English Studies 80.3 (1999) : 216-23

 George Walton Williams has shown the importance of verbal echo as a device in
Macbeth . Dean further elaborates the significance of the technique of verbal echoes and mirror images in the play so as to exemplify its theme of murder.

 Macduff’s Speech- echoes to the motif of eschatology and liturgy.
Awake, Awake!
Ring the alarum bell! Murder and treason!
Banquo and Donaldbain! Malcolm, awake.
Shake off this downy sleep, death’s counterfeit,
And look on death itself. Up, up, and see
The Great doom’s image. Malcolm, Banquo,
As from your graves rise up and walk like sprites
To countenance this horror! Ring the Bell . (2.3. 73-80)

 Macduff:
‘O horror, horror, horror!’
(2.3.63)
‘O gentle lady,/ Tis not for you to hear what I can speak,/ The repetition in a woman’s ear

Would murder as it fell.’
(2.3.83-6)
Macbeth:
‘Do not bid me speak:/See and then speak yourselves’

(2.3.73-4)
Lady Macbeth:
‘Speak, speak,’
(2.3.83)

 “repetition of words or phrase is sometimes cited as proof of textual corruption.”
So said Paul
Dean.
 “
Their gnomic utterance are further reminders that a word does not necessarily mean one fixed thing each time it is used
…”

Weird Sisters are fond of repetition
I’ll do, and I’ll do and I’ll do. (1.3.10)
Show me, show me. (1.3.27)
A drum, a drum (1.3.30)

 Act 2.
 Act 5.
a. Lady Macbeth:
‘Walk like Sprites’ in her nightgown.
b. Macbeth:
‘perhaps assumed, perhaps sincere-,
Had I but died an hour before this chance.’ (2.3.91-) c. Macduff
‘ Ring the alarum bell ’
Sleep Walking scene
Lament for the death of his wife: ‘Tomorrow, and tomorrow , and tomorrow…’ (5.5.19
)
After seeing the moving of Birman Wood – ‘ Ring the alarum bell’ (by
Macbeth)

 Words turning to each other why do you start and seem to fear
Things that do sound so fair?
(1.3.51-2) let me enfold thee

And hold thee to my heart. (1.4.31-2)
Balancing of a word against itself
Point against point, rebellious are ’gainst arm. (1.2.56)
It will have blood they say: blood will have blood.
(3.4.122)
 symmetries point to an underlying pattern, an order waiting to emerge.

 Macbeth
To the ghost of Banquo:
“Thou hast no speculation in those eyes/ where thou dost glare with” (3.4.93-4)
(Latin speculum  a mirror)
No speculation  the living death of
Macbeth
 Eight Kings 
And yet the eighth appears, who bears a glass . (4.1.119)
Images from: www.geocities.com/athens/ parthenon/7781/art.html

 Lady Macbeth
Was the hope drunk
Wherein you dressed yourself?
Has it slept since?
And wakes it now to look so green and pale
At what it did so freely?
(1.7.35-8)
Her reference to Macbeth ’s cowardice as like a man with hangover looking at himself in a mirror.
 Images from: www.lynchmultimedia.com/ macbeth_parallel.html

 Dean suggests that the reason of Macbeth’s despair is that he may be a Calvinist that engenders his inability to kill himself.
 Shakespeare’s arrangement to have he killed by
Macduff is to maintain this mirror image. “When they finally meet, Macbeth faces a man widowed and childless like himself, but in all other respects his antithesis.”

 The technique of echoes and mirror-stages may serve to intensify the sense of claustrophobia, the impossibility, for Macbeth, of avoiding final self-confrontation and selfknowledge. Therefore, Jean Dean’s essay aims to show how, once has begun to think about
Macbeth , one keeps on hearing reverberations in the play.