pg. 730 • Percy Bysshe Shelley • (August 4, 1792 – July 8, 1822) • Major English Romantic poet • Considered to be among the finest lyrical poets of the English language • Unconventional life • Uncompromising idealism • Strong skeptical voice • Notorious figure during his life • He is perhaps most famous for the following: •“Ozymandias” •“Ode to the West Wind” •“To a Skylark” • Shelley became the idol of the next two or three generations of poets including the major Victorian and Pre-Raphaelite poets: •Robert Browning •Alfred Tennyson •William Butler Yeats • He is famous for his association with contemporaries John Keats and Lord Byron. •He was married to the famous novelist Mary Shelley, author of Frankenstein. •Shelley wrote the introduction to the 1818 edition of his wife’s novel. • 1814 – Shelley fell in love and eloped with Mary, the 16 year-old daughter of William Godwin and Mary Wollstonecraft. •For the next few years, the couple travelled in Europe. • 1822 – Shelley moved to Italy and published the journal The Liberal with Leigh Hunt and Lord Byron. • By publishing it in Italy, the three men remained free from prosecution by the British authorities. • The first edition of The Liberal sold 4,000 copies. • Soon after its publication, Percy Bysshe Shelley was lost at sea on July 8, 1822, while sailing to meet Leigh Hunt. Read pgs. 730-740 Percy Bysshe Shelley – pg. 730 Preview Info – pg. 731 Literary terms: imagery – descriptive language – appeals to the senses Romantic philosophy – link nature and spirit Read “Ozymandias” – pg. 733 “Ode to the West Wind” – pg. 734-736 “To a Skylark” – pg. 737-740 pg. 733 The feet of the colossus of Rameses II on which Shelley's poem Ozymandias is based. Logical Structure *Ozymandias, or Ramese II, was pharaoh of Egypt in the thirteenth century B.C. The poem, as an Italian sonnet, can be divided into two parts: • the first eight lines (octave) • the next six lines (sestet) Logical Structure • The octave part describes the fragments of a sculpture the traveler sees on an ancient ruin. • The sestet goes further to record the words on the pedestal and then describe the surrounding emptiness. Logical Structure • The words on the pedestal are in contrast to both the octave and the last three lines of the poem. • The reader must ask: • “What does Ozymandias want to achieve, as opposed to what is left behind him? Irony •The most obvious kind of opposition exists (between what Ozymandias said and what is left behind him). •This opposition has the effect of dramatic irony. Structure of Narration •Frame story •The poem contains a story (told by Ozymandias) within a story (told by the traveler) within a story (told by the speaker of the poem). •In the core of this multiple story, the Ozymandias we know is only a sculpture and the words on it. NOTES •Message: power is fleeting – humans cannot escape effects of time •Message is relevant – accomplishments, pride, power •Lines 1-8: description of statue •Lines 9-14: irony – wrecked condition •Heart – longing desire •Hand – creative aspect NOTES •Ironic comment on human pride & ambition •Inscription: “Look on my works, ye Mighty, and despair!” •Remnants of statue •Empty desert •Ozymandias’s works – crumbled b/c of time and nature NOTES •Contrast: King’s pride/passion vs. image of devastation & emptiness •Most important idea: meaninglessness of earthly power •Ozymandias was an actual king of Egypt thousands of years before Shelley wrote •Political message: No dictator can ever truly rule absolutely NOTES •A traveler describes crumbling remains of statue commemorating Egyptian pharaoh •Statue’s expression: obscured but includes frown, wrinkled lip, sneer •Condescending, proud ruler NOTES •Lines 10-11: “My name is Ozymandias, king of kings: / Look on my works, ye Mighty, and despair!” •Words on pedestal convey attitude of pride & arrogance NOTES •Lines 12-14: “Round the decay / Of that colossal wreck, boundless and bare, / The lone and level sands stretch far away.” •Idea expressed: Nature = more powerful than any human king •Irony of inscription: Ozymandias expected his works to last forever. •The statue and his entire civilization have been destroyed. NOTES •Although Shelley described only what the traveler saw, the reader should understand the traveler had other senses as well. •For example, the traveler very likely felt the heat from the sun, etc. “Ode to the West Wind” pg. 734-736 •Apostrophe: Poem addresses the West Wind •Poem describes force of West Wind •West Wind: •drives dead leaves •stirs up the ocean •destroys plants •announces winter’s arrival “Ode to the West Wind” •Shelley: •in awe of wind’s natural strength •disillusioned with his own spiritual emptiness •calls on West Wind to lift him up, destroy him, and then purify him (similar to changing of seasons) •understands that decay will lead ultimately to the renewal of spring “Ode to the West Wind” NOTES •First two sections (I and II): •Images of violence, death, decay, and burial •Lines 16-17: Heaven and the Ocean are like trees. •Lines 24-25: (Metaphor) Night is a tomb. •Lines 46-48: Emphasis on driving force of wind’s strength “Ode to the West Wind” NOTES •Wind associated with autumn •Leaves & seeds scatter – will bring new life •Movement of clouds – initiates new weather •Speaker asks wind to lift him as it would “a wave, a leaf, a cloud.” •The “heavy weight of hours” (line 55) prompts speaker to ask wind to lift him up. “Ode to the West Wind” NOTES •Line 57: “Make me thy lyre, even as the forest is” •Best expresses speaker’s hopes for West Wind •Lines 57-63: Speaker sees himself in the autumn wind. Asks the wind to enable his spirit to be one with that of the wind. “Ode to the West Wind” NOTES •Shelley is not only examining the wind literally, he is also examining the wind figuratively speaking as well. •The West Wind is an appropriate force to call on for new birth b/c it marks the changing of seasons: fall spring. •Old is destroyed and replaced by new in the spring. “Ode to the West Wind” NOTES •Line 70: “If Winter comes, can Spring be far behind?” •Even the bleakest situations are followed by times of renewal and hope. •Line 70 ties together the poem b/c it sums up the theme: hope and a new beginning •Summary: The West Wind’s destructiveness makes new life possible. pg. 737-740 “To a Skylark” NOTES •This poem is similar to “Ode to the West Wind” b/c both the wind and the skylark are constantly in motion. •Define blithe: cheerful •Stanza 1: The speaker claims the skylark is not a bird. •The point? The bird’s song is something not of this world b/c the song is so beautiful. “To a Skylark” NOTES •Lines 6-35: images of light – suggest bird is celestial or other worldly •Speaker says skylark’s song is heard everywhere, even in heaven •Lines 16-20: appeal to sight, sound, and touch •Overall image presented of skylark: bird is often invisible – speaker perceives skylark, at times, only through sense of hearing. “To a Skylark” NOTES •Line 35: image suggests skylark’s music is everywhere at once •Lines 36-55 – speaker compares bird to the following: •Poet •Highborn maiden •Glowworm •Rose “To a Skylark” NOTES •Lines 36-40: the skylark, like a poet’s hymns, creates sympathies and fears •Lines 41-45: the skylark, like a sad maiden, sings songs to soothe the soul •Lines 46-50: the skylark, like a glowworm's light, sings a song that fill the air •Lines 51-55: the skylark, like the scent of fallen roses, sings a song that intoxicates the senses •Each comparison suggests the skylark’s song can transform the world or even a soul. “To a Skylark” NOTES •Poet believes skylark’s songs are sweeter than songs of humans •Skylark does not know annoyance and pain •Skylark understands death more deeply than humans, though •Lines 86-87: “We look before and after, / And pine for what is not” Unlike the bird, humans sulk and feel sorry for what is not and what will not be. “To a Skylark” NOTES •Lines 88-90: “Our sincerest laughter / With some pain is fraught: / Our sweetest songs are those that tell of saddest thought.” Even human laughter has grief. Human happiness is different from the skylark’s happiness b/c human happiness is always tinged with sorrow. “To a Skylark” NOTES •Line 103: “harmonious madness” •The gladness of the skylark is too pure to be understood by humans. •If the skylark’s gladness/happiness were translated into poetry, the verses would be startlingly beautiful, but impossible to understand. “To a Skylark” NOTES •Shelley focuses on: Limitations of human condition Poet’s struggle with limitations •Quality Shelley perceives & praises above all in the skylark’s existence: Purity & simplicity of skylark’s joy •Shelley’s description of nature in all three poems: Nature has much to teach us.