American University Chamber Singers Parallel Universes: Scientific Discovery & Musical Thought A choral-multimedia performance exploring millennia of intersections between great science and its musical counterparts Daniel Abraham, conductor & director of choral activities November 16, 2013, at 8 p.m. November 17, 2013, at 3 p.m. Abramson Family Recital Hall, Katzen Arts Center program Albert Einstein on Religion, Art, and Science FROM HEAVEN TO EARTH The Spheres from Sunrise Mass [2010] SIR ISAAC NEWTON (1642-1727) Sound All Ye Spheres from Welcome, glorious morn [1691] On Newton Ring Out Ye Crystal Spheres SUNSPOTS On Sunspots Immortal Bach [1998] Ola Gjeilo (b. 1978) Henry Purcell (1659-1695) William Crotch (1775-1847) J.S. Bach (1685-1750) adapted by Knut Nystedt (b. 1915) GALILEO GALILEI (1564-1642) The Young Galileo [1977] (text: Ray Bradbury) Mark Gresham (b. 1956) TIME & RELATIVITY Zeno’s Paradox Time Pieces, No. 1 “Tempus” [2003] Stephen Chatman (b. 1950) (text: Auctoritates Aristotelis) William Shakespeare, Sonnet XIX “Quantum Lyric Montage: Einstein Ruminates on Relativity” from Quantum Lyrics by A. Van Jordan The use of cameras and recording devices is strictly prohibited. Please turn off cell phones and pagers. program LEONARDO DA VINCI (1452-1519) Ave Maria...virgo serena [c. 1480] Leonardo on Flight Leonardo Dreams of His Flying Machines [2002] (text: Charles Anthony Silvestri) Josquin des Pres (c. 1450/5-1521) Eric Whitacre (b. 1970) INTERMISSION IONIZATION Northern Lights [2010] (text: Song of Solomon 6:3-4a) Gjeilo “The Truth About Northern Lights” from Alaskaphrenia (2004) by Christina Hume PROPORTION & DESIGN DuFay, Proportion, and Brunelleschi’s Dome Nuper rosarum flores [1436] Guillaume DuFay (?1397-1474) QUANTUM MECHANICS Particle Detectors as Cathedrals to Science and Quantum Mechanics “Kondalilla” from Great Southern Spirit [1991] Stephen Leek (b. 1959) VISIONS OF SPACE Madrigals for the Space Age [1972] (text: Ray Bradbury) I. I walk in Space (narrator) II. Dark rock on flint and stone (chorus & piano) III. We search and find (narrator) IV. The rocket bursts in Space (chorus & piano) Excerpt from Cosmos by (1980) Carl Sagan Astronaut Anthem [1985] THE MEANING OF STARS Frost and Mind Over Matter Choose Something Like a Star [1959] (text: Robert Frost) Herbert Spencer and Albert Einstein on Beauty 2 Lalo Schifrin (b. 1932) Meredith Monk (b. 1942) Randall Thompson (1899-1984) foreign text translations The Spheres from Sunrise Mass Kyrie eléison Christe eléison Lord have mercy, Christ have mercy. Immortal Bach Komm, süsser Tod. Komm, sel’ ger Ruh’. Komm führe mich in Friede. Come sweet death. Come blessed rest. Come lead me to peace. Tempus Tempus est mensura motus rerum mobilium. Time is the means of measuring moving things. —Auctoritates Aristotelis Ave Maria...virgo serena Ave maria, gratia plena: tio, Ave cuius conceptio, Hail Mary, full of grace Hail, whose conception, Solemni plena gaudio, Coelestia, terrestria Nova replet laetitia. full of great jubilation, fills Heaven and Earth with new joy. Ave cuius nativitas Nostra fuit solemnitas, Ut lucifer lux oriens Verum solem praeveniens. Hail, whose birth brought us joy, as Lucifer, the morning star, went before the true sun. Ave pia humilitas, Sine viro fecunditas, Cuius annunciatio, Nostra fuit salvatio. Hail, pious humility, fruitful without a man, whose Annunciation brought us salvation. Ave vera virginitas, Immaclata castitas, Cuius purificatio Nostra fuit purgatio. Hail, true virginity, immaculate chastity, whose purification brought our cleansing. Ave praeclara omnibus Angelicis virtutibus, Cuius fuit assumptio Nostra glorificatio Hail, glorious one in all angelic virtues, whose Assumption was our glorification. O Mater Dei, memento mei. Amen. O Mother of God, remember me. Amen. 3 foreign text translations Northern Lights Pulchra es amica mea, suavis et decora sicut Jerusalem, terribilis ut castrorum acies ordinata. Averte oculos tuos a me quia ipsi me avolare fecerunt Thou art beautiful, O my love, sweet and comely as Jerusalem, terrible as an army set in array. Turn away thy eyes from me, for they have made me flee away. —Song of Solomon 6:3-4a Nuper rosarum flores Nuper rosarum flores Ex dono pontificis Hieme licet horrida Tibi, virgo coelica, Pie et sancte deditum Grandis templum machinae Condecorarunt perpetim. Recently garlands of roses A gift of the Pope Although in a terrible winter Decorate this church Forever dedicated to you Heavenly virgin, pious and holy— This church with its great dome. Hodie vicarius Jesu Christi et Petri Successor Eugenius Hoc idem amplissimum Sacris templum manibus Sanctisque liquoribus Consecrare dignatus est. Today the vicar Of Jesus Christ and The successor of Peter, Eugenius, Is honoured to consecrate This same vast Church with his holy hands And with holy libations. Igitur, alma parens Nati tui et filia, Mundo quicquam exorarit Therefore dear mother Of your son, and his daughter at the same time, Virgin the honour of virgins, Your devoted people Of Florence pray to you That anyone tortured by sickness, in mind or body, Who should ask anything of you, Oratione tua Cruciatus et meritis tui secundum carnem Nati domini sui Grata beneficia Veniamque reatum Accipere mereatur. Amen. By your prayer And your merits Should be deserving to receive By the flesh Of your Son our Lord His gracious blessing And the forgiveness of sins. Amen. Virgo decus virginum, Tuus te Florentiae Devotus orat populus, Ut qui mente et corpore 4 american university chamber singers Daniel Abraham, director of choral activities Matthew Van Hoose, chambers singer accompanist Natasha Maskaly, choral manager Sopranos Cienna Breen* Carrollton, Texas BA International Studies, BA Sociology ’14 Nicole Cherecwich Barrington, Illinois BA Anthropology, BA Music ’17 Caroline Duchin Sharon, Massachusetts MA Latin American Studies, MA Spanish ’15 Colleen Evans St. Louis, Missouri BA Music (Vocal Performance), BS Business Administration ’14 Arielle Finegold Centennial, Colorado BA Philosophy ’14 Asha Kelton Waldorf, Maryland BA Psychology ’16 Lindsay Kemp Honolulu, Hawaii BA Music (Vocal Performance) ’16 Sarah Wirshup Glenmoore, Pennsylvania BA Music (Vocal Performance), BA Psychology ’15 Tenors Nick Bohmann Houghton, Michigan BA International Relations ’16 Gregory Borowski Annandale, New Jersey BA Political Science ’16 5 Vincent Kovach Clearfield, Pennsylvania BA International Studies ’17 Robert Sheehan* Germantown, Tennessee BA Music (Vocal Performance), BA Arts Administration ’14 Ian C. Urriola Rochester, New York BA Music (Vocal Performance) ’14 Christopher Waldron Atlanta, Georgia BS Biochemistry ’17 Altos Charlotte Bergmann Norwalk, Connecticut BA Broadcast Journalism, BA Spanish Studies ’16 Annika Bergstrom Denver, Colorado BS Public Health ’15 Catie DeLiso San Francisco, California BA Business, BA Music ’16 Rachael Grubbs Dallas, Texas BA Sociology ’15 Emily Morgan South Russell, Ohio BA International Studies, BA Music (Vocal Performance) ’17 Hilary Morrow* Angier, North Carolina BA Musical Theatre ’14 Rebekah Revello Chicago, Illinois BA Public Communications ’16 Tessa Youngs Santa Monica, California BA International Relations ’17 Bass Keegan Amrine Gig Harbor, Washington BA International Studies ’15 David D’Auria Hebron, Connecticut BS Economics, BS Mathematics ’16 Riordan Frost* St. Paul, Minnesota PhD Public Administration ’17 Anthony Nimmo Bellmawr, New Jersey BS Biology ’17 Robert Patterson Pittstown, New Jersey MPA Public Administration ’15 Daniel Sepulveda Visalia, California BA Political Science ’17 Travis Volz Whitehall, Montana BS Physics, BS Mathematics ’14 * Section Leader biographies Daniel Abraham (conductor) is associate professor of music and director of choral activities in the Department of Performing Arts at American University. He has garnered praise for his performances from many noteworthy sources, including Gramophone, The Washington Post, Choral Journal, BBC Magazine, Fanfare, BBC Radio 3, American Record Review, and Early Music America. The late critic Joseph McLellan once remarked that as a conductor and musicologist, “Abraham blends those skills marvelously in programs that combine learning with enjoyment in ideal proportions. The Washington Post has praised his performances as having “uncommon precision and exuberant vitality,” being “bright, energetic, and lovingly shaped,” and showing “keen insight and coherence.” As a conductor and scholar, he has often sought out works previously unknown to present-day audiences and has been responsible for numerous international, North American, and regional early music premieres with many performances using materials edited from primary manuscript sources. He has conducted two performances before the national meeting of the American Musicological Society and has been broadcast nationally on NPR’s Performance Today, Sunday Baroque, Great Sacred Music, and across the FM, satellite, and Sirius spectrums. He has conducted at the John F. Kennedy Center for the Performing Arts, the Music Center at Strathmore, the National Women’s Museum of the Arts, the Smithsonian’s National Portrait Gallery, the Arts Club of Washington, Cosmos Club, and many other major venues in the eastern United States. He has prepared choruses for national television broadcasts including the Kennedy Center Honors Gala and Christmas in Washington, and has appeared on the nationally syndicated series History Detectives during its initial season. With various ensembles, he has presented concerts abroad in Canada, Germany, Spain, Portugal, Hungary, Romania, the Russian Federation, and Egypt. He is a sought-after clinician who has given master classes and clinics throughout the United States, Canada, and Europe. Abraham’s five commercial recordings with the Bach Sinfonia appear on the Dorian & Sono Luminus labels. Hailed by the Baltimore Sun for his “spirited and polished playing,” Matthew Van Hoose (chamber singers accompanist and collaborative pianist) has established himself as one of the most sought-after pianists in the Baltimore-Washington area, demonstrating an extraordinary ability to perform both as a soloist and a collaborative artist. Van Hoose has performed in numerous solo and chamber recitals in the United States and Canada. He has performed with members of the Baltimore Symphony Orchestra as part of the Candlelight Concert Series and with the Post-Classical Ensemble. He has appeared as concerto soloist with the Virginia Symphony, the NIH Philharmonia, the Virginia Beach Pops Orchestra, the Oberlin Conservatory Symphony Orchestra, and the Indiana University Symphony Orchestra. He has performed with many worldrenowned artists, including flutist Jonathan Snowden and clarinetist Loren Kitt, and has performed at many venues in the Baltimore-Washington area, such as the Kennedy Center, the Mansion at Strathmore, and the Lyceum. Van Hoose has won prizes at several competitions, including an honorable mention in the 2002 Bartok-KabalevskyProkofiev International Piano Competition. 6 biographies He earned a bachelor’s of music in piano performance and a bachelor’s in economics from Oberlin College and Conservatory of Music, and he received a doctorate of music in piano performance and a master’s of music from Indiana University. He has studied and performed at such prestigious music festivals as Chautauqua, Sarasota, and KentBlossom. A native of Norfolk, Virginia, Van Hoose is also on the faculty of Sidwell Friends School and is also the ballpark organist for the Washington Nationals. Founded by James McLain, the Choral Ensembles of American University have flourished under the outstanding leadership of many of the region’s most celebrated directors, including Paul Calloway, Norman Scribner, Vito Mason, Paul Hill, Sondra Proctor, and Elise Eisenhower. Under the direction of Daniel Abraham since 2000, the American University choral program continues to prosper and sustain its tradition of excellence in music performance in the liberal arts setting. The American University Chamber Singers is a select ensemble open to music majors, as well as those with a significant music background from across the campus and students studying music within American University. Chosen by audition, the ensemble is known for its wide repertoire of music featuring different musical styles and periods, including choral-orchestral literature with a particular emphasis on early music and a cappella works, as well as renissance motets, Romantic anthems and part songs, folk arrangements, spirituals, and highly challenging contemporary composition. Recent notable engagements include an appearance as the invited select ensemble for the 2006 Washington, D.C., Choral Festival at the John F. Kennedy Center for the Performing Arts, performances for both the 25th and 30th anniversaries of Mothers Against Drunk Driving’s “Celebration of Life” at the Ronald Reagan Center, and performances with the National Philharmonic Orchestra. In addition to domestic touring, the AU Chamber Singers have a long tradition of cultural diplomacy through international performance, including concert tours to South America and Mexico and, most recently, to Hungary and Romania (2009), Spain and Portugal (2011), and the Russian Federation (2013), where they presented 11 concerts including an a cappella program and concerts with three Russian regional orchestras. program credits Program Concept and Design: Daniel Abraham Audio Design and Visual Support: Ethan Hicks Science and Literary Assistance: Nathan Harshman, chair, Department of Physics Richard Sha, professor, Department of Literature Readings: Nathan Harshman, chair, Department of Physics Caleen Jennings, professor, Department of Performing Arts Richard Sha, professor, Department of Literature Ulysses J. Sofia, associate dean of research and department chair, Department of Computer Science Jeffrey Tarr, voice faculty, Department of Performing Arts 7 we applaud you This list includes gifts made to the Department of Performing Arts by individuals, estates, foundations, corporations, and other organizations during the fiscal year ending April 30, 2013. Every effort has been made to ensure the accuracy of this list. Please report inadvertent errors or omissions to Amanda Riddle at riddle@american.edu or 202-885-6607. Johanna T. Aldrich ’92 Freddie Mac Denise M. McDaniel P and Carolyn S. Alper ’68 G ov Eula George P Denis S. McDaniel P Apogee Productions Jean R. Glover MA ’89 Diane McDonald Susanne R. Baker MA ’72 James S. Grant MA ’70 and Clarence McFerren « MA ’05 Alison Martyn and James T. Martha Grant v Carl Menninger « Banks v John W. Hancock MA ’89 v Bridget G. Miskell ’11 Mary A. Bever and Peter J. Maureen A. Hannigan P and Angela B. Moon ’76 and James Bever Robert M. Hannigan P M. Moon ’75 Suanne D. Beyda and C. Gisela B. Huberman JD ’80 and Valerie B. Morris ’68 and Boris Richard Beyda Benjamin Huberman o Bohun-Chudyniv MA ’76 Jennifer M. Bognar MA ’96 v Melissa A. Hungerford ’79 John S. Patton PhD ’63 and Marla Boren « MA ’99 and Paul Ronne Jacobs ’60 and A. C. Mary Miller Patton « ov W. Boren v Jacobs Pearl R. Rance-Reardon MFA Vera Borkovec « MA ’66 v Janet K. Jarvis ’96 and Michael J. Reardon Randee F. Breiter ’88 and Caleen Jennings « and Carl Julia T. Richie Russell A. Breiter ’88 Jennings « Markley Roberts MA ’60, Colette A. Christie P and Gary Jayson A. Johnson « MA ’03 PhD ’70 D. Christie P Gregory S. Kellner ’05 Vincent A. Russo ’02 Citydance Ensemble Marjorie M. Kellner ’66 and Yvonne M. Sabine ’66 Mary Ellen Condon ’66 v John Kellner Maureen J. Salamack P and Delna K. Dastur MFA ’78 and Kathleen M. Kennedy-Corey « Donald J. Salamack P v Kersy B. Dastur ’73, MBA ’80 and Chadwick Heidi Schimpf « MA ’01 Diane Y. Defries ’79 E. Wyatt v Audrey Ricketts Schinkel Elliot P. Denniberg ’59 and Joy Cornelius M. Kerwin « ’71 P ’55, MA ’59 and Norman H. S. Denniberg and Ann L. Kerwin ’71 P ov Schinkel v Sandra H. Dewey « P and John Marie P. Kissick and Ralph L. Michael H. Schwartz C. Dewey v Kissick v Bernard Shire P Deborah Dranove P and David Zachary S. Kopin « Lily Shuman S. Dranove P Ryan L. Korn ’10 Jeff Stern Michael Draungue Jane S. Kornblut ’64 and Arthur Katrina S. Toews « MA ’00 Joanna M. Driggs ’60 and John T. Kornblut * Gail P. Tompkins ’60 and A. Driggs o Anne L. Krueger P and Anthony Charles H. Tompkins v Driggs Foundation Corapi P Steven Varon « ’00 Doreen M. Duarte-Zebdi MA ’95 Therese B. Leasburg Helen Wachs and Martin Wachs Alycia B. Ebbinghaus « ’05, Sandre Lustine Ellen Wilmarth ’85 v MA ’07 Judith W. Maxfield ’55 and Ruth L. Zetlin ’79 David W. Maxfield v The 1893 Society recognizes the commitment of loyal donors with five or more consecutive years of giving and the significant role they play in sustaining university life. o Individuals who have made cumulative contributions totaling $100,000 or more are lifetime members of the President’s Circle. * Deceased « Current or former faculty or staff P AU parent G AU grandparent H Honorary degree recipient 8