Beffekolah Perkembangan Sosial Pada Anak Tunarungu Yang Belum Sela Harry, Beatrilcs Novianti Bunga & Indra Yohanes Kiling Literacy Skill In Reading Comprehension: A Skill Development gusanaterny Ully Process .... .............. 1-7 ............. 8-17 A Introducing Content And Language Integrated Learning (CLIL) .............. Nowiani R. Manafe A Semiotics Analysis On John Mccrae's "In Flanders Fields" And R.W. Lilliard's "America's Answer" Nandy Intan Kurnia t8-23 24-3r Non-Native English Speaker Teachers' Identity Leni Amelia Suek 32-43 How To Teach English As A Second Or Foreign Language Better In Rural Areas? ................. Welmince Djulete 44-s2 A Comparative Analysis Of Audiolingual Method And Commrmicative Language Teaching Approach In Teaching Speaking Bonik Amalo 6t-67 Sinkronisasi Materi Matematika Wajib Dengan Materi Matematika Peminatan Sesuai Silabus Kurikulum 2013 Pada Sekolah Menengah Atas .......... 68-76 Jonias Tbisuta Institusi Positif Di Nusa Tenggara Timur ....................... Indra Yohanes Kiling dan Beatrilc Novianti Bunga llttrtifr'lr alclr Lrlila ]cmthirr ie[ ll[r3lliE lcngGnf,rrtatr PGmtlliirnt lurs Ga[lrm ll. ltrarcltra, Irrqra Lrr !fltslt lh. tt38!l0lt9{+ rmd} lrnrl@lE rrfim..lt 1 77-83 WMALM@,WM]E Jurlr.t Tr.n Goflna.t Edutrs.i Volutrc 04 No.ot, f.r.t 2ot3 @ Lembaga Pembinaan dan Pengembangan pembelajaran (Lp3) Undana tff Penanggung ,awab L€mbaga Pembinaan dan Pengembangan Pembelajaran Universitas Nusa Crndana (LP3 Undana) D€wan Penyunting Ahli Prof. Dr. I.G. Bagus Arjana, MS Prof. Dr Felix Sanga, M.Pd Prof. Dr Drs. Singkir Hudijono, SH, M.Si Prof. Felix Tans. Ph,D Dr. Tetty Setiawaty, M.Pd Dr Uda Geradus, M.Pd Dr. Thontjie Makmara, M.Pd Dewan R€daksl Dr GunadiTjahyono, M.Pd (Ketua) Dr, Chaterina A Paulus, S.Pi, M.si . (S€kretaris) Ir, Johanis Ly, M.sc. (Anggota) Drs. Laurensius Kian Bera, MA (Anggota) Edibr Yunita R. Bani Bili, S.Pd, M.Ung Tata Usaha Christyn N. Aha, SH Tamar Lapudooh, SE Yulius Ataupah Erna Wie t-awa Daniel Nomleni .ur-a -'r*rrnasi .n'an* Edukasi (JTEd) diterbitkan oleh @ Lembaga Pembinaan dan Pengembangan Pembelajaran (LP3 (Undana).lTEd terbit 2 (dua) kalidalam setahun Maret dan Oktober. dan dikirimkan secare rvl.sa Cendana r7taE rF.r-i2 arEgota dan penyumbang naskah (artikel). Untuk anggota )rang berlangganan dikenakan biay? ': l:E f-{ xi tahun. tnformasi berlangganan atau membeli kopian jurnal yang lain silahkan hubungi Christyn Aha llryir-@,satsa,JTEd,@ungLP3Undana.Penfui-Kupang,NTITelp.085237041115atau(0390)8819.14 IS5 :2252-5106 Jurnal Translormasl Edukasl Volume 04' No. oI', Marct 2oas Daftar Isi k:-.:nba.ngan Sosial Pada Anak Tunarungu Yang Belum Bersekolah fu.; 7trr,-. Beatriks Novianti Bunga & Indra Yohanes Kiling L.o:=r ..................1-7 Skill In Reading Comprehension: A Skill DevelopmentProcess..........................................8-17 Att-cr;:erm, Ully :::g Content And Language Integrated ',,2. ?- .\lanafe j'ryi? lraming (CLL) ..... ............18-23 t,.nia -r,rc :.i -.h -{s A Second Or Foreigrr Language .,',n r:'e Low-: \lenjawab Kesulitan Belajar Individual Siswa - ,i4 lqrss - Oi -\udiolingual Method And Communicative tfu.ala Wajib Dengan Materi Matematika Peminatan Sesuai .or -:r; -.:. Jo\\anfi "Et Language Teaching Bunga :E sra1 E furnal. Keputusan editu jumal be$ibt -* a* tetap. Segala bi dan hal-hal nffipakan bnggmg jawan staf edituial dan/atau editu, relainl@n 1r +ruit ISSH:2252-5106 Ju rna I T ran sfo r ma s i Edu ka s i A SEMIOTICS ANALYSIS ON JOHN MCCRAE'S "IN FLANDERS FIELDS" AND RW. LILLIARD'S "AMDRICA'S ANSWER" NANDY INTAN KURNIA Dosen Bahasa dan Sastra, Jutusan Pendidikan Bahasa Inggris, PBS Universitas Negeri Yog)akarta ABSTRACT Penelitian ini berhtjuan untuk mengkaji lebih datam puisi yang ditulis John McCrae beriudul "In Flander Fields" dan karya RW Lilliard beriudul "America's Answer" dengan menggunalcan analisis semiotika. Pada puisinya, McCrae berusaha untuk memberilan kesempatan bagi para saat Perang Dunia I untuk menyampaikan kegundahan merelea, sedangkan prajurit -puisi yang telah tewas Liiliard adalah respon dai generasi muda Amerika atas semud kegundahan Wra praiurit tersebut. Dalam menganalisa kedua puisi di atas, penulis menggunokan tel*tik penelitian kepustakaan dan data yang dikumpulkan diinalisis melalui metode analisis deskriptif Berdasarkan hasil penelitian ini, Ampak jelas bahwa McCrae "In Flanders Fields" dan Lilliard "America's Answer" -menggambarkan impit @ nilai-nitai budaya dasar, yabti manusia dan keindahan; manusia dan p"ndiritoor; manusila dan kegelisahan; dan yang terakhir adalah manusia dan tanggung iawab' Keywords: Semiotirs Analysis' the basic culturul 1,dl es, poetry' INTRODUCTION For a long time, people have enjoyed the World War I. Based on an article entitled ln "Flanders Field and Replies to Flanders Field", of literarure. The others read literature since it this poem 'remains to this day one of the mos teaches them so many things. Basically, there is obvious that this poem touches the hearts arc so many reasons why literalure has many readers since reading literature. It gives them pleasure. fact, to entertain people is the basic purpose a readers to enjoy literature, every literary work is written in such an amazing way by a its mirror which reflects human life. It deals with some aspect of human life and experience. As stated by Moody (1987), literature can show its reader the real picture of situation in the world writer's attention for several reasons. First previously mentioned, this poem was during the World War chance I and it tries to gi for the dead soldiers to speak mind. Second, this poem is able to many people's heart with its simple form deeper meaning. Third. this poem is written by a professional poet. Mccrae and human affairs. One of the examples of literary work as writer of this poem is a doctor and soldier which discusses the world and human affairs is "the lst Brigade Canadian Field Artillery" a poem which is "The Great War 1914-1918: Inspiration for "[a Flanders Fields". This is written by John McCrae and its story is told poem 'In Flanders Fields' by John McCrae from the perspective of dead soldiers during Fourth, 24 i talks about human' "In Flanders Fields" has caParred of what the PurPose of writer. Every poetry, play and novel is it affairs. prominent place in many people's heart. Regardless memorable war poems ever written". Thus, it is because this poem discuss Volume 04, No. 01, Maret 20 ; -,nal Transformasi Edukasi kosi ::-ran's affairs which enable its readers to g:--l pleasure and also teach them about two poems are taken from a book entilled The r.-::-an's issues. Besides, as argued The last, there are many Poets who try udul zkan 0ara gkan iurit kaan dan rts of nan's article 's poem in the heart of the values. : : =m McCrae .{ : - r poems as poems which can lncrease {:1. Ioward their own countries. Seeing nr*s:asrd by those American poets by Moreover, literary texts are not produced from will also relate th€ discussion of this poem with of the discussion of the cultural LITERATURE REVIEW Structuralism and Semiotics Structuralism cannot r it is not easy to clarifu firndamental have similar objects and methods. He explains ftrther that the structuralism analysis of a ::al1 thilgs. systems, but which can be regarded as sign structures." r --ETh and the compiled data irc"gh descriptive analysis L o:r- -}j s research tried to -,r'ii :-c a.oah ze human affairs - rrnten bv two different :rs=e smiotic theorv. :r- .mrdrsrs of this research r -trr Flanden Fields" and r -liimr= i Uf- On the other hand, semiotic analysis "deals, instead of themes and gsneral -n.r'.."r-- s the research, the writer rr 2015 QOO2), not signs proper, as for instance the kinship $" (tn abott working through the existence of -': pleasure. but it also can teach $,'t{ }ae')- continued literary text 'may deal with models which are lier in tb is readers more than m but for each other since semiotics differences between those two subjects as they | as the from semiotics. Both subjects are correlated to E -s klosr as one of literary genres an:i re separated from the issue of n: -'ulrure It also means that those I{ETHOD not separated structuralism. As commented by Surdulescu nitten s bs theory. She decides to =miotics :f,--= subj€cts found in both poems u as apture culture. Moreover, many readers regard the rsl history, social and m-:. ,-omplete, the writer will also discuss .:::-s poem as the examPle of how rEG :3n siYe the d of the culture's absence. Thus, the writer of this most it 11), '.-:..:rca's Answel'. Therefore, to make this l.i=an affairs and cultural values that us, by Teeuw (1983: context ],:c:-s deeper. She wants to study further ield", People' literary texts cannot be separated from the :3;E. Ihus, the writer tries to study those titled of the American [ :.,e response to McCrae's poem. One of .tr 3\amples is R.W. Lilliard with his hasil per" Best Loved Poems Arsrver". Those tr:.-:i15 meaning, with the way in which meaning produced by the structures of is interdependent signs, by codes and conventions." Swanepoel et.al (in Ntsonda" 2009: 9) stated that the semiotics' concept is derived from the Greek Word semeion which means as "sign". Thus, Semiotics is a study that concemed with everything that can be counted as significantly replacing something else. Cobley and Jansz (in Sobur,2003: 15) add that 25 Jurna I Transformas i Eduka si ir society and culture as signs' it is "simply the analysis of signs or the study phenomena of the functioning of sign sYstems." This study tries to scruinize systems, des, and As previously explarned, semiotics is a conventions which allow those signs to have a signs. Sign itself has two aspects' certain meaning. Thus, literary studies which They are signifier and signified. Signifier is use semiotics approach attempt to analyse literary texts as certain sign syst€ms and study of the formal form (written/spoken) which signifies something called as signified' Whereas, signified is something which is determine what kind signed by the signifier (meaning/concept)' As meanings. by Bressler (1992. 92)" explained enable those literary texs signified (a concePt): signs = Poetry is a system It of uses language as However, the language According to Koentjaraningrat (2000: of Those values are relaled to the things which its' the community members see as poetry in their daily life According to Riffaterre (1978: language activity. medium' will be conversation' l), poetry is a Its' language will not be the with the language that is used by many people during their communication. It has its' same own structure. He explains further that poetry uses indirect expression. The causes of this indirectness are: displacing of meaning, distorting of meaning and creating of meaning' (in N*onda 2009: l0), that in relation to the reading of SwanePoel also argues 190), cultural values are the concepts that live sign that has different from the language that is used by people have certain in the minds of most of community members' signifier.signified." meaning. to The Basic Cultural Values parts: he signifier (a wriuen or spoken mart) a conventions that 'Saussure proposed that words are signs made up of two and of valuable' precious and important in their Therefore, those values can serve as lives- guidelines that give direction and ori to tllem to create a good and society. In this studY, the writer uses concept of basic cultural values that are from the theory of basic cultural sci proposed bY Nugroho and Muchji (1 Those values are: (1) human, love affection; (2) human and sublimity; (3) and hope; (4) human and way of life; ( human and responsibility; (6) human poetry, a semiotic approach has a tendency to anxiety; (7) human and affliction; (8) direct the reading of a poem towards sigrrs that and equity. are seen as dominant communicative factors' Therefore, it helps the listener and the reader of a certain poem to construct and receive the message that the poem tries to deliver' Moreover, as staled by Preminger (in Pradopo, 2OO7: 26 l2l), semiotics see social The BiograPhY of John A. McCrae and Short Glance to His Poem's Background As written in "In Flanders Fields: Study Guide", John A. McCrae is a colonel and physician in the Army of Volume 04, No. 01, Maret 20 "' :. Transformasi Edukasi ': : Jso a university professor in Canada. ":: :he First World War in 1914, he was -: -i dre First Brigade of his country i!f*- -- Ir 1915, when the soldiers of allied il r : :. Germans, McCrae and his artillery w . :-: :n tle town ofYpress in the Flanders :: -.utenant Alexis Helmer, - :::: in the of Ypres. --: :roted in "The Great War 19 14.: -i: =rion for the poem "In Flanders I . : . :bl rr:::-:cr: i n McCrae", McCrae was second r--rl the l"t Brigade of Canadian - :-j:rg this second battle of Ypres In Flanders fields the poppies blow Between the crosses, row on row, That mark our place; and rrr the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow, loved, and were loved, aad now we lie In Flanders fields. Take up our quarrel with the foe: To you from failing hands we throw The torch; be yours to hold it high. If ye break faith with us who die We shall not sleep. though poppies grou In Flanders fields. McCrae's "In Flanders field" consist uu' ;,1513 believed that the death ofhis "* \{{rae's .q: inspiration to write his --i: Flanders Field". t : I \..:-: _1ne ; John McCrae's "In Flanders Fields" lgium. Suddenly, on May 2, 1915, Be ,d :": '.\iuress the death of his best friend, - DISCUSSION to another article entitled rmiu;: i-:ld Poem: The World's Most i:: \{::rorial r.r: \l-{ne"- Poem By Lieutenant of three (3) stanzas and 15 lines. It tries to give voice to the dead soldiers who have died during the war. first stanza It can be seen clearly that the of this poem discusses human and sublimrty. The about first line portrays rvhen one of McCrae's the beauty of the Flanders fields which has a :;areeant-Major Cyril Allison, lot ofpoppies grow in its ground, -in Flanders :::- He met McCrae who was .!lrt&Dr : n ambulance parked 'h few @ :',.r of Ypres, Belgium." Later c;:s \{cCrae writing his "In fields the poppies blow-.T\e second line gives rcg: rryr ,:: ;fe.cs- ,EE:- I after McCrae was done =i ri eq rq. grow in the Flanders fields. As it is mentioned in the 2"d line. those beautifirl poppies grow in a row and they are functioned as the mark of :are his poem to Allison the dead soldiers' graveyard, -That mark our '.r place; ... crd. Allison was really lll h :,:<:II. as he Stated '"The * Elis :,!13m WaS an exact 1 !E i=:: Ln front ofus both. He fr d" more description about the flowers whrch rL.; -: that line because the being blown that ::. - ,rind " ":*- - (line 3). The portrayal of sublimity can also be seen in the 4m and 5m lines dead soldien, as the speaker depict the graceful picture :::: 2 01 5 of the poem, of some larks that still fearlessly sing and fly freely in the sky, although below them the guns are fired continuously, as ti of this stanza. The if they are not afraid to die, - 27 Jurna I Transfo r mas i Eduka si The larks, still bravely singing, fly/ their loved ones are forcefully taken away Scarce from them. heard amid the guns below.- The second starza is about human and Almost similar to the second stanza, affliction. Human cannot avoid affliction. Sometimes in their lives th€y have to face the third stanza of this poem still deals with problems that cause them to feel agony. It can speaker be in the form of the negative feeling that are possessed by the physical, psychological of the poem. This starza talks about human and anxiety. It is clear that human always have to face many problems torture or both of them. The dead soldiers in life can be which they cannot run from them. Sometimes from the 6h lines, -We are the Dead, those problems can make them feel insecure Short days ago-, the use of the capital letter on since they are not only have to face those the word 'dead' and 'short' means that those problems, soldiers want everybody to see the reality that answers for those problems by themselves. highlighted their recent condition. seen It but also have to frnd the bes they have lost their soul a couple ofdays ago. Related to the discussion of McCrae's Then, they continue to describe their agony by "In Flanders Fields", realizing that they no giving two different descriptions. The first longer can fight and serve for their country. description is related to their lives before they then those dead soldiers express their arxieqt lose their souls, and the second one is the description when they had died. In line 7 and to the future generations. At first, the dead soldiers want the future generations to 8, those soldiers portray how beautiful their continue their struggle against lives used to be. They can enjoy the radiance foe since they feel that they have failed to fight, -Take up out quarrel with the foe:/ To -the sunset g/ow-. They also stated that their lives are full of loves. They of dawn and have got lots see of love from their surroundings and they express their loves toward those people who have given them a lot Loved and were loved... -. of love, - However, sadly, tleir countn you from foiling hands we throw- (line continue their fight against their enemy, torch; be yours to hold where they used to live and they also cannot all of their feel the love of those people who love them cannot rest in peace anlenore since now they are dead They are continue their struggle even though they -... and now rested we lie/ In Flanders felds.-. Based on those description, one can sense ihe pain that the fields, It seems like their comfortable lives and happiness u'ith - it high.- (line 12). They force the future generations to fight dead soldiers feel after they died. - 11). Those dead soldiers ask the future generations to fight with a high dignity they cannot enjoy the beauty of the world buried under the Flanders field, I0 strength since the dead soldi if there is no one who in a beautifi.rl place like the -If ye break fdith with us rlho diei lli shall not sleep, though poppies gtowi Ftanders * fields- (line 13 15). The last lines of this poem (line 13 - 15) show that dead soldiers feel anxious, they are ,a Volume 04, No. 01, Maret 2015 - "tns./brmasi Edukasi ::.:: \'ill be no one can continue their , _-ainst their enemy. Thus, they want : ,iure that the future generations will r: :heir effort ir to fight against their +1at the dead soldiers will not die in clue about the speakers' background. It is clearly seen that the speakers of this poem are the American since the title of this poem is "America's Answer". Or in other words, the word 'America' in the title refers to the speaker of the poem. The speakers of this Poem want to convince the dead soldiers that they have take - .-lierd's "America's Answer" : : peace, ye Flanden dead. J:: ---3I l'e so bravely led :" .: up. And we will keep all the responsibilities from the hands of the dead soldiers to protect their country. They will continue to fight against their enemy just :-: ,,. uh l'ou who lie asleep ;"-:: : ;ross to mark his bed, : r ri.em flelds. , like the things that are done by the dead soldiers, -7ke fight that ye so bravely led/ ' :-= \e have died for naught. . 'Irew to us we caught. I -: :a,rds rvill hold it high, -: : :: .-- s light shall never die! We've tqken up...- (lne 2 -.: r--::l '- the dead soldiers by saying thal those soldiers should not be worried since they are not fight fields. for -.:.'d's poem entitled "America's :::-:rsts of two (2) stanzas and 12 -:., :oem talks about human and - :- The discussion of responsibility -: :::d to the discussion of human's ., : t'act. every human has his/her " *::rs and all of his/her life heishe :: : : to show his/her responsibilitY :: l\\X duties. -:ard's poem, the speaker of the - r:sser" 3). The speakers keep trying to convince the lesson that ye taught ::;:rs - nothing and as the American future generations they have take all the duties that are given by the dead soldiers of Flanders for naught.l caught.- (lne 7 - fields, -Fear not that ye have died The torch ye threw to us we 8, stanza 2). Convincingly, the speaker stated that there are a lot of people who will support and continue to fight to keep the America's independence since they have leamt so many meaningfirl lessons from the struggle of the dead soldiers in the Flanders fields, -Ten opens this poem by million hands will hold it high,/ And freedom's - soldiers who were buned in :r r :r rest in peace, -REST YE in - 'c:,s dead.- (line 1). In line 2 r..uu- r :: his poem can see who exactly : ' :: poem is. As stated in those light shall never die!/ We ve learned the lesson :- : ::; of this poem is more rrir ':..3t. since it uses plural subject =ealer - r :-:: ::'*ris poem also gives another that ye taught/ In Flanders felds. - (line 9 - t2). Based on the above explanatlon, it is clear that Lilliard's poem entitled "America's Ansrver" is discussing about human and responsibility. As previously mentioned, the speakers of the poem are trylng to convince 29 Ju rna I Transforma si Eduka si the dead soldiers who are died and buried in Flanders Fields that they can continue to fight the enemy since they are firlly against conscious that it is their duties to fight for the America's freedom. CONCLUSION There are a lot of literary works (poetry/ novel/ play) which talk about the world and human affairs. The examples of poetry which discuss those subjects are John McCrae's "ln Flanders Fields" and R.W. Lilliard's "America's Answer". In this study, the writer tries to scrutinize both poems by using semiotics theory. Based on the findings that have been explained in the previous section, concluded that McCrae's and "In it can be Flanders Fields" Lilliard's "America's Answer" portray the issue of humanity and cultural values. There are four (4) basic cultural values that can be found in those two poems, namely human and sublimity; human and aftliction; human and anxiety; and tlre last one is human and responsibility. Seeing the above fact, it is clear that literary texts can also be used as a medium to gain pleasure and to get deeper understanding of human's affairs. Thereforc, the writer would like to encourage many people, especially educators to give a special place to literature in their classrooms since it can enable tJreir to experience a new wa) to gain happiness and it also allow them to get tJIe deeper understanding of problems that many students humans have to face in their lives. 30 Volume 04, No. 01, Maret 2015 .e'-i- Transformas i Edukasi - M[IoGRAPHY Richard and Marvin Klotz. 1980. Literature: Ihe Human Experience.New York: St. rrartin's Press. hrome., et. a1.,2002. The Norton lntroduction to Literature. New York: W.W. Norton and Company. . Charles E. 1999. Literary Criticism: jersel : Prentice Flall, Inc. An Introduction to the Theory and Process. Nest Field and Replies to Flanders Field". Retrieved from http://www.nbc- :rr'..com/miscellaneous/FlandersField.htrnl (Access on September 2lth, 2014). 3,*ien Fields: A Study Guide". Retrieved from http://wrw.cummingsstudvquides.net/ _ *rus -:rr,,lgs5,iFlanders.html (Access on September 2lth, 2014). Field Poem: The World's Most Famous War Memorial Poem By Lieutenant Coloneal i:im VcCrae". Retrieved from htlp://r,vww.flandersfieldsmusic. com/ihepoem.html (Access Srytember, 2014). ,:eima (EA.). 1936. The Best Loved Poems of the American People. New York: Doubleday. E.- 1985. Semiotics: An Introductory Anthologjt. IJSA: Indiana University Press. r lmt 2000. Pengantar llmu Antropologi. Jakarta: PT. Rineka Cipta. . L B. 1987. Literury Appteciation: A practical ,lrtm.aion of literature guide to the interpretation and especially 'unseen' passage of poetry and prose (2"d ed). london: -"u!,rn:n GrOup. T-rlro ad Achmad Muchji. 1996. Ilmu Budaya Dasar. lakarta:. Gunadarma. t latu:nl \l'ilhelmina. 2009. *A\ Analysis of Selected Poems from Sefalana sa menate by I-J *adrddi with reference to Riffatene's and Lotrnan's Semiotics." The Potchefstoom r-Trthe North-West University. Refieved from a-- (+rcess on September 27h.20141. I h.a e3dra \f,'n lE H Qoko. 2007. Beberapa Teori Sastra, Metode Kritik, dan "lpresiasi Puisi-Puisi Sastra Inggris. Surakarta: Muhammadiyah University Press. 9nionka Komunikasi. Bandung: Remaja Rosda Karya. :00r, "Form, Structure, and Structurality m Critical Theory: The Semiotic of the Literary Text." University of Bucharest. Retrieved from (-{ccess on September *r Penerapannya. Pustaka Pelajar. ,2014). togznung pda Kata. lakafia:. Dunia Pustaka Jaya. llt+1918: Inspiration for the poem "In Flanden Fields" by John McCrae". from http://r.vr,vw. q reat\,var. co. uk/poem s/iohn-mccrae-i n-flandqrs-fields- (-{ccess on September 21th, 2014). 3l