Review Guided Readings • • • • ? 9th /10th grade? –”Century Quilt” – P. 81 11th grade – “Evening Hawk” – p. 82-83 12th grade –”Farewell” –pp. 84-86 More prose: From The Street, pp. 131-133 Go to APCentral Locate a high student essay for each passage and read the Commentary: • • • • 2010: Century Quilt” – P. 81 2006: “Evening Hawk” – p. 82-83 2009: ”Farewell” –pp. 84-86 2009: From The Street, pp. 131-133 Survey more questions and do the chart on p. 12 handouts Topic 9: Taking Your Students to the Top Coaching to the Nines • Review descriptions of best AP writing (Notebook, p. 194 and pp. 195-96) • How can students learn to recognize and demonstrate diction, syntax, rhetoric of proof, essentials of communication? • How can teachers help students learn from the best qualities of “high” essays? Coaching to the Nines • Turn to “The Great Scarf of Birds” p. 22. • Review the poem and the prompt—noticing the • • “How,” organization, diction, imagery. Every AP question requires recognition and discussion of complexity, the “tension of opposites.” This writer connects tone of essay to attitude of poem’s speaker. “The Great Scarf of Birds” Essay, pp. 23-24 This writer builds on the tension of opposites: Recognizes Thematic Opposites (Paragraph 1) – “Leisurely, civilized”/ “tiresome and affected” – “overly civilized”/ “affected and weary” – “not worth remembering”/”something to remember” Builds Controlling Idea (Paragraphs 4 and 6) – “Such profundities in the speaker’s own boredom and affected nature simply allow for the birds to become more powerful…” (P 4) – “It takes a spectacular event to make the speaker find ‘something to remember’…” (P 6) Connects to Literary Tension – Wordsworthian Nature vs. Modern Realism (Last paragraph) “The Great Scarf of Birds” (pp, 23-24) The writer use Organization to reinforce main idea? • Attends to Linear Organization (Narrative Sequence) – – – – “begins” (Paragraph 1) “first centered on” (Paragraph 2) “As soon as” (Paragraph 3) “as the birds move nearer” (Paragraph 4) • Uses Spatial Composition to Build Opposites – “…objects near to the earth” vs. ”raised to the sky” (P 2) – ”golfing environment” (P3 ) vs. “sky” (Bible/science fiction) (P 2) – “man-made, industrial objects” vs. “the great scarf” (P5) “The Great Scarf of Birds” (pp. 23-24) What effect is created by the writer’s fluid integration of diction and imagery? • Diction and Tone: Opposites “It’s quite interesting . . ./ “playing golf at Cape Anne” (P 1) – “I lazily looked around” (P 4) vs. “something to remember” (P 6) – Attitudes toward Nature: Romanticism vs. Realism (last paragraph) – • Figurative Language: Opposites – From “apples and maples,” to “elms/sky” vases, then “flying birds” (P 2) – Allusions to Bible and science fiction—”lofty and ethereal” (P 4) – From “iron filings” to “ink-stains” to “lady’s scarf”—from earthly to ethereal, though still man-made image (P 5) Activities Based on 8-9 Essays • “The Great Scarf of Birds” – Look at questions on p. 24, bottom. – What could your students learn from studying this student essay? • “I Stand Here Ironing” – Look at Sample NN, “I Stand Here Ironing,” pp. 128129. Does this writer address the complexity of the “what”—the mother’s character and attitude toward her daughter. – What did you learn by analyzing Sample NN? Does the writer address techniques? (“How”) • Resources of Language – Metaphor, especially the iron – Rhetorical questions/a questioning tone – Short, clipped sentences – Parallel structure – Repetition Does the writer address techniques? (“How”) • Narrative Techniques – Interior monologue/stream-ofconsciousness – First-person point of view – Dialogue – Flashbacks and time shifts Does this writer see tension of opposites? (“What”) • Examples that show mother’s character – Complexity – Ambivalence • Examples that show mother’s attitude toward daughter – Complexity – Ambivalence What are the Qualities of Best Essays? “The last Night the She lived,” p. 197-200 • Paragraph 1—A throw away • Paragraph 2—Moves from awkwardness of • • • “pathetic fallacy” to authenticity of “Italicized.” Paragraph 3–Notes metaphor: “Rooms”—the boundary between living and dead Paragraph 4–Emphasizes feelings of speaker (empathy), not feelings of dying woman Paragraph 4 –Interprets difficult line correctly, “jealous on her behalf” Qualities of Best Essays “The last Night the She lived,” p. 197-200 • Paragraph 5—Diction: “a narrow time”; “jostled” • Paragraph 6—Imagery: the “Reed,” pictorial • • account of her dying Paragraph 6—Interpretation of difficult line: “awful leisure” of life after loss; “Belief” must “regulate” grief Paragraph 7–Summarizes by focusing on speaker’s sequential stages of experience: empathy, understanding, acceptance Qualities of Best Essays “Captain MacWhirr” (Conrad, p. 201-203) Focus on opposites in a complex and ambiguous text: Focus of Question – What?: “attitude of speaker toward MacWhirr” – How?: “techniques used to define MacWhirr’s character” • Challenging Reading Task – MacWhirr’s characterization, p. 201, paragraphs 1 and 2. • Connection of Essay Writing and Close Reading Sample CCC, p. 203 • Paragraph 1 – “…the author’s attitude...at first glance…does not seem very favorable.” – “However, one sentence of the author’s, in lines 1719, turns the reader’s whole viewpoint around.” • Paragraph 2: Quotation is the Crucial Point “uninteresting” “actuality of bare existence” vs. “their mysterious side” Sample CCC, p. 203 Paragraph 3—Shows Opposites/Complexity • Character of MacWhirr • – In his “ordinariness lies his unusualness” – “son of a petty grocer”/”ran away to sea” – “irresponsive man”/”an act of God or Fate” – “anti-romantic”/”exalted and slightly exotic” Attitude of Speaker – “respectful”/ ”faintly amused” Sample CCC, p. 203 Paragraph 4—Develops Opposites • Character of MacWhirr = Paradox – “ordinary, irresponsive” / humor of watchmaker with hammer and whipsaw – Seems shallow vs. “mysterious side” – no flights of fancy but “enough imagination to go to sea” • Implications of His Connections – What was parents’ role in his running away? – Humanized/made normal by reference to wife Qualities of Best Essays From “Henry IV, Part 2,” p. 204 Scoring Guideline, p. 205 • What: “King’s thoughts,” esp. contrast • How: How are diction, imagery, and syntax used to convey King’s “state of mind.” Qualities of Best Essays Strong first sentence . . . P. 206 Defines/qualifies how of prompt: • “high level of diction” • “formal syntax” • “turbulent imagery” Defines/qualifies what of prompt: • “distraught emotional state” Qualities of Best Essays Paragraph 1, p. 206 • King’s state of mind: “driven to distraction” “insomnia” “begs for sleep” • Diction and Syntax: Skillful integration of terms/text – – – – – “addresses sleep formally,” “apostrophe and rhetorical question” “uses diction” showing “desperation” and “respect” “syntax” is “complex”; reflects “mounting hysteria” “breathless periodic sentence” heightens tension “King loses control,” “adopts “accusatory tone” and diction/syntax convey this attitude with “partial,” “rude” and “low” – colloquial use of “to boot” • Figurative Language: – synechoche: ”Uneasy lies the head that wears a crown.” Qualities of Best Essays Paragraph 2, p. 206 Imagery: “mirrors King’s increasing turmoil” • King “wistfully” wishes for sleep: “steeping” • suggests herbs, drugs Comparison heightens sense of desire for sleep: King’s “perfum’d chambers” vs. poor subjects’ “lowly pallets” Qualities of Best Essays Paragraph 2: Most effective image Imagery: “mirrors King’s increasing turmoil” • “sea-boy” in storm—Henry’s “emotions begin to rise out of control” • King “demands why” boy sleeps “in an hour so rude” while he cannot “in the calmest most stillest night” (irony, of course) • Last paragraph—effective conclusion?? Qualities of Best Essays Keats and Frost, “star” poems, p. 207ff • Classroom use: Intimidation? Challenge? Corrective? • College Board Comment, p. 210 Sharing Writing • Find a partner in the room with whom you wish • • to share your writing. (Your 2011 Exam Study Guide and/or your essay on Question 1, 2, or 3.) Share and read each other’s writing. Make only positive statements about a peer’s writing. (Silence also communicates.) Evaluate Your Work Does the Study Guide . . . 1. Give attention to the HOW, WHAT, WHY of the prompt? 2. Ask students to read closely, analyze, make notes, and underline key examples? 3. Ask students to identify devices, apply their definitions to the text, and interpret their effect? 4. Ask students to identify and state the main ideas and themes? 5. Lead the student through logical steps of analysis toward a response to the prompt? 6. Prepare students for writing the prompt on the Question you chose? Go online for Scoring Guides for 2011 Exam. Evaluate essays. How will you help students improve their writing? • What have you learned with partners? • What have you learned from student essays? • What are your questions? Best insights? Building Connections Making Connections • Your Unit Themes and Curricular Overviews • Your responses to textbook themes: Literature and Composition Building Connections Making Connections • Elaboration on Enloe Themes (p.8) • Connecting Unit Themes & AP Tasks (p. 211) • Integrating creative writing: Jago, p.605 and Notebook, p. 212 Duke University TIP AP* Manual • Write or call for information (Identify yourself as my Institute participant; ask for discount.) • Two Syllabi Models – Genre Approach – British Lit: Texts and Traditions (4 Codes) • Study Guides Beowulf, R & G Are Dead, Henry IV, part 1, Saint Joan, Canterbury Tales: Prologue, Links, Selected Tales, Jane Eyre, King Lear, Dubliners, A Portrait of the Artist as a Young Man Building Connections Group Collaboration: Instruction and Curriculum • Your new ideas, insights, and understandings about how to help students build skills • A new instructional plan you will implement • Revisions to your instructional plan • Themes you will integrate into course Good Luck and Thanks! 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