In the short story, “In Search of Marvin Gardens” the author John McPhee relates a story with qualities common to many narratives. A protagonist narrator is facing his antagonistic foil in a man versus man conflict. It is not an original idea. However, what makes this narrative truly original and effective is the story–telling style McPhee uses. He goes far beyond simply describing the events deep into the mind of the narrator, while bringing the reader along for the ride. Inevitably, this prompts the question, how does John McPhee’s storytelling style in “In Search of Marvin Gardens” enhance the reading experience so successfully? McPhee’s story chronicles the narrator as he plays in a very unique game of Monopoly. He is, in fact, competing in the World Championship of Monopoly. In his quest for victory, the narrator ventures along a winding path of the game’s history, in a literal and figurative search for a place known as Marvin Gardens. The search is literal in that Marvin Gardens proves to be the decisive property needed for victory in the best of seven championship series. Additionally, the search also represents a figurative trek through the game’s past into the present. In both cases, the narrator inherently guides the reader’s perspectives. To adequately critique McPhee’s writing “In Search of Marvin Gardens”, the method of narrative criticism would likely best serve the purpose. By using this method the focus is put on the most crucial elements of the story. In McPhee’s style, the most notable elements include the settings and the characters, most especially the narrator. Also, to a slightly lesser extent, the events, the temporal and causal relations, and the narrative’s theme must be evaluated. In considering the audience of “In Search of Marvin Gardens” less attention is required. Regardless of a reader’s background, not much prior knowledge or experience is «GreetingLine» 1 Dr. Helen Ewald 105H12 needed to take something away from the narrative. In actuality, the most important prerequisite for obtaining an understanding of McPhee’s story is knowledge of the classic board game: Monopoly. The main focus of “In Search of Marvin Gardens” lies in the contrast between the story’s three distinct settings. These settings are not definite locations where major action in the story transpires. Rather, these settings represent different facets of the same place. Moreover, they allow the reader to more completely understand the mind of the narrator as he plays. The three settings represent Monopoly past, Monopoly present, and the narrator in the present. The narrator’s present is the major setting where actual plot driving events take place. This particular setting represents the current part of the world that the narrator is specifically living in, interacting with, and influencing. As it pertains to the story, this setting encompasses the narrator as he plays in the Monopoly World Championships. Monopoly past and present are two settings that are more integrally shared by the reader. To the reader as well as the narrator, Monopoly present represents the larger world in which they live. It is the part of the world over which they have little real influence. In contrast, Monopoly past represents the wandering mind of the individual. It represents the part of the mind that is free to consider more than just the superficial and immediate nature of things. In McPhee’s work, the narrator delves into the history of the board game. These two settings are the same geographical location, but significantly different times. More specifically, these two settings represent New Jersey’s Atlantic City, the real life inspiration for the properties found in Monopoly. These settings contrast the growing city of the 1930s with the declining slum that has come to define the modern city. In this contrast, we begin to see the emergence of an appearance «GreetingLine» 1 Dr. Helen Ewald 105H12 versus reality theme, which continues throughout the course of the story. The different settings also allow the author to quickly and fluid switch between time periods, making them seem almost as if they are one. The characters in the story also have a similar type unity. In the Monopoly game, the author is pitted against his rival, foil, and friend in the final championship match. In this contest, we find that the opponent also assumes characteristics of many other minor characters. Most of these individuals are but memories of the 1930s high-class lifestyle that defined what it means to monopolize. These include the likes of Dwight Bell, William Coffin, and Anthony J. Drexel Biddle. These people exuded a cutthroat desire for victory and monetary success that is rivaled only by that of the narrator’s opponent. All of these characters are very static and do not show a distinct change in nature. In fact, this lack of change is largely what defines them. Their purpose in revealing their motives serves mainly to further develop the narrator himself, and add another dimension of complexity to the story. The narrator is the single most important character in the story. He is the sole mediator of the narrative’s events, and in most cases, is fairly impartial. To a certain extent, however, the narrator is an intrusive presence in the story. He is very quick to make his opinions known largely because he is so integrally involved with the events of the story and has emotional ties to the outcome of these events. The narrator does reveal an objective opinion when it comes to describing events and histories that take place in the Atlantic City realm. Despite this, it is important for the reader to develop his own views of the happenings that the narrator relates. McPhee’s ability to add this dimension to “In Search of Marvin Gardens” serves to improve the fundamental reading experience. «GreetingLine» 1 Dr. Helen Ewald 105H12 In order to consider some of the other factors in McPhee’s work, the actual events of the story must be addressed. In the Atlantic City setting, no Monopoly World Championship events take place. The real events of the story take place in the active present, where the narrator is battling for a Monopoly victory, while searching through history and himself, for the elusive property Marvin Gardens. A certain amount of irony is illustrated here, as this is the only Monopoly property not found within the Atlantic City limits. In the end, this search proves to be the narrator’s Achilles heel, and he ends up loosing the match consequently. He does, however, eventually discover the location of this elusive place to be south of the city. It is also important to note that most of the relationships taking place in this story do not follow a set temporal plan. In fact, jumping quality of the narrative allows for the real depth of the story to be revealed. A story simply about a championship Monopoly game would not be nearly as interesting or entertaining as McPhee’s version. The story line does not rely much on causal relations either. The events flow in a logical sequence, but are not coincidentally dependent on them. This sequence serves as yet another way to enhance the reading experience. In McPhee’s “In Search of Marvin Gardens” the overriding theme seems to lie in an appearance versus reality direction. The author has made it clear that the business practices used in the game of Monopoly are not, simply put, valid in real life. What the monopolizing powers of the past had worked so hard to obtain, has become nearly worthless as a result. There is much more to consider than a simple deed. Additionally, the reader is forced to consider the possibility that other people’s lives would be greatly influenced by decisions made with such little thought. Basically, the narrator questions, what is the value of a property on the game board? Compared to a dollar value, these properties are fundamentally priceless. In life, these properties are not just something to posses, but also, something to experience. They become something that «GreetingLine» 1 Dr. Helen Ewald 105H12 is part of a person in as much as the game of Monopoly is part of the narrator. And in that way, the narrator becomes more like the individual. Through narrator’s ability to become like the reader, McPhee is able to masterfully bring the reader into the story. In “In Search of Marvin Gardens” it is essentially what makes McPhee’s narrator/reader relationship so great, and what makes it seem almost as if you are sitting at the table playing for World Championship of Monopoly. «GreetingLine» 1 Dr. Helen Ewald 105H12