Class Notes: “The Guest” by Albert Camus Examining the story from an analytical perspective. Summary of the story: “The Guest” combines the appeal of an adventure story with that of a mystery story. The schoolmaster, Daru, is ordered to house a murderer overnight and then to take him to government officials in Tinguit. He despises the Arab for resorting to murder and for permitting himself to be caught, yet he considers his own role to be dishonorable and humiliating. Recognizing their common humanity he treats the criminal like a guest and puzzles over how best to reconcile his respective responsibilities to the Arab, to France, and to himself. He decides to provide the Arab with the means and knowledge necessary either to escape or to deliver himself the proper authorities. Seeing that the Arab is traveling toward Tinguit (towards jail and the authorities) the Arab’s compatriots leave Daru a message that blames him for the Arabs fate and threatens him with retribution. Daru is now vulnerable and alone. Camus’s Everyman Daru is Camus’s is Everyman, in love with the beauty of the universe and the pleasure of simply being alive. He struggles to remain true to the moral principles by which he lives, respecting the needs of all people to determine the course of their own lives. However, the outside world will not let him remain neutral in an escalating political struggle. Human contact forces people to commit themselves, to take risks, and to fight for what they believe in. He views turning in the Arab as contrary to honour and therefore humiliating because the Arab’s crime is neither a personal nor a political threat. Moreover, he does not want to be responsible for delivering the Arab to a possible death sentence, a punishment that he considers to be a crime against nature. In the end, he feels alone in a hostile world. Daru Daru lives in an isolated area, where few people are involved in his life. He is independent and self-reliant, preferring isolation to the intrusion of society. Daru most values his independence in being true to his moral principles. His is a selfimposed exile because he does not like usual human relationships, which he considers greedy, hateful, and bloody. Daru cont. Daru hates murder as unnecessary and irrevocable. He also is angry that the Arab let himself get caught, causing Daru to be burdened with the responsibility of dealing with him. Daru treats the Arab as a guest because he believes all people are related through their common humanity. He also does not fear the Arab, since the man's crime was the result of a family squabble. The Main Conflict The principal conflict, which is internal as it occurs in his mind, is whether or not to turn the Arab over to the authorities. Daru resolves it by giving the Arab the choice. When the Arab chooses the authorities instead of freedom, the other Arabs blame Daru. Why turning in the Arab is dishonorable and humiliating. Daru views turning in the Arab as contrary to honour and humiliating because the Arab’s crime is neither a personal or political threat. Also, the Arab’s fate may be death, and Daru does not want to be responsible for a punishment he considers to be a crime against nature. He is caught with the paradox of detesting the Arab for his crime and being the cause of the similar crime if he turns the Arab into the authorities. The function of Balducci. Balducci is a foil for Daru. Balducci performs the task he does not like because it is his job. He, too, is careful not to hurt the Arab. The freedom of choice that Balducci gives Daru foreshadows Daru's offer to the Arab. Point of View Camus uses third person limited omniscient, with the center of consciousness located in Daru's mind. As a result, the reader knows only what Daru thinks, sees, and hears. This creates suspense and immediacy. The relationship between political setting and plot. Balducci's talk of an imminent Arab uprising and police mobilization makes the Arab's crime and his village’s agitation over his whereabouts sources of fear and uncertainty. Balducci does not think that the Arab is politically involved, but he can't be certain. In addition, the political situation forces Daru to choose between his identification with French culture and his love of the Algerian land and people. Symbolism of the Landscape The landscape symbolizes Daru’s independence; now he will be forced to be on the French side, and for his own safety, he may have to move into town. His place in the universe is no longer what it was, an island separated from society by his attitude and his location. A darker reading is that Daru will be killed to avenge the Arab's death. Irony The French treat the Arab like a criminal when he is no apparent threat to the French colonists. Daru thinks that his neutrality makes his position safe. Despite Daru's rejection of the responsibility that Balducci places on him, the Arab's compatriots blame Daru for the Arab's decision. Daru detests the Arab because of the Arab's crime, yet if the authorities kill the Arab, Daru will have inadvertently played a role in the Arab's death. Theme One cannot lead a moral life and remain uncommitted and impartial. If one does not choose sides, society will make that choice. Camus is interested in the plight of a human being who hates violence and who wishes to lead a moral life in a world filled with destructive actions.