 512 in x 512 out.
Digital RAD Port Inputs 16
REMOTE AUDIO DEVICES
100-240 V
50/60 Hz 35 WATTS
LOCATE
STATUS
EXP1x
POWER
More Inputs
EXP1X
LINK
EXPANSION
BUS
REMOTE AUDIO
EXPANSION
More Outputs
16 Digital RAD Port Outputs
EXPANSION BUS
REMOTE AUDIO DEVICES & DRs
8
SHIELDED CAT 5e OR BETTER
7
6
CLASS 2 WIRING
5
4
3
2
1
24 VDC @ 100 mA
• More Expanders for the HAL1x are on the next page...
3
HAL Comparison
Sound & Video Contractor Magazine 2014 InfoComm Best Of Show Award Winner
SIGNAL
RX
ACTIVE
1
2
3
4
5
6
7
8
SIGNAL
RX
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
TX
ACTIVE
25
26
27
28
29
30
31
EXP2x
32
EXP2x Dante Expander for HAL1x
More Inputs
32 Outputs to Dante network
EXPANSION BUS
EXP2X
PRIMARY
SHIELDED CAT 5e OR BETTER
SECONDARY
LINK
100-240 V
50/60 Hz 12 WATTS
1
2
3
4
5
6
7
8
IN
OVERLOAD
OVERLOAD
1
OUT
STATUS
More Outputs
Inputs from Dante network 32
• Lets a HAL1x send and receive 32 channels to a Dante network.
• Supports 44.1, 48, 88.2 or 96 kHz Dante network sample rates.
• Chain up to 16 EXP2x units to a HAL1x for 512 in x 512 out.
DANTE
EXPANSION
EXPANSION
BUS
TX
IN
2
1
OUT
2
3
4
5
SECONDARY MODE
1GB
1GB
SWITCH
ACT
ACT
REDUNDANT
6
EXP3x
SIGNAL
SIGNAL
LINE OUTPUTS
REMOTE AUDIO DEVICES
DIGITAL REMOTES
More Inputs
EXP3x Zone Output Expander for HAL1x
More Outputs
Digital RAD Port Inputs 4
POWER
EXP3X
DIGITAL REMOTES
LINK LOCATE
EXPANSION BUS
6
5
4
3
4 Digital RAD Port Outputs
REMOTE AUDIO DEVICES & DRs
2
1
2
G 8 7 6 5 G
1
8
+
3
4
5
6
7
8
9
10
11
–
+
G 4 3 2 1 G
7
–
+
6
–
LINE OUTPUTS
LOGIC
OUT
+
5
–
+
4
–
+
3
–
+
2
–
+
1
–
2 1
100-240 V
50/60 Hz 25 WATTS
2
STATUS
8 Analog Line Outputs
• Adds 8 analog line outputs and 8 logic outputs to a HAL1x.
• Adds 6 Digital Remote ports & 2 RAD ports to a HAL1x.
• Chain up to 32 EXP3x units to a HAL1x for 256 outputs.
1
ZONE
EXPANSION
EXPANSION
BUS
ENABLED
SHIELDED CAT 5e OR BETTER
12
1
2
24 VDC @ 50 mA
3
24 VDC @ 100 mA
CLASS 2 WIRING
4
EXP5x
OVERLOAD
SIGNAL
MIC / LINE INPUTS
EXP5x Input Expander for HAL1x
• Adds 12 analog mic / line / line-plus* inputs to a HAL1x.
• Adds 4 Digital Remote ports to a HAL1x.
• Chain up to 32 EXP5x units to a HAL1x for 384 analog outputs.
EXPANSION
BUS
DIGITAL REMOTES
INPUT
EXPANSION
STATUS
More Inputs
Mic / Line / Line-Plus Inputs 12
inputs and outputs
EXPANSION BUS
DIGITAL REMOTES
EXP5X
4
3
2
LINK
100-240 V
50/60 Hz 25 WATTS
SHIELDED CAT 5e OR BETTER
1
MIC / LINE-PLUS
INPUTS
MAY BE WIRED
BALANCED
OR
UNBALANCED
LEFT & RIGHT
MONO’ED
6
4
3
2
1
–
+
–
+
–
+
–
+
–
+
L
R
L
R
L
R
L
R
L
R
L
12
24 VDC @ 50 mA
5
+
11
10
9
8
–
R
7
*“Mic / Line-Plus” Inputs accept a mic, balanced line, or mono left & right unbalanced lines.
1
2
3
4
5
6
7
8
EXP7x
AEC CONFIGURATION BLOCKS
AEC
EXPANSION
STATUS
Add AEC
EXP7x AEC Expander for HAL1x
• Adds 8 channels of Acoustic Echo Cancelling DSP to a HAL1x.
• Chain up to 32 EXP7x units to a HAL1x for 256 AEC channels.
• Preset recall can re-assign an AEC resource across inputs / rooms as required.
100-240 V
50/60 Hz 15 WATTS
4
EXPANSION
BUS
EXPANSION BUS
EXP7X
SHIELDED CAT 5e OR BETTER
PATENT NO. 6,865,270
HAL System
HAL2 Multiprocessor
Analog Mic / Line Inputs 8
• 18 in x 18 out - 8x8 analog & 8x8 digital (RAD ports) & AES3 I/O.
• Up to 8 Digital Remotes.
• Four logic inputs (closure).
• Two relay outputs.
8 Analog Line Outputs
Digital RAD Port Inputs 8
8 Digital RAD Port Outputs
(AES3) Input Channels 2
2 (AES3) Output Channels
Total in the HAL2 DSP Brain 18
18
Inputs
Outputs
HAL2
HEURISTIC
AUDIO
LABORATORY
RANE CORPORATION
HAL3s Multiprocessor
Analog Line-Plus Inputs 2
6 Analog Line Outputs
Digital RAD Port Inputs 4 4 Digital RAD Port Outputs
• 6 line in x 10 line out - 2x6 analog & 4x4 digital (2 RAD ports).
• Up to four Digital Remotes.
Total in the HAL3s DSP Brain 6 10
Inputs
Outputs
• Four logic inputs (closure).
• Mic / Line-Plus Inputs can be configured: Mic with or without +48V, “+4 dBu balanced” or “-10 dBV unbalanced Left/Right Monoed.”
1
2
1
FAULT
4
5
6
IN
OVERLOAD
SIGNAL
SIGNAL
ETHERNET
HAL3S
3
OVERLOAD
SIGNAL
MIC / LINE INPUTS
RANE CORPORATION
2
OVERLOAD
LOGIC IN
DIGITAL REMOTES
LAN
LINK
2
COMM
POWER
1
IN
2
1
OUT
REMOTE AUDIO DEVICES
2
COMM
POWER
1
2
AUDIO RX
AUDIO TX
2
HEURISTIC
AUDIO
LABORATORY
DIGITAL
REMOTES
REMOTE AUDIO DEVICES
ETHERNET
STATUS
LINE OUTPUTS
MIC/LINE-PLUS INPUTS
R
1
or DRs
G 4 3 2 1 G
LOCATE
OUT
HAL3s
ENABLED
LINE OUTPUTS
1
6
+
5
–
+
4
–
+
–
3
+
–
2
+
–
1
+
–
+
2
–
L
+
R
1
–
POWER
100-240 V
50/60 Hz 20 WATTS
SHIELDED CAT 5e OR BETTER
24 VDC @ 50 mA | 24 VDC @ 100 mA
HAL4 Multiprocessor
CLASS 2 WIRING
Analog Mic/Line-Plus Inputs 2
• 2 Mic / Line-Plus inputs x 2 line outputs (see description in HAL3s). Total in the HAL4 DSP Brain 2
Inputs
• One Digital Remote port (plus Halogen web controls).
• The HAL4 delivers more bang for the buck than any other drag-and-drop DSP on the market.
INPUTS
OUTPUTS
DIGITAL REMOTE
ETHERNET
ENABLED
COMM
2 Analog Line Outputs
2
Outputs
STATUS
HAL4
FAULT
HEURISTIC
AUDIO
LABORATORY
POWER
OVERLOAD
SIGNAL
LINK
RANE CORPORATION
ETHERNET
HAL4
100-240 V
50/60 Hz 12 WATTS
DIGITAL REMOTE
24 VDC @ 50 mA
LOCATE
LINK
SHIELDED CAT 5e OR BETTER
LOCATE
LINE OUTPUTS
2
1
+
–
+
–
MIC / LINE-PLUS INPUTS
2
1
MAY BE WIRED
+
–
+
–
L
R
L
R
BALANCED
OR
UNBALANCED
LEFT &
RIGHT
MONO’ED
CLASS 2 WIRING
5
HAL Control
Halogen Software
The Halogen software application is your home for designing,
configuring, and controlling your HAL audio system. Halogen's
easy-to-use graphic user interface simplifies the design and
configuration process so much that your only concern will be
deciding how to use the extra time you have! The Halogen
software manages global tasks such as discovering, connecting
to, and applying configurations to HAL devices. The interface is
divided into two main sections: the Hardware Workspace and
the Processing Workspace. Halogen helps you choose the best
HAL Model to start a new configuation.
Hardware Workspace
Specify and configure the physical hardware components of your audio system. Troubleshooting messages specify any problems.
6
HAL Control
Processing Workspace
Workspace Layout
Wire together the audio processing components of your system,
adding and configuring standard processing blocks such as
equalizers, matrix mixers, compressors, limiters, and so on.
Manage and configure control links and presets here. Halogen
also provides innovative processing blocks that simplify complex
multizone background music, paging and room combine
scenarios.
Notice that Halogen separates the hardware view from the
processing view of your audio system. A key benefit of this separation is the flexibility it provides when configuring the system's
various inputs and outputs. For example, suppose you have a
RAD2 in your audio system. You drag the RAD2 device into the
Hardware Workspace but then go to the Processing Workspace
to configure the RAD2's line input and mic input. This separation of hardware from processing allows you to work with each
input and output individually instead of having to work with the
hardware device as a single entity. It also allows you to focus on
hardware in one place and audio flow and processing in another
place—simplifying your job as a result. Brilliant!
As you may have noticed, the Hardware Workspace and the
Processing Workspace have similar layouts. On the right is
the actual workspace itself in which you create your system.
Associated with each workspace is a palette of objects on the
left, and at the top a toolbar specific to the workspace. To add
an entity to your audio system, you drag one or more objects
from the palette to the workspace.
A simple way to think of the Halogen workspaces is that you
use the Hardware Workspace to create, connect and troubleshoot all of your physical hardware, while you use the Processing Workspace to select, configure, and connect the processing
blocks and controls.
Wire Management
ƒƒ Distributed Program Bus
ƒƒ Paging Manager
ƒƒ Orthogonal Wires
ƒƒ Wire Tags
ƒƒ Highlight Wires
7
HAL Remotes
Digital Remotes
DR1 Digital
Volume Remote
Three Digital Remotes simplify end user control and
eliminate installer brain fatigue. Use Digital Remotes
for volume control, preset recall, source selection,
or resetting or toggling system states. All offer
customizable backlit LCD screens for intuitive end
user labeling. Home run shielded CAT 5e (or better)
connections to a HAL or EXP eliminate addressing,
external power, and the need to test the cables,
which can run up to 300 meters (1,000 feet).
The DR1 supports Level Control.
The DR2 offers Single Selector or List of Toggles/
Commands behavior.
The DR3 has three behaviors: Single Level & List
of Toggles/Commands, List of Levels for either
multizone volume control or input source mixing,
and Single Level plus Selector.
DR1
Level Control
DR2 Digital Selection Remote
Halogen
Control
Linking
SCROLL
SCROLL
PUSH TO SELECT
PUSH TO SELECT
DR2
DR2
Single Selector
Drag the control
chain icons atop
one another to create links. This screen shows
linking a DR1 volume onto the Meeting Room
Output Level control. Four Control Link types
and behaviors are supported: Level, Select,
Toggle or Command. Activation and Priorities
work together for incredible flexibility. Link
simple analog remote level pots by adding a
DR4 Logic I/O Remote.
List of Toggles / Commands
DR3 Digital Volume and Selection Remote
SCROLL
SCROLL
SCROLL
PUSH TO SELECT
PUSH TO SELECT
PUSH TO SELECT
DR3
DR3
DR3
Single Level & List of Toggles / Commands
8
List of Levels
Single Level & Selector
HAL Remotes
DR4 Logic I/O Expander
The DR4 Digital Remote adds additional logic input and
output ports to any HAL, enabling simple analog level and
logic I/O controls plus IR2 remotes for wall sensing. The DR4
RANE CORPORATION
DIGITAL REMOTE PORT
offers eight logic ins and outs, six IR ports and eight analog
input ports for pot-on-a-wall level control. Multiple DR4's can
connect to Digital Remote Ports on any HAL, up to 300 meters
(1000 feet) away.
ANALOG CONTROL INPUTS: 0-5 VDC
LOGIC OUT
LOGIC IN
DR4
Vr 6 G Vr 5 G
100-240 V
50/60 Hz 22 WATTS
CLASS 2 WIRING
Vr 8 G Vr 7 G
Vr 2 G Vr 1 G
Vr 4 G Vr 3 G
G 4 3 2 1 G
G 8 7 6 5 G
IR REMOTES: 24 VDC @ 100 mA
3
3
2
2
1
1
6
6
5
5
4
4
G 4 3 2 1 G
G 8 7 6 5 G
DR5 Switch Controller
The DR5 Digital Remote offers additional logic input and output ports, enabling the use of simple
analog switch controls in any HAL system. Lighted switch panels for room combine applications
are easily integrated into a HAL system using the eight switch inputs and eight LEDs outputs
on the DR5. Unlike the HAL and DR4 Logic I/O, the DR5 Logic Out is intended to drive the LED
indicator on a room combine panel, and is awritable parameter. The DR5 is designed to fit in a
standard US dual-gang electrical box or mount directly near a room combine panel.
DR6 Touchscreen Remote Control
The DR6 is a fully customizable touchscreen remote for the HAL
family. It supports multiple pages or tabs and any set of levels,
toggles, selectors and/or commands. Drag, drop and resize
controls any way that’s desired. Use custom background images
and logos in full-color on the 7-inch LCD display.
Screw the included wall-mount bracket over U.S. or international electrical boxes, or flush mount the ¾" thick DR6 with a
2-inch hole in the wall to accommodate the cable. The optional
DS1 desk stand accessory (shown) allows the DR6 to mount
on a horizontal surface. The optional RB2 allows the DR6 to
mount in a 19" rack, with room for a round 4" speaker
The included midspan power injector connects CAT5e
(or better) cables between any HAL and the DR6 to deliver
communications and the extra power needed for the display.
Optional, on-screen User Access logins secure management
pages from public or staff use, and a programmable ambient light
sensor automatically dims the backlight.
The Control Page Designer in Halogen allows you to create one
set of pages and use them in a web control design, DR6 display or
both.
Wall mounting hardware is included with the DR6.
The DS1 Desk Stand accessory is not included.
9
HAL Remotes
New! RAD26 One Room RAD Remote
Using one shielded category cable drop, the RAD26 provides
any room with a dual 4-watt amp, end user control via a color
custom LCD display & encoders, a dual universal audio I/O
interface, plus headphone output and line-level input jacks for
local needs. Three logic closure inputs and three active-low
outputs add to the control capabilities. The amplifier permits a
single channel option at 8 watts into 8Ω. Applications include:
• Presentation source & volume, projector & screen control.
• Meeting room with A/V teleconferencing and speakers.
• Spa with BGM, local music input and stereo speakers.
• Hotel or cruise ship room TV and local input sound system.
A RAD26 provides enough I/O and control to support one room
in a HAL audio system which may require these features:
• Local audio line input (smartphone, laptop, MP3, DVD).
• One or two microphone or line-level inputs.
• Amplifier outputs for ceiling speakers.
• Level control and source selection.
AUDIO I/O SIGNALS
Each RAD26 may be installed onto a standard US 2-gang
electrical box, 1-gang electrical box, or flush-mounted to a wall
surface. The exterior finish is matte white.
Source and level behave like a DR3 remote, but with any
combination of Levels, Toggles, Selections or Commands.
On the back there are 2 balanced Euroblock Mic / Line /
Line-Plus audio inputs with the mode set in Halogen software.
The Line-Plus inputs accept unbalanced left and right signals
and sums them to mono. 24V phantom power is available for
condenser mics. For end users, there is a 3.5 mm Aux input
on the underside of the front, accepting the output of a smartphone, laptop or other consumer device.
A built-in 4-watt stereo amplifier powers a small stereo pair
of speakers, or this amp can be switched in software to power a
single 8-watt speaker. Balanced line outputs can drive an external amplifier or powered subwoofer for more output.
Software logic senses an inserted connector at the Aux In or
Headphone jacks to optionally override the rear connections.
RAD STATUS INDICATORS
RAD26 TOP VIEW
2.18 cm (.86 in)
The Ambient Light Sensor dims the display and LEDs in darkened rooms.
14.85 cm (5.85 in)
REAR PANEL INPUTS
REAR PANEL OUTPUTS
2 balanced line outputs
2 balanced inputs
External Amplifier
Mic / Line / Line-Plus
A 3-pin Line-Plus
Input accepts a
stereo unbalanced
source and sums
it to mono.
11.43 cm (4.5 in)
East Wing
Room A
Room B
Hallway
 Mute All
Source
 BG Music
 Phone / Line
 Mic
4W
2 8Ω loudspeaker outputs
4W
3 LOGIC INPUTS
(or 1
output
@ 8W)
3 LOGIC OUTPUTS
Push to talk,
Push to mute,
etc.
Control another device,
light, projector, hot tub,
etc.
Rear panel
RJ-45
LINE INPUT
REMOTE
POWER
INJECTOR
HEADPHONE OUTPUT
RAD26 BOTTOM VIEW
Shielded
CAT 5e
(or better)
Any HAL, EXP1x, or EXP3x
REMOTE AUDIO DEVICES & DRs
4
10
3
2
1
RPI
The CAT 5 distance from a HAL RAD Port to
the RAD26 must not be more than 100 meters
(325 feet). The RPI (included with the RAD26)
goes anywhere in between, to supply the
display and amplifier power.
HAL Control
Halogen Web Controls
Control the Levels, Selectors, Toggles and Commands in any
HAL System from any device with a web browser. Halogen’s
Web Controls feature allows creation of custom HTML GUI
control screens. Define the quantity of control pages, and the
layout, labeling and size of each control, and completely test
them using your default web browser from within Halogen.
Access any control page from any browser-enabled device
on the network with a HAL device. Just open a browser and
type in the customizable IP/webpage address for the HTML
page – and bookmark it for easy access. Type in an optional
User Access code, and voilà, the trick, she is done! Control your
HAL system wirelessly from one or more tablets, smart phones,
laptops or desktop computers. The HAL web server is multiclient, allowing control across many devices and many rooms.
You can link Rane’s wired DR remote controls (DR1, DR2, DR3,
DR6, RAD26) and wireless devices and they’ll automatically
track each other.
Customers from almost every audio application are asking
for “iPad control” and Halogen’s Web Controls is the solution. It
is not Apple®-centric
— no app store
installs required.
Think of all the
devices that support
web browsers and
wireless Ethernet.
11
HAL Control
PAGER1 Paging Station
The PAGER1 is a RAD with a mic preamp, paging zone(s)
[Scenario] selector and an integrated push-to-talk switch. It
sits on or can fasten to a tabletop, and accepts any gooseneck
microphone (not included).
Logic Inputs
These inputs are found on the HAL1x, HAL2 and HAL3s. More
can be added by connecting the DR4 or DR5 to any HAL.
Configure each of the Logic Input ports in one of three ways:
toggle, command, or selector.
• The Toggle configuration allows a Toggle command with an
on/off switch. You can configure each port type to be either
Momentary or Latching.
• The Command configuration allows triggering a Command
control from an on/off switch, which can link to one or more
Command controls such as a Command preset or a linkable
button in a processing block property dialog.
• The Selector configuration uses either a multi-position switch
or a binary switch. You can connect a physical device to any
or all of the Logic In ports and configure the ports in Halogen
so they make the desired selection according to the state of
the physical device. Wiring details are in the Halogen Software
Help. The Selector configuration is not supported by the DR5.
Analog Control Inputs
IR2 Infrared Wall Sensors
The Rane IR2 provides an
automatic way to sense the
position of a movable wall or
door. Mounting brackets and
screws are included. A single
CAT 5e cable for each door
connects the IR2 pair to a
dedicated IR Remote port on the rear of a HAL2 or a DR4.
Halogen's Room Combine Processor supports custom wall
layouts and auto-activation of independent room processors for
each possible physical room as walls open and close. Control
links to Digital Remotes also combine and separate automatically as wall states change. No presets required.
These inputs are found on the DR4 that can connect to any
HAL. Each port allows an analog voltage source to control the
value of a Level control in the Halogen Control palette. The input
range for the port is from 0 V to 5 V, where 0 V corresponds
to 0% on the associated Level control and 5 V corresponds to
100%. Connect a physical linear-taper potentiometer — the Vc
wiper provides the control voltage to the DR4. As you adjust the
pot the voltage changes, which in turn changes any linked Level
control in Halogen.
Logic Outputs
These outputs are found on the EXP3x Output Expander for
the HAL1x, or on a DR4 that can connect to any HAL. You can
configure each of the 8 output ports in one of 2 ways:
• Toggle: When a toggle control in the Halogen Control palette
is unchecked, HAL sets the corresponding DR4 Logic Out port
to logic high (5 V), and when the toggle is checked, it sets the
port to logic low (0 V).
• Selector: When a selector control in the Halogen Control
palette is set to the first selection, HAL sets the corresponding
DR4 Logic Out port to logic high (5 V). Conversely, when the
selector control is in the second position, HAL sets the port to
logic low (0 V).
Relay Outputs
These reed relay ports are on the HAL1x and HAL2 to signal
other devices. A common implementation is to link a relay
port to a Toggle control so an end user can change its value.
Halogen software contains a checkbox for each relay port. Its
value can be included in a preset or link to another control,
making it possible to use a preset or control to turn the relay
port on or off.
12
RADs
MICROPHONE
MICROPHONE
SIG / OL
POWER
The entire family of RAD models
Data communications (COMM)
interface with HAL for digital
RAD NETWORK
2 digital audio channels (Rx)
SHIELDED CAT 5e
conversion at the wall. Each
2 digital audio channels (Tx)
CABLE CONTENTS
converts analog audio to and/or
Power: 24 VDC & ground
Shield
from 24-bit, 48 kHz digital audio.
Shielded CAT 5e (or better) cable
and termination transport four digital audio channels – two channels each direction – as well
as power, ground and a communications channel, with status indicators at each RAD, HAL
or EXP unit, and in Halogen software. HAL auto-checks the CAT 5 crimp and verifies audio.
All RADs (and DRs) are both “location-aware” and hot-swappable with 500-foot homerun
connections, 66% farther than Ethernet (the RAD26 has a 325-foot limit). Light sensors dim
the RAD indicators in dark rooms. Except for the RAD16, AM1, AM2, and PAGER1, all RADs
mount in standard US electrical boxes. Most RADs are available in white, ivory, or black, with
a matched Decora® plate cover included.
RAD1
Dual XLR Mic Inputs
RAD2
XLR Mic Input / Mini & RCA Mono'ed Line Input
MICROPHONE
SIG / OL
COMM
AUDIO RX
MICROPHONE
SIG / OL
AUDIO TX
POWER
MICROPHONE
AUDIO RX
MICROPHONE
SIG / OL
COMM
AUDIO RX
LINE INPUT
POWER
AUDIO RX
AUDIO RX
LINE OUTPUT
POWER
AUDIO RX
LINE OUTPUT
AUDIO RX
POWER
AUDIO TX
AUDIO RX
AES3 INPUT
AES3 OUTPUT
AUDIO RX
AES3 INPUT
AUDIO TX
LINE INPUT
AUDIO RX
AUDIO RX
POWER
AUDIO RX
AUDIO RX
MICROPHONE
POWER
AUDIO RX
Dual XLR Line Inputs
RAD4
Dual XLR Line Outputs
RAD5
AES3 Input / AES3 Output
MICROPHONE
POWER
AUDIO RX
AUDIO RX
MICROPHONE
POWER
MICROPHONE
SIG / OL
COMM
LINE INPUT
LINE OUTPUT
SIG / OL
SIG / OL
AUDIO RX
Mini & RCA Stereo Line Input / Stereo Line Output
RAD7
XLR Mic Input / XLR Line Input
RAD8
XLR Mic Input / Mini & RCA Stereo Line Output
RAD9
XLR Mic Input / XLR Line Output
RAD11
XLR Mic In / Mini & RCA Mono'ed Line In / Mini & RCA Stereo Line Out
MICROPHONE
SIG / OL
POWER
COMM
MICROPHONE
COMM
MICROPHONE
SIG / OL
COMM
LINE OUTPUT
LINE OUTPUT
SIG / OL
SIG / OL
MICROPHONE
LINE INPUT
SIG / OL
COMM
POWER
COMM
LINE OUTPUT
SIG / OL
LINE OUTPUT
LINE OUTPUT
SIG / OL
SIG / OL
SIG / OL
MICROPHONE
XLR Mic In / Mini & RCA Mono'ed Line In / Dual XLR Line Out
RAD15
Dual XLR Line Inputs / Dual XLR Line Outputs
POWER
LINE INPUT
LINE OUTPUT
LINE OUTPUT
SIG / OL
SIG / OL
SIG / OL
COMM
LINE OUTPUT
SIG / OL
SIG / OL
RAD18
XLR Mic Input / 1/4" Balanced Line Input
RAD23
XLR Line Input / XLR Line Output
OUTPUT
INPUT MODE
LINE OUTPUT
LINE OUTPUT
SIG / OL
SIG / OL
SIG / OL
USB Audio Sound Card
RADX
RAD Port Extension (CAT 5 wall jack for portable RADs)
LINE OUTPUT
SIG / OL
SIG / OL
LINE INPUT
LINE OUTPUT
LINE OUTPUT
SIG / OL
SIG / OL
SIG / OL
COMM
LINE INPUT
LINE OUTPUT
LINE OUTPUT
SIG / OL
SIG / OL
SIG / OL
SIG / OL
POWER
LINE INPUT
LINE OUTPUT
LINE OUTPUT
SIG / OL
SIG / OL
SIG / OL
AUDIO RX
COMM
AUDIO RX
LINE INPUT
SIG / OL
AUDIO TX
POWER
RAD PORT
LINE INPUT
MICROPHONE
SIG / OL
LINE INPUT
SIG / OL
AUDIO TX
POWER
LINE INPUT
COMM
AUDIO RX
LINE INPUT
SIG / OL
COMM
AUDIO RX
OUTPUTS
2
1
2 1
+-
AUDIO RX
POWER
POWER
AUDIO RX
+-
SIG / OL
COMM
AUDIO RX
LINE INPUT
SIG / OL
COMM
RAD23
INPUTS
1
+-
AUDIO TX
RAD18
LINE OUTPUT
SIG / OL
AUDIO TX
AUDIO TX
LINE INPUT
SIG / OL
AUDIO TX
2
+-
MICROPHONE
SIG / OL
COMM
LOGIC
IN
2 1
RAD18
LINE OUTPUT
SIG / OL
POWER
AUDIO TX
RAD15
OUT
AUDIO RX
AUDIO TX
RAD14
LINE OUTPUT
SIG / OL
AUDIO TX
POWER
SIG / OL
COMM
AUDIO RX
RAD23
AUDIO TX
RAD23
East Wing
Room A
Room B
Hallway
 Mute All
Source
 BG Music
 Phone / Line
 Mic
INPUT
INPUT
OUTPUT
POWER
OUTPUT
PLAY
RECORD
USB AUDIO
RAD27
LINE OUTPUT
SIG / OL
AUDIO RX
MICROPHONE
AUDIO TX
AUDIO
COMM
PLAY
Dual Input / Output / Logic with Level and Source Selection
COMM
RAD15
AUDIO RX
RAD26
MICROPHONE
SIG / OL
RAD12
RAD18
Omnidirectional Boundary Layer Mic
SIG / OL
AUDIO TX
MICROPHONE
POWER
LINE INPUT
SIG / OL
POWER
SIG / OL
RAD17
LINE OUTPUT
SIG / OL
AUDIO RX
RAD11
AUDIO TX
AUDIO RX
LINE INPUT
AUDIO TX
MICROPHONE
Dual Mic‑Line-Plus Inputs / Dual Line Outputs / Dual Logic / Euroblocks
COMM
RAD14
POWER
RAD16z
LINE INPUT
SIG / OL
POWER
LINE OUTPUT
SIG / OL
AUDIO TX
INPUT
RAD14
AUDIO TX
MICROPHONE
AUDIO TX
SUITABLE FOR USE IN AIR-HANDLING SPACES. COMMERCIAL AUDIO EQUIPMENT 24TJ
Dual XLR Mic Inputs / Dual XLR Line Outputs
AUDIO RX
RAD9
SIG / OL
AUDIO RX
RAD15
RAD12
SIG / OL
COMM
RAD12
LINE INPUT
AUDIO RX
LINE OUTPUT
SIG / OL
POWER
MICROPHONE
SIG / OL
AUDIO TX
RAD14
POWER
AUDIO TX
RAD11
SIG / OL
AUDIO RX
MICROPHONE
AUDIO TX
SIG / OL
AUDIO RX
RAD12
POWER
SIG / OL
AUDIO RX
COMM
RAD8
LINE INPUT
SIG / OL
POWER
AUDIO TX
LINE OUTPUT
SIG / OL
POWER
RAD9
AUDIO TX
MICROPHONE
AUDIO RX
AUDIO RX
MICROPHONE
AUDIO TX
AUDIO RX
RAD11
RAD6
SIG / OL
COMM
RAD7
SIG / OL
COMM
AUDIO TX
LINE INPUT
SIG / OL
LINE OUTPUT
SIG / OL
AUDIO TX
RAD9
POWER
MICROPHONE
POWER
AUDIO TX
RAD8
SIG / OL
COMM
SIG / OL
AUDIO RX
COMM
RAD6
SIG / OL
COMM
AUDIO TX
LINE OUTPUT
SIG / OL
POWER
LINE OUTPUT
SIG / OL
AUDIO TX
LINE OUTPUT
SIG / OL
POWER
LINE INPUT
AUDIO TX
AUDIO RX
RAD8
RAD3
AUDIO RX
RAD5
SIG / OL
COMM
MICROPHONE
SIG / OL
COMM
AUDIO TX
AES3 OUTPUT
COMM
RAD7
LINE OUTPUT
SIG / OL
POWER
LINE INPUT
SIG / OL
AUDIO TX
RAD7
POWER
AES3 INPUT
AUDIO TX
SIG / OL
COMM
MICROPHONE
SIG / OL
COMM
AUDIO RX
RAD6
LINE INPUT
SIG / OL
SIG / OL
COMM
RAD4
LINE OUTPUT
SIG / OL
AUDIO TX
RAD6
MICROPHONE
LINE OUTPUT
SIG / OL
POWER
AES3 OUTPUT
COMM
LINE INPUT
SIG / OL
COMM
POWER
LINE OUTPUT
AUDIO TX
RAD5
LINE OUTPUT
SIG / OL
AUDIO TX
LOCK
POWER
RAD5
POWER
AUDIO RX
RAD3
LOCK
COMM
SIG / OL
COMM
RAD4
LOCK
AUDIO TX
LINE INPUT
SIG / OL
SIG / OL
COMM
RAD4
POWER
LINE INPUT
POWER
AUDIO TX
LINE OUTPUT
SIG / OL
SIG / OL
COMM
SIG / OL
AUDIO RX
COMM
RAD2
SIG / OL
COMM
AUDIO TX
LINE INPUT
SIG / OL
POWER
RAD3
LINE OUTPUT
SIG / OL
MICROPHONE
AUDIO TX
LINE INPUT
SIG / OL
AUDIO TX
RAD3
POWER
AUDIO RX
RAD1
SIG / OL
COMM
LINE INPUT
SIG / OL
COMM
SIG / OL
COMM
RAD2
LINE INPUT
SIG / OL
POWER
LINE INPUT
SIG / OL
AUDIO TX
RAD2
POWER
MICROPHONE
SIG / OL
AUDIO TX
RAD1
LINE INPUT
SIG / OL
POWER
MICROPHONE
SIG / OL
COMM
RAD1
INPUT
RECORD
AUDIO RX
COMM
POWER
RAD27
OUTPUT
PLAY
USB AUDIO
AUDIO TX
RECORD
USB AUDIO
AUDIO TX
AUDIO RX
COMM
POWER
RAD PORT
RAD27
RAD PORT
RADX
AUDIO TX
COMM
RAD27
RAD PORT
RADX
RADX
PAGER1
POWER
PAGER1
PAGER1
MADE IN U.S.A.
COMM
AUDIO RX AUDIO TX
RAD PORT
SHIELDED CAT 5e OR BETTER
Mic Preamp with Push-to-Talk and Page Zone Selection
BUSY
OVERLOAD
CAUTION
SIGNAL
READY
AM1
Four-Channel Gain-Sharing Automixer with extra Line & USB Inputs
AM2
MIC INPUTS
2
3
1
MIX
4
MIC MIX
AUX 1
PHONES
AUX 2
USB
OUTPUT
SOURCE
AUX 1
MICS
SIG
LEVEL
OL
SIG
LEVEL
OL
SIG
LEVEL
OL
SIG
LEVEL
OL
SIG
LEVEL
OL
SIG
LEVEL
OL
SIG
LEVEL
OL
SIG
LEVEL
OL
SIG
LEVEL
OL
AUX 2
AM1
USB
OUTPUT
AUTOMIXER
LEVEL
LOCATE POWER
Eight-Channel Gain-Sharing Cascadable Automixer
13
Automixers
COMM
POWER
1
4
2
RAD PORT
3
MIC INPUTS
2
1
MIC +48V
MIC +0V
WIRELESS MIC
AUDIO RX
USB
POWER
AUX
INPUTS
RECORD
AUDIO TX
MIC +48V
MIC +0V
WIRELESS MIC
USB
AUDIO
MIC +48V
MIC +0V
WIRELESS MIC
LOCATE
100-240V
50/60 Hz 13 WATTS
MAIN OUTPUT
CASCADE
FAULT
MIC +48V
MIC +0V
WIRELESS MIC
SHIELDED CAT 5e OR BETTER • 24 VDC @ 100 mA
5 VDC @ 500 mA
USB
CHARGE
ONLY
AM1
RANE
CORPORATION
MIC
LINE
PATENT NO. 8,542,849
CLASS 2 WIRING
AM1 Four-Channel Gain-Sharing Automixer
Automixer with four gain-sharing XLR line/mic/phantom switchable Inputs, RCA and 3.5 mm Aux Line Inputs, USB audio Input.
XLR mic/line switchable Mix Output, RCA Record Output, USB audio Output.
Cue mics or any input with Headphones from 1/4" or 3.5 mm jacks.
Add more gain-sharing mic/line inputs with up to seven Rane AM2 Automixers for a total of 60 gain-sharing mics.
RAD Port connects to a Rane Mongoose or HAL system.
POWER
6
5
MIC INPUTS
4
3
2
RAD PORT
1
MIC +48V
MIC +0V
WIRELESS MIC
USB
100-240V
50/60 Hz 13 WATTS
7
MIC +48V
MIC +0V
WIRELESS MIC
LOCATE
USB
DATA
OUT
FAULT
8
OUTPUT
CASCADE
MIC +48V
MIC +0V
WIRELESS MIC
SHIELDED CAT 5e OR BETTER • 24 VDC @ 100 mA
MIC +48V
MIC +0V
WIRELESS MIC
AM2
RANE
CORPORATION
IN
PATENT NO. 8,542,849
MIC
LINE
•
•
•
•
•
CLASS 2 WIRING
AM2 Eight-Channel Gain-Sharing Cascadable Automixer
• Automixer with eight gain-sharing XLR line/mic/phantom switchable Inputs; XLR mic/line switchable Mix Output.
• Add more gain-sharing mic/line inputs with up to seven more AM2 Automixers for a total of 64 gain-sharing mics.
• RAD Port connects to a Rane Mongoose or HAL system (that's 64 gain-shared mics on one RAD port).
DVD
Phone/
MP3
Powered
Speaker
AUDIO TX
AUDIO RX
USB
COMM
POWER
POWER
AUX
INPUTS
1
4
2
RAD PORT
3
MIC INPUTS
2
1
MIC +48V
MIC +0V
WIRELESS MIC
LOCATE
USB
AUDIO
RECORD
MIC +48V
MIC +0V
WIRELESS MIC
FAULT
100-240V
50/60 Hz 13 WATTS
MAIN OUTPUT
CASCADE
MIC +48V
MIC +0V
WIRELESS MIC
SHIELDED CAT 5e OR BETTER • 24 VDC @ 100 mA
MIC +48V
MIC +0V
WIRELESS MIC
AM1
MIC
LINE
PATENT NO. 8,542,849
Wireless Receiver
MENU
5 VDC @ 500 mA
USB
CHARGE
ONLY
Simultaneously record
to or playback from
your computer on USB.
CLASS 2 WIRING
AM1 Automixer
To (optional)
Rane HAL System
6
5
14
4
3
2
1
CLASS 2 WIRING
AM2 Automixer
Up to seven more AM2 Automixers
MIC INPUTS
MIC +48V
MIC +0V
WIRELESS MIC
IN
RAD PORT
7
MIC +48V
MIC +0V
WIRELESS MIC
USB
POWER
MIC +48V
MIC +0V
WIRELESS MIC
LOCATE
100-240V
50/60 Hz 13 WATTS
USB
DATA
8
OUTPUT
CASCADE
FAULT
MIC +48V
MIC +0V
WIRELESS MIC
SHIELDED CAT 5e OR BETTER • 24 VDC @ 100 mA
MIC
LINE
AM2
OUT
PATENT NO. 8,542,849
All additional mics are gain-sharing
USB cable
Shielded CAT 5e (or better)
Audio cable
Mongoose
REMOTE AUDIO DEVICES
1
1
2
2
1
2
1
2
3
1
2
1
2
4
1
2
1
2
5
1
2
1
2
6
1
2
1
2
7
1
2
1
2
CobraNet®
8
1
2
1
2
1
ETHERNET
2
MONGOOSE
OVERLOAD
SIGNAL
IN USE / CONDUCTOR
COMM
LOCATE
ENABLED
LINK / ACTIVITY
LINK
POWER
IN
OUT
IN
OUT
MONGOOSE
IN
OUT
IN
OUT
IN
ETHERNET
R
100-240 V
50/60 Hz 40 WATTS
LOCATE
LAN
POWER
LINK
IN
OUT
IN
REMOTE AUDIO DEVICES
1
COMMERCIAL AUDIO
EQUIPMENT 24TJ
OUT
2
3
4
5
6
7
OUT
IN
OUT
PRIMARY
SECONDARY
ETHERNET
REMOTE AUDIO DEVICES
SHIELDED CAT 5e OR BETTER
8
PRIMARY
SECONDARY
IN USE /
CONDUCTOR
LINK /
ACTIVITY
AUDIO RX
Remote Audio
CobraNet Interface
PRIMARY
SECONDARY
1
2
3
4
5
24 VDC @ 100 mA
6
7
8
AUDIO TX
COMM
POWER
CLASS 2 WIRING
Mongoose Network Audio Router
• 32 by 32 digital audio matrix router, supporting 32 digital audio channels from 8 RADs.
• Deliver digital audio between the equipment rack and remote spaces via shielded CAT 5e (or better) cable.
• A Remote Audio Device (RAD) provides analog to digital conversion at the wall (or floor box).
• Connect up to 8 RADs to a single Mongoose with shielded CAT 5 up to 150 meters (500 feet) away.
• Multiple Mongoose units can be networked to provide more channels.
• Use with, or without, CobraNet. Receive 2 and transmit 2 CobraNet Bundles.
• Supports DHCP, Zeroconf (Link-local & mDNS) & Auto MDI/MDIX.
This product has not been tested to the current CE requirements and is not available in markets requiring CE compliance.
The Mongoose’s 32-by-32 digital audio matrix router receives its
first 16 audio channels from up to eight RADs via the eight rear
panel RJ-45 Remote Audio Device ports. The second 16 matrix
input channels can come from two 8-channel CobraNet receive
(Rx) Bundles via standard CobraNet Primary and Secondary/
backup ports. The 32 matrix router outputs transmit 16 channels
to eight RADs and 16 more channels to two CobraNet transmit
(Tx) Bundles.
Mongoose Tracker setup software for PC is included. It allows
you to name each Mongoose, RAD and audio channel, then
print matching custom labels to insert above each jack. With
RADs connected, Zeroconf-based Discovery automatically finds
devices without IP setup or special IP knowledge.
One of the key configuration tasks is to set up the audio
routing for your Mongoose system. Simply click a crosspoint to
attach input to output, between RADs and CobraNet Channels.
You can send the signal to one or more of the following:
• Another RAD connected to the same Mongoose
• Another RAD connected to a different Mongoose
• Another CobraNet-enabled device (e.g., a DSP device).
In addition to configuring the Mongoose components and the
audio routing, the software is a valuable tool for troubleshooting
any issues that may arise. Although you can determine a lot
from the hardware status indicators, the software provides more
detail, allowing you to drill down and pinpoint the problem with
greater accuracy.
Mongoose Tracker requires a computer running Microsoft
Windows® XP (Service Pack 2 or 3) or any version of Vista or 7
(including 64-bit) with an Ethernet port.
MICROPHONE
LINE OUTPUT
SIG / OL
POWER
SIG / OL
COMM
AUDIO RX
AUDIO TX
RAD9
See all the RAD
models on page 13.
rane.com/mongoose
• Download Mongoose Tracker (free)
• Download Design and Installation Manuals
• See System Examples
15
Paging Processors
CP66
RANE CORPORATION
MUSIC ON HOLD
ZONE OUTPUTS
6
5
PROGRAM
INPUTS
PRIORITY INPUT
OUTPUT
+
LEVEL
−
SOURCE
1 2
6
ZONE 6
+ −
3
4
5
ZONE 5
+ −
ZONE 4
ZONE 3
+ −
+ −
+ −
LINK
Front Panel Lock
FP Zone Control Only
Mute All Outputs
L1 L2 M1
ZONE 1
RIGHT
+ −
+ −
LEFT
+ −
LINK
LINK
LINK
LINK
ZONE 2
REMOTE
ZONE 1
REMOTE
+ −
4
3
2
1
L
LEFT
+ −
PAGE 2
DIGITAL REMOTES
MASTER
REMOTE
M
Z6
Z5
Z4
Z3
Z2
ZONE 6
REMOTE
ZONE 5
REMOTE
ZONE 4
REMOTE
ZONE 3
REMOTE
PAGER
2
PAGE 1
AUDIO RX
ZONE
ASSIGN
AUDIO TX
Z1
COMM
100-240 V
50/60 Hz 20 WATTS
RIGHT
R
Transformer
Isolated
USB
ZONE 2
ENABLE
P1
INPUT
LEVEL
+ −
COMM
POWER
POWER
CLASS 2 WIRING
Ground To Enable
SHIELDED CAT5e
24 VDC @ 50 mA
100 mA
1
2
3
4
5
6
123456
Ground To Enable
LINE MIC+24V
MIC
CP66 Commercial Processor
•
•
•
•
•
Six Program Inputs assignable to Six independent and linkable Zones; One gated Priority Input.
Paging Inputs with Priority assign; Recommend the optional PAGER2 Smart Paging Station with Mic input.
Independent 3-Band EQ, Limiter, Ducker depth, Filter Cutoff, Priority Enable and Page Level per Zone.
Music-on-Hold Output (Transformer isolated); Front Panel lockout switch; Includes PC software for easy naming and setup.
Optional Remote Controls connect via shielded CAT 5e cable (see below).
PAGER2 Paging Station
DR1 Remote Level Control
DR3 Selection & Level Control
Specific to the CP66, this
unit lets you decide which
combination of the six Zones to
Page into. The unit accepts any
gooseneck mic (not included)
and has selectable 24 V Phantom
Power. It normally sits on a desk
or table with lockdown capability.
It connects to and is powered
by the CP66 via shielded CAT
5e cable up to 150 meters (500
feet) in length. Labels for custom
Zone and Group names may
be inserted into the protective
faceplate.
The LCD display shows the name of the Zone
or Group that it is connected to, customizable
in the CP66 Software to anything you like.
The Level value is also shown, and updated
dynamically when it is changed elsewhere,
such as in a linked group with multiple
Remotes connected. The display has a
backlight for readability that turns on when
used, then dims after a short time period.
The DR1 may be installed in a standard
electrical box with a minimum depth of 5.7 cm
(2.25"). Connection to the CP66 is via shielded
CAT 5e cable up to 300 meters (1,000 feet) in
length. Available in white, ivory and black, the
DR1 includes a matching Decora® plate cover.
The DR3 provides Level control with added
Input Source selection. This lets you select
the audio source for a room from within
the room itself, or anywhere else you need
remote control. The DR3 can also be used as
the Master Remote for the CP66, displaying
the Volume Level for all Zones and Groups
and allowing you to change each of them
dynamically from a single location. The
DR3 may be installed in a standard 2-gang
electrical box with a minimum depth of 5.7 cm
(2.25"). Connection to the CP66 is via shielded
CAT 5e cable up to 300 meters (1,000 feet) in
length. Available in white, ivory and black, the
DR3 includes a matching Decora® plate cover.
SCROLL
PUSH TO SELECT
DR3
SCROLL
DR1
DR1
PUSH TO SELECT
DR1
DR3
SCROLL
PUSH TO SELECT
DR3
16
Paging Processors
CP64S
Z2 PGM
COMMERCIAL AUDIO
EQUIPMENT 24TJ
Z2 LEVEL
OUTPUTS
REMOTES
WIRING
100-240 V
50/60 Hz 12 WATTS
ZONE 2
EXPAND OUT
Z1 PGM
RANE CORPORATION
D1 D0
PROGRAM INPUTS
Z2 EXPAND Z2 MONO
+8
ZONE 1
EXPAND OUT
–20
ZONE PAGE ZONE PAGE
Z1 LEVEL 2
1 PGM
PGM
Vr Vc
PRIORITY
ASSIGN
ZONE
LIMITER
ZONE 1
ZONE 2
ALL AUDIO AND
REMOTES ARE
CLASS 2 WIRING
MIN
MAX
Vr Vc
R
Z1 EXPAND Z1 RIGHT
+ –
+ –
+8
+20
–20
off 1
+20
L
INPUT 1
PAGING INPUTS
PAGE 1
TRIM
PAGE 2
TRIM
Z1 Z2
2
R
1&2
R
PRIORITY
Z1 LEFT
+ –
REMOTE 1
REMOTE PAGE
ZONE ASSIGN WIRING
L
3
2
PAGE 2
PAGE 1
DETECT THRESHOLD
1
REMOTE 2
Z2 Z1
INPUT 2
+ –
+30
+60
MIC
LINE
OL +30
+60
MIC
LINE
CP64S Commercial Processor
•
•
•
•
4 Stereo line inputs with priority and adjustable page ducking depth.
4-level priority; 2 expand outputs can select page-only, program-only or zone.
2 Mic/Line page inputs independently assignable to 1 mono and/or 1 mono/stereo zone.
Each Zone has independent 7-band EQ. Optional ZR1 Remote for source selection & volume.
ZR1 Zone
Remote
The ZR1 Remote fits in a standard US electrical box and may be finished with a Decora™ plate cover (not included).
CP52S
ZONE REMOTE
COMMERCIAL AUDIO
EQUIPMENT 24TJ
100-240 V
50/60 Hz 12 WATTS
PROGRAM
R
D1 D0
ZONE OUTPUT
LEVEL
MIN
MAX
Vr Vc
RIGHT
+
EXPAND OUTPUT
LEFT
–
+
EXPAND
MONO
–
+
PRIORITY
LEVEL
RELEASE
SOURCE
–
5
SEC
20
ZONE PAGE
D1 D0
RANE CORPORATION
Vr Vc
+
–
+
–
+
DETECT
THRESHOLD
–
OFF
3
PROGRAM
2
INPUTS
PAGING INPUT
1
L
L
R
R
PAGE LEVEL
TRACKS
ZONE LEVEL
OFF
ON
MIC
PHANTOM
POWER
OUT
IN
100 Hz / 7 kHz
OFF
INPUT
+
–
+
–
ON
+15V
ALL AUDIO AND REMOTES ARE CLASS 2 WIRING
PROGRAM
CP52S Commercial Processor
•
•
•
•
ON
LOW / HIGH
CUT
FILTER
SCP1S EQ
Security Cover
Mic/Line page input assignable to 1 stereo (with mono switch) zone with 7-band EQ.
4 Stereo line inputs with priority and adjustable page ducking depth.
3-level priority; Expand output selectable as page-only, program-only or zone.
Optional ZR1 Remote for source selection & volume; Optional SCP1S EQ-only security cover.
ZR1 Zone
Remote
MP3 /
Phone
MENU
Example Application
Wireless Mic Receiver
CP52S Commercial Processor
CP52S
COMMERCIAL AUDIO
EQUIPMENT 24TJ
100-240 V
50/60 Hz 12 WATTS
R
ZONE REMOTE
PROGRAM
D1 D0
LEVEL
MIN
MAX
Vr Vc
ZONE OUTPUT
RIGHT
+
–
EXPAND OUTPUT
LEFT
+
–
EXPAND
MONO
+
–
LEVEL
PRIORITY
RELEASE
SOURCE
5
ZONE PAGE
RANE CORPORATION
D1 D0
Vr Vc
+
–
+
–
+
–
DETECT
THRESHOLD
PROGRAM
SEC
20
OFF
3
L1
L2 L3
P
4
6
0
10
2
8
PAGING INPUT
1
L
R
R
ON
PAGE LEVEL
TRACKS
ZONE LEVEL
OFF
ON
LOW / HIGH
CUT
FILTER
OUT
IN
100 Hz / 7 kHz
MIC
PHANTOM
POWER
OFF
INPUT
+
–
+
–
ON
+15V
ALL AUDIO AND REMOTES ARE CLASS 2 WIRING
Streaming Music Service
ZR1
PROGRAM SELECT
PROGRAM
2
INPUTS
L
PROGRAM
SELECT
Feed to
Background
Music System
LEVEL
LEVEL
Powered
Speaker
Powered
Speaker
CD Player
MENU
DVD or TV Audio
17
Mic & Line Mixers
MLM42S
OUTPUT
COMMERCIAL
AUDIO
EQUIPMENT
24TJ
RANE CORPORATION
100-240 V
50/60 Hz 7 WATTS
INPUTS
EFFECTS
A
4
RETURN
3
2
GAIN
SEND
1
GAIN
GAIN
GAIN
R
B
BALANCED
LINE MIC
UNBALANCED
ON
BALANCED
LINE
OR
UNBALANCED
MIC
BALANCED
LINE
OR
PHANTOM
POWER
ON
MIC
PHANTOM
POWER
BALANCED
LINE
OR
ON
BALANCED
LINE
OR
PHANTOM
POWER
MIC
ON
PHANTOM
POWER
MIC
MLM42S Mic & Line Mixer
•
•
•
•
4 inputs with automatic recognition of mic or line level signals
3-band Accelerated Slope™ (off to +6 dB) tone controls, gain trims and selectable phantom power on each input.
Post-mix 1/4" Effects loop with Wet/Dry pan control.
RCA unbalanced outputs; XLR and TRS balanced outputs are mic or line level selectable; Internal universal power supply.
MLM65
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK DO
NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO
NOT REMOVE COVER. NO USER SERVICEABLE PARTS
INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
RANE CORPORATION
MIC 6
GAIN
OL
MIC 5
MIC 4
GAIN
PHANTOM
POWER
MIC
12V
LINE
AVIS
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
MIC 3
GAIN
PHANTOM
POWER
MIC
12V
LINE
OL
MIC 2
GAIN
PHANTOM
POWER
MIC
12V
LINE
OL
This device complies with Part 15 of the FCC Rules. Operation is
subject to the following two conditions: (1) this device may not cause
harmful interference, and (2) this device must accept any interference
received, including interference that may cause undesired operation.
CAN ICES-3 (B)/NMB-3(B)
MIC 1
GAIN
PHANTOM
POWER
MIC
12V
LINE
OL
OL
GAIN
PHANTOM
POWER
MIC
12V
LINE
OL
PHANTOM
POWER
MIC
12V
LINE
PIN 2: POSITIVE
PIN 3: NEGATIVE
PIN 1: CHASSIS GND
100-240 V
50/60 Hz 15 WATTS
DIGITAL OUTPUTS
MAIN OUTPUT
RIGHT
USB AUDIO
IN / OUT
S/PDIF
RECORD OUT
AUX 5 IN
AUX 4 IN
AUX 3 IN
AUX 2 IN
AUX 1 IN
LEFT
TOSLINK
LINE
0
0
–12 +12
–12 +12
MONO
–12
0
PHONO
0
0
0
–12 +12
–12 +12
–12 +12
5 VDC
@500 mA
USB
CHARGE
ONLY
CLASS 2 WIRING
MLM 65 Mic & Line Mixer
•
•
•
•
•
6 studio-grade mic or line-level preamplifiers with phantom power and gain trim in an easy-to-operate design.
5 switchable stereo line-level inputs, one with a switchable phono preamp, one with a 3.5 mm jack and USB power for portables.
USB stereo audio input for computer playback, with simultaneous USB stereo audio output for recording to a computer.
Cue any Input or the Main output to Headphones with either a 1/4" or 3.5 mm headphone jack.
Outputs include balanced XLR with a mono switch, unbalanced RCA, USB audio, S/PDIF and TOSLINK.
This product has not been tested to the current CE requirements and is not available in markets requiring CE compliance.
The AM1 and AM2 Automixers also mix mic and line inputs in expandable configurations. See them on page 6.
18
Mic & Line Mixers
MLM82S
RANE CORPORATION
100-240 V
50/60 Hz 7 WATTS
COMMERCIAL
AUDIO
EQUIPMENT
24TJ
BALANCED: PIN 3 = (–), PIN 2 = (+), PIN 1 = (G)
CLASS 2 WIRING
B
A
A
A
A
A
8
7
6
5
4
3
2
1
B
B
B
B
LINE
LINE
LINE
LINE
BALANCED: PIN 3 = (–), PIN 2 = (+), PIN 1 = (G), CLASS 2 WIRING
R
OUTPUTS
LINE INPUTS
15V
PHANTOM
POWER
MIC / LINE INPUTS
MLM82S Mic & Line Mixer
•
•
•
•
8 inputs, 2 outputs – 4 balanced mic/line inputs, 4 balanced/unbalanced stereo or mono line inputs.
Mic inputs have switchable phantom power, mic/line level, and output assignable.
Outputs individually switchable to mic-level, line-level, stereo or mono.
Balanced XLR mic/line inputs, 1/4" TRS line stereo/mono inputs, XLR outputs. Internal universal power supply (100-240 VAC).
Splitter / Mixer
SM26S
100-240 V
50/60 Hz 7 WATTS
COMMERCIAL AUDIO
EQUIPMENT 24TJ
LEFT
LEFT
6
R
5
4
3
2
1
6
RIGHT
5
4
3
2
1
RIGHT
MIX OUTPUT
RANE CORPORATION
All Inputs and Outputs are Balanced: Tip = positive (+), Ring = Negative (–), Sleeve = Chassis Ground.
All audio jacks are Class 2 wiring.
MONO OUTPUTS
EXPAND OUT
MASTER IN
MONO INPUTS
SM26S Line Splitter / Mixer
•
•
•
•
Combination 6 x 2 line mixer, 2 x 6 line splitter, or 6 x 6 line driver.
Capable of 4-pair stereo line splitting or mixing.
Mix, pan and level controls with 12 dB gain for level matching.
Balanced 1/4" TRS connectors; Internal universal power supply (100-240 VAC).
Distribution Amplifier
100-240 V
50/60 Hz 7 WATTS
COMMERCIAL AUDIO
EQUIPMENT 24TJ
DA216S
16 + -
+ -
15
12 + -
+ -
11
8
+ -
+ -
7
4
+ -
+ -
3
RANE CORPORATION
INPUT
INPUT
B
A
R
14 + -
+ -
13
10 + -
+ -
9
6
+ -
+ -
5
2
+ -
+ -
1
+ -
+ -
+ -
+ -
INPUT
PAD
B
60
MIC 40
LINE 20
0
dB
GAIN
INPUT
PAD
A
GAIN
60
MIC 40
LINE 20
0
dB
MIC
PHANTOM
POWER
15V
ALL AUDIO JACKS ARE CLASS 2 WIRING
DA216S Distribution Amplifier
•
•
•
•
2 balanced mic/line inputs, 16 balanced outputs individually assignable to A, B, or both.
Broad gain range with mic or line inputs.
Switchable 15V phantom power works with most common condenser mics.
Balanced Euroblock connectors; Internal universal power supply (100-240 VAC).
19
Dynamic Control
COMMERCIAL AUDIO
EQUIPMENT 24TJ
DC22S
RANE CORPORATION
OUTPUT
INPUT
2
2
R
CLASS 2 WIRING
3-PIN XLR:
OUTPUT
INPUT
1
1
• PIN 2 = (+), • PIN 3 = (–),
• PIN 1 = CHASSIS (SHIELD)
-10 dBV
+4 dBu
-10 dBV
+4 dBu
1/4" PHONE, BALANCED:
• TIP = (+), • RING = (–),
• SLEEVE = CHASSIS (SHIELD)
1/4" PHONE, UNBALANCED:
100-240 V
50/60 Hz 7 WATTS
BALANCED
BAL/UNBAL
BALANCED
BAL/UNBAL
• SEE THE RANENOTE: SOUND
SYSTEM INTERCONNECTION
BALANCED
BAL/UNBAL
BALANCED
BAL/UNBAL
DC22S Stereo Gate / Compressor
• Two independent gates and compressors with output level controls; Gate acts as a downward expander, so quiet parts get quieter.
• True master/slave operation in Link mode for stereo program compression without image shifts.
• Balanced 1/4˝ TRS & XLR connectors; Internal universal power supply (100-240 VAC).
G4
OUTPUT 4
INPUT 4
OUTPUT 3
INPUT 3
OUTPUT 2
INPUT 2
OUTPUT 1
INPUT 1
SIDE-CHAIN
RANE CORPORATION
COMMERCIAL AUDIO
EQUIPMENT 24TJ
100-240V
50/60 Hz 20 WATTS
WIRING
FOR CONTINUED
GROUNDING
PROTECTION
DO NOT REMOVE
SCREW
CH 2
CH 1
CH 4
CH 3
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES. OPERATION IS SUBJECT TO THE FOLLOWING
TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE
MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE
UNDESIRED OPERATION. THIS CLASS B DIGITAL APPARATUS COMPLIES WITH CANADIAN ICES-003. CET
APPAREIL NUMÉRIQUE DE LA CLASSE B EST CONFORME À LA NORME NMB-003 DU CANADA.
TIP / PIN 2 = POSITIVE
RING / PIN 3 = NEGATIVE
SLEEVE = SIGNAL GROUND
PIN 1 = CHASSIS GROUND
G4 Quad Gate / Ducker / Expander
• Independent Quad Gate / Expander / Ducker with look-ahead peak detector; Expand mode uses rms detection.
• Side chain switch selects external input or internal High & Low Cut Filters; Side-chain metering.
• DSP with familiar analog controls; Balanced 1/4˝ TRS & XLR connectors.
This product has not been tested to the current CE requirements and is not available in markets requiring CE compliance.
G4 Look Ahead Gating
Time
Threshold
Level
Output Waveform
Side-Chain Signal
Gate Envelope
Time
Threshold
Level
Output Waveform
Side-Chain Signal
Gate Envelope
333 µSec Delay
The G4 uses a very short look ahead (16 samples, or 333 µSec)
with exponential ramping to ensure accurate clickless gating.
20
Conventional gates without look ahead or ramping result in
audible clicks at fast attack settings.
Graphic Equalizer
DEQ60L
OUTPUT B
OUTPUT A
INPUT B
INPUT A
CLASS 2 WIRING
TIP / PIN 2 = POSITIVE
RING / PIN 3 = NEGATIVE
SLEEVE = SIGNAL GROUND
PIN 1 = CHASSIS GROUND
RANE CORPORATION
COMMERCIAL AUDIO
EQUIPMENT 24TJ
+ -
+ -
+ -
+ -
+ -
+ -
+ -
+ -
R
U.S. PATENT 7,266,205
FOR CONTINUED
GROUNDING
PROTECTION
DO NOT REMOVE
SCREW
BYPASS
ALL
100-240V
50/60 Hz 20 WATTS
This device complies with Part
15 of the FCC Rules. Operation
is subject to the following two
conditions: (1) this device may
not cause harmful interference,
and (2) this device must accept
any interference received,
including interference that may
cause undesired operation.
CAN ICES-3 (B)/NMB-3(B)
FILTERS
DEQ 60L Stereo 1/3-Octave Graphic Equalizer
•
•
•
•
•
•
2 x 30 bands of switchable Perfect-Q (no filter interaction, true WYSIWYG) or Proportional-Q (broad adjustment) digital filters.
45 mm sliders with switchable ±6 or ±12 dB boost/cut range each channel; Switchable high-resolution -12 dB Cut-Only mode.
Input and Output Level controls; Input and Output meters; Channel Bypass switches.
Sweepable high-cut and low-cut filters; Separate Accelerated-Slope™ Low / Mid / High full-cut Tone controls.
A/B curve comparison switches provide stereo linking with two memories; Balanced XLR, TRS and Euroblock connectors.
Read the RaneNote “Perfect-Q™, the Next Step in Graphic EQ Design” at rane.com.
This product has not been tested to the current CE requirements and is not available in markets requiring CE compliance.
+14
+14
+12
+12
+10
+10
combined response
showing effects of
band interaction
+8
+6
+4
+2
+14
+12
increased ripple
+8
combined response
showing reduced
band interaction
+6
+4
d
B +0
u -2
individual responses
(actual slider settings)
-4
-6
+8
+6
d
B +0
u -2
individual responses
(actual slider settings)
-4
-6
-6
-8
-8
-8
-10
-10
-12
-12
-12
-2
-14
-14
-1.75
-1.5
-1.25
-1
-0.75
-0.5
-0.25
+0
+0.25
+0.5
+0.75
+1
+1.25
+1.5
+1.75
+2
-2
-1.75
-1.5
-1.25
-1
-0.75
-0.5
-0.25
octaves
Figure 1. Band interaction of 1/3-octave
Proportional-Q filters.
individual responses
(actual slider settings)
-4
-10
-14
combined response
is perfect
+4
+2
+2
d
B +0
u -2
no band interaction or ripple
+10
+0
+0.25
+0.5
+0.75
+1
+1.25
+1.5
+1.75
+2
-2
-1.75
-1.5
-1.25
Figure 2. Band interaction of 1/3-octave
Constant-Q filters.
-1
-0.75
-0.5
-0.25
+0
+0.25
+0.5
+0.75
+1
+1.25
+1.5
+1.75
+2
octaves
octaves
Figure 3. Graphic response of Perfect-Q
filters.
Perfect-Q Advantages
DSP Provides the Solution
The advantages of the Perfect-Q design go far beyond yielding
a more accurate picture; it provides a degree of adjustment
never before possible. Crucial subtle refinements of frequency
response are for the first time possible, allowing for an unequaled
ease of operation and clarity of sound reproduction. Changing a
1/3-octave setting changes only that setting. This is unlike any
other graphic EQ available (i.e., one providing real mechanical
front panel slide controls).
The idea driving Perfect-Q is the same as constant-Q: constant
bandwidth for each EQ band no matter what the setting. DSP
allows doing things that aren’t practical (or in some cases even
possible) in analog circuits, producing an even better outcome as
demonstrated by these Perfect-Q characteristics:
• What you see is (really) what you get.
• Constant bandwidth for all slider settings.
• Adjusting one band does not change neighboring bands.
• Improved phase response due to eliminated interactions.
• No band interaction overload problems.
21
Headphone Amplifier
100-240 V
50/60 Hz 12 WATTS
COMMERCIAL AUDIO
EQUIPMENT 24TJ
MASTER
INPUTS
RIGHT
LEFT
6
IN
5
OUT
IN
4
OUT
IN
3
OUT
IN
2
OUT
IN
HC6S
1
OUT
IN
OUT
R
Balanced
Tip = Positive (+), Ring = Negative (–),
Sleeve = Shield
RANE
CORPORATION
Unbalanced Line Inputs: Tip = Left, Ring = Right, Sleeve = Ground.
All audio jacks are Class 2 wiring.
HC6S Headphone Amplifier
•
•
•
•
Six stereo amplifiers with both master and individual level controls.
Each stage can be driven from the master stereo input or individual channel inputs.
Drives stereo 1/4" headphone outputs on both front and rear panels.
Balanced 1/4" TRS inputs; Internal universal power supply (100-240 VAC)
Delay
AD22S
CH 1 REMOTE
RECALL
BYPASS
RECALL
100-240 V
50/60 Hz 7 WATTS
CH 2 REMOTE
BYPASS
USB
FIRMWARE
UPDATE
DELAY
FRONT PANEL
CONTROL LOCKS
RANE CORPORATION
R
BYPASS
COMMERCIAL AUDIO
EQUIPMENT 24TJ
CH 2 OUTPUT
CH 2 INPUT
CH 1 OUTPUT
CH 1 INPUT
CH REMOTE WIRING
OPEN RECALLS “A”
CLOSED RECALLS “B”
CLOSED = BYPASS CH
CLASS 2 WIRING
PIN 2: POSITIVE
PIN 3: NEGATIVE
PIN 1: CHASSIS GND
AD22S Dual Channel Audio Delay for Distance or Video
DOC 117483 AD22S CHASSIS FILM 1 OF 1 BLACK
• Distance Mode: 2 to 999.99 ms delay range, converts between milliseconds / feet / meters with temperature compensation.
• Video Mode: up to 1 second delay in .5 frame increments in frames or milliseconds in all NTSC and PAL / SECAM frame rates.
• 2 memories; Remote contact closure memory recall with switchable front panel lockout; Fail-safe bypass for each channel.
Isolation & Balancing Transformer
BB 22 Balance Buddy
• 2 channels: -10 dBV (RCA) to +4 dBu (XLR) conversion.
• Nickel core transformers; No power supply required.
• Wide bandwidth; Low distortion.
22
Multichannel Amplifiers
MA3
RANE CORPORATION
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK DO
NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO
NOT REMOVE COVER. NO USER SERVICEABLE PARTS
INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
OUTPUT POWER
PER CHANNEL
40 WATTS / 8Ω
60 WATTS / 4Ω
AVIS
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
OUTPUTS
CLASS 2 WIRING
CH 3
COMMERCIAL AUDIO
EQUIPMENT 24TJ
CH 2
INPUTS
CH 1
CHANNEL 3
CHANNEL 2
CHANNEL 1
12-18 AWG
+ -
+ -
+ -
+ -
+ -
+ -
+ -
+ -
+ -
+ -
R
0
120 V
50/60 Hz 360 WATTS
10
0
+ -
LEVEL
10
0
+ -
LEVEL
10
LEVEL
MA3 Multichannel Amplifier
•
•
•
•
3 independent channels @ 40 W rms into 8Ω; 60 W rms into 4Ω, 20 Hz-20 kHz all channels, all day.
Dynamic limiters handle 20 dB of overdrive; 80 Hz high-pass filter selection; Sealed heat tunnel forced-air cooling.
Balanced Euroblock inputs; Euroblock speaker connectors handle up to 12 gauge wire.
Optional distribution transformers: 40 W 100 V (model TF 410) mountable on MT 6 rack panel (2U).
This product has not been tested to the current CE requirements and is not available in markets requiring CE compliance.
RANE CORPORATION
MA 4
OUTPUTS
COMMERCIAL AUDIO
EQUIPMENT 24TJ
4
R
INT EXT
LOAD
3
MODE
Class 2 Wiring
INT EXT
INT EXT
LOAD
+ – + – + – + –
FAULT
FLAG
INT EXT
2
1
LOAD
LOAD
+ – + – + – + –
Active Low
3 2 1
4
HIGH-PASS
20Hz
40Hz
60Hz
80Hz
MASTER
COMP
SLAVE
ON
ON
INPUTS
4
REMOTE LEVEL
3
2
1
4
Use Rane VR 2 or 20 kΩ pot
Vr Vc
Vr Vc
Vr Vc
Vr Vc
3
SENSITIVITY
+ –
13
FOR CONTINUED GROUNDING
PROTECTION DO NOT REMOVE
THIS SCREW.
1
+ – + – + – + –
+ – + – + – + –
4
3
2
1
+ –
13
1
SENSITIVITY
+ –
13
SENSITIVITY
+ –
13
ON
22
100-240V
50/60 Hz 500 WATTS
2
SENSITIVITY
2
3
4
1
2
3
22
4
dBu
4
1 2 3 4 EXP ON
Vr Vc
Vr Vc
Vr Vc
Vr Vc
+ –
22
4
dBu
+ –
22
4
dBu
+ –
4
dBu
+ –
MA 4 Multichannel Amplifier
•
•
•
•
4 independent channels @ 100 W rms into 8 or 4 Ω, with built-in load monitoring, in just one rack space.
Universal voltage, power-factor-corrected power supply with low inrush current.
Advanced dynamics control adjusts for sensitivity setting, temperature & load Z.
Remote fault reporting & redundancy switching; Adjustable high-pass filters; Remote potentiometer level controllable.
This product has not been tested to the current CE requirements and is not available in markets requiring CE compliance.
MT 4
MULTICHANNEL
TRANSFORMER
MT 4
RANE CORPORATION
4
IN
+
OUT
– 100V 70V COM
+ – 100V 70V COM
IN
OUT
3
IN
+
OUT
– 100V 70V COM
+ – 100V 70V COM
IN
OUT
2
IN
+
OUT
– 100V 70V COM
+ – 100V 70V COM
IN
OUT
1
IN
+
OUT
– 100V 70V COM
+ – 100V 70V COM
IN
OUT
MT 4 Multichannel Transformer
• 4-channel 70.7/100 volt transformers for the MA 4 in a 1U rack chassis.
• Input 8Ω, 100 watts; Euroblock strain-relief connectors; Frequency response 40 Hz to 20 kHz +0, -1 dB
23
MP2014
New!
MP2014 Rotary DJ Mixer
Simply Silky-Smooth
The MP2014 represents the perfect marriage of a high-quality rotary control-surface, with state-of-the-art digital signal processing and dual 16-channel USB sound
cards. An essential assortment of analog and digital I/O supports mixing vinyl, CDs
and USB streaming audio in any combination. Simple, elegant and easy to master.
24
Different music genres require different filter and EQ
configurations to properly deal with song content.
The MP2014 allows DJs to adjust Filters, EQs and
the Isolator to personalize the music. Channel and
Isolator Filters can be stacked for truly amazing
isolation and manipulation of musical elements.
The Isolator EQ on the
Main mix has powerful
3-band +10 dB to
full-cut 24 dB per
octave filters with fully
adjustable crossover
points.
0 dB
0 dB
LOW
The Session Output
goes to S/PDIF and RCA
outputs for recording or
chaining mixers together.
4
5
7
2
1
10
4
5
4
7
9
9
0
8
4
GAIN
10
10
|
GAIN
FX
OFF
HIGH
+6
|
TREBLE
AUX
4
5
OFF
6
3
2
1
9
8
0
6
LEFT
7
RIGHT
OL
+10
+10
+7
+7
+5
+5
+3
+3
+2
+2
+1
+1
0
0
-1
-1
-2
-2
-3
-3
-5
-5
-7
-7
-10
-10
-10
-15
-15
-15
-24
-24
2
+10
9
1
GAIN
+7
10
+5
+3
|
+2
+1
0
-1
OFF
HIGH
-2
+6
-3
-5
|
MID
+6
4
6
7
2
8
9
1
0
9
0
5
3
|
FX
8
1
10
OFF
SESSION IN
LOW
+6
OFF
LOW
10
BOOTH
+6
PHONES
A sweepable Low-pass,
Low/High-pass, or
High-pass 24 dB per
octave filter can activate
on each input channel,
along with a central
Resonance control.
MAIN
SPLIT
NORM
LOW
HIGH
RESONANCE
FILTER
FILTER
4
5
FILTER
6
3
4
9
MIX
PHONES
I
10
PAN
5
MIX
6
3
8
0
10
4
7
1
9
0
6
2
8
1
5
CUE
3
7
2
Real wood side panels
make this mixer an
instrument of beauty.
3-band +6 dB to full-cut
12 dB per octave tone
filters on each input
channel (with selectable
300 / 3k or 150 / 6k Hz
crossover points in the
user control panel*).
-7
-24
OFF
FX
OL
8
0
The Main Mix has a
16-segment stereo
Meter, XLR Main Outputs
with a Level control and
TRS Booth Outputs with
a Level control.
10
MAIN
OL
+6
|
CUE
7
MID
5
3
8
TONE
The Session In source
may be RCA, S/PDIF or
USB AUX playback
channels 9-10.
7
II
7
1
3
BASS
6
3
SOURCE
6
3
1
0
5
2
6
2
5
4
PH/CD 2 AUX 2
2B
2A
MP2014
SOURCE
MIC
ON
ACTIVE
2
SESSION OUT
DUCK
+10
HIGH
1.0k
8.0k
CROSSOVER
9
0
OFF
∞
8
I
The Mic input can switch
to mic-level or
wireless-mic line-level.
The DUCK switch
temporarily lowers the
mix by 10 dB while
turning the mic on.
4.75k
+10
MID
80
640
CROSSOVER
ISO
1.7k
∞
PH/CD 1 AUX 1
1B
1A
6
3
2.8k
380
+10
Each input channel
selects USB-A, USB-B,
a PH/CD deck, or a
stereo line AUX.
• Deck 1 USB playback
channels 1-2.
• Deck 2 USB playback
channels 3-4.
0 dB
225
135
∞
Two USB ports can connect two computers,
each supporting 3 stereo playback and 7 stereo
record channels. Play tracks to each input
channel and the USB Aux. Simultaneously record
each Deck pre-fader, post-fader, the Session In,
the Mic, and the Main mix.
Each PH/CD input can
be switched to Phono
level or CD deck level.
An AUX input on each
mixer channel is also
available.
7
2
8
9
1
0
LEVEL
10
MIX
CUE
CUE
Cue any input channels
or the Session Input with
the CUE switches and
the Headphone monitor.
Pan adjusts the
Cue/Main Mono Split or
Stereo Cueing. 1/4"
jacks are on both top
plate and front panel
with an additional 3.5
mm jack on the front.
II
*The user control panel supports
MP2014 options and status with a
USB 2.0 computer connection.
Class compliant MIDI and Audio
means no driver is required for
Mac OSX. A high performance
universal ASIO driver is included
to run most DJ and DAW software
in Windows.
The bottom line: this mixer sounds fantastic with vinyl, CDs and music files.
The dynamic range is 116 dB from line in to digital/USB out or digital/USB in to line out. THD+N is only 0.001%.
All audio processing is 32-bit floating point with supported sample rates of 44.1 kHz, 48 kHz or 96 kHz.
Unit size: 14˝ H x 11˝ W x 4.3˝ D [35.5 cm x 27.9 cm x 8.3 cm ](includes knobs)
25
MP2015
MP2015 Rotary DJ Mixer
It,s the Rotary Mixer Revival
ULTIMATE CLUB MIXER 2015
The MP2015 is a perfect marriage of high-quality rotary control surface, high-resolution digital
BEST DJ PRODUCT OF 2015
signal processing and dual 24-channel USB sound cards. This assortment of analog and digital
30TH ANNUAL
I/O supports mixing vinyl, CD, S/PDIF and USB streaming audio in any combination, with pristine
audio quality and massive headroom that's never been heard in a DJ mixer before.
The MP2015 is supported in Serato DJ with the purchase of the Serato DJ Club Kit, which includes Serato DJ and the Serato DVS Expansion Pack. Purchase the kit from serato.com.
Traktor Scratch certification allows control of 4 Traktor decks with vinyl and/or control CDs.
It's also the first Traktor Scratch certified mixer with dual USB ports, allowing easy back-toback DJ changeovers. Download Traktor software from native-instruments.com.
CLUB KIT
Upgrade-Ready
26
Different music genres often require different filter and
EQ configurations to properly deal with song content.
The MP2015 allows performers to adjust Filters, EQs
and the Isolator to suit their needs. Channel, Submix
and Isolator Filters can be stacked for truly amazing
isolation and manipulation of musical elements.
The Isolator EQ on
the Main mix has
powerful 3-band +10
dB to full-cut 24 dB
per octave filters with
fully adjustable crossover points.
Two USB ports can connect two computers,
each supporting 5 stereo playback and 7
stereo record channels. Play tracks into
input channels 1-4 and the Session In.
Simultaneously record decks 1-4, Submix,
Session In and the Main mix.
Each PH/CD input can be
switched to Phono level, CD
deck level, or S/PDIF with 128
dB dynamic range. An AUX
input from RCA jacks can be
assigned to any input channel.
LEFT
0 dB
0 dB
0 dB
RIGHT
OL
5
4
+10
6
3
7
+7
225
2.8k
135
∞
380
4.75k
∞
+10
MID
80
640
CROSSOVER
+3
8
1
9
+2
+10
HIGH
1.0k
8.0k
CROSSOVER
2
+5
ISO
1.7k
∞
+10
LOW
Each input channel
selects USB-A,
USB-B, PH/CD (1-4)
or a stereo line AUX.
• Deck 1 USB playback channels 1-2.
• Deck 2 USB playback channels 3-4.
• Deck 3 USB playback channels 5-6.
• Deck 4 USB playback channels 7-8.
0
+1
ACTIVE
PH/CD 1 AUX
1B
1A
PH/CD 2 AUX
2B
2A
PH/CD 3 AUX
3B
3A
MAIN
PH/CD 4 AUX
4B
4A
-3
SUB
I
4
5
4
7
2
GAIN
7
GAIN
|
SUB
7
GAIN
0
|
SUB
8
AUX
4
FX ON
GAIN
|
5
6
3
7
2
9
0
10
BOOTH
FX LOOP
7
1
10
8
MAIN
6
2
9
0
5
3
8
1
10
4
9
-24
SUB
IV
6
2
9
0
5
3
8
1
10
4
7
1
-15
SOURCE
III
6
2
9
0
5
3
8
1
SUB
II
6
3
SOURCE
6
3
2
-5
-7
SOURCE
5
4
-10
SOURCE
10
0
-1
-2
1
10
DRY
9
0
WET
10
SESSION IN
|
|
4
3-band +6 dB to
full-cut 12 dB per
octave tone filters on
each input channel
and the Submix (with
selectable 300 / 3k or
150 / 6k Hz crossover
points in the user
control panel*).
HIGH
OL
OL
OL
OL
OL
+10
+10
+10
+10
+10
+7
+6
OFF
+5
+3
|
HIGH
+7
+6
+5
+3
|
+2
MID
LOW
+3
HIGH
+5
+3
|
+2
OFF
5
6
HIGH
+1
+1
0
0
0
-1
-5
OFF
-3
-5
|
-7
-1
-2
+6
MID
-5
|
-7
OFF
-3
MID
-2
+6
OFF
-3
-5
|
-7
MID
-10
-10
-10
-15
-15
-15
-15
-24
-24
-24
+6
OFF
LOW
+6
OFF
LOW
OFF
LOW
7
8
1
9
0
10
GAIN
-24
+6
DUCK
6
-7
-10
LOW
5
2
-5
|
-7
4
3
-3
-15
OFF
MIC
OFF
-2
+6
-10
+6
SESSION OUT
-1
-1
-2
+6
BASS
+6
TREBLE
TONE
LOW
HIGH
CUE
MIX
PAN
FILTER
FILTER
FILTER
FILTER
5
5
5
5
5
4
5
6
3
4
4
6
3
7
1
9
2
7
1
9
II
3
7
1
9
III
3
7
1
9
CUE
IV
6
3
7
1
9
8
9
1
0
8
0
10
MIX
7
2
2
8
0
10
MIX
CUE
4
6
2
8
0
10
MIX
CUE
4
6
2
8
0
10
MIX
I
3
2
8
0
4
6
LEVEL
10
10
MIX
CUE
*The user control panel
supports MP2015 options
and status with a USB 2.0
computer connection. Class
compliant MIDI and audio
means no driver is required
for Mac OS X. A high
performance universal ASIO
driver is included to run
most DJ and DAW software
in Windows.
CUE
SUBMIX
The Mic input switches
for line-level, mic-level,
and 48V phantom.
The DUCK button
temporarily lowers the
mix by 10 dB while
turning the mic on.
SPLIT
RESONANCE
FILTER
The Session Output
goes to S/PDIF and
RCA outputs for recording or chaining
mixers together. The
Session In source may
be RCA, S/PDIF or
USB AUX playback
channels 9-10. Send it
to the Submix channel
or the Main Mix with
the SUB button.
10
+2
+1
MID
9
0
+3
0
OFF
8
1
+5
|
+2
7
2
+7
+6
+1
-24
OFF
+5
+7
+6
0
-3
|
OFF
+1
-2
+6
HIGH
+7
+6
|
+2
-1
OFF
OFF
SUB
8
3
OFF
A sweepable
Low-pass, Low/Highpass, or High-pass 24
dB per octave filter
can activate on each
input channel and the
Submix channel, along
with a top panel
Resonance control.
The Main Mix has a
16-segment stereo
Meter, XLR Main
Outputs with a Level
control and TRS
Booth Outputs with a
Level control.
PHONES
Cue any input
channels or the
Submix with the CUE
switches and the
Headphone monitor.
Pan adjusts the
Cue/Main Mono Split
or Stereo Cueing.
Conveniently located
3.5 mm and 1/4"
jacks are on the top
plate and front panel.
The unique Submix feature allows grouping any
number of inputs for easy multi-source mixing.
Control EQ, volume, gain, filtering and effects of
multiple channels with one set of controls vs.
having to deal with multiple knobs and buttons on
multiple channels. This can also be a 5th input
channel by activating SUB on the Session In.
The bottom line: this mixer sounds fantastic with vinyl, CDs and music files.
The dynamic range is 116 dB from line in to digital/USB out or digital/USB in to line out. THD+N is only 0.0009%.
All audio processing is 32-bit floating point with supported sample rates of 44.1 kHz, 48 kHz or 96 kHz.
Unit size: 14˝ H x 13.1˝ W x 4.3˝ D [35.5 cm x 33.3 cm x 8.3 cm ](includes knobs)
27
TTM57mkII DJ Mixer
A classic reborn!
The Rane TTM57mkII Mixer is a plug-and-play
package supporting one or two computers, with
two-deck digital vinyl simulation (DVS), Serato DJ
with the SP-6 sample player, software effects and
all the record and playback channels you need. Both
USB ports connect to computers running Serato DJ
and most DJ and DAW audio programs, using Native
Core Audio support for Mac and an ASIO driver for
Windows. Class-compliant audio and MIDI means
no driver installation on a Mac, and a unified ASIO
Rane driver is provided for Windows. Dual USB ports
let DJs change over seamlessly between sets, even
when they use different software. The TTM57mkII has
so many improvements over the TTM57SL, it’s truly a
new mixer with a lot more creative power.
UNIQUE FEATURES
• Durable Lexan faceplate (no paint to wear off)
• Channel High, Mid, and Low Kill switches
• Filter Resonance adjustment
• MIDI-mappable footswitch jack to any parameter
• Headphone Split Cue Mode (Cue: left, Main: right)
• Changeable EQ crossover points
• Transform Joysticks with extra functions
• Easy access to Serato INT mode and Slip ON/OFF
• Session Output with a Level control
• External effects processor loop
• Up-fader Channel Swap switch
TTM57MKII SPECIFICATIONS
• Each USB 2.0 port supports 10 record and 10 playback channels.
• Great-sounding 32-bit floating-point audio processing sampled at 44.1, 48 and 96 kHz.
• Deck controls include source selection, Gain trim, 3-band full-cut isolator tone controls and a High/Low-pass sweep Filter.
• Independent USB FX Inserts for each deck support post-fader iZotope software FX.
• A dedicated USB Aux Input for SP-6 sample playback with Gain Trim, sweepable High/Low-pass Filter and a Headphone Cue.
• Magnetic crossfader and channel faders with reverse and contour controls (all faders are interchangeable).
• All controls are MIDI-mappable.
A typical setup includes two Serato DVS decks,
software FX through independent USB digital inserts
for each Deck, and the SP-6 sample player on its own
USB Aux input.
Unit size: 14˝ x 10˝ x 4˝ (35.6 x 25.4 x 10.2 cm).
The TTM57mkII includes Serato DJ
with 2 Serato Control Vinyl
and 2 Serato Control CDs.
28
NATIVE SUPPORT FOR
VIRTUAL DJ
The Mic input can be switched for a reg-
Two Program buses with Gain trim and meters:
Level control for each Output:
ular dynamic mic or to line-level for a
• Select USB Port A or B computer playback.
• Main Outputs on XLR
wireless mic. It has its own meter, Level
and a one-knob tone control.
• Select Two Phono / CD deck Inputs.
• Select Two Aux line-level Inputs.
• 3-band full-cut tone controls with kill switches.
• Sweepable Low / High-pass effect Filter.
• Booth Outputs on TRS
• Session Outputs on RCA
The FlexFX external FX Loop can
assign the Left Deck, Right Deck
or Both to an external analog FX
Loop, independent of USB
software FX inserts.
4
A
6
2
0
4
6
2
4
8
10
0
SOURCE
LEVEL
10
A
6
2
LOW
HIGH
4
6
0
10
LOW
HIGH
4
6
0
10
2
10
GAIN
HIGH
FILTER
8
SOURCE
LOW
HIGH
MAIN
HIGH
FILTER
FlexFX
4
6
0
10
4
6
8
0
10
2
MID
FX
6
0
10
2
ON
ROLL
CUES
CENSOR
HIGH
FILTER
AUX
CHANNEL SWAP
LIBRARY
DBL
SAMPLES
The front panel accepts either
3.5mm or 1/4” headphone plugs.
A footswitch (optional) can be connected
to access learned MIDI functions.
LIBRARY
2
3
4
1
2
3
4
BANK
SAMPLES BANK CUES
CROSSFADE
REVERSE
REVERSE
A
B
MAIN
4
6
0
10
DECK 2
8
DECK 1
REVERSE
True Split Cue or Stereo Cue
with classic Left Deck and
Right Deck slide control.
PAN
PHONES
BACK
1
DECK 1
CUE
2
TRANSFORM
The three Crossfader and
channel faders are Rane's
famous and dependable
no-noise, no-bleed, no-contact
magnetic faders. Easy to clean
and interchangeable.
LOOP
INT
SLIP
SHIFT
TRANSFORM
BACK
SPLIT CUEING
CENSOR
DBL
SLIP
8
LOW
ROLL
INT
connect two mixers together.
FX
BEATS
LOW
LOOP
Session Input (opposite side)
can connect an output from
another mixer, or use it as
another auxiliary input.
Session Output connects to an
input of another mixer, to
SESSION OUT
ON
8
LEVEL
CUE
MID
BEATS
AUX
4
8
BOOTH
FlexFX
SESSION IN
LOW
CUE
DECK 2
Direct control of Serato DJ Decks:
• Software FX on/off button.
• FX knob parameter adjustment:
• Press to select the FX.
• Hold SHIFT to change the
Beats multiplier.
• LOOP knob selects loop length.
• Press it to engage Auto Loop.
• Hold ROLL for Loop Roll.
• LIBRARY knob scrolls songs or
crates, press to load.
• Hold SHIFT to tab between
song and crate selection.
• TRANSFORM joystick:
• Press for Transform on/off.
• Transform on: any direction
cuts the audio.
• Transform off: multifunction
software control (gray text).
Direct control of Serato DJ Cues and Samples:
• CUES / SAMPLES button toggles between Cues (red) and Samples (green).
• Cue 1-4 or 5-8 for each Deck. The active USB follows the Deck source selection.
• Lit button colors match the Cue colors in Serato DJ software.
• Press an un-lit button to create a new Cue. Hold SHIFT to delete a Cue.
• Six Sample triggers with Bank up (A-B-C-D) and Bank down (D-C-B-A) selectors.
• Lit button (purple) indicates a ready-to-play sample in Serato DJ.
USB SERATO DJ IZOTOPE EFFECTS
Serato DJ includes FX powered by industry leader iZotope,
enabling you to manipulate your songs and add another dimension to your mix. Additional iZotope FX Expansion packs can be
purchased to grow your arsenal of FX. Enable and control the
FX in Serato DJ and apply individual effects to each Deck.
MIDI CONTROL
MIX
B
8
0
GAIN
PH/CD AUX
2
2
Channel Swap switches the left
or right fader between Deck 1
and Deck 2. Contour controls
adjust the faders and crossfader
for a smooth transistion or a
fast cut. Faders can be
individually reversed.
DECK 2
B
8
MIC TONE
The USB Aux Input is usually from
the Serato SP-6 Sample Player,
with it's own Level control, Low /
High-pass sweep Filter and
headphone cue. The USB Cue
overrides the Deck Cue when on.
DECK 1
PH/CD AUX
MIC
MIDI mapping is done for you as the TTM57mkII is plug-andplay with Serato DJ. Advanced users can custom map most
mixer controls to many other third-party audio programs. The
MIDI control assignments are in the TTM57mkII Manual.
29
Sixty-Two DJ Mixer
Battle Proven
The Sixty-Two is a plug-and-play package
supporting one or two computers, with two-deck
digital vinyl simulation (DVS), the Serato SP-6
sample player, software plus hardware effects and
plenty of record and playback channels. Control
Library, Cues, Loops and Samples, with direct
control of more than 40 software parameters, laid
out for fast and intuitive access.
Both of the USB ports connect to computers
running Serato DJ, Scratch Live, and most DJ and
DAW audio programs, supporting 6 stereo record
and 4 stereo playback channels each. Two laptops
can connect at once for easy DJ handover, with
great-sounding 48 kHz 32-bit floating-point audio.
The Sixty-Two goes deep in effects. An internal
Effects Engine has Filter (low- or high-pass),
Flanger (+ or – feedback), Phaser, Echo (4 sync
and filter modes), Robot and Reverb. MIDI beat
clock in and out allow BPM sync’ed effects.
Software FX from Serato DJ or other programs
route through the USB effects insert. Rear FlexFX
Loop jacks connect an external effects processor.
A typical setup includes operation with two
Serato DVS channels, SP-6 sample player on
an independent USB Aux playback channel and
software effects enabled on the USB digital insert
in the FlexFx loop. Record Deck 1 post-fader,
Deck 2 post-fader or the Main mix to your laptop,
with or without the Mic input.
• Deck controls include a Level trim, 3-band
full-cut isolator tone controls, Left/Right Pan,
and a High/Low-pass sweep Filter with variable
resonance.
• The XLR/TRS Mic/line input features a Level
trim, two-band tone controls, and FlexFx assign.
• The USB Aux Input for SP-6 sample playback
includes a High/Low-pass sweep Filter.
• Long-life dependable magnetic crossfader
and channel faders have reverse and contour
controls on the front panel.
• All controls are MIDI-mappable.
• Durable Lexan faceplate (no paint to wear off)
• Unit size: 14.25˝ x 10.5˝ x 4˝
(36.2 cm x 26.7 cm x 10.2 cm)
The Sixty-Two includes Serato DJ
with 2 Serato Control Vinyl
and 2 Serato Control CDs.
30
NATIVE SUPPORT FOR
Mixer Controls
VIRTUAL DJ
Mic Input has switchable Mic or Line-level with
2-band full-cut tone and pan controls.
Two Program buses:
• Select either USB port for playback and MIDI.
Two USB ports, each with six stereo
record channels and four stereo playback
The Mic can route to FlexFX or record to USB.
Mic Over ducks Deck sources by 12 dB.
• Four Phono / Line Inputs.
• Left / Right Pan.
channels simultaneously available, allows
two DJs with their own laptops to share
Clean Feed sends the Mic only to the Main Out.
• 3-band full-cut tone controls.
• Sweepable Low / High-pass filter.
the mixer. The button assigns the SP-6
sample player to the indicated USB port.
In Auto mode, Loop buttons
use the Serato DJ Auto Loop,
lighting the buttons orange. In
Manual mode, Loop buttons
DECK 1
MIC
BYPASS
SP-6 ASSIGN
use manual looping features,
lighting the buttons green.
ON
LOAD
DECK 2
MIX
4
6
0
10
LEVEL
SCROLL
OFF
AUTO
HIGH
OVER
BEATS
4
LEVEL
6
2
10
3 4
A
B
8
0
LEVEL
10
SOURCE
PAN
OFF
RIGHT
HIGH
+6
OFF
HIGH
+6
LEFT
PAN
RIGHT
+6
0
10
8
MAIN
4
6
0
10
4
6
FILTER
OFF
HIGH
MID
+6
OFF
MID
+6
LOW
FILTER
HIGH
FLEXFX
+6
OFF
LOW
FLEXFX
+6
INSERT
OUT
FILTER
BPM
FLANGER
NUDGE
START / STOP
SLIP
LOOP
TIME
PHASER
ECHO
ROBOT
REVERB
0
10
4
6
0
10
8
MANUAL
AUTO
SELECT
BEATS
BOOTH
SYNC
4
CUE
SYNC OFF
OUT
6
2
ON
LOOP
EXT. INSERT
FLANGER +Fb
BPM:120 * 1:1
4000 ms
TAP
BEAT
ROLL
8
0
10
SLIP
LOOP
SAVE
DEPTH
SHIFT
Aux Input is from the USB
playback stereo pair 5-6,
usually from the SP-6 sample
player. You can sweep the
Low-pass / High-pass filter
and use FlexFX on samples.
4
SHIFT
1
2
A
B
3
4
5
CUES
1
2
3
5
C
D
PHONES
6
1
2
3
SAMPLES
4
5
6
8
LOW
4
AUX
2
0
LEVEL
• Main Output on XLR jacks.
• Booth Output on 1/4" TRS.
LOOPS
IN
SYNC OFF
SAVE
Level controls on each Output:
SCROLL
IN
ROLL
LOAD
8
2
LOW
BACK
SESSION IN
+6
OFF
scrolls crates & tracks, click it
to load the track to a deck.
SP-6 ASSIGN
8
2
FLEXFX
SYNC
6
SESSION OUT
SELECT
LOOP
4
2
2
LOW
LOW
6
8
0
SOURCE
MANUAL
OFF
4
B
2
8
Back buttons shift between
crates & tracks. Scroll knob
DECK 2
PH / CD
1 2
A
LEFT
LOOPS
external analog Effects Loop.
• Insert engages software
effects through USB.
CLEAN FEED
2
BACK
Select knob adjusts the loop
length.
FlexFX are stackable:
• Six internal effects with
seamless on-beat switching
between effects.
• External Insert engages the
DECK 1
PH / CD
HIGH
FLEXFX
The FlexFx Loop can create a
sub-mix with any combination
of the two Deck buses, Mic,
and USB feed, and then add
internal or external effects. This
submix may be recorded via
the USB Send, or output by the
analog FlexFx Loop Send.
Contour controls adjust the faders and the
Crossfader for a smooth transistion or a fast cut.
6
2
10
FILTER
4
8
0
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
CUE
LEVEL
PAN
10
• Session Output on RCA.
Cues button = orange: Recall 5
Cue Points for each left and
right Virtual Deck in Serato DJ.
Samples button = red: Play
four banks of six samples from
the Serato SP-6 sample player.
True Split Cue for any Program
bus or the FlexFX submix with
effects to the front panel 1/4"
and 3.5 mm headphone jacks.
MAIN
SPLIT CUE
MIDI mapping is done for you
as the Sixty-Two is plug-andplay with Serato DJ or Scratch
Live. Advanced users can
custom map most mixer
controls to many other
third-party audio programs.
The MIDI control assignments
are in the Sixty-Two Manual.
The Crossfader and channel faders are no-noise,
no-bleed, no-contact magnetic faders.
31
Sixty-Four DJ Mixer
The Sixty-Four is the ultimate plug-and-play mixer for
a wide range of music and software, allowing remixing
and music production with more layers and effects.
You’ve mastered mixing and scratching on two
channels. Pushing the limit is in your nature and
it’s time to raise the bar. The Rane Sixty-Four
mixer and Serato DJ software are the tools you
need to step your game up. More channels, more
decks, more effects…challenge accepted.
Mixing four channels requires a wide variety
of amazing transition effects, the ability to sync
tracks, more flexible cueing and looping, and
versatile transport and mixing capability. For DJs
familiar with Scratch Live, the mixer and software
will feel familiar and intuitive while providing the
advanced features required to step your game up.
• Two USB ports simultaneously stream audio on
two computers.
 DJ handover has never been easier with all
audio and MIDI automatically routed to the
desired port from the mixer.
• Six stereo USB record and five stereo USB
playback channels for DVS and multitrack
recording, with dedicated channels for inserting
any of the iZotope effects in the post-fader mix.
• Each of the four input channels has:
 Four stereo Phono/CD input selection.
 Access to shared AUX input.
 Stream audio to/from one of two USB ports.
 Gain Trim, 3-band isolator EQ.
 High/Low-pass Filter with resonance adjust.
• Two fully independent microphone inputs:
 One with phantom power switch.
 One with line-level input switch.
 Independent Trim, Pan, EQ and FlexFx.
• Advanced FlexFx Loop supports:
 Six fantastic built-in BPM-driven effects.
 Analog Insert for effect boxes.
 USB Insert for each USB port allows postfader Serato DJ iZotope effects.
• Two independent Serato DJ control strips.
• Unit size: 14.3˝H x 12˝W x 4˝D
(36.4 x 30.5 x 10.2 cm)
The Sixty-Four includes Serato DJ
with 4 Serato Control Vinyl
and 4 Serato Control CDs.
32
NATIVE SUPPORT FOR
Mixer Controls
VIRTUAL DJ
SOFTWARE CONTROLS ARE BUILT-IN FOR ONE OR TWO COMPUTERS
• Includes Serato DJ software.
• Includes Rane ASIO and Core Audio Drivers for Serato DJ and most popular DJ and DAW audio programs.
• Advanced MIDI and audio routing: route any deck to either USB Port, and MIDI follows the audio.
• Control Library, Cues, Loops and Samples on two computers.
• 30 controls with 157 unique mappings for software.
• Each of the two USB ports supports six stereo record and five stereo playback channels.
• USB record channels support:
• Vinyl control signal for four Virtual Decks, or record any one of the four Decks post-fader.
• Record the Main Mix, Mic 1 or Mic 2.
• FlexFX USB Insert Send to each computer.
• USB playback channels support:
• Playback for four Virtual Decks.
• FlexFX USB Insert Return from each computer.
• Great-sounding 32-bit floating-point audio sampled at 48 kHz.
DECK INPUT CHANNEL CONTROLS
• Pre-fader Level, 3-band full-cut isolator tone controls.
• Low- / high-pass sweep Filter with resonance adjust.
• Crossfader, FlexFX and headphone Cue assigns.
• Proprietary magnetic crossfader with a contour control.
• Contour control for the channel faders.
Software
Controls
Mic Inputs
Main Software
Mix Controls
Deck Input Channels
TWO MIC INPUTS
• Mic 1 includes a Phantom power switch.
• Mic 2 includes a Mic / Line level switch.
• Controls: On / Off, Level, Pan, Tone and FlexFX assign
for each Mic.
• Unused Mic controls easily map to MIDI.
ADVANCED POST-FADER FLEXFX
• Internal Effects engine with:
• Filter, Flanger, Phaser, Echo, Robot and Reverb.
• MIDI beat clock track and generate.
• Sync BPM with Serato DJ, MIDI beat clock or manual
Tap button.
• USB Insert loop for post-fader software effects for each
of the two ports.
• External analog insert loop for outboard effect units.
DECK 3
DECK 1
DECK 2
DECK 4
MAIN MIX SECTION
• Balanced XLR Main Mix and
1/4" TRS Booth outputs.
• RCA analog and S/PDIF Session In / Out.
HEADPHONE MONITOR WITH SPLIT-CUEING
FlexFX
Headphone Cue
33
SL2
SL2 Interface for Serato
The standard for professional
DJs
USB
G
CONNECT TWO
TURNTABLES OR CD
DECKS TO SL2 INPUTS.
*SET THE CD / PHONO
SWITCH ON THE SL2.
LINE-LEVEL
INPUT 1
*
LINE-LEVEL
INPUT 2
The Rane SL series of interfaces set the standard
for vinyl emulation, and ship with Serato DJ
software. Rane and Serato give you advanced
features that add extra creativity to your DJing.
This intuitive system replicates the traditional
DJing experience for “real feel” usability. Low
latency means the response time from touching
the decks to hearing an audio signal is extremely
fast. The SL series of interfaces work with
computers running Serato DJ, Scratch Live,
and all major DJ and DAW programs because
ASIO and Core Audio drivers are included.
The Rane SL2 interface connects one or two
standard vinyl turntables or CD decks to your
computer using a single USB cable and audio
connections to line inputs on any DJ mixer of your
choice. This system includes Serato DJ software
with two 12˝ Serato Control Vinyl records, two
Serato Control CDs, USB cable, and RCA audio
cables to your mixer. Galvanic isolation guarantees
audio is actively isolated from USB computer
noise and power. Several MIDI controllers are
supported, and a current list is at serato.com. An
optional power supply allows playback of regular
vinyl and CDs without re-patching cables when the
laptop USB is unplugged, which helps between DJ
sets. The SL2 delivers the hottest signal and best
sound possible from your laptop without noise or
distortion.
The SL2 advances the technology from the
original SL1 with these improvements:
• CD / Phono input switch on the box.
• Superior sounding 24-bit converters.
• Hotter 3 Vrms input and output.
• 44.1 or 48 kHz selectable sample rate.
• Smaller and more compact cast design.
• ASIO / Core Audio drivers for 3rd-party software.
The SL2 interface box is 5.5˝ x 5˝ x 1.3˝
(14.1 x 12.5 x 3.3 cm). See the "Minimum System
Requirements" on page 37.
The SL2 includes Serato DJ
with 2 Serato Control Vinyl
and 2 Serato Control CDs.
34
SL3
SL3 Interface for Serato
3-deck interface for
professional DJs
The SL3 connects one, two or three standard vinyl
or CD turntables to your computer and the mixer
of your choice. This intuitive system replicates
the traditional DJing experience for “real feel”
usability. With unparalleled performance and
stability, you'll soon see why thousands of DJs
worldwide choose Rane with Serato software.
The auxiliary input provides a live input feed for
creative sampling, recording your set or using a
third vinyl turntable or CD deck.
The auxiliary output delivers a third deck or the
SP-6 sample player output to a dedicated input on
your mixer.
Studio-grade phono preamps, 24-bit audio
processing, galvanic isolation, and a hot 3Vrms
signal deliver the best possible sound from your
laptop to your mixer.
The SL3 includes two 12˝ Serato Control records
and two Control CDs, USB cable, and RCA audio
cables to your mixer. An international power
supply with country adaptors is included to insure
easy transfer when unplugging USB between DJs
or playing regular vinyl and CDs.
USB
*
CONNECT THE SL3
AUX OUTPUT TO A
MIXER INPUT FOR
DIRECT SAMPLE
PLAYBACK.
OPEN
SH
PU
*SET THE CD / PHONO
SWITCHES ON THE SL3
FOR EACH DECK.
USE THE
POWER SUPPLY
TO TRANSMIT
AUDIO IF THE USB
GETS UNPLUGGED.
LOCK
CONNECT TWO
TURNTABLES OR CD
DECKS TO SL3 INPUTS.
AUX
OUT
AUX
IN
IN
1
IN
2
CONNECT THE SL3 AUX
INPUT TO A MIXER OUTPUT
TO RECORD YOUR MIX.
SL3 AUX INPUT MAY
CONNECT TO A THIRD
DECK.
SL3 feature enhancements include:
• Supports up to three turntables or CD decks
switchable in any combination.
• Aux Input for Live Mix Recording, LiveFeed or a
third deck.
• Aux Output can be assigned to the Serato DJ
SP-6 Sample Player or a third deck.
• 6-in 6-out sound card with all the popular DJ
and DAW programs.
• Software and driver-switchable Direct Thru
connections for regular vinyl or CD.
• External power supply included to provide Direct
Thrus without a computer.
The SL3 interface box is 6.8˝ x 5˝ x 1.3˝
(17.3 x 12.6 x 3.3 cm). See the "Minimum System
Requirements" on page 37.
The SL3 includes Serato DJ
with 2 Serato Control Vinyl
and 2 Serato Control CDs.
35
SL4
SL4 Interface for Serato
4 decks and 2 computers with
your favorite mixer
USB
USB
1
2
AUX 1
PHONO /
LINE
AUX 2
AUX 1
3
PHONO /
LINE
AUX 2
AUX 3
AUX 3
AUX 4
AUX 1
6
7
3
7
3
9
1
6
6
6
8
2
SIG / OL
10
8
2
SIG / OL
10
7
8
2
OFF
SIG / OL
9
1
MID
OFF
MONO
SIG / OL
+6
0
10
MASTER
INPUT GAIN
BASS
STEREO
MP 2016S
+6
OFF
5
6
5
4
SL4 OUTPUTS
1, 2, 3, 4 & AUX
TO MIXER LINELEVEL INPUTS
7
3
5
7
3
9
1
6
4
8
2
CUE
1
10
5
7
3
9
1
MIX LEVEL
6
4
8
2
10
MIX LEVEL
10
5
7
3
9
1
MIX LEVEL
6
4
8
2
CUE
2
10
5
7
3
9
1
MIX LEVEL
6
4
8
2
CUE
3
10
7
4
3
9
1
MIX LEVEL
6
4
8
2
CUE
4
10
2
4
8
CUE
CUE
6
6
7
3
8
2
9
1
STEREO
ROTARY
MIXER
10
POWER
LEVEL
PHONES
MIXER RECORD OUTPUT
TO SL4 AUX INPUT
*
LOCK
OPEN
MONO
PGM
MONITOR
5
4
6
8
9
1
MIX LEVEL
2
6
8
2
CUE
5
*USE THE SL4
POWER SUPPLY
TO KEEP AUDIO
IF USB IS
UNPLUGGED.
+6
0
10
HOUSE
EFFECTS
XP 2016S LOOP
CUE
9
1
INPUT GAIN
TREBLE
6
3
10
BOOTH
7
3
9
1
INPUT GAIN
6
4
8
9
1
5
4
0
5
7
3
2
7
3
9
1
6
6
4
ENGAGE
AUX 5
5
4
8
2
SIG / OL
10
INPUT GAIN
MASTER
5
MIC 2
AUX 3
AUX 4
7
3
9
1
AUX 1
AUX 2
ENGAGE
AUX 5
5
4
8
2
SIG / OL
10
INPUT GAIN
6
MIC 1
AUX 4
7
3
9
1
AUX 1
AUX 2
AUX 3
AUX 5
5
4
8
2
SIG / OL
10
INPUT GAIN
5
PHONO /
LINE
AUX 4
AUX 5
5
4
8
2
4
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
5
4
PHONO /
LINE
AUX 2
AUX 3
AUX 4
AUX 5
PU
SH
SAMPLE
RATE
SWITCH
DEFAULT
@ 48 kHz
CD
SC
C
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V0
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RV
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SERATO • ALL RIGHTS R
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•
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13
©20
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JUNC
SCR
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Scroll / Select
ND
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Play 15:00
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13
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SL4 feature enhancement summary:
• Supports up to four turntables or CD decks
switchable in any combination.
• Two high-speed USB ports for two DJs for
uninterrupted performances.
• Fifth Aux Input for session recording in Serato
DJ or other audio program.
• Fifth Aux Output assignable to the Serato DJ
SP-6 Sample Player.
• 48 kHz and 96 kHz sample rate switch on the
SL4 rear panel.
• 10-in 10-out USB sound card with all the popular
DJ and DAW software programs.
• Bus power from either USB port or the included
external power supply.
The SL4 interface box is 7.25˝ x 5˝ x 1.7˝
(18.4 x 12.6 x 4.3 cm). See the "Minimum System
Requirements" on page 37.
NS
AI
NT
CO
SC
C
INPUTS FOR FOUR
TURNTABLES OR CD
DECKS ARE INDIVIDUALLY
SWITCHABLE ON THE SL4.
UP = PHONO
DOWN = CD.
•
02
D0
-C
The SL4 connects up to four vinyl turntables or CD
players to one or two laptops, using the mixer of
your choice.
The SL4 is the first standalone DJ interface with
two USB ports for seamless DJ changeover and
back-to-back performances. Get superior sound
with high quality 48 or 96 kHz, 24-bit audio. Builtin galvanic isolation between USB and audio, with
turn on/off muting, ensures that only the purest
interference-free audio signal is heard. Lowlatency ASIO and Core Audio drivers allow using
the SL4 as a studio production tool with all of the
popular DJ and DAW software applications.
The SL4 includes four 12˝ Serato Control
records and four Control CDs, two USB cables,
and RCA audio cables to your mixer. An
international power supply with country adaptors
is included to insure continuous performance
while unplugging USB cables between DJs. A soft
zippered carrying case for the SL4 is included.
AN
D
SE
R
The SL4 includes Serato DJ
with 4 Serato Control Vinyl
and 4 Serato Control CDs.
36
The collaboration continues strong
with the addition of new Rane products
designed to work with Serato DJ
software.
Serato DJ provides support for DVS
(digital vinyl system), iZotope FX, Sync,
Slip Mode, more Cue points, jumpto-loop, 24-slot sampler, and takes
advantage of Rane's high performance,
ultra-low latency ASIO and Core Audio
drivers.
Serato software combined with Rane
hardware is the ultimate solution for
professional DJs, using your turntables
or CDJs with Serato Noisemap™ discs
to control Serato DJ. This intuitive DVS
replicates the traditional DJing experience
for “real feel” usability. With unparalleled
performance, sound quality and stability,
you’ll know why thousands of DJs
worldwide choose Serato and Rane.
Serato's famous Virtual Decks give you
all the important track information. Easy
to read real-time BPM, time remaining/
elapsed, track progress, pitch information
and cue point indication are all clearly
displayed.
Full color waveforms visually represent
the audio frequencies. Red represents
bass, green is mid-frequency and blue
represents high treble sounds. The track
Overview shows you playhead location
and what’s coming up.
Library management of your audio
and video files is a breeze. Organize your
music, build crates, view previous sets
and add album art. Serato DJ can also
load your iTunes library. Prepare audio
files for playback with auto-gain, BPM
calculation and Key detection.
Use keywords, genre, BPM or other
rules to create Smart Crates that
automatically update. Choose from
multiple horizontal or vertical display
modes to suit your performance style.
Serato DJ Highlights
• A controversial subject, sync is here for
DVS DJs that want it. Hit sync to get
tracks in time quickly, allowing you to
do other things instead of moving the
pitch slider. Try it, you might like it! If
you don't, disable it and never see it
again.
Classic Vertical Mode with two decks.
• Includes FX powered by industry
leaders iZotope, enabling you to
manipulate your songs and add another
dimension to your mix.
• Use Slip Mode when scratching,
using cue points and loops or other
performance features, then when
you’ve finished the playhead jumps
back to where it would of been, always
on beat.
• Set and trigger up to 8 Cue Points and
8 loops. Jump to different sections in
your track, loop with Manual and Auto
loops or drop a loop roll with ease.
• Trigger your favorite stings, samples
and loops over your tracks with 4 Banks
of 6 sample slots. The SP-6 sample
player has two views to suit your
preferences, Advanced mode, designed
for preparing your samples, and a
Simplified mode with minimum controls
to focus on what is important during
your performance.
Optional plug-ins
Serato Remote and Serato Remote
Mini lets you see and perform Serato DJ
functions from a iOS smartphone or tablet.
Serato Flip lets you create custom
edits to extend and reimagine your music.
Serato FX Expansion Packs are
powered by iZotope with Single and Multi
modes to grow your effects arsenal.
Serato Pitch 'N Time DJ lets you
speed up or slow down your track to
extreme tempo values while maintaining
its key perfectly.
Horizontal Stack Mode with four decks on
the SL4 or the Sixty-Four.
Serato Video lets you control video
playback just as you do with audio. Easily
manipulate your videos with a large
number of visual effects and transitions
or add your own images, graphics and
text to your performance.
MixEmergency is also compatibile
with Serato DJ.
Minimum System Requirements
• Available 2.0 USB port
• 1280 x 720 screen resolution
• Intel 32 & 64-bit: i3, i5 or i7 1.07 GHz+
• 4 GB RAM
• 5 GB free HDD space
Mac: OSX 10.9 or 10.10
Windows: Windows 7, 8.1 or 10
These are the minimum requirements to
run Serato DJ without optional plugins.
For best performance we recommend a
higher spec computer. If you have a large
library, you will benefit from more RAM.
Please visit serato.com before purchasing
a new computer.
37
TTM 56S
THE WORLD'S BEST TURNTABLIST MIXER DOESN'T NEED A COMPUTER
Battle Proven
The TTM 56S is a rugged mixer designed for the
classic DJ that needs great sound, but doesn't
need a computer to play great music.
• Mic input with tone controls and mic effects loop.
• The Faders and Crossfader have Contour and
Reverse controls.
• Stereo Aux Input accepts a session mix, MP3
player or keyboard.
• Stereo Aux Output for session mix, booth, or
recording.
• Post-fader FlexFX™ allows external reverb and
echo decay effects to respond to fader action
without cutting off tails.
• All four inputs are Phono/Line switchable, letting
you connect four turntables, four CD decks or
any combination.
• Both 1/4" and 3.5 mm headphone jacks are on the
front panel.
• Unit size: 13.3" x 10" x 3" (33.8 x 25.4 x 7.7 cm)
AUDIO PRECISION
10
AMPL(dBr) vs FREQ(Hz)
Low 0, Mid 0, High 0
5
Summed Response
0
Low
-5
Mid
-10
Low 0,
Mid Off,
High Off
-15
-20
High
Low Off,
Mid 0,
High Off Low Off,
Mid Off,
High 0
-25
-30
-35
-40
20
100
1k
10k
50k
3-BAND ACCELERATED-SLOPE™ FULL-CUT EQ
High, Mid & Low tone controls react from +6 dB
to off, for complete bass and treble cut on each
channel. Engage switches allow A/B comparison
and the ability to quickly cut or add tone effects.
NON-CONTACT CROSSFADER & CHANNEL FADERS
Rane’s magnetic fader is the fastest, most
accurate, and longest lasting on the planet. The
design uses non-contact magnetic position sensor
technology previously reserved for aerospace
applications. Unlike optical non-contact faders, the
magnetic fader is impervious to smoke, moisture,
temperature and aging. The electrical performance
is totally unaffected by use. No noise, no bleed —
ever!
38
DJ Hardware Comparison Guide
FEATURES
TTM57mkII Sixty-Two
Sixty-Four
MP2014
MP2015
TTM 56S
•
•
•
•
SL2
SL3
SL4
•
•
•
•
•
•
•
4-deck mixing
•
•
•
Two USB ports for two computers
•
2-deck mixing
3-deck mixing
Mic input
•
•
•
•
•
•
•
•
•
•
•
•
Phantom-power Mic input
•
Second Mic input
•
•
Mic input tone controls
Mic Input FlexFX
•
•
•
•
•
•
•
•
•
Magnetic mixer faders
•
•
•
FlexFX send / return loop
•
•
•
FlexFX USB software insert
•
•
•
•
•
•
FlexFX Built-in mixer effects
•
USB bus powered
•
•
•
3-band full cut tone controls
•
•
•
•
•
•
•
•
•
•
•
•
•
Self-powered (100-240 VAC)
•
•
USB input for Serato SP-6
•
•
Serato SP-6 trigger buttons
•
•
•
Serato Cue trigger buttons
•
•
•
Serato Loop controls
•
•
•
Serato Library controls
•
•
•
•
•
•
•
•
1
2
1
•
•
•
•
•
•
•
•
•
•
Aux / Session input & output
•
2
Aux inputs
24-bit converters
•
•
44.1 kHz USB audio
•
•
48 kHz USB audio
•
•
•
•
•
•
•
•
•
•
RCA
XLR
XLR
XLR
XLR
XLR
¼" TRS Booth outputs
•
•
•
•
•
¼" & 3.5 mm headphone outs
•
•
•
•
•
Split cue headphone monitor
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
96 kHz USB audio
RCA
Main output connectors
•
MIDI mappable controls
RCA
•
•
MIDI beat clock in /out
Core Audio / ASIO for audio software
compatible
included
•
•
•
•
•
•
•
•
•
•
•
•
•
Traktor Scratch certified
Note: All Rane DJ products with USB are compatible with Traktor Pro and Virtual DJ without DVS.
•
•
•
•
•
•
club kit compatible
Virtual DJ native support
1/4 TRS
•
•
•
•
39
Contents
Rane Corporation
AD22S Dual Channel Audio Delay for Distance or Video
22
AM1 Four-Channel Gain-Sharing Automixer
14
AM2 Eight-Channel Gain-Sharing Cascadable Automixer
14
BB 22 Balance Buddy
22
CP52S Commercial Processor
17
CP64S Commercial Processor
17
CP66 Commercial Processor
16
DA216S Distribution Amplifier
19
DC22S Stereo Gate / Compressor
20
DEQ 60L Stereo 1/3-Octave Graphic Equalizer
21
Digital Remotes
DJ Hardware Comparison Guide
8
DR1 Digital Volume Remote
8
8
DR3 Digital Volume and Selection Remote
8
DR4 Logic I/O Expander
9
DR5 Switch Controller
9
DR6 Touchscreen Remote Control
9
EXP1x RAD Expander for HAL1x
3
EXP2x Dante Expander for HAL1x
4
EXP3x Zone Output Expander for HAL1x
4
EXP5x Input Expander for HAL1x
4
G4 Quad Gate / Ducker / Expander
4
20
HAL1x Multiprocessor
3
HAL2 Multiprocessor
5
HAL3s Multiprocessor
5
HAL4 Multiprocessor
5
Halogen Software
Phone: 425-355-6000
Fax: 425-347-7757
Email: info@rane.com
Web: rane.com
39
DR2 Digital Selection Remote
EXP7x AEC Expander for HAL1x
10802 47th Avenue West
Mukilteo WA 98275-5000 USA
6
Halogen Web Controls
11
HC6S Headphone Amplifier
22
IR2 Infrared Wall Sensors
12
MA3 Multichannel Amplifier
23
MA 4 Multichannel Amplifier
23
MLM42S Mic & Line Mixer
18
MLM 65 Mic & Line Mixer
18
MLM82S Mic & Line Mixer
19
Mongoose Network Audio Router
15
New! MP2014 Rotary Mixer
24
MP2015 Rotary Mixer
26
MT 4 Multichannel Transformer
23
New! RAD26 One Room RAD Remote
10
PAGER1 Paging Station
12
Sixty-Four DJ Mixer
32
Sixty-Two DJ Mixer
32
SL2 Interface
34
SL3 Interface
35
SL4 Interface
36
SM26S Line Splitter / Mixer
19
TTM 56S Performance Mixer
38
TTM57mkII Performance Mixer
28
Rane 2+ Year Limited Warranty
Rane’s standard warranty covers parts and labor for 2 years
from the date of purchase. Completion of the Rane Warranty
Form (mail or online) entitles the owner to a 1 year extended
warranty (for a total of 3 years [valid in U.S.A. only]).
All Rane equipment is engineered, manufactured and supported by Rane
Corporation in Mukilteo, WA, USA, using globally sourced materials.
Trademarks
• Heuristic Audio Laboratory, HAL, Halogen, Accelerated-Slope,
Perfect-Q and FlexFX are trademarks of Rane Corporation • AMX® and
the AMX logo are registered trademarks of AMX • Stardraw Control is a
trademark of Stardraw.com Ltd. • Crestron® is a registered trademark
of Crestron Electronics, Inc. • Dante is a trademark of Audinate Pty Ltd.
• Audinate is a registered trademark of Audinate Pty Ltd. • Decora® is
a registered trademark of Leviton • CobraNet is a trademark of Cirrus
Logic, Inc. • Lexan® is a registered trademark of General Electric. •
Windows® is a registered trademark of Microsoft Corporation in the
United States and other countries • Apple, Mac, Macintosh, iTunes,
Safari, QuickTime, GarageBand, and OSX are registered trademarks
of Apple Inc., registered in the U.S. and other countries. • Intel and
Pentium are registered trademarks of Intel Corporation in the United
States and other countries. • Scratch Live and Serato DJ are trademarks of Serato. • iZotope is a trademark of iZotope, Inc. in the United
States and other countries. • ASIO is a trademark of Steinberg Media
Technologies GmbH. • Traktor is a registered trademark of Native
Instruments GmbH. • Virtual DJ and the Virtual DJ logo are registered
trademarks of Atomix Productions Inc.
© 2016 Rane Corporation • Printed May 2016.