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U N I V E R S I T Y COLLEGE & HOSPITAL CHAMBER MUSIC CLUB U N ~ V B R S I T YC O L L E G E L O N D O N , G O W E B sTaeer WCI - 7050 RUSTON COI\ICERT AND SOCIAL EVENING THURSDLY, OCTOBER 16, 1975 : a t 8.00 p.m. I n t h e Haldane Room A s h o r t c o n c e r t , 8.00-9.00 p.m. followed by c o f f e e , t o g i v e members t n e cnance of meeting each other. Les Z'olies dyEspagnt? Marln Marais Oboe : Ial Wood. . .. C e l l o : Mary Dsinton Three Songs Spring , G. F. Handel (Otho) H. Wolf Auf e i n 12l.tes,Bild Schumann A Night i n S p r i n g Piano : John Moores Soprano : N a t a l i e Protopapa F u n e r a l Music Bloch Piano : Michael P h i l p o t F l u t e : Richard B e l l Improvlsatlon a r t n e plan0 , Ian M o ~ , n S o n a t a f o r v i o l i n and pinno i n A Op.lOO . . Andante t ranqu1ll.o Allegro amabile A l l e g r e r z o grazloao - Vivace ( q u a s i andante) Piano : John Lindon V i o l i n : Harry Callaghan ' . Brahms . S t u d e n t s , s t a f f and o t h e r s working at U n i v e r s i t y College and t h e Hospikal l i r e c o r d i a l l y i n v i t e d . Dates of c o n c e r t s Thursday, Octoper-30 8.00 p.m. Thursday, November 6 . Thursday, November 13 ( t o i n c l u d e s o n a t a f o r piano and c e l l o Rachmaninov ) The London Chamber S i n g e r s . ' Th~irsday, ,November' 27 . 5 -30 p.a. . Thu.rsday , December 4 ' C a r o l s , Madrigals and- C h r ~ s t m i sP a r t y U N I V E R S I T Y - . C O L L E G E & HOSPITAL C H A M B E R M U S I C C L U B Praeludium Allegre and G. Pugnani-Kreisler Allepo Andante Roman Cholij - Violin P h i l i p Luthert Dance of the Blessed S p i r i t s Syrinx .Allegro molto moderato (from Orfeo) ( f e r solo Flute) Meg 'Hooker Clluck . - Flute - Piano Debussey Andrew G r i f f i t h s The Three Harpert& Songs - Piano Hugo Wolf from Wilheim Meister by Geethe Daviel Miller - Beritene John Maores - Piano Five Preludes Sonata in C minar Mol%o U e g r o Beethsven Op. 10 na. 1 Molto Adagio Jahn Mosres Prestiesime - Pime I N T E R V A L Senata i n G rninar fer piana and c e l l s Lente - Allegro maderate Op, 19 Andante L i l i a n Strange RacNaninov Allegre scherzmde Allegro moss0 - Piam Richard Strange - Cello Staff, students and ether8 wsrkinq at University College and the Hospital a r e c o r d i a l l y invited. Instrumentalists and singers a r e i n v i t e d t o meet each other i n t h e Margaret Murray Reom a* the end of t h e concert (Wine), Next Csncest : The hndon Chamber Singers - Thursday, Nov. 6th, 8.00 p.m. UNIVB1SltY COLLEGE LONDON, GOWBR STIBET WC1 - GUSfON 9650 THURSDAY NOVEMBER 6 t h a t 8 p.m. i n t h e HOUSEMAN ROOM. LONDON CHAMBER SINGERS conductor Antony Saunders; piano David G. M i l l e r . GERMAN LIEDER Von dir w i l l i c h n i c h t scheiden Herzlieb Mein G ' m U t i s t m i r v e r w i r r e t Tanzen und Springen Schumann Der S c h d e d ; . Der t r a u r i g e r J s g e r ; John Anderson; Gute Nacht; ~igeunerleben; B r ahms L i e b e s l i e d e r Op. 52. Am Gesteine Rauscht d i e F l u t ; Bede Mlidchen ; Die g r h e Hopf enranke ; 0 d i e Frauen; Ein k l e i n e r hUbscher Vogel; Wenn so l i n d & i n Auge nGr ; Am Doaaustrande; 0 w i e s a n f t d i e Quelle ; Nein, es ist n i c h t auszukommn ; S c h l o s s e r auf ; VBgelein d u r c h r a u s c h t . d i e L u f t ; Sieh' wie i s t ; Ein dunkeler Schacht ; Es bebet d a s ~ k a d a gc e s t r h c h e ; Schuber t ~egrhnisslied Gebet Solo q u a r t e t : E l i z a b e t h F u l l e r , Peggy Harrison, Michael Stannard, David J . Miller. Staff, s t u d e n t s and o t h e r s working a t u n i v e r s i t y College and t h e Hoapital cordially invited. N& CONCERT 'Thursday ~bGember 13th a t 8 p.m. The London chamber S i n g e r s rehearses on Tuesday evenings i n t h e Marylebone a r e a . Competent c h o r a l s i n g e r s who would l i k e t o a u d i t i o n f o r membership a r e i n v i t e d t o g e t i n touch w i t h t h e s e c r e t a r y , Miss €!.McDowall, 10 Richbourne Terrace, S .W.8. (735 2145). are U N I V E R S I T Y COLLEGE & HOSPITAL C H A M B E R M U S I C CLUB UNIVBIISITY COLLEGE LONDON, GOWBR S T R E E T W C I - EUSTON 7050 THURSDAY, 1 3 NOVDIBER, 1975 a t 8.00 P.M. HALDAF-E ROOM Aria from Bachianas B r a s i l e i r a s No. 5 Nick Turner - Viola Martin Kay V i l l a Lobos - Piano Trio i n G minor Op. 63 Weber Allegro moderato Scherzo - Allegro vivace Schafers Xlage - Andante espressivo Finale : Allegro And& Lequet - Cello Richard Bell - P l u t e Gertrude Keir-Piano Three Pieces f o r Cello and Piano Intermezzo from Goyescas Granados Transcription - Gaspar Cassado Le Cygne from Le Carnival des Animaux / Papillon Faure Janet Raveascroft-Cello Michael P h i l p o t - P i a n o Duo f o r Violin and Cello Beethoven Harry Callaghan-Violin Andre L e q u d - Trio Dp.114 Allegro Cello &ahms Ad*io Andantino grazioso Rary D a i n t on - Clarinet &ank Kurer John Lindon - Piano - Allegro Cello Staff, students and others a t University College, the Hospital and Hedical School are c o r d i a l l y invitecl. Date of Next Cancert : Yh~~leday, 27th November 5-30- 6.30 UNIVERS1,TY COLLEGE & HOSPITAL C H A M B E R M U S I C CLUB UWXVIRSITY COLLHCB LONDON, COWBR S T R E E T WCI - EUSTON 7050 - HALDANE ROOM - 5.30 - 6.30 p.m. THURSDAY, NOVEMBER 27, 1975 ONE HOUR OF MUSIC A CONCER'P OF TRANSCRIPTIONS Two movements from t h e 'Planets S u i t e ' , Op. 32 HOLST a r r . N. Day &K Lasker Saturn Neptune' Michael Philpot (piano) John Wyatt (piano) BACH a r r . BUSONI Toccata & Fugue i n D minor BWV565 John Lindon (piano) a r r . BRITTEN Folksong Arrangements: The A s h Grove O Sweet 9 o U y Oliver Judy Howell ( c o n t r a l t o ) Michael Philpot (piano) MOZART BACH a r r . MOZART Prelude i n D minor K404a Fugue i n D minor BWV853b Daniel Borin ( v i o l a ) Eddy Smith ( v i o l i n ) Mary Dainton ( c e l l o ) Varidimeniiberdas Volkslied - 'Rule Britannia' BEXTHOVEZ\J a r r . ANON Catherine Moss (oboe) Richard Bell ( f l u t e ) Mary Dainton ( c l a r i n e t ) William Kinnear (bassoon) S t a f f , students and o t h e r s working a t U n i v z ~ s i t yCollege, t h e Hospital and the Medical School a r e c o r d i a l l y invited. Date of CHRISTMAS CONCERT AND PARTY : THURSDAY, 4 t h December 8.00 i n the Cloisters (Free) Concert : Followed by Party : i n the Baldane Room Tickets on Sale from 27th Nov.: 4Op From Ian Wood - Ched-6try y s i c s , Meg Hooker m s s i c s , G. Keir - Psycho1 D. Pim - Mus, Soc. & Elect. Engin., Roman Cholij Med. Sci. M, Philpot - U C W - B - - - U N I V E R S I T Y COLLEGE & H O S P I T A L C H A M B E R MUSIC CLUB UNIVERSITY COLLEGE LONDON, G o w e n WCI - EUSTON 7050 CHAKBER 'M~JsIC CLUB CONCERT AND CHRISTMAS PAI?TY Thursday 4 t h December 1975 8 p.rn. CONCERT 9.15 p.m. - PARm NORTH CLOIS!l%RS - HALDANE ROOM --------- PROGRAMME MADRIGALS Richard Edwards Thonis Weelkes Thoras Vaut o r I n Going t o my Naked Bed Hark a l l ye Lovely S a i n t s Sweet S u f f o l k O w l THE U.C.L. MADRIGAL CHOIR, Dennis Pirn 0 Leave Me F i n e Knacks f o r L a d i e s Now i s t h e Month of Mayina F i r s ! Fi.re: - CONDIICTOE Hontevercii John Bowland Thomas Morley Thornas Morley THE TADIGE SINGERS ORCHESTRAL MUSIC. Concerto Grosso No. 8 (The Chri6tmas Concerto) - A. C o r e l l i Vivsce Grave - A l l e g r o Adagio - Allegro Adafio A l l e g r o - Largo asto tor ale) THE U.C.L. CAR^ - CHAMBER ORC-IQSTRA, Dennis Pim - CONDUCTOR J e a n e t t e La Bouchardiere - SOLO VIOLIN E I i z a b e t h Green - SOLO VIOLIN Sheridan Andersoc - SOLO 'Cm0 Lay FIBaarnd61h A V % ~ . g i nMoat Pure (Spe;4ially Wihtarr for t h e T E i p S i n g e r s ) Bef Mehem Down Wa-il Song Th;ig h v e I d@d f o r my '%rue Love Ad& THE TADrGE SINGIBS m! Bleseed V b g i a &!my b b r 5 e l ' s Hemage me Flower o f 3 e s s a Christmas is Coming B o r i s Ord Alan Wilson P e t e r Warlock arr Vaughan-Wil liam Gtastav Holst . . It a U n arr Wood Basque a r r . Pitrnan George Oldroyd Walfard Davias THE U.C.L. MADRIGAL CHOIR S t a f f , student$' zixad o t h e r s working ;at B n i v e r s i t y College, the Noapi%al a d the Medical School m e cordially Lpvited. UNIVEPSl'I ITAL CHAM.B.EK hlUSLC C L U B COLLEGE UNIVERSITY LONDON, COWER STREET WCI.- EUSTON 7050 THURSDAY, 2 2 JANUARY, 1 9 7 6 a t 8.00 P.M. HALDANE ROOM S t r i n g T r i o i n D M a j o r Op. 9 No.2 - Allegretto Beethoven Andante q u a s i a l l e g r e t t o Harry Callaghan ~ndr6Lequet ' Viola Allegro maestoso Larghetto Violin John Moores Piano Vivaldi No.5 S h e r i d a n Anderson Rondo Dvorak ~ e a n n e t f d e 19 ~ o u c h a r d i 5 r e Cello Sonata - Cello Op. 75 A l l e g r e t t o moderato Allegro appasionato qk Menuetto Paul Richards Violin Four Romantic P i e c e s - Andrew E v a n s Cello Piano INTERVAL Schubert S o n g s from W i n t e r r e i s e 13 Die P o s t 19 TAuschung 14 Der g r e i s e Kopf 20 Der W e g w e i s e r 15 D i e Krtlhe 21 Das W i r t s h a u s 16 L e t z t e Hoffnung 22 Muth 17 I m Dorfe 18 Der s t t i r m i s c h e Horgen David Miller Baritone un 23 24 D i e Nebensonnen Der Leiermann J o h n Moores Piano S t a f f , S t u d e n t s and o t h e r s working a t U n i v e r s i t y C o l l e g e and t h e ,Hospital are c o r d i a l l y i n v i t e d . -NEXT CONCERT: T u e s d a y , 3 r d F e b r u a r y a t 8.00 p.m. i n t h e l l a l d a n e Room COLLEGE & HOSPITAL CHAMBER MUSIC CLUB UNIVBRSITY COLLEGE L O N D O CNO, W ~ RS T R B B T W C I TUESDAY, 3 FEBRUARY 1976 a t 8 ..00 P .M. - EUSTON 7050 HALDANE ROOM .. C o n c e r t o a Cinque Op.9 No.9 - Allegro T.Albinoni - Adagio M i c h a e l Hughes C l i v e Fedida Violins J e a n n e t t e l a Bouchardiere Roman C h o l i j Qboes - F a n t a s i a s f o r S o l o Recorder Allegro Viola Cello Bass Cembalo - Recorder - Piano Mary D a i n t o n S o n a t a s and I m p r o v i s a t i o n s I a n Morin Diane F e d i d a Frank Kurer Paul R i chards Michael P h i l p o t G.P.Telemann D - S c a r l a t t i & I .Morin INTERVAL Four Piewes from "Lamberts C l a v i c h o r d n Op.41 Lamberts F i r e s i d e - Fellowes Delight - ~.l#owells D e La Mare's Pavane Hughes B a l l e t Mgchael P h i l p o t S u i t e i n D f o r Viola Ouverture - La Diane F e d i d a Trompette - - - Oboes Clarinets Violins - Courante - Gigue Viola Allegro - - G.P.Telemann - S a r a b a n d e - Rondean - B o u r r e e C o n c e r t o f o r 2 Oboes, 2 C l a r i n e t s S t r i n g s and C o n t i n u a Larghetto harpsichord Largo - C l i v e Fedida Michael Hughes Mary Dainton David Edwards J e a n n e t t e la Bouchardiere Roman C h o I i j L e s l e y Sammons - Piano A.VivaLdi Allegro Viola Cello Bass Cembalo Diane F e d i d a Frank K u r e r Paul Richards Michael P h i l p o t S t a f f , s t u d e n t s and o t h e r s working a t U n i v e r s i t y C o l l e g e and t h e H o s p i t a l are c o r d i a l l y i n v i t e d . NEXT CONCERT: .. - Thursday, 12 F e b r u a r y a t 5.30 p.m., Haldane Room . . U N I V E R S I T Y C O L L E G E ds H O S P I T A L C H . A M B E R . M U S I C C L U B UNIVERSITY COLLEGE LONDON. COWER STREET W C 1 THURSDAY. I 2 FEBRUARY. 1976 ONE HOUR OF MLTSIC - - - EUSTON 7050 HALDANE ROOM 5.30-6.30 P.M. Music for Lute Greensleeves Greensleeves Variations Anon. Cutting Pavan Nicholas Gravestock - Berrabosco Lute l . For Lute and Voice Three Songs by Thomas Campian Young and Simple though I am 0 never to be Moved Fain Would I Wed Soprano Una Woodliffe - Nicholas Gravestock Duets for Flute Two pastoral Fugues - Clare Willington With Continuo Sonata in Imitation of Bird Song Clare Willington Meg Hooker. Music for Lute Lord Willoughby's Welcome Home The English Hunt's Up Pakinstone's Round And Voice What then in love but mournings - Lute Pearson Meg Hooker Nicholas Gravestock - Lute William Williams - Ian Morin Dowland John Whitfield Anon. Philip Rossiter .. . 4 Una Woodliffe - Soprano Staff, Students and others working at University College and the Hospital are cordially invited. NEXT C O N C m : Thureday , 4 March at 8.00 p.m. in the Choisters, Tadige Shgers. UNIVERSITY COLLEGE & HOSP1,TAL C H A M B E R M U S I C CLUB UNIVIIISITY COLLEGE LONDON, COWBR STREET W C 1 WE - EUSTON 7050 Am HAPPY To ANNOUNCE A RECITAL BY TIE CEUZBRATGD PIANIST M THE HALDANE ROOM ON TUESDAY 9TH MARCH AT 8.00 P .M. AS SEATING IS LIMITED, ADMISSION WILL BE BY TICKET, AVAILABLE (IN THE: FIRST INSTANCE TO MEMBRS O N L Y ) FROM: Gertrude Keir (~sychology) John Lindon ( ~ t a l i a n ) Richard Bell ( ~ h ~ s i c s ) Ian Wood (chemistry) Meg Hooker (Classics) Variations Srillantes in B Flat (on 'Je vends des Scapulaires' from Herold-Halevy's 'tudovic', Opus 12) Two Preludes : C Sharp Minor, Opus 45 A Flat, Opus posthumous Twenty-f our Preludes, Opus 28 - No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 in in in in in in in in in in in in in in in in in in in in in in in C A G E D B A F E C B G F E D B A In 0 F E C B G F Major Minor Major Minor Major Minor Major Sharp Minor Major Sharp Minor Major Sharp Minor Sharp Major Flat Minor Flat Major Flat Minor Flat Major Minor Flat Major Minor Flat Major M~nor Major Minor INTERVAL Sonata in B Minor Opus 88 Allegro Macestoso Seherzo : Molto vivhce 18rga finale : Presto, non tanto R be filird ulitR ltlrrsit ttkir infegt 1Ab day hall fold their tzhts like the Atabs And as silently s r ~ a iautiy. Ahd the night sttaZl And the cures itlm al his mawrkas n o c t u w r qnd wtdtzes o v w Bath's W&mqwueb Chvier. one rittlng; ilrtd,lhhed y csln mfjl appreCiajed fi h.is &m Yet r~lii~ ofyfie p ~ w are s ~ ~ I ~ l - t k n OM + ~ uofscontext; 4be tiny, W,mrulrka! &P A h h j ~ - g d l ~ 1whkh + , k c r a i a a Ihr fim of fhe i y k r b s Q y ~ ~ b l & s . ~ I w u m W w g u m i mf m i n . ' s mqie : t k q c L n P , bMrti!tM C *r prddb: h e shadewy RmRQbep M,bd & yeaE M n a and &+@nu oma W-R QqreI ir ,g M m bma to AWen$h ofly a hgw US'*rk&a w i t m l ; i R i n u d t4e wretch& U K b t m w W )h IUWM U!&JdbQIs ih k~ a+tjbrs i n his kmah, Ufrr u ~ t i u s si style the k-w m ' ~ h m m* o s t k m - . tbm at& AUDIENCE PARTtCIPATION During a test in London's Royal Festival Hall, a note played mezzoforre on the horn measured approximately 65 decibels (dB (A)) of sound. A single "uncovered" cough gave the same reading. A handkerchief placed over the mouth when coughing assists in .m obtaining a pianissimo;* , 0 4 Gramophone recordings as the springboard for an international career--even today that is unusual for an interpretative artist. The Hungarian pianist Tamas ssary became known in the Western world through his first recordings. The choice of work was also unusual; they consisted entirely of music by Franz Liszt, some solo pieces and the t w o Piano Concertos in E and A major. It was greatly to his credit that for his debut he chose not the most popular items of the piano repertoire, but works by his fellowcountryman who was celebrated as a virtuoso but is often misun&rstood and underestimated as a composer. The wide-ranging, often most demanding programmes of Vasary's concerts and solo recitals have since shown that he is by no mealls only a Liszt specialist, b u t a modern, many-sided artist whose field of action is very broad. The fact that Vasary is Hungarian has a considerable bearing on the nature of his gifts. He was born at Debrecen in 1933.He made his first public appearance at the age of eight, playing Mozart's early Rano Concerto K.107.A year later he gave his first piano recital in his home.'town. When Erno Dohnanyi made a guest appearance at Debrecen after the war he was impressed b y the promise s b w n by the young pianist, whom he encouraged to continue his studies in the capital. Vasary's teachers at the Franz Liszt Acaderiiy in Budapest were Jozsef Gat and Lajos Hernadi. Two years later he won the international Franz Liszt Prize. His training suddenly seemed to be m jeopardy when the Vasary family were deported to a rural area by dfficial decree, and ran into serious financial difficulties. However, Vasary found generous friends in Zoltan Kodajy and the pianist Annie Fischer, who assisted the young artist to the best of their ability. In 1954 he concluded his studies, obtaining a concert diploma, but he remained at. the Academy as Kodaiy had arranged for hiin t o receive an appointment to teach theoretical subjects#hring that period he also appeared as a pianist in Leningrad, Moscow, and other musical centres in Eastern &iter the Hungarian uprising in 1956 Vasary left his h o m e b d a n d setiled for a time in Switzerland, where the pianist Ckra Haskil made her young celleague wcnCeome. Later London became his second home. His London debut in 19611and-ciaLcoae&+ue n a.tttle-R&, F e s r h l - H W e ma~k-&e . . 1~ ~ e M ~ i ~ g r t e t 6+h i r mnn e s c rt ~ appeared with the Cleveland Symphony Orchestra reamer. A year later under George Siell at the Carnegie Hall, New York. Concerts followed in England, Scotland, Belgium, Switzerland, Austria, Italy and South ~ f r i c a l T h e i r repercussions were uncommonly unanimous and positive. The first thing which strikes one about Vasary's playing i s his impeccable technique. Precision of touch, sparkling ability and assurance even in the most difficult passages are taken for granted by modern virtuosi. With Vasary, however, the technical process of playing is never allowed to take the centre of the stage. It appears to be blended by temperament, imagination, intelligence and taste into the musical conception, which retains distance and moderation despite the in.tensity of the artist's personal involvement. It is therefore easily understandable that Vasary has a particular leaning towards the lyricism, subtlety, tender dynamic nuances and scope for sensitive and poetic interpretation which lend enchantment and intimacy of expression t o the dream world of Chopin's fantasy pieces. Tamas Vasary has given many recitals in Ireland, notably in Dublin and Limerick. This evening's recltal will be repeated in the Royal Festival Hall, Loadon, on Sunday March 14th. M ~ K A LICHTENFEL~ ~ r - I .. I - I U N I V I R S ~ T YC O L L E G E L O N D O N , G O W B R S T B E E T W C I :I l- AT 8.00 - EUSTON 7050 P.H. in the HALBAPJE ROOM- '. -' PROGRAMME I II - Three songs by Henry Purcell Music for a while Evening H p The Blessed Virgin's expostulation Catharine Shepherd Soprano Paul Sibly Piano Three Inventions Variations on 'Under the green lime trees1 J.S.Bach J .P.Sweelinck Paul Sibly Piano Elizabethan Songs for Counter-tenor and Guitar Thomas Campian John Dowland John Dowland Beauty since you so much desire Now, 0 now, I needs must part Away with these self-loving lads Simon Cocksedge Counter-tenor + Micholas Gravestock Guitar Elizabethan Music for Guitar and for Lute The Earl of Salisbury18Pavan Come heavy sleep -and other items- William Byrd John Dowland (arr.~ritten) Alan Wood Guitar Nicholas Gravestock Lute IrnRVAL Recitative and Aria (from Judas ~accabeus) So shall the Lute and Harp Awake Handel Oh BQW pleasing to the senses (The Seasons : sumer) Haydn Paul Sibly Piano Catharine Shepherd Soprano Beethoven Trio G major Op. 'l No. 2. Adagio - Allegro vivace. Largo con espressione - Scherzo Finale ' Helen James Violin Mary Mileson Cello Gertrude Keir Piano - Staff, students and others working at University College and the Hospital q s qmdially invited. h" UNIVERSITY COLLEGE & HOSPITAL CHAMBER MUSIC CLUB UNIVERSITY C O L L E G E LONDON. COWeR STREET W THURSDAY, 3 JUNE,'1976 ONE HOUR OF MUSIC - 5.30-6.30 in the HALDANE ROOM (FOLLOWED BY THE ANNUAL GENERAL MEETING) CONCERT PROGRAMME Sonata in F Donizetti Andante Ian Wood sonata in D Allegro Oboe dJohn Lindon m K 576 Allegro Adagio John Lindon 5 m m Polonaise Ian Wood Minuet%o Oboe r - Mozart Allegretto Piano D. Scarlatti Arr. 3ryan Concerto in G for Oboe and Strings Canzonetta Piano Aria Tarantella John Moores Piano Two Piano Duets Op .l0j Schubert Allenro Brillant Op. 92 Mendelssohn Grand Rondeau John Noor ANNUAL GENERAL MEETING Agenda will be availa'ole at the meet*., Refreshments will also be available. o h Lindon
