McDonald 1 Maureen McDonald Br. Nich Perez, C.S.C. COMM 130-01 12/8/12 Scene Analysis of The Social Network For my scene analysis I decided to write about was The Social Network. The Social Network is a film directed by David Fincher and was released in October 4th, 2010. The film is based of a novel “The Accidental Billionaires” written by Ben Mezrich. Aaron Sorkin wrote the screenplay for the film. The Social Networks summary is about a sophomore Harvard student (Mark Zuckerberg (Jesse Eisenberg)), who is a genius computer programmer who comes up with an ingenious idea to create a site that rates female’s attractiveness called “Face Smash.” This site idea later evolves into “The Facebook” which is a social network site for Harvard students originally, but then spreads all over the country and later worldwide. (Mark Zuckerberg (Jesse Eisenberg)) is finically backed by his best friend (Eduardo Saverin (Andrew Garfield)). Throughout the film (Mark Zuckerberg (Jesse Eisenberg)) has hurtles to face like academic probation, lawsuits and (Cameron Winklevoss (Armie Hammer)) and (Tyler Winklevoss (Armie Hammer)) and their friend (Divya Narendra (Max Minghella)). Who accuse (Mark Zuckerberg (Jesse Eisenberg)) of steeling their idea and collecting their profits. Also co-creator of Napster (Sean Parker (Justin Timberlake)) assists in the revolution and explosion of the social media site with his “connections.” The film goes through the ups and down’s of life of an ingenious creator who shape our everyday lives today and shows how friendships and relationships can be affected dramatically through jealousy and greed. The scene sequence that I decided to focus on was Chapter 3. It is when the Winklevoss twins are introduced in the film and they learn about (Mark McDonald 2 Zuckerberg (Jesse Eisenberg)) crashing the Harvard server with “Face Smash.” Also in the sequence there is a current day shot of (Mark Zuckerberg (Jesse Eisenberg)) being sued by the Winklevoss twins, Saverin, and Narendra. The audience in a very positive light received The Social Network. Personally, I believe the film to be perfect for the 18-25 year olds demographic. It easy for these demographics and even other demographics to relate to it since Facebook is used in many people’s everyday lives. The Social Network is very appealing and interesting personally and these are two of many reasons that I selected to analyze the film. Other reasons are because this film is one of a kind in the way people are truly able to see how much influence social media has in our everyday lives and how Facebook has changed the way many communicate with each other today. Also, it is neat to see learn about all the struggles and difficulties that (Mark Zuckerberg (Jesse Eisenberg)) went through in order to create something that plays a role in more then 500 million people daily (IMDB). The scene sequence I chose to focus on is near the beginning of the film about seventeen minutes into the film and last for three minutes until twenty minutes into the film. Before this sequence we build background as to who (Mark Zuckerberg (Jesse Eisenberg)) is and we learn about his person life. He created “Face Smash” one night while he was drunk and upset about his girlfriend dumping him. Then it transitions into the scene sequence that I chose which is “Chapter 3.” In the sequence that I am focusing on it opens on the Charles River in Cambridge Massachusetts. It is early morning and there is crew practice taking place on the river. This scene is when we first are introduced to Winklevoss twins, (Cameron Winklevoss (Armie Hammer)) and (Tyler Winklevoss (Armie Hammer)). These twins are very “cocky and arrogant” when they are in crew practice then the scene ends and there is a different location. The next location is the McDonald 3 Pforzheimer Dining Hall at Harvard University, where (Cameron Winklevoss (Armie Hammer)) and (Tyler Winklevoss (Armie Hammer)) are met by one of there friends (Divya Narendra (Max Minghella)). In this scene the three discuss about how (Mark Zuckerberg (Jesse Eisenberg)) crashed the Harvard server with “Face Smash.” Then they make a unanimous decision to seek (Mark Zuckerberg (Jesse Eisenberg)) out and have him help create “Harvard Connection.” Then it cuts to the third location witch is the Second Deposition Room. This is where (Mark Zuckerberg (Jesse Eisenberg)) is being sued for stealing the ideas of the Winkleovss twins. This is shot in present day as where the rest of the scene sequence is based in the past. Then it cuts to the fourth and final location of the Administrative Hearing Room. In this part the administration of Harvard University is giving (Mark Zuckerberg (Jesse Eisenberg)) his punishment of six months of academic probation for crashing the network and breaking other school rules. In this scene (Mark Zuckerberg (Jesse Eisenberg)) also states to the administration how he should be credited on the job he did, crashing the server and going unnoticed for hours. After this scene sequence the film starts to build upon the partnership between (Cameron Winklevoss (Armie Hammer)) and (Tyler Winklevoss (Armie Hammer)) and their idea of “Harvard Connection” and how they need (Mark Zuckerberg (Jesse Eisenberg)) to help with programing. The purpose of the scene sequence in relation to the overall message of the film as a whole is that it helps in show how relationships and partnerships are established. This sequence also helps with establishing the importance (Cameron Winklevoss (Armie Hammer)) and (Tyler Winklevoss (Armie Hammer)). So in my scene sequence analyze I noticed that the camerawork in this film is very important in developing the plot and storyline. Throughout the sequence the angles, shots, and camera movements are repeated many times. There are many point of view shots which are “any McDonald 4 shot taken from the vantage point of a character in the film, showing what the character sees (Giannetti).” Also in the movie there are many over the shoulder which are “usually a medium shot of two people, with the camera placed just behind the shoulder of one character, directed at the face of the opposite character (Giannetti).” Having shots such as over the shoulder really make the audience feel apart of the conversations taking place and have an easier time relating to the scenes. Another shot that is very noticeable in the film is a medium shot. A medium shot is defined as “a relatively close shot, revealing the human figure from the knees or waist up (Giannetti).” The different angles in the film also help with explaining the story and getting a better understanding of the film. Angles can make the audience have the feeling of being closer and more intimate with the actors. In the film the angles are a lot of head on shots and overhead shots. The lighting in the film is really dim and a lot of scenes take place in the early morning. Many of the scenes have a lot of natural lighting and are either early in the morning or in the evening. The camerawork reinforces the meaning of the scene sequence I chose because it really helps in making the overall meaning of the film. Two very important key components of films are editing and are sound. Editing can be defined as, “The joining of one shot (strip of film) with another. The shots can picture events and objects in different places at different times (Giannetti).” Sound can be defined as something that can be heard. There is non-diegetic and diegetic sound. The sound in the film is very fitting and goes well with the scene sequence I choose. Trent Reznor and Atticus Ross created the original music. The cutting in the film is very well done; the editing for the film was by Kirk Baxter and Angus Wall. There are two major types of cutting: classic cutting and continuity cutting. Classic cutting is “ a style of editing developed by D.W. Griffith, in which a sequence of shots is determined by a scene’s dramatic and emotional emphasis rather than by physical action alone McDonald 5 (Giannetti).” Continuity cutting is “the kind of logic implied between edited shots, their principle of coherence. It emphasizes smooth transitions between shots, in which time and space are unobtrusively condensed (Giannetti).” In The Social Network the type of cutting that is used is continuity cutting. This is so because throughout the film there are many smooth transitions between all the different cuts and location changes. There are two types of elements that are used in filmmaking called realist and formalist. Realist is defined as “a style of filmmaking that attempts to duplicate the look of objective reality as it’s commonly perceived, with emphasis on authentic locations and details, long shots, length takes, and minimum of distorting techniques (Giannetti).” Formalist is “a style of filmmaking in which aesthetic forms take precedence over the subject matter as content. Time and space as ordinarily perceived are often distorted (Giannetti).” The Social Network uses the realist elements throughout the film. The editing and sound reinforce the meaning of the scene in many different ways. The sound is reinforced with all the natural background noises in each scene and the use of diegetic sound. The editing is reinforced with the use of realist and continuity cutting. Editing and sound truly play two of the largest roles in film and normally do not get as much credit as they deserve. Character and cast play a very large and important role in film as a whole. They are not only important for their specific scenes and lines but they add unity to the film and making the written screenplay comes alive into a work of art. (Mark Zuckerberg (Jesse Eisenberg)) is the protagonist of The Social Network. The film is based of his life and the events that lead up to and after his creation Facebook. The emotions that can be identified by the audience is that he is a very smart young man, with a mild attitude to authority, and is determined for greatness. (Mark Zuckerberg (Jesse Eisenberg)) goes to Harvard University in Cambridge, Massachusetts. In my McDonald 6 scene he is shown in hearings and getting sued for his social media site Facebook. (Mark Zuckerberg (Jesse Eisenberg)) goals can be viewed differently in the beginning of the film he is shown getting revenge, then greed, and finally he is shown in the end upset with all the damage he had created within his relationships. (Mark Zuckerberg (Jesse Eisenberg)) is a very interesting character that has a life change event of becoming one of the youngest millionaires in the world. (Erika Albright (Rooney Mara)) is another very important and key character in the film. She is the girlfriend of (Mark Zuckerberg (Jesse Eisenberg)) and dumps him in the beginning of the film and changes his life forever. From this breakup “Face Smash” was created and helped to get (Mark Zuckerberg (Jesse Eisenberg)) name out in the world. (Erika Albright (Rooney Mara)) is one of the antagonist in the movie. This break up by her is the key starting block for (Mark Zuckerberg (Jesse Eisenberg)) and all of his future success. She does not attend Harvard and is viewed poorly on by (Mark Zuckerberg (Jesse Eisenberg)) because of that. Even though she is not in the film much her character still is very important and key in the story plot. (Cameron Winklevoss (Armie Hammer)) and (Tyler Winklevoss (Armie Hammer)) are two very important characters that are actually played by the same person. There seen as two twins that are arrogant, jocks, and aristocrats of Harvard. They truly fit the Ivy League stereotype. The boys seem to be from the East Coast not only because of their thick accents and their attire. The twins are antagonist in the film. The goals of these characters are to try to get (Mark Zuckerberg (Jesse Eisenberg)) sued and kicked out of Harvard for “stealing” their idea. The boys do not rest until they get what they want and what they want is the recognition of creating a social media site called Facebook. (Sean Parker (Justin Timberlake)) can be seen as a mentor in the film to (Mark Zuckerberg (Jesse Eisenberg)). He was the co-creator of Napster and is very influential in getting McDonald 7 the social media site spread not only to the West Coast but also nationally and worldwide. (Sean Parker (Justin Timberlake)) is a laid back personality, who has been consumed in the social light. Many do not believe that (Sean Parker (Justin Timberlake)) is the best idea to bring aboard for the social media site. He actually helps in destroying the relationship between (Mark Zuckerberg (Jesse Eisenberg)) and (Eduardo Saverin (Andrew Garfield)). (Sean Parker (Justin Timberlake)) can also be seen as an antagonist to others when he ruins the relationship with the best friends. He really helped in shaping Facebook into what it is today but also harmed many people in the process of growing a once simple idea. David Flincher is the director of The Social Network. He is best known for The Social Network, Fight Club, Se7en, The Curious Case Benjamin Button and many more works. He is a heavily awarded director and is well know for almost all of his works. His films carry a large fan base. “Frequently collaborates with Trent Reznor and Atticus Ross for musical scores (IMDB).” His films often have low-key lighting with green or blue tinted color temperature (IMDB).” He is directing in the film is terrific and really helps the audience view into who (Mark Zuckerberg (Jesse Eisenberg)) truly is. Kirk Baxter and Angus Wall did the editing of The Social Network. Their editing job in the film was amazing and really helped the audience feel as if they were with (Mark Zuckerberg (Jesse Eisenberg)) throughout the whole movie. These two have worked with David Fincher in a lot of his films and have both won many awards as well. Trent Reznor and Atticus Ross wrote the original music for the film. They two have worked together and are used almost always with David Fincher. These two pairs have helped Fincher’s films come alive and become harmonious in the overall production of the films. McDonald All these characters and cast members truly make The Social Network come together to be a successful film overall. Without these key players the film could not be what it truly is today, which is a work of art. 8