w ap eP m e tr .X w FIRST LANGUAGE KOREAN w Cambridge International General Certificate of Secondary Education 0521 First Language Korean November 2011 Principal Examiner Report for Teachers om .c s er Paper 0521/01 Reading Key Messages ● ● ● To score full marks in Question 1, the answers should contain clear, precise and well-constructed sentences. Candidates should pay attention to the marks available for each question as it gives clues about the number of points they are expected to cover in their answer. Candidates should keep in mind that Question 2 answers require comparison and contrast between text 1 and text 2. Candidates should be able to summarise, paraphrase and rephrase rather than copy from the text in their answers. To score full marks for language/style/organisation, candidates should present their answers in syntactically correct, complex sentences, not in bullet points or as a list of notes. General comments Overall performance in the examination was good. Most candidates demonstrated their comprehension of the texts and tasks. Many candidates showed their ability to scan, analyse and evaluate relevant information from the text for each question with a clear and an appropriate style of language for their answers. However, some candidates did not present their answers in full sentences. Candidates should be made aware that answers presented in such a style (e.g bullet points, a list of notes or syntactically oversimplified sentences) will have a negative impact on their marks available for language. Candidates should should use appropriate and consistent style of language for their answers, rather than mixing different styles and registers. Comments on specific questions Question 1 Generally, all of the sub-questions were answered adequately. Questions requiring simple and straightforward answers, such as 1(a), 1(c) and 1(g) were answered very well. However, some answers to the more challenging questions such as 1(h) lacked adequate explanation or discussion. Question 1(h) asked candidates to summarise and discuss, in their own words, the specific details of ‘the beauty of tension and relaxation’ and ‘the harmony of yin and yang’ in 사물놀이. Accordingly, at least four points should be discussed in the answer, as indicated by the marks available for this question. 사물놀이 repeats the process of tightening / winding and unwinding to reach its climax. The beauty of tension and relaxation is achieved by the percussion instruments by means of contrast between strong and weak, delicate and intense, and slow and fast. The sharp sound produced by metal instruments, which are 징 and 꽹과리, contrast but also harmonise with the soft sound produced by 북 and 장구, as in yin and yang. Another harmony of yin and yang is that it starts with a slow rhythm and gets faster, but then the tempo changes again. It seems all orderly and regular but it keeps changing. Many candidates failed to address the question fully and hence did not score full marks. Some candidates answered questions only partially: for example, Question 1(c) asks how the four instruments in 사물 have changed and how the meaning of 사물 has changed. Some candidates did not identify ‘범종, 법고, 운판, 목어’ as ‘사물’, which were used in Buddhist ceremony. These later change to ‘북, 징, 목탁, 태평소’, and then again change to ‘북, 장구, 징, 꽹과리’. 사물 meant the four percussion instruments which were only used in Buddhist ceremony or service originally but they then became national folk percussion instruments which could be enjoyed by ordinary people. 1 © 2011 Cambridge International General Certificate of Secondary Education 0521 First Language Korean November 2011 Principal Examiner Report for Teachers Another example of a question that some candidates answered only in part was Question (1d). This question asked to explain why 사물놀이, which appeared not so long ago, has developed so richly. Some candidates offered the incomplete answer that the majority of people who lived in the cities were originally from the countryside, so they had a certain nostalgia about their own music, and that 사물놀이 stimulated this subconscious desire. The other point required for full marks to this question was that 사물놀이 has an amazing power to capture people’s hearts with its melody. Question 2 The majority of candidates successfully linked and explored the common themes of the two texts and answered the question as instructed. Many candidates answered the question correctly, with good use of their own words and complex syntax. However, some candidates did not pay attention to the main instruction in Question 2, which required candidates to compare text 1 and text 2. Some candidates only worked out their answers based on text 1. A few candidates did not use a good summary style with an orderly grouping and good linkage of ideas. Candidates should be reminded that their responses are assessed on the quality of the language as well as the content. Question 2 asked candidates to summarise the differences between and similarities of 사물놀이 and 풍물놀이 (풍물굿). Various aspects of these two acts should be compared and contrasted. They differ from each other in many aspects, such as their history. It would not be an exaggeration to say that 풍물놀이’s history is as long as our nation, and there is a record of it in <동인전> and <삼국사기>. Whereas, 사물놀이 has a very short history – it only started to be performed in 1979 and became known in the 1980s. Among many others, another aspect which can be contrasted between the two acts was their nature/type of performance. 풍물놀이 is more group performance art which includes music and dance. Not only percussion instruments were used in 풍물놀이 but also ’태평소’ was used. However, 사물놀이 developed as an independent music genre, without acting or dance. 사물놀이 only uses four percussion instruments. Some of the similarities are that they are both based on a very old traditional descant. They both demonstrate the Korean people's unique spiritual life and their origin can be traced in the ritual ceremony 제천의식 which reveals the communication with gods and the harmony of heaven, earth and human beings. 2 © 2011 Cambridge International General Certificate of Secondary Education 0521 First Language Korean November 2011 Principal Examiner Report for Teachers FIRST LANGUAGE KOREAN Paper 0521/02 Writing General comments The writing overall was rather simple and average. Well-structured complex sentences score high for quality of language and their use is recommended. For narration candidates need to think of exciting plots and provide a good structure for the story. In the descriptive essays, candidates need to offer real depictions of things or persons rather than narration. Comments on specific questions Section 1 Discussion and Argument Candidates offered mostly simple structures and simple sentences in these essays and there was a generall lack of supportive arguments and examples. (a) This was one of the most popular questions and it generated fairly well written essays, with introduction, main body and conclusion and reasons for and against the argument. (b) A number of candidates chose this question. The argumentation was a bit weak in some answers. (c) This was also a popular question that produced fair quality essays. (d) This question was answered fairly well and it generated some interesting essays. Section 2. Description and Narration As usual, narration proved to be more popular than description. (a) The description of precious things were not very well done and most candidates have not supported their assertions with arguments explaining why the described objects were previous to them. (b) Candidates who chose to write about what the world will be like in 50 years tended to focus more on narration than on description. (c) The essays produced in answer to this topic were generally satisfactory in their story-telling, but sometimes lacked character-development and were often missing a climax. (d) This was the most popular topic and it gave rise to straightforward stories with good setting and skillful creation of atmosphere. The plot was somewhat similar among candidates who went for the ‘daily routine’ type narration and did not venture into the more exciting / unusual. 3 © 2011