The Italian Renaissance Renaissance means REBIRTH in French In the early 1400s (15th century) a cultural rebirth occurred that would last 200 years. Florence, Italy was the centre of the Renaissance. Florence was politically ruled by the Medici family who were not only powerful, but great patrons of the arts. During this period, Florence had to fight off conquering armies from the north and south of Italy. Characteristics and beliefs of Florentine Art Artwork seems calm and harmonious, because of a need to create serenity in the midst of stress and conflict. Florentines saw themselves as a small city, but proud, selfsufficient and disciplined. There was a renewed interest in Ancient Greece and Rome. Science and math were used as tools for artists. E.g. the invention of 1-Pt Perspective Magnificent architecture and sculpture were created, but painting dominated. Consequently, Florence became a city of extraordinary beauty. 1 The Medici Family Three generations of princes were patrons of the arts: Giovanni, Cosimo, and Lorenzo who was the biggest patron and encouraged Michelangelo and Botticelli. The commissions provided to artists by the Medici family provided artists with the income and freedom to explore and reinvent art. Important Artists ARCHITECT FILIPPO BRUNELLESCHI (1377-1446) Brunelleschi was trained as a goldsmith, sculptor, mathematician, clock builder and architect! Credited with: 1. Inventing scientific perspective. E.g. one-point perspective 2. Initiating a new style of building Artwork: Dome, Cathedral of Santa Maria del Fiore, 1420-1436. Florence. The Cupola or Dome of the Cathedral of Florence is considered the crowning jewel of the Florentine cityscape. The Cathedral was Gothic in style, but Brunelleschi’s dome was simplified. ca. 1402 - Brunelleschi went to Rome to study and measure the remains of Ancient Roman buildings, which inspired his own architecture. 1418 – He won a competition to design the dome. The Dome was built in two shells, one inside the other, which 2 supported each other through 8 ribs and supports. Huge! 140 feet in diameter and 300 feet above the floor. He designed a new way to lift heavy building materials by using hoists, instead of having to construct ramps and scaffolding. He believed science was the answer to solving architectural problems, instead of looking at earlier structures. This influenced succeeding generations of architects. Artwork: Church of San Lorenzo, 1421-1469, Florence. Commissioned by Giovanni de Medici for the Medici family. Gothic (previous art period) interiors were decorative and elaborate, while the Church of San Lorenzo was simplified. Brunelleschi’s characteristics Basic geometrical shapes and simple proportions Lines are clean Walls uncluttered Discipline of thought Clarity of design Proportion of one part to another Visual rhythm 3 SCULPTORS Sculptors were interested in representing humans and their achievements in a realistic style therefore they looked to antiquity. They were commissioned to create works for public buildings, homes, palaces and churches. Renaissance sculptors began to emphasize the following characteristics of Ancient Rome & Greece: Large Life-like Celebration of beauty, harmony & proportion of the human figure LORENZO GHIBERTI (1381-1455) Artwork: Sacrifice of Isaac, 1401-1402 Before Brunelleschi was famous for the Cathedral of Florence, he entered another competition for the design of the north doors of the Baptistry of Florence. Among the competitors was Lorenzo Ghiberti Seven final contestants were assigned to sculpt the sacrific of Isaac Brunelleschi’s panel is energetic and dramatic but lacks harmony and balance. 21-year old Ghiberti’s design was chosen due to its balance, classical proportioned representation (Isaac is nude like a Greek sculpture) The two 28-paneled doors took more than 20 years to 4 complete. They featured illustrated stories from the New Testament. As a result, he was commissioned to do the final set of doors on the east side, which is considered his masterpiece. Artwork: The Gates of Paradise, 1425-1452. Gilt bronze relief. 10 large square panels cast in bronze and covered with gold (gilt) Ghiberti’s Characteristics: Use of pictorial space 1-pt perspective Relief surfaces Details get simpler and smaller as they get farther away (atmospheric depth) DONATELLO (1386-1466) Emerged as the greatest sculptor of his time and one of the greatest ever to live. Artwork: David, 1430-1432. Bronze Commissioned by Cosimo de Medici to be viewed from all angles not as part of architecture. Unique! First life-size freestanding statue since ancient times Classic contrapposto Left foot weighs on the severed head of Goliath David’s face is calm and serene (unlike Donatello’s expressive statues) because he is making it more classical. Crowned with contemporary fighting head gear AND a Roman laurel wreath (combo!) 5 During the Middle Ages David’s victory over Goliath used to be depicted symbolically as Christ’s victory over sin and death. But Donatello depicts it differently, because to the Florentines it became symbolic of their victory (as the small and selfsufficient) over the brute force of larger Italian kingdoms. Donatello’s Characteristics: a combination of classic style and Renaissance expression. Contraposto of the Greeks to suggest action Facial expressions of pride, dignity, and self-reliance (Renaissance attitude). Marble or bronze sculptures 6