CREATIVE STUDIO PRICING CATALOGUE CONTENTS PRINT DESIGN Book and Report PHOTOGRAPHY 4 Photography14 Brochure5 Pamphlet6 Poster7 Retractable Banner, Wall Murals 8 Newsletter9 Advertisement10 WEB DESIGN Website12 VIDEO Event Videography 16 Custom Videography 17 1.1PRINT DESIGN 4 CREATIVE STUDIO PORTFOLIO BOOK/REPORT DESCRIPTION • 16 - 40 pages • two concepts • three sets of revisions WE PROVIDE • consultation/creative brief • production management • art direction and design • proofreading on request • YOU PROVIDE • one point of contact for creative studio • final copy • supporting graphics (images in high resolution, non-SFU logos in eps format) • signoff on creative brief, concepts, revisions and print proof (for text only) PRICE RANGE: $2000 - 5000 Additional services such as photographer, illustrator, writer, proofreader and printing fees will be added to the estimate. 5 CREATIVE STUDIO PORTFOLIO BROCHURE DESCRIPTION • 4 - 12 pages • two concepts • three sets of revisions WE PROVIDE • consultation/creative brief • production management • art direction and design • proofreading on request • YOU PROVIDE • one point of contact for creative studio • final copy • supporting graphics (images in high resolution, non-SFU logos in eps format) • signoff on creative brief, concepts, revisions and print proof (for text only) PRICE RANGE: $500 - 2000 Additional services such as photographer, illustrator, writer, proofreader and printing fees will be added to the estimate. 6 CREATIVE STUDIO PORTFOLIO PAMPHLET DESCRIPTION • 1 page two-sided • two concepts • three sets of revisions WE PROVIDE • consultation/creative brief • production management • art direction and design • proofreading on request • YOU PROVIDE • one point of contact for creative studio • final copy • supporting graphics (images in high resolution, non-SFU logos in eps format) • signoff on creative brief, concepts, revisions and print proof (for text only) PRICE RANGE: $350 - 500 Additional services such as photographer, illustrator, writer, proofreader and printing fees will be added to the estimate. 7 CREATIVE STUDIO PORTFOLIO POSTER DESCRIPTION TA L K S A N D A C T I V I T I E S F O R H I G H S C H O O L S T U D E N T S A T A S T E O F • 11”x17” or 12”x18” WE PROVIDE TA L K S A N D A C T I V I T I E S F O R H I G H S C H O O L S T U D E N T S • final copy • supporting graphics (images in high resolution, non-SFU logos in eps format) • signoff on creative brief, concepts, revisions and print proof (for text only) PRICE RANGE: $300 - 450 Additional services such as photographer, illustrator, writer, proofreader and printing fees will be added to the estimate. Department of Mathematics, Quest University Title:// Inspiring Change through Mathematical Activism Speaker:// Dr. Ivona Mladenovic IRMACS Presentation Studio/Rm. ASB 10900 Speaker:// Math Pickle Unsolved Problems, Great Games & Perplexing Puzzles Title:// Speaker:// Dr. Will Cupples O F S C I E N C E Department of Biomedical Physiology and Kinesiology Title:// Mathematics of the kidney Date:// Saturday, April 11/2015 9:00-12:30 Place:// IRMACS Presentation Studio/Rm. ASB 10900 Contact:// Dr. Malgorzata Dubiel e-mail: dubiel@math.sfu.ca phone: 778_782_3800 fax: 778_782_4947 Contact:// Dr. Veselin Jungic e-mail: vjungic@sfu.ca phone: 778_782_3340 fax: 778_782_4947 Contact:// Dr. Veselin Jungic e-mail: vjungic@sfu.ca phone: 778_782_3340 fax: 778_782_4947 Speaker:// Dr. Krystal Guo Department of Mathematics Graph Theory: Helping Map-makers and Tourists Since 1735 Title:// Speaker:// Dr. Richard Vaughan School fo Computing Science O F S C I E N C E O F S C I E N C E Place:// Contact:// Dr. Malgorzata Dubiel e-mail: dubiel@math.sfu.ca phone: 778_782_3800 fax: 778_782_4947 F A C U LT Y Cloning Humans a Science Fiction or Not? Title:// Saturday, May 9/2015 9:00-12:30 www.sfu.ca/math/students_teachers/taste-of-pi.html Department of Biology Date:// D E P A R T M E N T O F M A T H E M A T I C S S I M O N F R A S E R U N I V E R S I T Y www.sfu.ca/math/students_teachers/taste-of-pi.html Dr. Richard Hoshino Dr. Gordon Hamilton F A C U LT Y • one point of contact for creative studio D E P A R T M E N T O F M A T H E M A T I C S S I M O N F R A S E R U N I V E R S I T Y • art direction and design • YOU PROVIDE Speaker:// A T A S T E O F • production management • proofreading on request TA L K S A N D A C T I V I T I E S F O R H I G H S C H O O L S T U D E N T S A T A S T E O F F A C U LT Y • consultation/creative brief D E P A R T M E N T O F M A T H E M A T I C S S I M O N F R A S E R U N I V E R S I T Y • three sets of revisions www.sfu.ca/math/students_teachers/taste-of-pi.html • two concepts Title:// “Intelligent" Interactions with Surprisingly Simple Robots Date:// Saturday, March 14/2015 9:00-12:30 Place:// IRMACS Presentation Studio/Rm. ASB 10900 Contact:// Dr. Malgorzata Dubiel e-mail: dubiel@cs.sfu.ca phone: 778_782_3800 fax: 778_782_4947 Contact:// Dr. Veselin Jungic e-mail: vjungic@sfu.ca phone: 778_782_3340 fax: 778_782_4947 8 CREATIVE STUDIO PORTFOLIO RETRACTABLE BANNER WALL MURAL DESCRIPTION • large scale graphics • two concepts • three sets of revisions WE PROVIDE Location mock-up • consultation/creative brief • production management • art direction and design • proofreading on request • YOU PROVIDE Location mock-up • one point of contact for creative studio • final copy • supporting graphics (images in high resolution, non-SFU logos in eps format) • signoff on creative brief, concepts, revisions and print proof (for text only) PRICE RANGE: $500 - 1200 Additional services such as photographer, illustrator, writer, proofreader and printing fees will be added to the estimate. Location mock-up 9 CREATIVE STUDIO PORTFOLIO NEWSLETTER DESCRIPTION SUPPLEMENT • 8 page tabloid size • two concepts 5 SIMON FRASER UNIVERSITY NEWS ❙ OFFICE FOR ABORIGINAL PEOPLES ❙ FEBRUARY 2015 Graduate Aboriginal Scholarships attract diverse scholars Each year, SFU selects two Aboriginal graduate students to receive Graduate Aboriginal Entrance Scholarships. The master’s degree, worth up to $30,000 over two years, and the PhD, worth up to $54,000 over three years, are both sponsored by the Office of the Vice-President, Academic. Candidates must have Aboriginal ancestry, a minimum grade point average of 3.5 (out of a possible 4.33), and have demonstrated outstanding achievement, with particular emphasis on intellectual ability, originality and ability in research. The successful applicants for the 2014 scholarships were Jordan Abel and Christina Coolidge. They are exploring different aspects of Aboriginal storytelling. Aboriginal Peoples SUPPLEMENT FEBRUARY 2015 FROM THE OFFICE FOR ABORIGINAL PEOPLES AT SIMON FRASER UNIVERSITY SFU museum hosts resident carver • three sets of revisions 8 SUPPLEMENT SIMON FRASER UNIVERSITY NEWS ❙ OFFICE FOR ABO RIGINAL PEOPLE S ❙ FEBRUARY 2015 EXPLORING INDIGENOUS New Indigenous STORYTELLING IN A Student Centre SCHOLARLY CONTEXT welcomes students EXPLORING THE POETICS OF DECOLONIZATION • consultation/creative brief • production management • art direction and design • proofreading on request SFU PRESIDENT’S MESSAGE PROFESSOR, ANDREW PETTER PRESIDENT, SIMON FRASER UNIVERSITY This has been a productive year for Aboriginal strategic initiatives at Simon Fraser University, as is evident from the pages of this special Aboriginal Peoples edition of SFU News. Many individuals and groups have worked with the support of the Office for Aboriginal Peoples to make further progress in implementing the University’s Aboriginal Strategic Plan. At the same time, alliances with First Nations and other offcampus Aboriginal groups continue to strengthen and grow. Among this year’s highlights was the opening of a new Indigenous Student Centre on the Burnaby campus. This excellent facility provides a welcoming gathering space, and houses knowledgeable staff able to support, guide and mentor Indigenous students—who now number over 600, including an increasing number of graduate students. Staff are also available to support Indigenous programs and activities throughout the University. The centre is one example of the progress we are making toward meeting the commitments of SFU’s strategic vision to “honour the history, culture and presence of Aboriginal peoples” and to “welcome and nurture Aboriginal students.” Other examples include: ❙ the Indigenous Research Institute has expanded in both its membership and its activities, which now include an annual speaker series on Aboriginal initiatives ❙ the Executive MBA in Aboriginal Business and Leadership admitted its second cohort and continues to gain recognition and respect nationally and internationally ❙ two Aboriginal summer camps were held at the Burnaby campus, including a new month-long Math Camp for Aboriginal Youth and ❙ our Elders’ Program is a growing source of strength for Aboriginal students and the University community SFU recognizes our special responsibility to raise awareness and understanding of the residential school legacy, and is working with Aboriginal communities to promote reconciliation. To this end, we have continued to participate in Reconciliation Canada and to undertake educational activities, including reconciliation-themed workshops. These developments were made possible due to the dedication and commitment of many SFU staff, faculty and students. Thanks to their efforts, we have made significant progress over the past year. Much remains to be done but, with your support, I am confident that we can achieve still further success in the years ahead. First Nations artist Jackie Timothy, of the Tla’amin First Nation near Powell River, B.C., spent the fall semester serving as the “resident carver” in SFU’s Museum of Archaeology and Ethnology. He demonstrated his skills while carving a bumblebee mask and answered visitors’ questions about First Nations art and culture. His carvings stand throughout the U.S. and Canada. Gary George, centre, Indigenous student life coordinator, are making drums. in the ISC lounge with President’s Dream Colloquium explores protection of Indigenous cultural heritage Issues surrounding Indigenous cultural heritage take centre stage this spring during the SFU “President’s Dream Colloquium on Protecting Indigenous Cultural Heritage.” Six internationally renowned researchers will discuss different perspectives on various Indigenous cultural heritage challenges. The speakers are all associated with the SFU-led Intellectual Property Issues in Cultural Heritage (IPinCH) research group, funded through the Social Sciences and Humanities Research Council. The President’s Dream Colloquium is a multidisciplinary forum for intellectual engagement that offers free public lectures, as well as credit for graduate students who participate in the colloquium and attend seminar discussions of assigned readings prior to attending the colloquium talks. The first lecture, on Jan. 8, featured Catherine Bell, a University of Alberta law professor who discussed the intricacies of creating and implementing respectful, ethical and effective policies for protecting Indigenous cultural heritage, especially when fundamental differences exist between western and Indigenous societies over the definition of heritage. At the second lecture, on Jan. 22, Ian Lilley, a University of Queensland professor who studies the archaeology of Aboriginal Australia, discussed issues of ownership relating to native culture. New ISC director has come full circle at SFU students who • YOU PROVIDE 1/27/15 10:47 AM • final copy • supporting graphics (images in high resolution, non-SFU logos in eps format) • signoff on creative brief, concepts, revisions and print proof (for text only) PRICE RANGE: $1200 - 1400 Additional services such as photographer, illustrator, writer, proofreader and printing fees will be added to the estimate. SFN OAP Insert-2015.indd history to have created an endowment,” says Laura Forsythe, treasurer of FNSA. “We wanted to have student-sponsored scholarships, bursaries and awards for Aboriginal students at SFU—to support our members who excel in our Indigenous community and those who need extra financial assistance.” In 2013/2014, undergraduate and graduate Aboriginal students were awarded $153,000 in University-funded awards and bursaries. As well, two graduate students received Graduate Aboriginal Scholarships, funded through the Office of the VP Academic. Together, they are worth a total $84,000 over three years. Last year’s scholarship winners are featured at the top of this page. SFU’s second cohort of the Executive MBA in Aboriginal Business and Leadership (EMBA ABL), which began last fall, filled to capacity with 30 students keen to improve their business skills and knowledge in an Aboriginal context. Twenty-five of the 30 students are Aboriginal. They hail from across western Canada and the North. They work in a variety of private and public sector organizations, and include a provincial deputy minister, an elected chief, and First Nations councillors, as well as negotiators, lawyers, business consultants, and others from large corporations and the health and social services sectors. “The new cohort is a strong group,” says program director Mark Selman. “They have very good spirit and have performed quite well in their first semester.” Considered a full-time program, the EMBA ABL is taught over five spring and fall semesters in a series of intensive face-to-face sessions totaling approximately 15 days per semester. There are online individual and team Reprinted from SFU News Oct. 9, 2014. 1/27/15 10:47 AM OFFICE FOR ABORIGINAL PEOPLES sfu.ca/aboriginalpeoples WILLIAM G. LINDSAY DIRECTOR 778.782.8924 | wlindsay@sfu.ca ISC, helps Indigenous students make the most of their university experience. ISC hosts a wealth of programs and services In addition to the Elders’ Program, the centre houses cousins’ mentorship and the peer peer programs, and offers academic education learning and writing tutoring services. Guno has also organized regular drop-in sessions for students to meet with advisors from SFU’s Learning Commons, Academic Advising, Co-op Education and Career Counselling. “It helps build bridges amongst departments and creates a comfortable environment for our students to utilize says Guno. “It will also services,” increase overall awareness of the student support available to them.” Guno says she is implementing a holistic model of service that features workshops addressing not only students’ learning requirements but also their spiritual, physical and emotional needs. • one point of contact for creative studio HEALING INDIGENOUS TRAUMA THROUGH VIDEO GAMES Six students receive FNSA awards EMBA attracts students from across Canada After four years of responsible fiscal Marcia Guno, a member of the Nisga’a Nation management, the First Nations Student and the new director of “Strengthening Connections SFU’s Indigenous Student is still going strong Association has used a $60,000 Centre (ISC), understands and it has really helped with creating awareness firsthand what it’s like to surplus to establish three endowment struggle with university among Aboriginal kids across B.C.” says Guno. courses “It funds. Each year, these will support two to a large university community. and the transition really highlights SFU in a good way.” She ruefully In 2006, she left the University scholarships, two bursaries and two for a position as pupil when she finally gained director of communication s and relationships with engagement awards, all worth $500 each. entry to SFU in 1994 “Protecting Indigenous cultural heritage: ethics, policy and practice.” after two previous attempts. the provincial First Nations Last fall, the FNSA provided an Steering Committee, SFU Burnaby, 3:30 p.m., room WMC 3260 and then worked as “I struggled,” she recalls. additional $3,000 gift to ensure enough an Aboriginal education “At the time, there were ❙ Feb. 26 — Rosia Worl, Tlingit, Sealaska Heritage Institute, U.S.: so few resources for First consultant for a variety funding for six students to receive the of organizations. Nations students—there “Heritage and community values, benefits and sustainability.” was no Aboriginal entry She returned to SFU first awards. as director of the ISC policy, no recognition SFU Burnaby, 3:30 p.m., room WMC 3260 of Aboriginal issues, last June, with a mandate The project, initiated in 2012, involved and I didn’t know of to continue to provide ❙ Mar. 12 — Grand Chief Edward John (Akile Ch’oh), Tl’azt’en Nation; United any support to Indigenous resources that I could connect to. I felt isolated.” an FNSA financial-awards focus group to students. Nations Permanent Forum on Indigenous Issues: “I want to help them The experience make the most of their decide on the types of awards and the “Heritage and politics: sovereignty, jurisdiction and the protection of left her with a strong desire to determine how First university experience and to succeed in their Nations students could qualifications to receive them. Indigenous culture.” make a more successful educational goals,” she says. transition to university, SFU Burnaby, 3:30 p.m., room WMC 3260 The group worked with Natalie Brenton and she went on to earn Now, Guno feels that she has come full circle. ❙ Mar. 25 — Linda Tuhiwai Smith, University of Waikato, from the Ngati Awa and an MA in anthropology in SFU Advancement. and sociology. Her research “It has been quite a journey,” examined Aboriginal Ngati Porou iwi, New Zealand: she says. “It’s an “We’re the only student group in SFU’s students’ absolutely wonderful vantage point to recall “Heritage and knowledge: decolonizing the research process.”post-secondary educational experiences. my life here as a student and After return to see how things Morris J Wosk Centre for Dialogue, SFU’s Vancouver campus, graduating, 7:00 p.m. she spent three years employed at SFU, initially have changed since then.” The colloquium has been organized by the SFU Department Archaeology and as the First Nations Studentofcoordinator, She notes some big changes, then including far more is sponsored by the SFU President’s Office, the Officeand of finally, Graduate Studies andas an Aboriginal recruiter Indigenous as acting director of the students, staff and faculty then-named emphasis and a new Postdoctoral Fellows, the Munro Lecture Fund, and theFirst IPinCH Project. Nations SFN OAP Insert-2015.indd 5 on Aboriginal awareness Student Centre. During that training For more information: www.sfu.ca/indigenousheritage. Seating is limited and time she staff and faculty. for was instrumental in forging a provincial Aboriginal reservations are recommended. recruitment initiative, “And our president has vocally and clearly called Strengthening Connections, for Aboriginal indicated an interest in First Nations youth living on reserves. representation and inclusion—that’ issues, and s a huge step.” Don’t miss the remainder of the series: acknowledges that she ❙ Feb. 5 — Larry Zimmerman, Indiana University-Purdue University Indianapolis: wasn’t a star SFN OAP Insert-2015.indd 1 be documented and passed on. “She’s the only person who knows how to teach the medicine wheel in this way,” says Coolidge. “If we don’t get it from her, then it’s gone. She’s 76 years old.” Coolidge, 35, grew up in Armstrong, B.C. After graduating from high school in 1997 she worked for a time, then attended Okanagan College. She dropped out, however, due to her own struggles with alcohol and drug addiction. Then, she says, “In 2009, the light went on and everything changed—everything fell together. I moved here and got into SFU, and I’ve been in recovery now for the past five years. Since I’ve been sober, school has been my life.” Elizabeth LaPensee Coolidge has immersed herself in the SFU community, working as an Indigenous program researcher with Career Services, serving as an Indigenous ambassador, joining the First Nations Student Association, and using services at the Indigenous Student Centre. “I’ve had an amazing experience at SFU,” she Elizabeth LaPensee wants to help Indigenous peoples confront and says. process historical and intergenerational trauma. She attributes her passion for communications An avid video gamer, LaPensee graduated last fall with a PhD from and writing, however, to Okanagan College SFU’s School of Interactive Arts and Technology (SIAT). professor Colin Snowsell. Anthe international student from the U.S., LaPensee is Métis and “He was an amazing prof. He opened world Anishinaabe, to me. Now, I want to do for others what he did forand passionately interested in using social-impact video games to change Indigenous stereotypes and representation. me. I want to be a professor.” “I thought SFU, with its connection to First Nations, would be an opportunity to explore that,” says LaPensee. A former video games journalist, she spent the past seven years creating and then assessing the efficacy of such a game, Survivance, for her PhD thesis. “The next generation needs the ability to heal, and when you throw a lot of really heavy content at them it just reinforces depression and other issues,” she says. “When it’s framed as a game, it’s something that people can work assignments, and online access to faculty and mentors. through and share, and there’s community behind it.” Students will complete a strategic applied project during collaborated with Portland, Oregon’s urban native So LaPensee the final two semesters. community to create Survivance. The video game’s quest involves Selman says the program is ideally suitedcreating to thosea who real-world self-expression project in any medium, such as want to improve their business knowledge and tools beadwork, while painting, a film or a photo collage. increasing their qualifications and confidence. “It’s an opportunity for players to process their family history or their “Several students in the program’s firstnation’s cohorthistory—to have process memories and come to a place of healing.” already been offered better jobs and those who are players’ reactions to the game, including her own, she In assessing self-employed have noted increased opportunities,” says does accomplish its goal. found the game Selman. “The game empowered me to break the cycle of trauma in my own life,”inshe says. “I left an unhealthy marriage as a result.” “The program is demonstrating success creating AlterNative, access to advanced business education that addresses the a major peer-reviewed Indigenous journal, recently published an article LaPensee wrote that addresses not just the significant challenges and opportunities faced by Aboriginal academic aspects of her research, but also its contribution to games communities, businesses and other organizations. Program scholarship,into and her personal experiences playing the game. participants are incorporating their new knowledge Now, she says, she’s exploding with ideas for video games that are their leadership roles and are making a difference, as we more commercial and, at the same time, also articulate the unique had hoped.” stories and perspectives of Indigenous peoples. Livesay Poetry Prize for B.C.’s best poetry book. It is about appropriated anthropology, and centres on early 20th-century anthropologist Marius Barbeau, who studied First Nations communities and subsequently purchased and removed their PhD student Jordan Abel, of the Nisga’a totems and potlatch items. Nation, is a prize-winning poet who is using Abel has just completed a second book, Master’s student Christina Coolidge, of the his three-year $54,000 Graduate Aboriginal Un/inhabited, published by Project Space Press, Tsleil-Waututh First Nation, is using her two-year, Entrance Scholarship to study the poetics in which the poetry is constructed entirely from $30,000 Graduate Aboriginal Entrance Scholarship of decolonization. public domain western novels available online to tell her grandmother’s story. “Decolonization is about recognizing that through Project Gutenberg. Coolidge graduated with an SFU BA in settler colonialism is a structure, not an event,” He copied and pasted all 91 western novels communication last summer and immediately says Abel, “and that Indigenous people need to into a single Word document, then searched for entered the master’s program in communication to The spacious destabilize that ongoing structure of colonialism.” newrelated Indigenous words to the political social aspects investigate ways to address Indigenous storytelling the and Coast Salish territories upon Student Abel earned an MFA in Creative Writing from Centre, which director of land, territory and ownership. and knowledge in a scholarly context. which SFU sits. Marcia UBC but chose to pursue his PhD at SFU for the Guno“Each opened search query the book represents a last in Amenities include a smoke-eater Coolidge’s grandmother, Marjorie Mackie, September, chance to study under English professors such is a inhome study context,” specific awayhe says. worked for many years at the Round Lake for “How indoorwere smudging, home for as Stephen Collis, Sophie McCall, Jefffrom Derksen more than 600 words deployed, what surrounded those words a Smart Treatment Centre, an Aboriginal drug and alcohol board and computers Indigenous students. for studying, and Clint Burnham. and what was left over once they were removed? recovery centre near Vernon, B.C. where culture student meeting Featuring and As well, he says, “SFU is very welcoming to offices and meeting “Ultimately, the book isspaces, an investigation of the gatheringplays an important role in treatment. a dedicated rooms that showcase First room me as an Indigenous person. I really appreciate Nations interconnections between language and land. It for the Mackie developed a very successful workshop Elders’ Program, and a and culture,looks all of the resources I have access to art now, such it also at houses the public a landform that iskitchen. there based around an Aboriginal medicine wheel. thedomain “Our ascentre is a warm and of the First Nations Student as the Indigenous Student Centre. It’soffice amazing.” subject to all the thingswelcoming that landforms can be It represents a widely held belief among many First space Association. For his PhD thesis he is studying how subject to, such as inhabitation extraction.”for ourNations that all things are connected and must students,”and says Planned Guno, who with decolonization is reflected in the works of assistance fromhis First Abel says work helps Indigenous people noteslive in balance in order to nurture the spirit and that the larger space Nations students and contemporary Indigenous and non-Indigenous community recognize different modes of decolonization. Itcan nowcontribute to health and wellness. accommodate representative s, the cultural activities poets. $500,000 also helps him in his and ownhost quest for “personal community centre’s members and Coolidge feels strongly that her grandmother’s wood and stone finishes His interest in the topic is reflected in his decolonization” as he special strives to discover how to cultural teachings can serve as an example of events. reflect nature and own poetry. pay homage to become a contemporary Indigenous person in an the importance of gaining elders’ Indigenous In 2014 his poetry book, “The Place of Scraps,” urban, non-Indigenous environment. knowledge for use in academia, and that it should published by Talon Books, won the Dorothy Marcia Guno, director, SUPPLEMENT Master’s student Christina Coolidge is researching the importance and value of including Indigenous teachings, through oral history and storytelling, within western academia. PhD student Jordan Abel is studying how decolonization is reflected in the works of contemporary Indigenous and non-Indigenous poets. WE PROVIDE SIMON FRASER UNIVERSITY NEWS ❙ OFFICE FOR ABORIGINAL PEOPLES ❙ FEBRUARY 2015 Research group pens declaration on protecting First Nations cultural sites KLAHANIE R. RORICK ADMINISTRATOR 778.782.8925 | klahanie_rorick@sfu.ca DIANE LUCKOW EDITOR 778.782.3210 | dluckow@sfu.ca “Workshops in these areas include professional development, academic assistance, study skills, eating healthily fitness and wellness, and on a budget, cultural activities such as drum-making, cedar weaving and beading.” Says first-year student Kayla Mitchell, “I come to the ISC every day that I’m on campus. They often have food and bannock, and workshops. It’s nice to have that community within a community.” cultural influence at school—a 3 1/27/15 10:47 AM SFN OAP Insert-2015.indd 8 SFU professor George Nicholas leads the IPinCH research team. Twenty-eight experts, including several at Simon Fraser University, are calling on Canadian governments to strengthen their accountability for First Nations sacred sites and develop effective ways of involving First Nations in stewarding these sites. The experts, members of the SFU-led Intellectual Property Issues in Cultural Heritage (IPinCH) research team, have penned an international declaration on Canada’s and British Columbia’s legal and ethical obligations towards First Nations sites of cultural and spiritual significance. IPinCH, established in 2008 with $2.5 million in funding from the Social Sciences and Humanities Research Council of Canada (SSHRC), explores the rights, values and responsibilities of material culture, cultural knowledge and the practice of heritage research. The SFU-led project earned SSHRC’s first Partnership Impact Award in 2013. Experts from diverse fields—archaeologists, lawyers, anthropologists, human rights specialists, and scholars of cultural heritage among them—drew up the Declaration on the Safeguarding of Indigenous Ancestral Burial Grounds as Sacred Sites and Cultural Landscapes following a recent international gathering convened by IPinCH members. “The declaration is a reminder of existing obligations and expectations regarding burial sites and sacred places,” says IPinCH Director George Nicholas, an SFU professor of archaeology. He says situations such as those at Grace Islet near Salt Spring Island and on Sumas Mountain in Abbotsford, where First Nations groups are concerned about local burial grounds being impacted by impending development, will only become more commonplace unless gaps in B.C.’s legal and policy framework are resolved. Nicholas hopes the declaration will help to positively influence heritage policy in B.C. He has invited the Provincial Archaeology Branch to engage in discussions with IPinCH project members about possible ways forward. IPinCH is co-sponsoring the Spring 2015 SFU President’s Dream Colloquium on Protecting Indigenous Heritage. The free public lectures will feature internationally recognized experts and explore new approaches to collaborative research and policy development, particularly those prioritizing the interests and concerns of Indigenous communities. Bill Reid Centre relocates to Burnaby campus SFU’s Bill Reid Centre, which holds what may be the world’s broadest set of historical First Nations images, has moved from downtown Vancouver to Saywell Hall at the Burnaby campus. Centre manager Bryan Myles says the move last June gives students and faculty more access to the centre’s comprehensive collection of Northwest Coast digital images and texts. Much of the collection is based on photos amassed by centre director and archaeologist/museologist George McDonald. Affiliated with SFU’s Department of First Nations Studies, the centre also plans to engage with more First Nations communities to work on heritage documentation and virtual repatriation projects. “We would like to work with communities to explore the visual record of images and artifacts, as well as texts created over the past 200 years, and make this material more accessible to the community, using new media,” says Myles. The online Northwest Coast Village project, for example, brings together sketches, drawings, paintings and photographs that capture some of the history and cultural expressions of Northwest Coast First Nations from the 18th century to today. The materials have been digitized from collections in libraries and archives scattered across North America and Europe. The Bill Reid Centre houses an extensive collection of historical First Nations images. This photo, taken in 1878 by photographer George Mercer Dawson, captures the Haida village of K’uuna in Gwaii Haanas National Park on Haida Gwaii. Myles also expects the move to the Burnaby campus will improve the centre’s visibility and its ability to take on larger research projects with First Nations Studies faculty and students, and the broader SFU community. You can find the centre on the main concourse of Saywell Hall, room 10073. To visit the Northwest Coast Village Project: http://at.sfu.ca/aBxnyy. 1/27/15 10:47 AM 10 CREATIVE STUDIO PORTFOLIO ADVERTISEMENT DESCRIPTION • print and online ads • two concepts Co-presented by • three sets of revisions As a Power Smart Partner, SFU has saved 1,975,000kWh in the past two years. This is enough energy to power 185 homes annually. WE PROVIDE • consultation/creative brief • production management silence & longing 30 years since the bombing of Flight 182 • art direction and design WWW.SFU.CA/FS/GREEN-SERVICES • proofreading on request WORLD PREMIERE NOV 6 - 11, 2015 • YOU PROVIDE Composer Jürgen Simpson Music Director Owen Underhill Poet Renée Sarojini Saklikar Director Tom Creed Media Artist John Galvin Zorana Sadiq Soprano Daniel Cabena Countertenor Alexander Dobson Baritone • one point of contact for creative studio • final copy • supporting graphics (images in high resolution, non-SFU logos in eps format) • signoff on creative brief, concepts, revisions and print proof (for text only) TICKETS: $39/$19 sfuwoodwards.ca Sponsors CREATE YOUR OWN PATH Simon Fraser University’s computing science and engineering programs let you do just that SFU'S GOLDCORP CENTRE FOR THE ARTS, VANCOUVER | SFUWOODWARDS.CA PRICE RANGE: $250 - 350 Additional services such as photographer, illustrator, writer, proofreader and printing fees will be added to the estimate. sfu.ca/computing/prospective-students sfu.ca/engineering/prospective-students sfu.ca/mechatronics/prospective-students Future career in computational biology and genetics Jasleen Grewal combined her fascination with DNA and data in SFU’s joint program in computing science and molecular biology and biochemistry. While an undergraduate student, she landed a dream internship at Harvard Stem Cell Institute and won an SFU student research award. Tour our Burnaby or Surrey campus sfu.ca/fas/tours 2.0WEB DESIGN 12 CREATIVE STUDIO PORTFOLIO WEBSITE DESCRIPTION • responsive design (AEM or other) • two concepts • three sets of revisions WE PROVIDE • consultation/creative brief • production management • art direction and design • proofreading on request www.sfu.ca/appreciation • YOU PROVIDE • one point of contact for creative studio • final copy • supporting graphics (images in high resolution, non-SFU logos in eps format) • signoff on creative brief, concepts, revisions and print proof (for text only) CONTACT US FOR AN ESTIMATE Additional services such as photographer, illustrator, writer, proofreader and printing fees will be added to the estimate. www.sfu.ca/sfuwoodwards 3.0PHOTOGRAPHY 14 CREATIVE STUDIO PORTFOLIO PHOTOGRAPHY DESCRIPTION • studio portrait • on location photo shoot • departmental photography package • event photography • campaign photography • large scale photography WE PROVIDE • consultation • production management • art direction • creative brief YOU PROVIDE • one point of contact • final copy • supporting graphics PRICE RANGE: $30/STUDIO PORTRAIT CONTACT US FOR AN ESTIMATE 4.0VIDEO 16 CREATIVE STUDIO PORTFOLIO EVENT VIDEOGRAPHY DESCRIPTION VIDEO EVENTS SURCHARGES • event recording • Up to1hr $470 • event webcasting • 1-2 hr $620 • trailers • 2-3 hr $840 • Does the event begin before 9am or run past 5 pm? Is it on a weekend/long weekend? Add $100/hr before 9 am or after 5 pm and on a weekend • highlights • 3-4 hr $990 • 8 hr (full day)$1,590 • Was your request submitted with less than two weeks’ notice? Add $200 WE PROVIDE • consultation & estimate • production management • concept development • expert camera, audio & editing work YOU PROVIDE WEBCAST EVENTS • Up to 1 hr $570 • 1-2 hr $770 • 2-3 hr $1,040 • 3-4 hr $1,240 • 8 hr (full day)$2,040 • one point of contact for creative studio • supporting graphics • signoff on creative brief, concepts, and two revisions CONTACT US FOR AN ESTIMATE These prices are for one-camera video coverage. Prices do not include additional equipment, additional delivery fees, or any fees for additional materials/services. Naomi Klein: This Changes Everything youtube.com/watch?v=gDxGe2gn4FQ 17 CREATIVE STUDIO PORTFOLIO CUSTOM VIDEOGRAPHY DESCRIPTION • Short 30 second promo ~ $500 Example: Research on the Mountain • Mini documentary ~ $3,000 Example: Force Four • Promo piece with motion graphics ~ $5,000 Example: The Sky’s the Limit WE PROVIDE • consultation & estimate • production management Research on the Mountain The Sky’s the Limit vimeo.com/user11142372/review/145547339/a2bacf8aa2 youtube.com/watch?v=QcqoQ9aJ_7A • concept development • expert camera, audio & editing work YOU PROVIDE • one point of contact for creative studio • content expertise and coordination • supporting graphics • signoff on creative brief, concepts, and two revisions Force Four youtube.com/watch?v=3Ebrd-BO0k8 CONTACT US FOR AN ESTIMATE Additional services such as music composing, high-end motion graphics, and voice-over will be added to the estimate. 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