Nemo, 2002 Benches, 1985 Cougar, 1970

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7 8 9 BENNIE FLORES ANSELL
Nemo, 2002
Digital color photography, collection boxes, and police patches
SCOTT BURTON
Benches, 1985
Laurentian pink granite
MARK CLAPHAM
Cougar, 1970
Bronze
CARLOS CRUZ-DIEZ
Doble Physichromie Modular, 2005 [installation 2006]
Painted aluminum
STEPHEN DE STAEBLER
Winged Woman, 1996
Bronze
Gift of Jane Blaffer Owen
FIDENCIO DURAN
Strength in Caring, 2005
Acrylic on canvas
JACKIE FERRARA
Fountain and Mural, 2004 [plaza and auditorium lobby]
Mixed media
MALOU FLATO
Untitled, 1985
Ceramic tile murals [2]
PETER FORAKIS
Tower of the Cheyenne, 1972 [refabricated 2004]
10 BOB FOWLER
Cor-ten steel
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Cor-ten steel
Untitled, 1966
BOB FOWLER
Collection of 12 works on paper, n.d.
Gift of Eleanor and Frank Freed
CHARLES GINNEVER
Troika, 1978
Cor-ten steel
TIM GLOVER
Healing Nature, 2003 [entrance and rotunda]
Stainless steel and aluminum
JOSEP GRAU-GARRIGA
Evocació Oriental, 1967
Woven fiber
WILLI GUTMANN
Big Orange, 1968
Painted steel
RALPH HELMICK/STUART SCHECHTER
Modulation, 2000
Mixed media
LINDA HOWARD
Round About, 1978
Brushed aluminum
MENASHE KADISHMAN
Om, 1969
Cor-ten steel
LEE KELLY
Waterfall, Stele and River, 1972
Stainless steel
WILLIAM KING
Collegium, 1984
Aluminum
21 RON KLEEMAN
The Four Horsemen and Soho Saint, 1976
Color serigraph
22 DENISE KRONEMAN
Genki, 2005
Cement, mirror, and ceramic tile
23 JIM LOVE
Landscape with Blue Trees, 1982–83
Steel pipe and plate, bronze hat and feet
24 GERHARD MARCKS
Albertus Magnus, 1955
Bronze
25 GERHARD MARCKS
Orpheus, 1959
Bronze
26 DIEGO MARTINEZ-NEGRETE
Carl Lewis, 1996
Bronze
Gift of Roy Cullen and John Moores
27 CLEMENT MEADMORE
Split Level, 1971
Cor-ten steel
28 RICHARD McDERMOTT MILLER
Sandy in Defined Space, 1967
Bronze
29 MARY MISS
Untitled, 1997
Welded aluminum, wire mesh, and native plants
30 JESUS BAUTISTA MOROLES
Lotus, 1982
Texas granite
31 MATT MULLICAN
Untitled, 1991
Black Gabbro granite
32 REUBEN NAKIAN
Leda and the Swan, 1977
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PETER REGINATO
Bronze
Luncheon on the Grass, 1979
Welded steel
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JIM SANBORN
Bronze
A Comma A, 2003 [plaza and lobby]
35 TOM SAYRE
Contemplation 1976
Cor-ten steel, painted
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SALVATORE SCARPITTA
Mixed media on canvas
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ALYSON SHOTZ
Glass beads and monofilament
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CARROLL SIMMS
Bronze
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FRANK STELLA
Acrylic on canvas
40
ARY STILLMAN
Manole Uprising Sled, 1978
suggested 30 minute
walking tours of outdoor works
A Moment in Time, 2005
Jonah and the Whale, 1973
Euphonia, 1997
Collection of 28 paintings and
works on paper, 1910–1964
JAMES SURLS
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MASARU TAKIGUCHI
Flower Woman, 1977
Pine, oak, and gum woods
Gift of Diane Rudy
Orbit I, 1968
Camphor wood
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MASARU TAKIGUCHI
44
SOFU TESHIGAHARA
Orbit II, 1968
Camphor wood
Iroku, 1965
Wood and aluminum alloy
BRIAN WALL
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R.T. WALLEN
Ali, 1978
Painted steel
Cougars, 2003
Bronze
Gift of John and Rebecca Moores
5 | 25 | 2 | 45 | 23 | 30 | 28 | 7 | 12 | 31 | 18 | 35 | 20
4 | 27 | 10 | 33 | 32 | 9 | 19 | 46 | 34
47 FRANCISCO ZUNIGA
Mujer con las Manos Cruzadas, 1971
Bronze
Gift of Stillman-Lack Foundation
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CENTER
| ATHLETIC/ALUMNI
| | |
Photographs by ten UH fine arts alumni
on themes of leisure
| CLINICAL
|
RESEARCH & SERVICES BUILDING
Paintings, prints, and photographs by
various local and national artists
Visitors arriving via Cullen Boulevard should use Visitor Parking Lot 16F
at Entrance 16.
50
HINES COLLEGE OF ARCHITECTURE
Architectural drawings by local, national,
and international architects
Visitors arriving from University Drive should use Visitor Parking Lot 1B
or Welcome Center/Parking Garage at Entrance 1.
51
UNIVERSITY COMPUTING CENTER
Parking fees may be required at each visitor lot – please visit
http://www.uh.edu/visit/visitor-parking or call 713-743-1097
for more information on parking at the University.
Portfolio of prints by various artists to
commemorate America’s bicentennial
Genki, 2005
DENISE
KRONEMAN
Untitled, 1966
BOB FOWLER
10
Iroku, 1965
Frank stella
22
39
and River, 1972
SOFU
TESHIGAHARA
Waterfall, Stele
LEE KELLY
44
19
Space, 1967
Sandy in Defined
RICHARD
McDERMOTT
MILLER
28
[refabricated 2004]
Cheyenne, 1972
Tower of the
A Comma A, 2003
FORAKIS
PETER
JIM SANBORN
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The University of Houston was the first
alumni and professors, and artists with
Texas state-assisted university to form
national and international reputations.
a percent for art program. The Public
Art Program began in 1966 when the
Works added to the collection are
University of Houston System Board of
selected by the Campus Art Committee,
Regents stipulated that one percent of
which is comprised of faculty, staff, and
the construction cost for new buildings,
student representatives. The committee
later amended to include renovated
is augmented by UH System Board of
structures, would be set aside to
Regents representatives as well as art
purchase or commission works of art
professionals from the campus and
to enhance the campus. Since that
Houston art and museum communities.
Since the university program was
or by gifts from alumni and university
founded, Houston has become a major
benefactors.
center for the arts. Houstonians can
from municipal and corporate buildings,
range of works from traditional to
to parks and schools, to the airports
contemporary in a variety of media–
and light rail system. The University of
from painting and works on paper to
Houston is proud to be a leader in this
monumental welded steel sculptures.
area of cultural enrichment
d
i
u
G
The artists represent a mixture of local
and emerging talents, university fine arts
Unless otherwise noted, all works have
been purchased or commissioned through
H o u s t o n
t
r
A e
now see artwork throughout the city
The collection showcases a broad
o f
c
i
l
b
Pu
time, more than 250 works have come
into the collection through this method
Euphonia, 1997
U n i v e r s i t y
For more information, contact the curator of University Collections at 713-743-9521.
See the full collection at www.uh.edu/arttour.
Cover: JOSEP GRAU-GARRIGA, Evocació Oriental, 1967
The University of Houston is an EEO/AA institution. | 8502 | 09.08 | 1,000 | TB | CB | TC |
PS
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