MATERI
MATAKULIAH PIM III PIANO
Olex
:
F.Xlvgnur Drnn K., S.Po, M.A.
JURUSAN PENDIDII(AN SENI MUSIK
FAKULTAS BAHASA DAN SENI
UNI\/ERSTTAS NEG ERI YOGYAKARTA
20tl
Fingering, Phrasing, An n otations by
G.BAONAMICI
Etude
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Scales in both hands
Alleglro vil'aee
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DUVERNOY,Op.120 No.1
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Allegretto.
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STUDIE
R.Schumann OP.68-No'14'
(Ped. simile')
117
t*
Little Prelude No. B in F Major
Johann Sebastian Bach
1 685-1 750
lAtlegrol
12. Bour6e
zhffifFtllt
A study in contrasts of touch and
vivace ,
independence
fi0fit1bffi94{t'+'ffiiLLffrA
#,R
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ra)
l.(
of each hand.
Little Prelude No . 2 in C Major
Johann Sebastian Bach
1685-1 750
Moderato
a.)
No.SinFmaion
Vivace
d
(J = e6
-
1oo )
nf
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I
54
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5. Minlret
4:"bf't'tllt
A study in phrasing and in balance-of tone
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Andante sostenuto t
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t+ffiAt;fitfl
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SONATINA
Op.36,No.3
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editions this C is not tied to.the prcvious p.
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SONATINA
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Da
Capo
al jiiu
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14
SONATINA
Op.55, No.z
Fricdrich Kuhlau
Allegretto
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64
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Minuet with Yartations
The rnelody mrusr be simply stated, tone clear and beautiful. Gently taper the tone
co weak bcae at slur endings. Variation r should be in sirniler tempo, smoorh quiet
melwJy singing above softer quavers, ornaments lightly played. Var. z brighter in tempo
and tone, first note of e,' ,, lriplet group to sing out above decorative notes; L. H. accenrs marked without bu:,',':nE. Var. 3 brilliant,but still sweet in tone: notice that L.
H. partakes of the melocl: : ,'mpo indications are approximatb for (a) Theme and Var.
r; (b) Yar. z; (c) Var. .r
Moderato semPti<',
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ARNE
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BUNDA
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Re-Aransemen: Billy Bun, ST
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Music bv Paul de SBNNEvILLE and otivier ToussAINT
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