�''"f , , Vf�1t1 ,,,,_,,,, Literary Editor Art Editor Brian Fugate Tom Podejko Literary Advisor Art Advisor Frank Edmund Smith Paul Andrew E. Smith Literary Judges Art Judges Anjelica Honeycutt Amber Abboud Ali Zaidi Chris Cutch Guy Landgraf Charen Linder John Lech Cover Art AJt� f./.� �A>f./. /.1fAf iff l>�Af./. ... acrylics 30 x 20 Bridget Bartholomae Professional Services John Callahan, Photography Vis-0-Graphic Printing, Inc., Printing Point of View, a publication of literary and visual creative works, is selected, edited and produced by students. Anyone-student, faculty, staff, administration-connected to Harper College may submit their work. Sponsored by Student Activities, William Rainey Harper College in cooperation with the Liberal Arts Division. Cash awards for outstanding writing and art funded by The Harper College Foundation. Special thanks to John Callahan, Harley Chapman, Richard Johnson, Cathy Lindstrom, Kurt Neumann, Jeanne Pankanin, Tony Trigilio, Andrew Wilson, Joan Young. Copyright © 1999 William Rainey Harper College 1200 West Algonquin Road Palatine IL 60067 All rights to creative work belong to their respective creators. Printed on recycled paper 0 Linda Baldwin Susan H. Chun * 28 13 Inside Out Bridget Bartholomae *** cover and the earth holds its breath ... Colleen Gentry 4 Depth 36 Untitled Represented With Symmetrical Shapes Human Hand Composed Of Worms Grasping An Apple 25 Old School Player Glass 31 Conversations With Spaceman David J. Marshall ** Heliocentric Debbie Pickup 37 Ed Kowalczyk Treppe Kameraden Shannon Plate Guy Landgraff, Jr. 29 42 Dance of Fire 30 Figure in Distress Untitled Bryan Weiss 10 Jennifer Lesiak 1 Peacoat Steve Kim 5 Festus ],,. Johnson 27 That Damn Smile Roya Kashanian And Towers Composed Of Human Hands 20 21 3 Figures Emerging From The Clouds 11 Clinton Harman Allison Herbon Buddy Hanson 9 Winding Up, Running Down Untitled untitled Owen Lloyd 19 Bubbles Eugenia Makowski 2 Arch 26 Seven Pointed Star For Jessie 24 Twelve Fishermen And A Guide Point of View Award* Winner of the Vivian Steward Award** George Voegel 12 Winner of the Winner of the Ray Mills Award*** Emerging Knowledge HARPER COLLEGE LIBRARY PAI i'Tl�IC , , 'rw11s 60067 untitled Photo 8x10 Jennifer Lesiak •.' ll>e/. limestone Eugenia Makowski Allison Herbon Lost inside its navy blue arms, two missing buttons, where they landed, I can only wonder. . . The crashing seas of Vietnam, rolling green pastures of Portugal, through the chilly nights of Spain. I can smell the memories in the thick wool, trapped within the lining, nested in the pockets, are stories of times past: A man lands on the moon, while a young sailor dances to the Stones, sharing a kiss with his would be wife. The laughs and tears weaved inside of each single thread. The worn and torn cuff that brushed against their clenched hands still lies ripped. The floppy long lapels once beaded with sweat from a nervous sailor grasping a gold ring in his hand. and now. . it's my turn. My chance to kiss the foreign air, and experience life in its immense arms. 1>1.,tlt photo 4x6 Colleen Gentry bouncing ato m s and ideas i n h i s bra i n coa l esce, h e attem pted t o vertical l y bala nce a black pencil o n the p o l i s h e d David J. Marshall d e s k , u s i n g the sharpened s i d e . Each effort fai l e d , of course . The p i n k eraser fal l i n g one way, then the other, a s if it I. Sitting i n h i s Buick i n a bitch of a jam on the 1-90 i n boun d , Greg Kepler watched the crying jets on approach d e speratel y trying to land at O' H are I nternati o n a l . It was a Bad Sun Day, the four hundred and sixty-th ird, according to the n ewsm a n on the crackling car rad i o . T h e angry S u n oscil late d , alternating between bright and d i m , large and s m a l l , pus h i n g a n d t h e n pul l i n g t h e s l e e k metal airs h i p s . The first j e t , a s m all J etstream 31, Greg watche d strugg l e throug h what looked l i ke icing conditions. The nose s a n k too quickly, the left wing skidded and s p arked o n the cement, i g n iting the fuel a l m ost i nstantly. The explosion was anti-cl i mactic, like ripe watermelon dropped by a clumsy grocer, thudding a n d s p l a s h i ng to a clean floor. The n ext, a DC-10, Greg watched v i brate i n m i d a ir, as an e n g i n e and pylon s eparated from the i m mense left wing l i ke leaves from a branch. The giant rol l e d , col l i d i n g a l m ost perpendicular with the grou n d , a ste l lar flash outs h i n i ng the Sun , the sonic b last shaking six lanes of cars o n the freeway, causi n g Greg to steady h im self on the whe e l . The last, a 747, h u m m e d l i ke a tenor god swooping down over the houses, bui l d i n g s and cars, tra i l i n g m isty fuel . Greg closed h i s eyes a s i t passed over h i m , i ma g i n i n g s i l ver metal growing black feathered wings and red eyes, then swa l lowing itself i n fire, fl i n g i n g one p i l lar of white s m oke, one b lack. The burn i n g Sun shook s l i g htly, l ike a bad comedian h o l d s i n laughter born of h i s own d evice . ·11. Greg Kepler sat i n h i s corner office, waitin g for his boss. Trying to let the were the bobbing head of someone tryin g to stay awake. S o m ewhere i n his m i n d , Greg knew h e could d o it. I f the a ir cond itioning quit for one seco n d , or the Arma n i dick i n the n ext office stopped talking o n the p h o n e , or if gravity surrendered its perpetual strugg l e for a moment, a brief cease-fire, Greg knew it was possi b l e . He released the penci l . I t fel l , r o l l e d t o the edge of the desk, a n d t h e n dropped, h ittin g the h ard floor musica l ly , bouncing exactly four tim e s . Wendel wal ke d into Greg's office without knocki ng a n d quickly closed the door. "Where the fuck have you been? My God, what the fuck. Three damn weeks, Gre g . What the fuck?" Greg sat cal m ly , knowing Wendel needed him. Wendel wiped the sweat fro m h i s balding foreh e a d . Greg smile d , remembering Wendel's s h a g g y brown head of hair back i n '67 r i g ht out of college at that recruitment s e m i n ar for the NTS B . Wendel s i g h e d , cal m i n g h im s e lf . "You h a v e t o d o th i s one, Greg . T h i s i s a big one. You've heard a bout the M id-east Commuter crash?" "Ye s , " said Gre g , "Are they all d ea d ?" "Ye s . Please, Greg . They're o n e of our biggest clients. You've g otta d o it. I d on't know where you've been or what the hell i s going on with you, but you've just gotta." " I ' l l need to see the site , " Greg said, standing up and strai g h te n i n g h i s b l ack jacket. "Thank G o d , " said Wen d e l , risi n g , s i g h i n g a g a i n . "Th a n k G o d . " Greg looked at the floor a n d s a i d , "But that's it Wendel . . . l ' m out, effective today." Tur n i n g to the d oor, Greg wal ked out The cause of this cras h was easy to fi n d . Almost four years a g o , the Sun of h i s office for the last t i m e . beca m e jeal ous and a n g ry , perio d i ca l l y We ndel stood a l o n e , l o o k i n g left to right with h i s h a n d in h i s pocket l i ke a i n creasing a n d decreasing i t s gravity: t h e m a n in an e m p ty parki ng lot gripping his s a m e exact d a y t h a t Greg Kepler q u i t a s keys , sud d e n ly realizing h i s car has been chief i nvestigator for the NTS B . Greg sto l e n . looked up at the pulsating s p h ere in the 111. ora nge sky and squinte d . how hard it was to find caus e s . On the way to the site, Greg sat i n Now it just looked at him, at everyo n e , n ever dead traffic a n d h i s thoughts drifted away from the k i l l i n g Sun . H e thought of the blinking. heave n , of the bed in Champaign with V. Helen. He th oug h t of Later at the press conferen ce Greg left the pod ium ; the reporters' No young women were named faces were s prinkled with tears . They H e len a nymore, h e thought, nor d i d they launch a thous a n d ships. Greg tried to cried l i ke new hungry birds fi n a l l y being leave the bed of the small hotel after a fed . H e answered the "what' a n d "how," week, getti n g as far as the front desk. and even the "who i s res p o n s i b l e" with The heavy night aud itor looked up from the ease of giving a child chocolate . h i s com puter sus piciously, seeing Greg Because he knew the real question was stop a n d turn around . Greg knew then "why . " Why were they torn away so that the Sun did not m atter, and he quickly? Why does love have to d i e ? wa l ke d back to room 128. W h y do things l i ke this h a p p e n ? He opened the d o or without soun d , s l i pped off h i s Knowi ng t h e s e , Greg a p p e a s e d a n d s h irt a n d pants quietly, a n d s l i d under t h e broke the most damaging inquisitors. s h e ets l i ke a dolp h i n i nto water. Greg With each word , h e lessened the d o llar p a l m e d her s l e e p i n g s houlder. With h i s i m pact on h is client, each surviving f a m i l y i ndex fi n g er, h e m a d e s m a l l circles m e m bers settling for o n e m i l l i o n i n stead around the nub of skin where her left arm of two, perh aps. He control l e d the press used to be. room l i ke a great conductor, ra i s i n g h i s IV. h a n d , cal l i n g u p sections to s i ng their A s a spokesperson for Mammoth parts, and Greg would set them down, I n sura nce, Greg Kepler did not really knowing the answers they wante d . have authority or access to cras h s ites. Orbiti ng h i m l i ke a sun , t h e reporters But h e was a l e g e n d . asked questions of b l a m e a n d justice, N ow, h e just walked l i ke a stiff J esus forgetting i n the bare heat of his center. throug h the hot a s h , pointing out burn Backstage, three i nterns i n navy blue h o l es to NTSB i n vestigators , tel l i n g them suits cried, staring at Greg Kepler, to mark the ground where bodies fel l . H e wa nting to follow him out the door. would tel l the others w h a t t o look for, a n d We ndel, hel pless as a mustached t h e y would pick up a n d b a g el ectrical man i n a black hat at high n o o n , watched wire s , scrap e blood off of control panels Greg leave without saying good-bye . as h e tal ke d , write i n their notepads. VI. Greg n ever h a d to i nterv i ew Greg Kepler wal ked throug h h i s survivors . They a l l died for h i m . H e used kitch e n , unfl inch i n g , as A m a n d a cried to keep count, until ten years ago when and threw pots and pans at h i m . M ost of H el e n l i v e d . them missed, passing harm lessly by l i ke It s h ouldn't have been surpr i s i n g , h e knew, for there were plenty comets. Each one an expression, each of i n stances i nvolving survivors. one g laring a n d burn i n g . 6 On Saturday of the third week, Greg H e trotted up the stairs and A manda sat d own o n the plastic covered couch Kepler sat on the bed a n d tried to with her face in h er hands screaming convince her, and h i mself, that h e must a b out three weeks, cold d i nners and go back for a wh i l e . H el e n stood s m i l i n g , fal l i n g jets . H er curly black hair wrapped looking down on h i m . S h e was not i n and out of her fi n gers as s h e l iste n i n g , just s h i n i n g , a n d h e coul d n ot hear h i s own words with h er looking this convulse d . way. So h e bowed his head to shade After gra b b i n g t h e p apers h e needed, Greg trotted down the stairs and out the h i mself from h er. front door. VI I I . He tri e d to use his cell phone, Greg remem bered a s i m i l ar m o ment but the d a m n Sun, playing h e l l , fucked up the s i g n a l , throbbing and flash ing with Amanda. S h e wiped h i s fevered against the win d s h i el d of Greg's car. forehead with a cool, d a m p cloth . Greg Kepler lay del irious, the m o i st cloth the Backing out a n d s h ifting into first, Greg sti l l felt A manda's pull, her only feeling, her pale face the o n l y th ing twenty-year tug over h i m . The look of her h e could see. wh ite face buried in her own hands IX. N ow, ten years after H e len's cra s h in entra nced a n d a l m ost lured h i m . But H e len's new gravity charmed h i m . The Chicago, Greg drove to C h a m p a i g n in C h a m p a i g n bed magnetized and the mid-afternoon Sun . H e could see polarize d . many cars stranded on the roadway. V I I . . . . of t h e heaven, o f t h e b e d i n Electrical problems, he thought. Champaign. . . Sometimes h e saw a fire-truck or an a mbulance wh i p by. He tried not to t h i n k The b e d was s m a l l for a que e n . I t w a s probably just a large s i ngle. T h e t o o much about H e l e n , but h e kept h otel was not the best, but it was cleaner remembering her bloody face a s a than m ost. Greg d i d n ot notice the seven-year o l d , lying in the bus h e s , not comforter's n asty green color unti l the making a soun d , i n the rai n and darkness first morn i n g , when the Sun came out. beside the burni n g p l a n e . S o m e mornings they would not move. her suddenly, n early a n h our after the He cam e upon Greg could feel the world moving all crash when they had a lready stopped around outsi d e the room , as if it were the looking for l i fe among the 155 center. Greg would stare at the ceil i ng, passengers. S h e gripped h er s houlder s m i l i n g and breath i n g . Then he would where h er arm once was, o n e of her look at h er preten d i n g to be asleep. H e white snea kers m i s s i n g . S h e just l o o ke d stared a t t h e i n d e ntion i n h er s h oulder at h i m , un bl i n king, and breathe d . Greg where the s k i n s a n k i nto the socket. S h e called for one of the param ed ics a s he w a s s o s k i n n y , a l m ost haggard a n d her picked her up a n d started run n i n g . H e rem a i n i n g arm was o nly skin and bone. handed her to a very tall m a n i n wh ite Greg won d ered why s h e d i d not wear a and that was it. I t took many m o nths for Greg and h i s prosthetic arm, but he was glad she d i d n o t . The red s car started on h er team t o find t h e cause o f t h e cra s h . I t s h oulder a n d went a l l the way up to her was e lectrical pro b l e m s , n o t caused b y cheek; he had traced it so many times an angry Sun, but from m i s ca lculations with his l i p s . H er l ight brown hair fel l on on a maintenance chart. h er p a l e n ec k n ear her jugular, making Ten years ago s h e was gone i n an Greg won d er i f the metal had s hifted just ambulance . N ow h e was on his way back a l ittle m ore to the left, where would she to her. b e right n ow . ' Three weeks a g o , she came up to "What were you stu d y i n g ?" h e asked. Greg w h i l e he was speaking at a semi nar Helen took i n a long breath . She let it on beginning in the public relations out slowly before speaki n g . i ndustry at the university i n Champa i g n . " D i d y o u know they u s e d t o t h i n k Earth was the center of it a l l . . . I forget the "Do you r e m e mber m e ?" H e l e n asked . word for it." Greg looked at h er eyes as she Do you rem e m ber me? X. stared up into the sky. When Greg Kepler fi nally arrived at His h a n d slid across her face feelin g the scars and red blotches of youth . the s m a l l h otel it was dark. H e turned off H elen said, "Geocentric , that's the car a n d sat for a moment. The it. . . that's it." o n s l a u g h t of the Sun behind h i m , he Greg stood up and lifted h er easily. breathe d easier as his chest rose with air. He g ot out of the Bu ick and locked it. As h e carried h er, s h e kissed h i s ear Wal k i n g toward the s m a l l hotel , Greg lightly, her breath s h ort and wispy l i ke saw a figure n ear the d i m b l ue l ights of she was a l most the p o o l . H el e n cal l e d , "Greg . . . Greg . . . it's talking to h i m . She clung tight with h er me, Greg . " He wal ked to the gate and arm around h i s neck. H e walked throu g h raised the latch , swi nging it open. t h e gate , leaving it o p e n , u p to t h e H elen's s l i g h t body lay spread on a deck heaven, t o t h e b e d i n C h a m p a i g n . chair in the dark, recli n e d , a l m ost to the ? On the other side of the Earth , the point of looking straight up. Greg m oved fluxi ng S u n j u st began to rise, as people a n earby chair n ext to her and sat, b e n d i n g to kiss her cheek. She d i d not screamed and fires burne d . J et p l a n e s look at h i m , but s m i l e d , running her only crashed and c e l l phones malfu ncti o n e d . h a n d throu g h h er h a ir, sti l l looking a l most T h e angry S u n w o u l d never surrender its stra i g h t u p at th e light points i n the s ky. perpetual struggle for a m o me nt, n ever Each o n e a sun, or a galaxy of suns. be intimidated by the green fields , t h e H er textbooks lay toppled n ext to her b l u e ocean, poetry or the whisper- l i ke chair: Astronomy, Strunk and Wh ite, kiss of a woma n . E co n o m i cs , and P u b l i c R elations. P4s'«>�f E�>S4"S p,,,., flt� �l''«'f e�,,��..t�' 'tJlf't/t �,,.,�f>4eAl �/.A,�f 4,., fflV�>f �O,.,,Of�' 0( f#'4,.,A.. f#A.. ,f ink 10x15 Buddy Hanson (opposite) l fl ( �? ( ""' ( 1 � , r'-.r-� I � l �- Bryan Weiss Blisters in the palm of your hand. Your strained back is holding on­ For that last mile, two or three? Dust settles at the bottom of your stomach, And dry tears vent your frustration. Lifting your eyes from the bottom of the lake, You peer through the sunset splashed orange, yellow, and red And it reminds you of tomorrow. The mist from the lake, hot coffee and fire. Nothing but a smile. . . . And out from your final hopes and wishes, is the land you've been dying to see. It rings like church bells on Sunday morning. fl'4,.,Alt f#Alt' �f,.,,fff.' 0( \/11,llff �)Aff'tltS ll1t llf'f'lt. charcoal pencils 8x12 Buddy Hanson (opposite) 10 " E�,s411s 16.0111t�.<� wood log carved l 8x3 7x26 George Voegel "''"''"S llf', ert1t1tt1tS f>tw1t Susan H. Chun h i mself a cup of coffee. "A p h o b i a of yours, isn't it?" "I saw my share of them durin g h i g h school-my dates always s e e m ed to choose scary movies , " s h e said wh ile writing out her list of erra n d s for that day. "And it's not a p h o b i a , exactly. It's just that being terrified is n ot my idea of a n Carter H ig g i n s loved h i s wind-up clocks. No d i g ital clocks, no timepieces dependent on e l e ctricity o r battery-power enterta i n i ng e scape. Besides, I h a v e n o pro b l e m , as i t i s , envisioning d a n g e r a n d gruesome death-my fearful i mag i nation were a l lowed i n h i s h o m e . The wind-up needs no audiovisual assistance . " H e r clocks were so cheerful, he thoug ht, with brow furrowed s l ightly as s h e opened the the i r round faces and b i g , easily readable refrigerator, her eyes surveying the numbers ; they b ri ghtened up any room . contents. "Low-fat cream cheese . . . turkey Most o f a l l , h e loved their loud ticki ng­ cold cuts . . . more juice boxe s , " s h e the louder, the better. The ubiquitous muttere d , a d d i n g t o her l ist. "Anyway, ticki n g lent to his h o m e the air of some finely crafted , well-oiled network of mach i n e ry . In a l l , there were seven such rem i n d me agai n . Just what, exactly , d o you have against digital clocks?" Carter put down his coffee cup , clocks ticki n g away among the ultra­ splashing a little o nto t h e countertop . modern furn i s h i n g s a n d state-of-the-art "What, those useless th i n g s? That e lectron i cs in their Long I s land home. I t d i s play only the h our a n d m i nutes? Why, w a s a s m all d a i l y productio n , the winding they ignore seconds e ntirely-as though of the clocks. The pla nts went thirsty, the seconds d o not even exist!" h e huffed . lawn g rew i nto wild jungles of grass and "Actually, you just press a button a n d weeds , but the clocks never ran down, switch modes when you want the never m issed a beat-Carter made sure seconds. And I th i n k most d ig ital clocks of it. H i s wife , E m m a , did n ot share his e nthusiasm for the wind-up clocks. She found the loud tickin g quite i rritating­ excruciating even, i n that steady, rel entless manner of Chinese water torture . S h e hated how the ticking made have a flash ing colon that blinks for every secon d . " "You want m e t o stare at the clock and count the b l i n ks every ti m e I need to know how many seco n d s have passed? Really, E m m a . " "First of a l l , just what activity of yours the m ost l eisurely of tasks seem necessitates counting the seco n d s? desperately urgent; sometimes she felt Second ly, given your time-sensitive flustered , rush e d . "I feel l i ke a doomed endeavors, wouldn't a stopwatch m a ke coed i n one of those teen slasher movies , " E m m a g rumble d . "The pro m i scuous twit who gets hacked to bits by a h ockey-m a s k-wearing psychopath s i m p l y because her trembling hands can't s l i d e the car key i nto the lock i n time. A s i m p l e , quick task n o rmally, but nearly i m possible und e r p ressure . " " I thought y o u never watched horror flicks , " Carter teased as he poured for the most sense? If tim e is of the essence, wouldn't you rather h av e the precision of a stopwatch?" Although Carter loved h i s wife a g reat deal, h e sometimes regretted m a rryi n g a lawyer. Why d o lawyers seem always to preface and number-off their arguments with words l i ke "second ly?" he wondere d . And Emma's sentences were often littered with legalese-p h rases like "ti m e is of the e ssence , " for which l awyers whi l e actually i n the m o m e nt. I t was h i s have a great affi n ity. way t o anticipate a pleasure with great zeal-often to the point of obsession­ "You're m i s s i n g the point, rea lly. Wind-ups are q u a int. They're . . . only to detach h i m self a second after reassuri n g , don't you t h i n k?" h e asked . attai nment. Once attai ned , a pleasure i m m ediately began to lose its h o l d over "Reassuring? H ow? For puppies, maybe-I 've h eard that puppies are h i m , replaced by a frenzied q u e st for the soothed by the ticking s o u n d . It reminds next experience, another fleeti n g the p up py of the m aternal heartbeat, sensatio n . Moments, b o t h great a n d they say. Is that what you mean by s m a l l , s i m ply d i d not cli ng to h i m . reassuring?" E m m a ' s m outh twisted i nto Perhaps, h e thought, that exp l a i n s m y a s m i l e . " I s that it? Do you miss Mother affinity for these l o u d l y ticking clocks; it's H i g g i n s?" E m m a was tireless on the my attem pt to capture and savor each s u bject of q u irky El eanor H i ggins, the moment. H e s m i l e d , first with a p uffed-u p psych o l o gist who had pioneered the field sense o f h i s philosophical bent, then with of g e nder deve lo p ment a n d the the realization that (as with many t h i n g s psychology of sex roles. Carter had had d uring the course of t h e i r m arriage) h i s an eccentric, "gender-neutral" stubborn and extrem e fondness f o r the u pbrin g i n g , pro v i d i n g E m m a with m uch clocks was more a reaction a g a i n st materia l to use a t d in ner parties and Emma's position than a passion other s ocial occasions ("When Carter genui nely felt on m erits . M arriage often was four, h i s mother gave h i m both a had a polarizing effect on h i s and her baseball bat a n d a p i n k purse for opinions , pushing each i nto rather Christmas , " E m m a bla bbed to friends). extreme positions-one of the few hazards , perhaps, of cho o s i n g a lawyer Carter ignored E m ma's remark about for one's spouse. h i s moth er a n d tried a d ifferent tack. " It's v e ry Zen, is what I m e a n . Every tick is l ife Carter had to a d m it (tho u g h o n l y to affir m i n g : Tick-you are here ! Tick-you h imself, of course) that even h e fou n d are sti l l here! A constant rem i nder to l ive t h e l o u d ticki ng q u ite d istracti n g at t i m e s . in the m o m e n t . " I t was Carter's turn to R e a d i n g w a s often d ifficult, s o m e t i m e s s m i l e sardonically. "You , Miss Yoga­ i m possible. B u t , on t h o s e o cca s i o n s , A nd-Meditation- Every-M orni ng-At-Five, I Carter simply f o u n d ways to m uffle the woul d think wou l d appreciate that. " ticki ng-another source of irritation for E m m a j u st wri n kled her nose at h i m h i s wife, for s h e never knew j ust where a n d went u pstairs t o fetch H e nry, their she wou l d find a stashed clock. She had five-year-old son. It was Saturday­ found them buried i n her u n d e rwear H enry's social calendar was a lways fu l l drawer amid the folds of cotton a n d s i l k. o n Saturdays ( a l l E m ma's d o i ng) with One clock was h i dden i n the toe of h er play-dates a n d lessons and other black-suede riding boot. Once , w h i l e m i scellaneous activities thought to be preparing a d inner party, s h e h a d p u l le d good for deve l o p i n g bra i n s . from t h e cupboard a cera m i c p itcher a n d I s t h a t real ly w h y I keep these rescued, just i n t i m e , a c l o c k n early wi nd-up clocks? Carter wondere d . I n drowned i n sangria . At some point, pri nciple, h e a p proved o f a l ife l ived i n Ca rter's habit stopped irritati n g E m m a the m o ment. Cert a i n l y , h e a lways h a d a n d beca m e somewhat a m u sing i nstea d . been a m a n who l ived for the i nstant­ Whenever a clock w a s m i s s i n g , E m m a t h o u g h h e s u spected h i s way was not and H e n ry m a d e a l i ttle g a m e o u t o f q u ite what the Zen m asters had i n m i n d . finding i t . H enry loved rooti n g out h idden H e never w a s o n e t o savor T h e Moment thing s : games of h ide-and-seek, '" scavenger hunts, combing the s h ores of porch. The very box of books Carter h a d N antucket for cla m s-he loved it a l l . put out there for t h e U P S m a n . The b o x S hortly after E m m a a n d H enry left, i nto which h e had thrown ( a n d forgotten the UPS m a n dropped off two packages to take back out) the d i stracting tickin g for Carter, both from his favorite online clock. bookstore. H e opened the first box, Emma had spent her entire l e g a l wh i ch was f i l l ed with unfa m i l i ar titles: The career, e i g h t years , working at the U . S . 7 Habits of Highly Defective People: And Attorney's Office prosecuti ng a R ICO How to Avoid Them (The h a b its or the case agai nst a garbage collectio n d efective people? he wondered); Think company run by t h e Mafia (wh i ch Positively and Grow Rich!; The Rules, explains somewhat the state of the city's Volume 25: The Lost Rules. Good Lord , streets-no com petition i n the m arket) . thought Carter. Whose s h ipment is this? Three prosecutio n witnesses h a d He opened the other box, and breathed mysteriously v a n i s h e d , a n d o n e a s i g h of relief-at least they got his prosecutor had died i n a car accident order right. Eagerly, h e thumbed through (freak mechan ical failure, supposed ly) his selectio n s , sto p p i n g to peruse The during the course of those eight years . Dictionary of New Words, which was full Emma was understandably wary of of term s l i ke "stealth bra , " "Twin kie defe n s e , " "gran n y dum pi n g , " "lipstick lesbian" ( h i s m other would twitch with agitatio n whenever she heard that term), a n d "snack a buse" (also "math abuse", "safety a buse" and "sata n i c a buse"-an e p i d e m i c of "abuse" a pparently) . H e things l ike ticking packages l eft o n h er doorste p . She d i d n o t s p e a k to Carter for h ours after the i ncident. He was surprised by her reactio n . He would have understood if she had been irritated with h i m , but Emma did not seem at all angry. S h e coul d g e t l ost i n that d ictionary for h ours, seemed badly shaken, i n explicably h e realize d , though the ticking of the haunte d . Only after s h e had p icked up kitchen clock was d istracti n g . H e H e nry, fed him d in ner a n d put him to grabbed t h e clock a n d gave t h e kitchen a bed, d i d she speak again to Carter. quick swee p with h i s eyes before hastily dump i n g the clock i nto the box with the a b o m i n a b l e title s . A n hour later, h e pulled h i mself away from the d i ctionary a n d decided to go for a run . H e taped up th e box containing the m i srouted order a n d left i t on the porch for the UPS p ickup-service before h e a d i n g for the park. O n his way back home from the park, "I've had e noug h . Please, for m e . G et rid of these awful tickin g ti m e-bo m b s . " S h e sounded vulnera b l e t o h i s ears . "Look, E m m a . I ' m sorry m y carelessness caused you such a fri g ht. I hate seeing you so shaken . " H e kneeled next to the brown velvet armchair that she sat i n , a n d rested h i s forehead against her tem p l e . H e loved the smell of her: a lways d electable and yumm y , for h e saw and heard , from two houses she favored scents based on comforting away, E m m a screaming i n front of their foods-va n i l l a , peach , even pump k i n . hous e . "Carter ! Carter! A b o m b ! Oh God, That night, she was wearing something a b o m b ! " s h e cried hysterically. laced with chocolate . "I'll b e m ore careful. " E m m a?" Carter called out to her. I t wi l l never happen again, I pro m i s e She turned at the s ound of h is voice you," h e said. a n d ran towards h i m . "Oh thank God! "Please, Carter, get rid of the m . " Ruri, Carter. Run ! " s h e scre a m e d . Emma rose a n d wa l ke d over t o the "There's a bom b ! " s h e cri e d , pointing window, staring out i nto the dark. "I've towards a cardboard box s ittin g o n their been having this . . . dream-the worst " I ' m not going to get i nto this with nightmare, " s h e said in a grave tone . "I keep dream i ng that you've . . . died. I n the you. I'm tire d . You coming to bed?" s h e dream, I'm sitting i n our l iving room being asked as s h e headed for t h e stairs . consoled by people who have just been "Go on ahead. I ' l l join you s o o n , " h e to your funeral. I don't know how you said. Whenever Carter's m i n d was d i e d , I just know you've d i e d . " Carter w a s surprised by the engaged , it was nearly i m possible for h i m serio u s ness in h er tone. E m m a had to wind down. Emma's dre a m h a d raised never before taken any interest in an interesting q uesti o n , h e t h o u g ht . What dream s . She rarely even remem bered are my finest moments? I f I h a d to pick them. Those s h e d i d recall were very one, what would it be? He d e l i berated for m u n d an e-routine days at the office, awh i l e , but h i s m i n d drew a n clea n i n g the kitche n, watch ing H enry uncharacteristic b l a n k . There w a s n o play in the park. Even in the chaotic shortag e of pleasant memori e s , certa i n l y , world of dre a m s she remained practical but none were vivid ; a l l h i s past m o m e nts a n d logica l . "Why are you so spooked? seemed like a m i a b l e b ut pale g hosts It's j ust a dre a m . You know that," h e s a i d . amid a haze of gray. Nothing stood o ut. Perh aps some perspective was "But the d r e a m s a r e so vivid . . . and needed to answer such a questi o n , h e recurrin g . They don't feel l i ke drea m s . " S h e turned away from t h e window a n d thought t o h i mself. T o o b a d E m m a looke d h i m i n the eye. wou l d n't cooperate . What about h i s "They feel l i ke premonitions," she parents though? H i s father was n o longer said. ava i l a b l e for consultati o n (he had passed "What are you saying? Are you on two years ear l i er) , but what would h i s saying you 're clairvoyant? You don't mother say i f asked? H e remem bered even believe i n s u ch th i n g s . " A sudden the pride i n her eyes that one day d ur i n g thought occurred to him. " H ow old were h i s preschool years . H e had been tau g ht we in th i s dre a m ? Thirty-three or eig hty? from the earliest age to e q uate gender Beca u se if we were eighty , wel l then only with anatomical parts, rather than maybe the drea m is just a form of with externalities, s u ch as, dresses a n d Fre u d i a n wish-fu lfi ll ment," h e said with a bows {his mother's stu d i e s had s h own s l i ghtly wry s m i l e . that chi ldren get confused when s h own "Maybe I ' m b e i n g sil ly. Probably. But pictures of men wearing traditi o n a l l y just h u m or m e then. For whatever fem i n i n e things, and vice-versa ) . O n e reason, these clocks are terribly d a y , Carter had carried h i s p i n k p urse t o u n settlin g to me. They rem i n d m e of class and worn ribbon barrettes i n h i s th i n g s I can't bear to think about. " She hair; he was followed aro u n d a n d l o o ke d s o a nxiou s , h e thought. harassed b y a b o y i n h i s class who " I f it's i m portant to you, of course I ' l l i n sisted, i n a s i n gsong voice, that, "Carter g e t r i d of t h e m , " h e s a i d . H ow g o o d h e is a g irl . Carter is a girl. O n l y g irls wear f e l t s e e i n g the l o o k of i m m ed iate rel ief on barrettes and carry purses . " I n h er face. "So . . . what were people saying exasperatio n , Carter finally dropped h i s about m e ? At the fu n era l , I mean. How pants, a n d undies, a n d decl ared i n h i s d i d they rem e m ber me? What were, i n best a d u l t voice, "Gender i s determi n e d their eyes , my greatest moments?" solely by anatomy, n o t by extern a l c u e s . "I don't rem e m ber," she said. Take a l o o k . Do I look l i ke a g irl to you "What did you say? Which of my now?" H i s tormentor avoided Carter after m o ments stuck i n your head?" that, as one avoids the b u m on the subway tal king to h i m s elf i n ag itated '' ton e s . When h i s m other learned of drifted off t o sleep that way, l i stening to i ncid e nt, s h e s urged with prid e . But that the rhyth m i c rise and fall of E mma's was really m ore my mother's moment breath ing, i n h a l i n g her rich chocolate than my own , t h o u g ht Carter. In that perfum e , and l i ngering u po n the m e m ory incident she saw her own i m pri nt, a of his son's sweet s m e l l . Carter got rid of the wind-up clocks, s u ccessful exte n s i o n of h erself . . . probably. Maybe it wou l d b e that way as pro mised-all b ut one, which h e kept with E m m a too , if he managed to gain a hidden i n his car, u n d er the driver's seat. response from h er. Maybe she wou ld Emma d i d n't mention h er dream s agai n , p ick a m o ment when h e had come but Carter could n ot free h i s obsessive closest to her ideal of a h usband, rather m i n d from the q uestion raised by h er than o n e that captured h i s essence as a dreams. It pressed on h i m consta ntly. H e found h i m self r u n n i n g m ore often separate i n d i v i d u a l . Carter stretch e d o u t on t h e couch that spri n g ; h e craved the release a good and stared d irectly i nto the bright cei l i n g run always provided. He l oved the fee l i n g l i g ht, which w a s so bright that it h urt his i n h i s l e g s d uring t h e final few l a p s . T h e eyes a bit. H e thought a n d stared , then fatigue seemed t o add a reassuring tho u g h t and stared some more. He still weight and heft to h i s legs. T h e rou g h had n o a n swers. H is head began to ache asphalt seemed t o grip t h e soles o f h i s so h e closed his eyes, whi ch were dazed shoes-a sensation l ike r u n n i n g o n sticky from staring for so long i nto the blinding strips of Velcro. It made h i m feel secured l i ght. Even with h i s eyes closed, even to the gro u n d , aware of gravity and the a m i d th e d arkness of his m i n d , the pull of the earth . Each of his legs acti n g rem na nts of that cei l i ng light seemed to as a bal last protecting h i m from floating sparkle a n d g litter festively on the inside away l i ke a balloon lost to the heave n s . I t of h i s lids. He lay there for a long ti m e , was E m m a , tho u g h , who res e m b l e d a t h e n fi n a l l y turned off the downstairs balloon, a hot-air balloon. H er body was l i ke a triangle balanced precariously on l i g hts and headed u p . H e stopped first i n H e n ry's room . one point. S h e had a b a l l of a face, wid e When h e peeked i n h e saw that H enry shoul ders, a thick torso th i n n i n g o u t i nto was a s l e e p but cl utch ing onto a the barest s uggestion of h i p s a n d twin bedpost-he m ust be having that dream spindles for legs. Alth o u g h s h e was the a g a i n , thought Carter, the one where steady one between them, h er top-heavy he's being chased u p the oak tree out fig ure made h er seem less secure front by our n e i g h bor's rottwei l er. " H enry, some how. it's D a d . You can let g o of the tree now," Carter also began taking drives very h e whis pered i n h i s son's ear. late at n i g ht. Someti m e s , he would p u l l I n stinctively, H enry released h i s grip and o u t t h e wind-up clock stashed u n der h i s a l l owed h i mself to b e tucked back under seat and s e t it on t h e dash board , the f l a n n e l Batman s heets. Damp locks listen ing to the ticki ng as he drove . A few of g o l d e n hair framed his ro und face-he times, when he encou ntered a deserted rem i nded his father of a sunflower. When stretch of road , he closed h i s Carter bent d own to kiss his son's cheek, eyes-someti m es for o n l y a cou p l e o f he cau g h t a whiff of H enry's smell­ seconds, other ti m e s for as l o n g as ten equal parts vanilla extract, buttered ticks of the clock. A n i nexcusably brea d , a n d talcu m powder. reckless game, h e knew, but could n't After checking on H e n ry , he s l ipped resi st. H e had hoped that fear wou l d i nto bed with E m m a, fitti ng his body i nto bring focus and clarity t o h i s m u d d l ed the curves of h er curled-up figure. H e m i n d , heighten h i s sense a n d awareness '' E m m a just s m i l ed a n d kissed h i m of each seco n d . But it d i d n't. After a close call-he came with i n i nches of good bye before getting i nto th e car. h itti n g the ste e l rails hugging a s h arp "Take care , " she ca lled out as she pul led curve i n the road-he gave up his foolish away from the curb and drove off. She g a m e a n d h i s late n i g h t drives. And sti l l , l ooked straight ahead down the roa d , but h e had n o a n swers , n oth ing h e could her left hand continued wavi n g to h i m articulate . from the open driver's-side wi n d ow. H e watched her until s h e turned the corn er Every sum m er, the H iggins fam i l y and disappeared from his v i ew . s p e n t a couple weeks at their cabin Carter w a s packing things for the tri p upstate . They usua l l y drove up together, but this year Carter was delayed at the upstate when t h e tel e p h o n e call ca m e . last m inute by s o m e business matters. T h e words com i n g through t h e l i ne " I ' l l just g o on a h ea d and prepare the seemed horribly muffled , a n d h e could cab i n . It must b e a mess after all those only grasp a handful of phrases: . . . g a s storm s last winter, " Emma said. t a n k explosion a t the ca b i n . . . co m p l etely destroyed . . . Emma d i d n't escape . . . so "What a b out H e n ry? Wi l l you take sorry . . . h i m , or s h ould I?" Carter asked . "Since I ' m cleaning the cab i n , you I n the first few seco n d s, h e could not can deal with H e n ry trapped in a car for think (not yet) about the loss of h er. I n four hours . " that first fla s h , h e could d o n othing but i m a g i ne her last moments , h er l a st "Wait. What if I pro m i se t o clean the sensations. H e was tryi n g to p i cture cab i n i n stead?" h e suggested it-the explosion, the b l i n d i ng burst of desperate l y . l i g ht-when h e was struck with a sense E m m a s m i led wickedly. "Good luck of deja vu. H e thought h e knew just what with H e n ry . You'l l n eed it." such a bright explosion m i g ht l o o k l i ke . He saw Emma off the next day. The backseat of her car was loaded with H e told h i mself there had been n o time boxes of supplies-mostly food and for thoug hts. N o ti m e for vain reflecti o n , cooking g ear (Whenever they stayed i n no tim e t o sift through t h e m i nd's the cab i n , E m m a insisted upon preparing i nventory of l ife's mome nts-he wanted extravagantly abundant meals that would desperately to bel ieve that there had choke the burl iest of lumberjacks). "I been no time for s uch th i ng s . Just basic packed a few bottles of wine too," she se nsations i n the e n d . J ust that burst of said, with a n i mp i s h gri n . l i g ht, followed by a s l i pping darkness, the last of the l i g ht sparkling l i ke confetti i n " D i d y o u rem e m ber t o pack that s i l k her mind. th i n g i e of yours? The one I l i ke so much , " h e asked. Ritlll�f ink 6x9 Owen Lloyd (opposite) 11 ," OU �e/.11l '?l1t,t.> acrylic 5x7 Fetus L. Johnson 20 problem, then do someth ing about i t . " Do someth ing about it. I was the master of my own d estiny. I Clinton Harman I was on my t h i rd Corona a l ready. I cou l dn't rem e m ber what time the place stopped serving a lcoh o l , but I was determined to get as m any beers down as p o s s i b l e before last cal l . I knew what I was g oing to d o . I had four h undre d d o l l a rs in my pocket and a change of clothes in my bag. I had a l ready called the a i rpo rt s h u ttle; it wou ld pick m e u p at 6:00am s h a rp , four hours from then. I was checking out the crowd; everyone s e e m ed to be in h igh s p i rits-probably j u st out of the bars . I had finis h ed u p m any a d runken evening there myself. I l i ked it better than going to Denny's, no h i g h school kids, no one scre a m ing from one table to the next. People there weren't obnoxious l i ke that. There , I didn't h ave to keep my temper und e r contro l . My tem per h a d always g o t m e i n tro u b l e . When I was a l i ttle kid, I was always in the principal's office fo r fighting . Of course, it was never my fa u lt. In fact, the older I g ot, the m ore I rea l ized nothing was ever my fault, I always d i d everything right. Everything hap pened for a reason. The only th ing I cou l d be h e l d a ccountab l e for was the actions that affected my l i fe . I alone was responsible for my fate. I couldn't stand a l l the wh iny crybabies that pouted as they told m e w h a t a mess t h e i r l ife was. "It's all m y parents' fau lt-if only Father h a d loved m e m o re; if only Mother had paid more attention to m e when I was a kid . " I u s e d t o g et u p i n those people's faces and tel l them off. "It's not your p a rents' fault yo u t u rned out th i s way, it's you rs . You r dad d idn't l ove you . . . so what? You r Mom d idn't l ove you . . . so what? I f you know, and can id entify the had no regrets, no q u a l m s . I was I , and I was I absolutely. "Another Corona s i r?" "Yes please." I always l i ked servers-good ones anyway. I a d m it I had my fai r s h a re of scuffles over poor service, but that was l ife, nobody's perfect. Servers a re one of the few people in l ife who h ave a right to g ripe . A l l day long they d e a l with people's q u i rks , like, "th i s coffee's too hot," or "how many g rams of fat are in the cottage cheese?" I a lways watch ed those people and thought, "thank God I never had that j o b . " There are p e o p l e t h a t t h ink t h e people waiting o n t h e m a re there t o kiss their ass. They sit and boss their server around l i ke a slave, th inking it's okay, because, "they're a good tipper." The servers aren't al lowed to say what they rea l l y th ink. They h ave to take it; it's p a rt of their job. I 've known waiters and waitresses who have said d ifferently, but most of them were also o u t of work. No manager is ever on the s erver's s i d e ; they can't be. If a server i s rud e , they're gone. N o one ever stops to th ink, "hey, t h i s i s someone's s o n or d a u g h ter." They' re just s e rvers , here to wait on y o u . "Ario? A rio J a m e s , i s that yo u ?" Who the h e l l was this g uy? I hated it when I wasn't paying attention; s o m e one was a lways sneaking up on m e , and I hated s u rprises. I was too wrapped up in my own thoug hts and watch ing this older woman rifle th ro u g h h e r p u rs e . I had no idea who this guy was . I d idn't know what to d o , so I j u st stared. The whole time I looked at h i m , h e kept wal king closer and closer to m e , s m i l ing l i ke h e knew s o m e rea l l y g reat secret. Apparently, h e d i d . Beca u s e even when he sat down across from me, I sti l l h a d n o idea w h o h e was. W e were "Yep , rage i s a very dangerous having a staring match . Then I looked away. Damn, I was mad. I had looked emotion indeed. It m a kes yo u think your away first, s h owing a sign of weakness. seeing everything clear, but in rea l ity, So I looke d u p , and stared h i m straight in your judg ment is clou d e d . " I was beg inning t o think t h a t maybe the eye. this g u y was crazy. "Excuse m e s i r, b u t who the h e l l are "Yep , your old man was always b lunt, you?" but you were a lways s h a rp , l i ke a knife . " "Don't you rem e m b e r me?" "You r Corona sir." T h e waitress I sat there for a second wondering if it was a trick q u e stion? " N o s i r, I don't." chi m ed in. ''Thank you . " I had a l most forgot. "McKenz i e , Jim McKenzie, I was "Wo u l d you care for anything s i r?" stationed with your father at Fort Brag g . " "Yes, just b ring m e a cup of coffee F t . B ragg had been ten years a g o . I and a shot of J i m Beam . " m u st h ave been eleven years old when I H e certainly d rank l i ke one o f m y knew the g uy . I had tro u b l e fath er's friends. rem e m bering a l l the p e o p l e I went t o h i g h "You see, you r father was a lways s c h o o l with, and I w a s s u pposed to re m e m be r h i m ? I would have thought h e bl unt. H e butted heads with a lot of w a s crazy, but h e d i d know my name , people. You were a lways s h a rp . You cut and , h e h a d a a i rborne tattoo on h i s right th rough people. No warning, no b i g forearm . My fathe r rarely m a d e friends col l i s i on, y o u just went r i g h t thro u g h with anyone who d i dn't have a service Whoever or whatever was i n y o u r way . " tatto o . That sounded about right t o m e . "What's wrong with th at?" " S o you knew my father then?" I " N oth ing , i f you don't care about how knew it was a stu p i d question, obviously oth e r people feel . " h e d i d , b u t I still had no idea what to say. · "Why should I care about how other "I s u re d i d , h ow is h e?" "Sti l l the s a m e . " My father would people fee l if they're in my way?" I had no problems with the way I led my l ife, never change. "You r fathe r a lways was a tough one why should it bother this g uy? I didn't to get a long with . Some people get a l i ttle need any advice . I was d oing just fine on s kittis h wh en som eone speaks their m ind my own. Besides this was starting to a l l the t i m e , but th at's why I l i ked h i m . sound l i ke a Sunday school lesson to You a lways knew where y o u stood with me. I was glad when h e changed the Matthew J a m e s . " subj ect. D a m n . . . s o meti m e s even I forgot Sgt. "So what a re you d oing in Ind iana?" J a m es's fi rst nam e . No one ever called "I just g rad uated from col lege . " Well h i m M atthew. Even his better friends sti l l al most, the only th ing left was the called h i m Sergeant. ceremony, but I didn't see any point in " I te l l y o u , I wou l d never h ave g oing into that. I had an interns h i p to get recognized you if it h adn't been for your to. eye s . Yo u know rage i s a very u seless "What college d i d you g o to?" and dangerous e m otion. Your father "Purd u e . " a lways had that look in his eyes when he " O h rea l ly? What d i d yo u g e t y o u r was rea l l y angry. That look alone was degre e in?" u s u a l l y eno u g h to m a ke a room of "Engineering . " Specia l F o rces troopers clear out." "That makes sense , you a lways were And people wonde r where I got my b u i l ding the d amned est thing s out of temper. whatever you could get yo u r hands on. 22 Do yo u sti l l l i ke b u i ld ing houses out of ca rds?" I let a s m i l e s l i p out on that one . I sti l l We sat there in s i l ence for a w h i l e . H e drank h i s coffee ' a l a J i m', a n d I finished my Corona . I was s u rveying the coul dn't h e l p myself when I g o t my hands restau rant again. There were a cou p l e of on a deck of card s . "Ye s , I sti l l b u i l d them cute women in the booth kitty corner from from time to t i m e . " " H ow m any d ecks a re y o u u sing these days?" "Two o r th ree . There usually isn't m o re than that many a round . " I l i e d . us. They both looked a l i ttle tipsy to m e . One o f them m u s t have been tal king about a boyfriend; she was u sing one hand to play with her h a i r, and the other was flail ing away in the sign lang u a g e had about six at my old apartment. I j u st that only women und e rstan d . Men h a v e d idn't want to a d m it to anyone that I t h e i r l ittle sign lang uage routine t h a t only spend that m u ch time b u i l d ing card they understand-most of them involve houses. sex or sports. I g u ess every g ro u p h a s "You know it a lways d rove your old man crazy that yo u wou l d never let him their own l i ttle g ro u p of hand signals. G rowing u p with my Dad, we had formed help, but that was y o u . A lways cutting to a g roup that used m i l itary h and signa l s . I the chase, never stopping to ask for a lways kind of enj oyed that. help." "I never needed any h e l p . " I t was "Wel l I have to g o . " H e h a d startled m e again. Da mned i f tru e . I never needed anyone's h e l p . I did I h adn't been l ost in my own thoug hts . My everything on my own; I put myself father a lways said women wo u l d be m y thro u g h co l l e g e; I got an interns h i p by undo ing . myself. What did I need h e l p with? Certa inly not b u i ld ing a h o use of card s . W h a t w a s t h i s g u y getting at? "You r coffee s i r, and h e re's your shot of J i m Bea m . " "Th ank yo u . " H e g ave the waitress a s m i l e and off s h e went. My g uess was that he hadn't noticed the wedd ing band on her ring finger. "You take care of yourself." "I always d o . I t was nice tal king to you . " I wasn't too s u re about that, but why burn bridges? "Li kewi se, te l l your old man I said h i . " "Wi l l d o . " H e got u p, offered m e s o m e money f o r the check and I waved h i m off. "Th anks . " I nodded and tipped my b e e r t o h i m Once she was gone, h e proceeded to as he turned t o wa l k awa y . I took a s i p pour h i s shot into h i s coffee and stir it in. from my Corona and g l anced o v e r the "I neve r could stand plain coffee , o r restau rant one m o re time. Then I l o o ked J i m B e a m , but then you r father showed back to see Jim M cKenzie wa l k out the me t h i s l ittl e trick and I found out when door. H e turned and wave d . I returned they're m ixed together there's nothing his wave. He sti l l had that damn s m i l e on better. I love the solid taste of coffee his face. m ixed with the crisp kick of alcoh o l . " As I sat there and finished my beer, I " N ever tried i t . " thought to myself, I sti l l h ave a co u p l e of "You s h o u l d , y o u m ight l i ke it." weeks before I start my interns h i p , "I d o u bt i t . " I never m ixed anything . d idn't p u t ketc h u p o n my fries, order maybe I should rent a c a r and d rive d own to Ft. Worth to see my Dad. I had a m ixed d rinks, and I s u re as hell d idn't put layover in C hi cago. I cou l d call h i m from a s h ot of J i m Beam i n my coffee . there. I fig u red i t would b e a nice s u rprise "Yo u ' l l n e v e r know until y o u try . " There w a s t h a t s m i l e again. What was t h i s g uys secret? for old Matthew. Tlflt.lt11. Pff/tt.>'"'-" 41t.4. 4 �1tf.4.t. marble Eugenia Makowski Roya Kashanian It's crooked outside and There's a story brewing in the midst of dining hours Passing by the guitar strings I'm chirping on You reminisce back to the moment when your Fingers held the rock star Studded microphone; the canopy of your anxieties. Stuck in the middle pudding built of wet cement and Sandpaper blows rubber nonsense bubbles At your face There are some honey coated dreams rolling In your sugar dough waiting to Fall from the Glowing end of my Greenleaf and simmer down around the red Ring of your wineglass The realization begins to knockYou aren't reaching the final madness of your Stages, it's still the beginning. Can this piece be cheesy? American and Provolone circular masks Laughing at the peyote colored cheeks Seared by the icy weather breathing frost in your eyes Clouding your vision while you split open and Melt Is the pressure getting to your head? The migraines wiped down With baby wipes and glitter handfuls Doesn't stop you from eating All the green pistachios and the Little chocolate Easter eggs wrapped In red, yellow, and pink foil. Have you lost your way? Maybe you should god bless my Sneezes and engulf yourself In a bottle of salt water and change your name to Aerial All the while, I'll still be here Waiting until you burst into song And Unwind. ��"�" J>o4..t�i4. �A) p,, 'J�fff� books, gold leaf, wood Eugenia Makowski 26 1>t.f'f't. wood and wire Ed Kowalczyk Shannon Plate 1 cannot catch my life. awake moving, my tasks clenched in my hand so that my time, like money managed badly, is gone before it is truly mine and my enemy hisses defeat in my ear because it is never done ever. But, some days it is enough to wander sleeveless with the sun, and explore myselfas intriguing as someone else's garden, treasures hidden under quick spreading yarrow and thoughts I don't recognize digging in, threatening to bloom. '"ff'� 0'4t pastel 1 6x l 1 Linda Baldwin (opposite) ) /" ' ! / F•s'«>� '" P•d>�ff oil on wood 24x20 Guy Landgraf, Jr. �flttl�>fAff fltf \Jiff/. �f'Ae�"'Alt met her just after h i g h school when I was working the th i rd sh ift at the gas statio n . O u r love was passionate t h e n . I n h e r t h i rd y e a r o f college, s h e d e c i d e d to change her major to journalism a n d transfer t o NYU . S h e had p l a n n e d f o r m e Steve Kim t o eventu a l ly move i n with h e r. I There was a t i m e wh e n I could see. I cou l d see a l l the d a rk corners and crevasses of l i fe ; the inconsistencies, if p u l l e d , would tear apart the fabric of rea l ity. I could t h i n out existence and see the p u re b l u e flow of life , l i ke rivers of e n e rgy, flowi n g and e b b i n g between u s , th ro u g h u s . I s a w everyth ing w e knew to be rea l , eve ryt h i n g that held us togeth er, and everyt h i n g that keeps us on the g ro u n d . N ow m y v i s i o n i s g o n e . T h e i mages are forever d istorted with shadows , d isco l o rat i o n , a n d ghost images. Even if I wanted to see a g a i n , I cannot. Once lost, that pl ace i s lost forever. I h ave a d a u g hter n ow. She's m o re precious than l ife itself. She will g row u p l i ke the oth e r c h i l d re n . I w i l l never tel l h e r . I wi l l never s how h e r. W h e n I was young and could still see, I lived with a girl, not my wife , but a d ifferent g i rl . Rachel was h e r name, but I cal l e d h e r J a s p e r. I cal l e d a l l my g i rlfri ends before h e r J asper. The name wa s taken from a cat I had i n my c h i l d h o o d . J a s p e r was a jigsaw colored tabby I had fou n d when I was e i g ht. I loved that cat. S h e was an older soul watch i n g over me. O n e day Jasper was m i s s i n g , a n d I cried a l l day because I knew s h e was d e a d . My mother told me that J a s p e r had run away. A few days later m y fathe r tracked a n asty stench i nto o u r storage shed in the backyard . He discovered the rotten , maggot i nfested re m a i n s of my cat. Even in death , Jasper tried to protect me. I've called all my . g i rlfri e n d s s i n ce then J asper. I loved R a ch e l , and wou l d have m a rried her if t h i n g s had worked out. I convi nced her that I s h o u l d m ove in right away. The situation at my h o u se had become desperate. O n the m o rn i n g we left, my parents were both work i n g . I didn't even leave a n ote . They fou n d o u t where I h a d g o n e w h e n Rachel p h o ned them later that week. A year later o u r relat i o n s h i p s o u red a bit. She sti l l went to school and I worked i n a l i q u o r store i n a beat up n e i g h borhood uptown. I watched h o u rs of television before I went to work, a n d before Rachel returned from h e r late afternoon class. I did n't see m u ch of h e r d u ri n g the d a y , and m a y b e t h a t w a s for the better. We were l i ke the noodles the chef threw against the wall on my afternoon coo king s how. S h e stuck to wa l l s . I fell to the d i rty kitche n floor. My days were patterned l i ke a we ll-worn rug . I woke up at n o o n , and after twe nty-seven cold steps down the hal lway, I'd try to h i t some porce l a i n i n my waking daze. Then , I was o n t h e couch . T h e 27-i nch Tos h i b a , with picture in picture, rece ived my attention most of the afternoo n . The salesma n , or sales counselor as they called h i m , told m e I wou ld need a television with l nvard Shadow Mask Cones. I have yet to learn h ow to use my picture i n picture, or the l nvard S hadow Mask Cones. Every afte rnoon I watched the same s h ows : The Burly Cooking Show (and I d idn't cook), This Old House ( I d o n 't own a h ome) , and my favorite , Travels in Europe (yet my closest experi e n ce to Europe was Little I taly). When the sun was low i n the late afte rnoo n , I ' d peel my body off the couch and head off to work. My boss gave me a choice of working in the day or the eve n i n g ; I consci o u s l y picked the sucked them in with each b reath , l o s i n g even i n g , knowing I would see less of t h e m somewhere i n s i d e . I w a s h a v i n g Jasper. I d i d n't mean to h u rt h er, but I one of my moments . had noth i n g to offer her. The cavity of my A man came before m e . H e was a n body had h o l l owed , and the pain old g u y with wild u ntamed h a i r a n d worn rem i n ded m e of what was once there . I ski n . H e was skinny and h o rri bly cou l d n't fight a nymore . I chose to h id e . cross-eyed. The focal point of h i s v i s i o n My job g a v e m e consi stency. My mu st h a v e b e e n fou r i n c h e s i n front of boss wa s a b i g Russian man with a him. H e had th i s "X" vision, wh ere h i s h eavy accent. H e o n l y showed up in the right eye saw t h e left s i d e and h i s l eft eye m o rn i n g to col l e ct the receipt ta pes and saw the right. the deposit from the night before . I hardly saw h i m . Everyone that worked there "What d o you want?" I said politely. " I want paper. Paper, paper, rol l i n g knew that he d i d n't care what went on i n paper," h e s a i d wh i l e l i cking h i s l i p s . I t h e store as l o n g as w e d i d n't steal. " I f threw down the ro l l i n g paper on the yo u ste a l , I k i l l y o u . " Other t h a n that, h e counter trying to keep my d i stance . H e w a s a g reat m a n to work for. Ig or, we picked i t u p with h i s bony fing e rs a n d called h i m , paid us a low salary but gave s a i d , "You g o t J ack, J acky . S o m e J acko u s extra cash u n d e r the table. N o Danielio?" Pressed against the back q u estio n s asked. counter, I poi nted to the shelf b e h i n d O n e eve n i n g I was fee l i n g tire d . My h i m . H e retri eved a p i nt a n d a s k e d f o r a face was flat o n the counter as I pack of Viceroy. H e pu lled out a rol l of breathed m oisture onto its glass top . b i l l s from h i s tattered Mem b e rs Only Someone wal ked i n and s a i d , " H ow ya jacket and said "Th a n k yooo. Where you doing R ick?" from?" "O . K. , " I s a i d , as I ra ng h i m up for two "I don't t h i n k I s h o u l d say . " bottles of Colt 45 and a pack of Camel " I ' m n o t from h e re . N o t a ro u n d h e re . " box. "Yo u beat off today?" This m a n started te l l i n g m e h e i s from "Ye a h , and you?" h e asked . a noth er planet. He told h i s story with h i s "Twice. Victoria's Secret and h a n d mouthing t h e words i n front of h i s Cosmopolitan" l i p s . I t was a s i f h i s fi ngers were te l l i n g "Moving u p i n the worl d , h u h?" t h e story. H e l ooked l i ke o n e of those I d i d n ' t m e a n to be vulg ar, but this mythical half- m a n , h a lf-goat creatures as wa s the only way I could com m u n i cate h i s w i l d , white hair danced i n the g entle with these p e o p l e . The truth was that I d raft of the overhead heaters . His fi n ge rs d id n't want to hear their pro b l e m s . I did n't fluttered in front of h i s mouth l i ke h e was want to hear why they were kicked out of playing a mag ical flute. He wove a tale of their apartment o r that their wife or utter nonsense i nto a rea l i ty that was of g i rlfri e n d cal l e d the pol i ce on them. I was his own . sick of l i st e n i n g to their reason i n g on why "The-the thing about red is far away they had to s mack their g i rl aro u n d . I just and I miss it. I m uch l i ke h e re . H e re I wanted to h u m o r the m . rre-ea lly d o . Better for your s k i n , rea l l y The two stock boys were somewhere g o o d , really good, and c h e a p too . I b e e n in back try i n g to get i nto the pa nts of a h ere long, g o o d l o n g t i m e . Earth i s g o o d . Puerto Rican g i rl they had brought i n Colors are nice . " earl i e r. I was stari n g a t t h e clock with the Budwe i s e r Logo o n it. The d u st particles floated i n the l i g h t all aro u n d me. I cou ld see them ris i n g toward the rafters . I H e said this while looking t o t h e rig ht of m e . " I n o t from here y o u know. I com e from there . " H e p o i nted h i s fi n g e r two feet away from h i s body i nto an e m pty space. I cou ld n't h e l p but stare i nto that space, all I could m uster was, " I d i d n't d o noth i n ' . " She g ra bbed t h e plastic cup with o u r that e m ptiness that lied between us. I tooth brushes i n it a n d wh i p ped it at m e . I t stared for seco n d s , m i n utes , or maybe j u st m i ssed my head a n d bou n ce d off t h e even h o u rs . I tried to fi l l i t with thoug hts. wa l l cracking i nto three l arge p ieces . A s I First, there was noth i n g . Then, a trickle of braced myself fo r a n other attack, s h e thoug hts u n raveled s lowly, carefu lly, so shot up a n d stomped i nto t h e b e d ro o m as not to d a ma g e my con sci ousness. s l a m m i n g t h e door b e h i n d h e r . I sat by When m y mind beca m e accustom to the the toilet staring at a piece of the p lastic thoughts, it flowed faster, g rowi n g , l i ke a cup that bounced into the toilet. I t was stream flowin g down a m o u nta i n . The yellow with part of a picture of S noopy o n flow beca m e m o re forceful and violent. h i s d o g h o u s e prete n d i n g to be the p i l o t S l owly, it began to u p root my conscious o f a WWI b i p l a n e . I knew it w a s n ' t just attach m e nt to myself, tea ri ng one root at the DUI she was cry i n g about. I t was t i m e . There was noth i n g l eft in m e that everyth i n g . was unto u ch e d . I was e n g u lfe d . Every She was tired of g o i n g t o sch o o l , nerve was touch e d . I cou l d n ' t hold on worki ng forty h o u rs a wee k, and s i c k of anymore . I flowed with the cu rrent to motheri ng m e . I d i d n ' t need another god where everyth i n g flows . I moved with damn mother. I just needed a place to vici o u s speed u nable to g rasp a nyth i n g cra s h . O u r needs h a d become d i ffere nt. I rea l . was not ready to become what s h e " H e y , R ick?" wanted me t o be. S h e d i d n ' t realize t h a t I It was Tony o n e of the stock boys. would sacrifice o u r relati o n s h i p to " I ' m g o i n g to get some smokes." mainta i n myself as I was. I l oved h e r, b u t "Where d i d h e g o ? Did? Did you see I rea l ly j ust n e e d e d a fucking pl ace t o that wei rd g u y sta n d i n g h e re?" " I ' m looking at one rig h t now," he said as h e stared right at m e . stay. My stomach began to heave. I g rabbed on to the sides of the p o rce l a i n " N ever m i n d . " bowl a n d placed my face i n i t . I could W h e n I g ot h o m e that evening Jasper hear myself choking u p what was inside was sti l l u p read i n g s o m eth i n g i n the me. I swore I would n ever drink a g a i n if kitch e n . I tried to wa l k as straight as the pain would pass. I looked i n the bowl possi b l e . S h e called for m e . I pretended as if I could find the a n swers s o m ewhere not to hear h e r and walked straight for i n the m uck of half d i gested foo d , the bath ro o m . She followed m e to the alco h o l , a n d b l o o d . I stared at the floati ng bathroom d oo r. In t h e l i g ht, I saw that her piece of plastic. eyes were red d e r than m i n e . She th rew a letter in my l a p and g lared at me with h e r When I woke up, I found that J a sper had l eft a message o n the a n sweri n g arms crossed . The letter was from the mach i n e . That's h ow w e com m u n icate d : S ecretary of State i nform i n g m e that my notes and answeri n g mach i ne l icense h a d been suspended because of messages. She said s h e wanted to have a D U I . A l l I thought was why d i d n't I a ta lk later. check the m a i l before I left for work. At work that n i g ht, twenty m i n utes "Why? Why cou ld n't you te l l me?" s h e cried as s h e s l i d down the doorframe before closing time, I was a l o n e rea d i n g a n d b u ried h e r face o n h e r knees. pictures from Just Eighteen. At first I I h a d a perfect explanation, but by the time the thought reached my mo uth , Chicken Soup for the Soul a n d l o o ki n g a t hadn't noticed, but there h e was. H i s white h a i r waved l i ke flames as he stood in the i s l e . I picked up a tap for a keg . " H i h o . H e l l o . H e l lo my fri e n d . H a h a ha." I cl u tched the t a p hard e r. 'Today was g reat day. M uch color. "So you've got a Spam col l ecti o n , " I said looking at the trashca n . The situation was getting too wei rd for m e . " H ey, hey, here y o u g o . " It was comically large. I swear I needed two hands to hold the t h i n g . The H appy a i r. D o you l i ke d ream world? crafts manship was q u ite i m pressive. T h e H appy a i r?" h e said clutch i n g a black ends tapered off e v e n l y witho u t a n y bag. "Ye a h , the flow. S m o oth flow . " l oose p a p e r h a n g i n g off. I p u l l e d out a H e p o p p e d open the bag. I peered l ighter and l i t o n e end wh i l e tak i n g a i n to it carefu lly so I wou ldn't be sucked deep d rag. The b l u e smoke s l i d d own my i n . This crazy s paceman had more dope throat s m ooth. I held m y hit while I in h i s bag tha n I h ave s m o ked i n my life . passed it back to the space m a n . The There were a n u m b e r of u ncut sheets of smoke loosened my joints, limbs, a n d aci d . My fi rst tho u g ht was, "Why does a neck. T h e room began t o spi n . M y pers o n this fucked u p , need to get m o re concept o f t i m e d i sa p peare d . I w a s free fucked up?" to flow anywhere I wante d . I realized h e wasn't trying to sell m e I was in the cracks of real ity. I u nd e rstood the the drugs, but w a s offering t h e m as a spaceman plain as E n g l i s h . I was the token of friendsh i p . I weighed the options student, and he was the m a ster. He told of going h o m e a n d having "the big talk" me not to be afra i d , b u t to e m b race the a g a i n st getti n g h i g h with a man out of his space were in. Everything was one. mind. I chose the latter. I d on't know what I expecte d . We Blood flowed down m y face. M y head was throbbing as I reg a i n e d went to his roach i n fested G rand Royal consciousness; my v i s i o n b l u rred . I Hotel. They charged weekly rates . A s run began to focus . There sat a l a rg e m a n . down as i t was, I a d m it the hotel was a H e s a t with h i s l e g s crossed faci ng m e far better place than the cardboard box I o n a comparatively p u n y cha i r. H e wore had i m a g i n e d . The spaceman signed me a black leather trench coat and sha rply i n as a g uest at the front cou nter. tail ored black suit u n d e r it. A p p a re ntly, the man at the counter was keeping the b u m s with no m oney outside away from the bums with a l ittle money · "Feeling better l ittle g i rl?" I had n o idea h ow m uch time had passed s ince I was knocked i n s i d e . I began to thi n k the spaceman u nconscious. The space m a n was not i n was a b i t m o re capable than I had first the roo m , b u t h i s b lack bag l a y a t t h e feet thought. of the m a n . A noise came from the The h otel was very q u i et. The o n l y noise I heard w a s the creaking of t h e bathro o m . I t was a soft whi n i n g s o u n d , t h e n a s u d d e n crash of g l a s s . I looke d f l o o r as we wal ked down the hal lway. N o away from the door t rying to focus o n o n e m a d e a s o u n d . B u t I could feel the something else. I picked u p a J A MA ears l i ste n i n g , feari ng the noise from journ a l sitti ng on the tab l e . b e h i n d their d o o rs . H is roo m was larg e r than I expected . H e walked to the d i n i n g roo m with h i s b l a c k b a g . I sat o n t h e "What a re y o u d o i ng ?" " I ' m looking at this magazi n e , " I responded, unable to make eye contact. couch . The wal l s were e m pty, n o "What a re you doing h e re ?" pictures, noth i n g to give m e a n "I just u h , ca m e here to, s m o k e . " u n d e rsta n d i n g of the space m a n . There " A b o y l i ke y o u c a n real l y get h u rt were shit loads of JAMA med ical j ournals aro u n d here , " he said s l owly, letti n g each lying aro un d . He was q u i et. word s i n k i n . A nother crash echoed from the bathro o m . The m a n placed h i s g u n was the spaceman fro m ? I stood u p still o n the t a b l e betwee n u s . H e p u l l e d out a d izzy from the head i nj u ry. cigarette from a m etal case and l i t it. "Te l l m e someth i n g . You his friend?" H e p o inted with h i s head toward bath ro o m . "Ye a h . N o . I just m et h i m today." My "Say noth i n g to n o one," h e said without looking u p . As I walked o ut, I h e a rd the screams i n the h a l lway. No o n e came o u t of t h e i r rooms. When I walked thro u g h the l o b by , throat d ri e d a n d my leg shook t h e man at the counter w a s rea d i n g a u ncontro l lably. He sat i n s i le n ce . I newspaper. We all had a n could n't sta n d it. I wished I 'd gone home u n d e rsta n d i n g . There was noth i n g f o r m e to J a s pe r. to do. "You know, if somebody busted i n a n d started b a s h i n g m y friend's brains T h e cool rai n pelted my jacket as I wa l k down the street toward the s u bway. out," h e said a s h e leaned back i n the My whole world was u n ev e n and out of chair, "do you know what I'd do?" H e took place . What was rea l ? I told myself i t a d ra g from his cigarette. " I 'd kill the wasn't rea l . That m a d e it easie r. motherfucker." He exhaled with his head back. At t h i s p o int, the g u n was closer to me than it was to h i m . H i s eyes closed as I remember when I fi rst noticed. I was sitting i n the D tra i n o n my way h o m e . The few passengers i n the car carefu l l y moved to the o t h e r side of the tra i n . They h e took a n other deep d ra g , leaning back. all stared at m e . I felt m y head and He looks a t m e and gave a s m a l l , rea l ized it was covered i n b l o o d . A n knowi n g l a u g h . H e read m e f o r what I u ncontrollable l a u g h c a m e o v e r m e a s I was. I had n o part i n h i s world and h e rea l ized what I had beco m e . had n o p a rt i n m i n e . B u t w h o s e world Walther' s father had fought i n the G reat War. H e was there whe n the a rmies of Germany had been v i ctori o u s agai nst the heathen R u s s i a n s . H e had Debbie P ickup also been present when they p u s h e d the " Ma rch 2 n d , 1 94 1 -G e rman Troops Enter B u l g a ri a ! " the local post read at the n ews stan d this m o rn i n g . A l l of Berlin was b uzzi n g with news of a n other tri u m p h of the a rmed forces of the Reich . The s o l d i e rs m a rche d thro u g h the streets of the city looking as though there was s o meth i n g to be said for being a member of the u n stoppable Wermacht. Thro u g h out the m o rn i n g , the soldiers had been moving i n and out of the city n i g ht listening to him and his com rades d iscussing the old a rmy a n d the g reat cam paigns they had fought. But, the conversatio n s a lways turned to d i sgust, as the old soldi e rs spoke of their dead com rades and the u njust a rm istice that followe d . When the d ep ression cam e , Walther remembere d wa king u p i n t h e found out later that h i s fath e r had taken offe nsive. Walther looked proudly h i s own l ife i n lieu of faci n g the d i s g race across the massed ran ks of men m a rch i n g , w h i l e the mid-morn i n g sun d a nced u p o n t h e i r bright steel h elm ets. Each s o l d i e r was his own symbol of that wou l d come from l o s i n g all h i s worldly possessi o n s . Walther' s mother struggled for more than two years before they moved in with h e r b roth er' s fa m i ly i n In a l l of Germany there was noth i n g l i ke being a member of that sacred brothe rhood of warriors, as old as Val h a l l a , and as proud as a race of perfection cou l d a llow. The atrocities of the G reat War were now being forgotten , as a l l of Europe o n ce again tre m bled at the sound of the German war d ru m . H owever, t h i s time would be Berl i n . I t was here that Wa lther witnessed the g rowth of a n ew p a rty, a g reat pa rty, o n e that cl a i m ed it wo u l d right a l l the wrongs of the recent past. Wa lther' s u ncle took him m o re than o n ce to see a man called H itler speak about Germany and how it had been betrayed from within by a race of i n h u m a n creatures known as t h e J ews. d ifferent. The F u e h rer had bro u g ht to G erm any a new hope. The people responsible for the d i s g race of the G reat War had been fou n d and were being p u n ished for what they had d o n e to the Fatherland . d e l ighted i n s itti ng b y h i s fathe r' s side at n i g ht t o t h e s o u n d o f a g u nshot. H e p reparing for a n other victorious victory a n d h o no r. F rench a rmies back to Paris. Walther loved these stories as a ch i l d . H e It was the i r u n derm i ning of his cou ntry, with help from the M a rxists, that had destroyed G e rmany. Whe n Wa lther turned t h i rteen H itler became Chancellor of a l l Germany, pro m i s i n g the people a m o re p roud and Untitled photo 6x9 Colleen Gentry (opposite) p rospero u s cou ntry . With i n the next five panzers that were feared o n battlefields years this appeare d to b e true. The all across E u rope. fam i l y moved to a l a rg e r a partment i n a Walther' s m other looked a ro u n d for part of the city that had formerly been him, cal l i n g his name. But a boy of occupied by J ewish i ntellectuals. twenty-one wou l d hardly l i sten for h i s Walther's u ncle was made a n officer i n mother' s call when h e was caught u p i n t h e ranks of the n ew party. H e wore a the raptu re o f such a day. S h e took o n e black u n iform d o m in ated by a large red , last g l impse a t the m a rch i n g boys a n d white, a n d b lack a rmband that carried the turned back i nto the house t o p u t h e r symbol of the a n cient god Thor. Some of m i n d a t ease. the c h i l d re n at school called it a "black spider'' and stayed away from the men in * * * The sign on the fro n t of the b u i l d i n g the black u niforms . Walther knew better rea d : BA R RA C K E N d e r Zweiten G ru p p e . than to ru n from the men that had saved After three l o n g days of crawli n g thro u g h h i s cou ntry, a country h e would serve t h e mud fields with l i ttle s l e e p a n d rations, Walther and h i s com rades fou n d and defe n d u ntil his death . Walther's uncle e n ro l l e d him i nto an organizatio n called the Hitler J ugend. comfort i n the fam i l i a r s i g n . A s they approached the path to the barracks, H e re , h e was with othe r boys h i s age Hauptman Schere r called the troops to a learn i n g how to better serve the state. halt and right face . The o n l y thoug hts He learned fi rsth a n d of the truth behind that crossed their m i n d s , as the rai n the J ew. I t was t h i s experience h e drummed on t h e i r steel h e l m ets, were carried i nto h i s three years with the eati ng a hot meal and fal l i n g i nto a warm, R eichsarbeits d ie n st. Everyd�y he dry bed. They were told to wait for five marched off to work knowi ng that h e was m i n utes and then head toward the m otor making a d iffere nce for a l l the Germans. pool for weapons i n s pectio n . Walther A s Walther stared out across the looked u p at the trees and n oticed h ow street, h e cou l d see the e n d l ess rows of the rai n made them seem so fre s h a n d soldie rs rid i n g their m otorcycl es. The revived . Somehow the rai n seemed to h u m of t h e i r engines blended with the also cleanse the u n iforms a n d s p i rits of roar of the crowd as they moved in this weary g ro u p of soldiers . The o rd e rs p e rfect formation thro u g h the streets. to march to the motor pool i n te rrupted h is "One day I wi l l look that g o o d ! " Walther thoughts . Once i n the motor p o o l , they said to his m other as h e poi nted i n to the lined u p and presented their weapons for street. She s m i l e d , and thought of how i nspection. H a u ptman Sch e re r walked proud she was that her son was to be down the rows, only sto p p i n g o n ce in a part of this g reat body of h eroe s . whi l e to look at a soldier's wea p o n . After Beca use the war c a m e suddenly , a n d three days in the rai n and mud not o n e G erm any w a s swept away i nto t h e weapon could pass s u ch a n i n s pe cti o n . i m a g i n a ry world of g lo ry a n d g reat When t h e h a u ptman reached t h e last h e ro e s , it scared her as wel l . All around row of m e n , h e turned, a n d s martly h e r the young m e n yelled "Seig H e i l ! " wal ked front and center with an a rroga n t Then , t h e crowd went i nto a roar a s the smile. F u e h re r passed in h is Mercedes. What a beautiful autom o b i l e , ope n-top and not a speck of d u st from the roa d . "We l l . s i nce n o n e of you h a s bothere d to keep a c l e a n rifle, then n o n e of you i s It was a up f o r m e s s either. " H e q u i ckly looke d proud time for G ermany, so powerfu l , upon t h e ran ks to see i f there w a s a n y m o re so t h a n before t h e G reat War. dissension. Noth i n g stood in the way of the giant "Good , I wi l l see you at 0500 for exercises. You may return to yo u r that seemed to stri ke h i m was the h e l met barracks . " A s h e sca n n e d t h e g roup of the man i n front of him. a g a i n , h e saw the d i spleasure o n the re mem bered that day i n Berl i n when he soldie r's face s , but none spoke a word in watched the men of the Wermacht m a rch fear of the h a u ptm a n ' s wrath. As h e tri u m ph antly through the streets p ro u d l y exited the m otor pool, Erw i n Sajer, who weari ng the i r m e d a l s . A n d t h e i r had the rep utation of a tro u b l e maker, helmets-that s e e m e d t o d efy t h e said s o m eth i n g u n d e r h i s breath . refl ection o f h eaven itself-were now H a u ptm a n Sch e re r stopped, rai sed h i s noth i n g more than tarn i s h e d , m uddy, head, a n d faced the batta l i o n . g reen, overturned bowls of ste e l . Was "Because G renadier Sajer's stomach seems to be g ru m b l i n g rather loudly, it th i s the fate h e was resigned to? To b e forever exh austing h i mself i n this reverie leads m e to bel i eve that you men may be of mud. As h e rou n ded the l ast l a p , h u n g ry . The mess h a l l wi l l be open for Walther lowered h i s h e a d a n d headed the n ext h o u r for this battalion . " Cheers straight for the ba rracks . F a m i l i a r faces came p o u ri n g out of the ran ks . and voices, even a pat o n the back, a l l H a u ptman Sch e re r i m m ed iately ra ised l e d Walth er straight towards t h e o n l y h i s hand to halt the excitem ent. Once reward ing part o f h i s l ife as a g re n a d i e r, there was s i lence, he lowered h i s hand h i s b u n k. Tired from the ord e a l , a l l forg ot and said, " Except for 2 n d Gruppe," as h e how terri bly h u n g ry they were , turn i n g fixed h i s e y e s o n Erw i n . "Maybe a l ittle down bits o f food offered by m e n from bit m o re exe rci se wi l l re lieve your h u nger. other g ruppes. So tired that n o body I ' d say about twenty m o re laps around re membered to lynch Erwin Sajer. the p a ra d e g ro u n d , wou l d n 't you?" R e l ucta ntly, 2nd G ruppe followed their U n te roffizier out thro u g h the hanger * * * "Wake u p ! " N o a n swer. Ernst was i n a pan ic--04 : 5 1 a n d Walthe r l a i d doors . As they made the i r way out to the motionless. "Wake y o u d i rty bastard , th e parade g ro u n d , the men began to talk fe ldwe bel wi l l be h e re in less than five q u i etly to one a nother. G l ances of m i n utes for the morn i n g i nspecti o n ! " disg ust fell on Erwi n , who by now had Ernst's frantic words b ro u g ht Walther fal l e n to the rea r of the col u m n and i nto a conscience state. refu sed to raise his head. Worst of a l l , his b u n k and began to dig for a cl e a n as t h e y waded a ro u n d t h e parade g round shirt and a knife t o scrape the m u d from He s h ot o u t of i n torrents of ra i n , they could smell the his u n iform . P racti cally b u ried i n h i s own food the other l a n d sers were enjoyi n g . chest, there came a tap on h i s h e a d . T h e m e n beca m e m o re voca l , exp ressing was h i s good friend Kurt H e l bo u rg wh o It what they wo u l d l i ke to do to Sajer if they handed h i m a bayonet with which h e ever got t h e i r h a n d s on h i m . Erwin now q u i ckly used to scra pe t h e m u d from h i s tra i l e d the gruppe by a good twenty u n iform . With i n a few seconds of getti n g meters , not wanting to hear his comrades h i m self togethe r, atte ntion was cal l e d , com p l a i n over his recent debacle. and Feldwebel S h u lze entere d t h e h a l l . Walth e r did not take part i n the i n s u lt H e was accompan ied b y th e h a u ptman cam pa i g n agai nst Erwi n , but kept run n i n g and a strange l ittle man who wore the thro u g h the ra i n , sta ring stra i g ht ahead. un iform of an oberst, though h e was H is fri e n d E rn st V i l lers fe l l i n next to him clearly not m u ch of a sold i e r. and i n q u i re d as to wheth er h i s strength · He Rather than i n s pect this m o rn i n g , the was h o l d i n g up. Wa lther, who took pride feldwebel stood i n the doorway as h i s i n kee p i n g h imself physica l l y fit, two officers paced u p and down between shrugged, and kept ru n n i n g . One thing the bunks not paying as m u ch attention HARPER COLLEGE LIBRARY PALAT I NE, I LL I N O I S 60067 to the s o l d i e rs as they d i d th e i r conver­ h i mself. A n i n stant later, Grenedier sati o n s . H e l bourg's fist was buried i n h i s jaw. U po n return i n g t o the entra nce , the Wa lther, who did not get involved in h a u ptman turned and spoke, "We are any barracks brawls, sat to the side a n d forego i n g exercises this morn i n g wrote a letter t o his mother, wh i l e K u rt gentl e m e n . " S o m e of t h e men looked broke y o u n g Erwin i n two. M o m e nts a ro u n d at each other p uzzl e d . " Pack later, a tap on the back from Ernst your rucksacks and prepare to move out! re mi nded h i m that it was nearing the time There will b e a d eb riefi n g for NCOs in they mu st g o . forty-five m i n utes at m y headquarters . " H e headed for t h e door, fol l owing the * * * The a i r aro u n d them seemed stiff oberst who had a l ready wal ked out of the with the stench of rotten e g g s . They building. swayed back and forth, as the ha lftrack J ust before leavi n g , t h e ha uptman turned o n ce m o re to his confused men trundled over what used to be a g razi n g field. So far n o o n e h a d s e e n t h e battle, and said in a ca l m m a n n e r, "Our Fuehrer but fo r the last three days they h e a rd it, has i nvaded M other R u ssia my boys ! even as they slept. Ernst spoke of A n d we w i l l g o h e l p h i m ! " With that, h e having vi sited the infirm a ry for stom a ch left the barracks fo l l owed by Feldwe bel cramps, and leaving with h o rrid v i s i o n s of S h u ltze . blood and screa m i n g s o l d iers. The m e n in the roo m looked at each oth e r i n a sto n i s h ment, but nobody could N o body had witnessed th i s othe r than h i m , and no o n e really wanted to b e l i eve h i m . speak. Walth er stared at the g round in Despite h i s beati ng i n the barracks j ust a front of h i m . N ever i n his wildest d reams few weeks ago, Saj e r seemed to be i n d i d h e think that h e would go th i s soon. t h e best m o o d of a n y o n e , s i n g i n g songs Then came cheers led by Erwin . to h i m self and bragging about how m a ny " F i n a l l y w e w i l l b e out o f th i s d u m p ! Maybe n ew u n iforms and defin itely better Russians he was g o i n g to k i l l . Walther and Kurt sat togeth er i n the front near officers ! " S o m e of the other men the d river, talking of home and cheered when Erwin shouted these wondering what the n ext few m i n utes word s . But t h i n g s q u i ckly got q u iet as may hold for 2nd gruppe. I t seemed odd Kurt made h i s way towards Erwi n , who to Walther that someone as l a rg e a n d was barely half h i s s ize. tough as Kurt m i g ht be scared o f "J u st rem e m be r l ittle one, at the front someth ing h e had n e v e r seen, but rather you can't bitch about your boots being only heard about from oth er soldi ers. too tight, o r y o u r hel met not fitti ng right. " They heard it clearly all a ro u n d them , the Erwi n beca m e a n n oyed by this obvious men's voices, and the ru m b l e of ta n ks challenge to his character, but he dared going past the flanks of their vehicle. n ot say a word for fear of being Wa lther leaned over to take a look out p u m m e led by H el b o u rg . the d river's view port, but s m o ke m a d e it From a corn e r, Ernst spoke, "At the difficult to see the ha lf-track i n fron t of front the officers s hoot a man fo r them carrying the fi rst gruppe. After i n s o l e n ce . " T h e oth er m e n of 2nd some maneuveri n g , track #1 ca m e back g ruppe were suddenly re m i nded of the in sight only to burst i nto a b a l l of o i l , fol l y the previous night had b rought. scrap meta l , a n d flames th rowi n g m e n ' s " H ere, I t h i n k we just teach them a bodies from t h e h u l l . The track ca m e to lesso n ! " S houts from the s u rro u n d i n g a screech i n g h alt, th rowi n g m ost of the men e n s ued as E rwin tried t o defend men forwa rd . they cleared ahead of the s m o ke , they Then , a l l at once, U nteroffizier Kue h r cou ld hear the ru m b l i n g sound getting g a v e the o rd e r to b a i l out. A l l t h e m e n clambe re d out t h e back of t h e track to closer. T h e l a rgest tan k a n y of t h e m had the rea l ization that they were u n d e r fire. ever seen stopped o n the road i n fro nt of They ra n as fast as they could towards a them. They dove i n all d i recti o n s for bank of trees, w h i l e h eari n g b u l lets cover. It was R u s s i a n by m arki n g , a n d ricocheti n g off the rea r of the track. probably t h e s a m e vehicle that h a d Feeling the h eat of a n exp losion on the destroyed both tracks . T h e l a rg e back of t h e i r legs and n eck, they th rew mach i n e g u n o n the front of the tan k themselves i nto a d itch . Walther opened up o n t h e g re n a d i e rs before they managed to turn h i m self a ro u n d and could clear the road . There were s o m e peer over the top of the berm , feeling a nerve-shattering screams t h a t were ru m b l i n g u nd e rneath h i m . T h i s wasn't a com pletely d rowned out by the KV- l ' s d itch , b u t a l a rg e s h e l l h o l e . main armament as it blew apart a n ot h e r Walther cou l d s e e h i s track through unsuspecti ng vehicl e . the s m o k e , or what was left of it. The H i s task beca m e clear. Walther right track h a d been thrown , and the cou ld see that the leeward h atch was d rivers were s l u m ped out of the back open on the ta n k . Two seco n d s later, a doors , s h ot while tryi ng to escape the blast from the other side of the road d e m i s e of t h e i r vehicle. ca used the ta n k to l u rch to o n e s i d e . H e could make out most of h i s sq uad , counting eig ht. T h e fa m i l iar b last pattern o f a Looking back over the field, he tried to panzerfa ust echoed from t h e roa d . find the two m i s s i n g l andsers . About ten Walther stopped t h i n k i n g and s p ra n g meters away, U nteroffizier Kuehr was from h i s h i d i n g place, l e a p i n g o nto t h e rol l i n g a ro u n d in pain with a severe neck t a n k with a few s h ort steps. wou n d . N ot two meters from the track, grenade from h i s belt, yanked t h e wire H e p u l le d a bent back o n h i s knees, Walther could free, and th rew it i n to the belly of t h e see Saj e r. t a n k . Diving back i n to the brus h , h e H e h a d absorbed most of the fi re from the m ach i n e g u n and was almost broke h i s arm as h e fe l l t o t h e g ri evously wou n d e d . Walth er bu ried h i s g ro u n d . The ta n k s e e m e d to r i s e from its face i nto the g ro u n d . " H e was j u s t road-wh eels, smoking from every s i n g i n g . . . j ust before . . . . " Walther was crevice, as it fell back i n place . having tro u b l e getti ng words out when A l l the men rose and ru s h e d fu rt h e r Ernst p u l l e d h i mself u p next to Wa lther down t h e roa d . Walth er stayed n e a r t h e and peere d out over the berm . t a n k , proud of w h a t h e h a d d o n e , "So h e fi n a l l y d i d som eth i n g fo r the ave n g i n g t h e deaths of h i s co m rades. u n it--aren't we p ro u d ! " h e said as he The forward h atch flew open and a laughed out loud. Walther cou ldn't help Russian soldier, sti ll afire, tried to get o u t . but l a u g h a l i ttle too; the rea l ity hadn't set Wa lther shot h i m with out re m o rs e , in. He expected Saj e r to get u p and l a u g h i n g , as h e t h o u g h t of Erw i n Saj e r make s o m e s m a rt comment. Then a n d h i s fi nal duty t o the com pa n y . Gefre iter Koppe l , who had assumed looked back i nto t h e cleari n g . About com m a n d , o rd e red them to rise and ten meters down the road was K u rt's move out. T h e 2 n d gruppe cl i m bed out broken body. Walth er stared at the He of the d itch a n d fi red i nto the sm oke . ca rnage for a moment, rem embering The i n fa ntry, who had d riven them from their friends h i p , plans they m a d e w h e n their veh icles, were fall i n g back. Ernst the w a r was over, and the p ro m ises blasted t h e i r pit with his sturmgewe h r, made to protect each oth er. and the g re n a d ie rs m oved a h ea d . As were the tears for h i s dear fri e n d s w h o m '" Wh e re he had been thro u g h so much with? h e l met. It somehow rem i nded h i m of a Was all the pain, s u fferi n g , and death fa r-off past and youthful d re a m s , worth what the Reich set out to rem e m bering t h o s e days t h e y t h o u g h t acco m p l i s h ? K u rt's h e l m et was lying on they were invincible. A n d t h e n there was the g ro u n d nearby, g l iste n i ng from what only Kurt's s m i l e , in his m e mo ry , as h e l ittle s u n was p enetrating thro u g h the h u rried t o catch u p with t h e gruppe. blan ket of s m oke. He s m i rked at the J>A ..et. 0( PJ>t. acrylic l 9 Y2x l 5 Guy Landgraf, Jr. 42