SHORT FICTION REVISION revision and Exam Techniques REVISION PROGRAMME IN TERM 3 1: Exam structure, revision themes and unifying Terms 1 and 2 Session 2: Structuring exam answers (essays and the comparison) and practice planning. Copyright R. Sibley, University of Warwick 2012 Session RECAP ON EXAM STRUCTURE Exam structure is as follows: It’s a 2 hour exam plus 15 minutes reading time. Section A is a comparison of two passages – you choose from two pairs of thematically linked excerpts. Section B contains essay questions that must be answered on four stories (two Italian, two English). The stories chosen for the essay should demonstrate chronological range from the medieval period to the present. You must answer one question from Section A and one question from Section B. Copyright R. Sibley, University of Warwick 2012 SECTION A – COMPARATIVE COMMENTARY Analyse the passages closely and critically. Pick up on themes and literary techniques – there will be a link between the two passages. Keep your analysis comparative throughout. Concentrate mainly on the passages themselves rather than discussing the wider contexts of the stories. Copyright R. Sibley, University of Warwick 2012 A commentary is different to a standard essay and requires you to: SECTION A – COMPARATIVE COMMENTARY Use of imagery (similes, metaphors, etc) Characterisation Whereabouts the passage come from, ie. are they both beginnings or endings of stories? Style of narration and narrative viewpoint (first or third person) How the passages embody the literary movement to which it belongs. Copyright R. Sibley, University of Warwick 2012 Here are some elements to comment on in your answer: SECTION A – COMPARATIVE COMMENTARY Remember Copyright R. Sibley, University of Warwick 2012 to plan your answer even though it isn’t a standard essay. You are not arguing a point of view like you would in an essay but you still need a sense of purpose. Keep your answer focused on the passages themselves to allow time for close analysis – this should take up 80% at least... ...leaving 20% at most to talk about the stories in their entirety or the literary movements they belong to. SECTION B – COMPARATIVE ESSAY The essay questions are very open to interpretation. Try to take a comparative approach throughout rather than addressing each story in turn. An essay needs an argument – establish your thesis statement first. This is a chance for you to show your own, individual take on the module so choose stories you have something to say about. Always bring the literary movements into your analysis. Avoid repeating material from assessed essays – this is very important! Copyright R. Sibley, University of Warwick 2012 SECTION B – COMPARATIVE ESSAY The impact of social conventions in short fiction. Representations of nature in short fiction. The difference between ‘realism’ and ‘reality’ in short fiction. The importance of the individual in short fiction. Definition of good and evil in short fiction. Copyright R. Sibley, University of Warwick 2012 These were the question topics for the 2010 paper: SECTION B – STRUCTURING THE ESSAY Introduction – put the topic in context, give a thesis statement to say how you are going to answer the question and what stories you’re going to use. Three main points that you are going to argue to support your thesis statement, with supporting references from the texts and to the literary context of the stories. Conclusion – sum up what you’ve argued, put it back into context and say what this has shown about the short story genre. Copyright R. Sibley, University of Warwick 2012 EXAM TECHNIQUES – READING TIME First read through the paper to decide which question you are going to choose for each section. For Section A, read and reread your chosen pair of passages carefully, looking for close analysis points of interest. Make notes on your chosen Section A passages – think about themes and how to structure your comparison. If you have time, plan out your answer(s) to the Section B essay too. Copyright R. Sibley, University of Warwick 2012 You’ll have 15 minutes at the start to make notes on the paper but not the answers booklet, so: EXAM TECHNIQUES – READING TIME Plan your essay with thesis statements, three main points, conclusions. Choose your topic carefully – what stories will you use? How will you narrow the focus of the question? What quotations/points of the narratives you’ll use for illustration? How do literary movements affect this topic? Copyright R. Sibley, University of Warwick 2012 When planning your answer for Section B, consider the following: EXAM TECHNIQUE TIPS your answers focused – don’t try to do too much in one essay. Plan your answers – use the reading time well. Choose questions carefully – this will avoid having to restart halfway through. Be ruthless with timing –leave yourself five minutes to read through each answer. Make sure you devote equal attention to both exam answers. Keep Copyright R. Sibley, University of Warwick 2012 REVISION TECHNIQUE – HOW TO BEGIN appreciate the evolution of short fiction as a specific literary genre and its relationship to contextual issues such as politics, religion and ideas; conduct literary analysis across languages; identify the ways in which key themes in short fiction are treated differently according to the authors’ differing cultural, historical, and social milieus Make sure that your revision demonstrates these outcomes. Copyright R. Sibley, University of Warwick 2012 Start with the module learning outcomes that students should: REVISION TECHNIQUE TIPS Don’t try to cover everything – choose thematically linked groups of stories. Start by ruling out stories/themes you’ve already used in the assessed essays. Choose groups of stories that would work for more than one theme. Practice past paper questions – what you can (hand)write in 50 minutes? Also practice planning past paper questions – give yourself 5-10 minutes to work out what stories you’d use, what your thesis statement would be, etc. Copyright R. Sibley, University of Warwick 2012 COVERING BOTH TERMS Group term 1 stories with term 2 stories according to theme. A wider range of stories will be taken into account if your essay is on a grade boundary. Think carefully about how to compare term 1 stories with later texts, including comparing/contrasting: Literary techniques The purpose of the short story at different times Literary movements Thematic concerns Copyright R. Sibley, University of Warwick 2012 REVISION THEMES Think back to the themes outlined in Term 2, week 1: Issues of gender • How are relationships and marriage depicted? • What expectations does society have for male and female characters. • What happens to those who transgress society’s rules? Copyright R. Sibley, University of Warwick 2012 The individual in society • How does the individual fit into society? • How does the individual identify him/herself? • How important is the individual’s point of view? REVISION THEMES Reality and fiction how do these concepts relate to each other? Is it possible to convey reality through literature? What constitutes ‘realism’? Copyright R. Sibley, University of Warwick 2012 Methods of narration Who is narrating whom? What is the relationship between the author, the narrator and the reader? Who is in control of the narrative? REVISION THEMES These themes will form the basis for all aspects of the exam. When revising, choose three and create a set of stories to use for each. Copyright R. Sibley, University of Warwick 2012 The nature of short fiction How does the genre work? How have ideas about the function of short fiction changed over time?