Context Information on Emily Dickinson 1830-1836 Eccentric recluse – shunned outside world One romantic involvement – intensely passionate crush on a married preacher Feelings not reciprocated – never physical When he left area – vowed never to love again Profitable to take a Freudian perspective when reading her poem Emily Dickenson The Unconscious Mind Freud (1900, 1905) developed a topographical model of the mind, whereby he described the features of mind’s structure and function. the conscious mind (everything we are aware of) is seen as the tip of the iceberg, with the unconscious mind a repository of a ‘cauldron’ of primitive wishes and impulse kept at bay and mediated by the preconscious area. Emily Dickinson In a group, discuss any ways in which this context information on Emily Dickenson leads you to further understanding of the text Make notes to refer to when discussing the poem Task Short stories and Narrative Voice Often focus on single character in single situation Focus – often on moment at which central character(s) undergo important experience which presents a significant moment in their personal development Can be seen as ‘moment of truth’ – where some perception, large or small, changes within the character Some stories – ‘moment of truth’ – evident only to reader (not character(s)) Short stories Don’t all end in climax Some – may offer a kind of ‘snapshot’ of a period of time or an experience i.e. a ‘day in the life of….’ kind of story Short stories Others – end inconclusively Reader - feeling of uncertainty Others – no discernible plot Reader –completely baffled! Leading to – exploring range of possible interpretations Might be response writer intended Short stories Usually 3 traditional ways to voice fiction: 1st person 3rd person Free indirect Narrative Voice Context Information Hills Like White Elephants Earnest Hemingway 3 stages to this short story; The girl is pregnant Story set in Catholic Spain in the 1920s Hemingway – famous for his use of symbolism Earnest Hemingway Hills Like White Elephants – Great portrait of how we talk at, to and past each other How we can go on and on and never quite get at what it is we really want to say Story-chance to reflect on way we talk to our loved ones and what we might, or might not, reveal when we do communicate Earnest Hemingway In a group, discuss ways in which this context information on Hills like White Elephants leads you to further understanding of the text Make notes to refer to when discussing the poem Task