An Impedance Based Approach
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
Outline
• 1.1 Introduction/Study Objectives
• 1.2 From String Vibration to Wave
• 1.3 One-dimensional Wave Equation
• 1.4 Specific Impedance(Reflection and Transmission)
• 1.5 The Governing Equation of a String
• 1.6 Forced Response of a String: Driving Point Impedance
• 1.7 Wave Energy Propagation along a String
• 1.8 Chapter Summary
• 1.9 Essentials of Vibration and Waves
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.1 Introduction/Study Objectives
• Vibration can be considered as a special form of a wave (wave propagations, Figure 1.1).
Figure 1.1 The first, second, and third modes of a string (demonstration by C.-S. Park and S.-H. Lee, 2005, at KAIST)
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.2 From String Vibration to Wave
• To understand how a wave propagates in space, let us start with the simplest case.
Figure 1.2 Vibration of a string fixed at both ends (this demonstrates that the vibration can be expressed as the sum of two modes: the second and third modes of the string)
• Figure 1.2 shows how two sinusoidal vibrations, whose frequencies are f
2 and f
3
, are actually composed of two different vibrations, that is, modes.
This can be mathematically expressed as
( , )
A
2 sin
2
L x sin 2
f t
2
A
3 sin
3
x
L
f t
3
,
(1.1) where Ф represents the phase difference between the second and third modes that are participating in the vibration.
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.2 From String Vibration to Wave
• There is also a phase difference in space, as demonstrated by Figure 1.3.
Figure 1.3 How the second and third modes create the vibration
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.2 From String Vibration to Wave
• The first term of Equation 1.1 can be rewritten as
A
2 sin
2
x
L
sin 2
f t
2
1
2
A
2
cos
2
x
2
L f t
2
cos
2
x
2
L f t
2
.
• Rearranging this equation in terms of x x gives
A
2 sin
2
x sin(2
f t
2
)
L
1
2
A
2
cos
2
L
x
L
(1 / f
2
) t
cos
2
L
x
L
(1 / f
2
) t
where
L / ( 1 / f2) ) indicates a velocity that travels along the string.
(1.2)
(1.3)
• Equation 1.3 essentially means that there are two waves propagating along the string in opposite directions with a velocity of
L T T
2 2
1/ f
2
)
.
• n as for the second and third mode cases.
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.2 From String Vibration to Wave
• The string vibration can generally be written as
n
1
A n sin n
L x where Φ n is the phase of the n th mode.
f t n
n
, (1.4)
• If we rewrite Equation 1.4 with respect to x
, then
n
1
1
2
A n
cos
n
L
x
2 L nT n t
n
( n
/ )
cos n
L
x
2 L nT n t
n
( n
/ )
.
(1.5)
• This equation essentially states the following: “There are cosine waves propagating in the positive
( + ) and negative
(
−
) directions with respect to space, x
.”
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.2 From String Vibration to Wave
• The general wave form, which is not simply a cosine wave, can be mathematically expressed as
( , )
, (1.6) where g ( • ) and h ( • ) generally denote a wave form.
• Note that a wave g or h essentially depicts a wave form in arbitrary space and time.
• These also propagate in space and time with the relation x+ct or x−ct
.
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.2 From String Vibration to Wave
• Figure 1.4 demonstrates how the function g moves along the axis x with time. With respect to the x coordinate, we can now see how it changes in time with respect to space.
Figure 1.4 The wave propagates in the positive speed, and t t and x are the time and coordinate
(+) x direction; g expresses the shape of the wave, c the wave propagation
• If we rewrite the function or wave g with regard to time, then we obtain
ct
g
x c
.
(1.7)
• Equation 1.7 states that the right-going wave in space can be seen as the wave propagates in time.
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.2 From String Vibration to Wave
• Figure 1.5 essentially illustrates that what we can see in space is related to what we observe in time; this graph is typically referred to as a wave diagram.
Figure 1.5 Wave diagram: waves can be observed at the x coordinate (space) and t axis (time), where Δ t denotes infinitesimal time, x
1,2 and t
1,2 indicates arbitrary position and time, and y is the wave amplitude
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.2 From String Vibration to Wave
• The sine wave is a special wave that can be expressed by Equation 1.7.
The sine wave, propagating to the right, is expressed
Y sin
(1.8) where k converts the units of the independent variable of the sine function to radians; x and ct are in units of length;
Y represents amplitude and Φ is an arbitrary phase.
• We rewrite Equation 1.8 as
( , )
Y sin
kx kct
Y sin
kx
t
, where kc
.
(1.9)
• It relates the variable that expresses the changes of space
( x )
, k
, with that related to time
( t )
, ω . That is, k
.
c
(1.10)
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.2 From String Vibration to Wave
• Equation 1.10 can be rewritten in terms of frequency (cycles/sec, Hz), or period (sec), that is k
2
c c f
2
1 cT
.
(1.11)
• We can rewrite Equation 1.11 as k
2
, (1.12) where k represents the number of waves per unit length ( the wave number or a propagation constant.
1/
). We call this
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.2 From String Vibration to Wave
• Note that the distance across which a wave travels for a period
T with a propagation speed c will be a wavelength ( λ ) (see Figure 1.6).
Figure 1.6 Waves can be seen for one period:
T is period (sec), c is propagation speed (m/sec), and x and t represent the space and time axis, respectively
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.2 From String Vibration to Wave
• We can also obtain an additional relation from Equations 1.10 and 1.12.
That is,
c
.
f
(1.13)
• This states that the variables which express space ( independent of each other.
“dispersion relation”
λ ) and time ( f f
) are not
• By using a complex function, Equation 1.9 can be rewritten as
( , )
Im
Ye
t
Im
Y e
t
,
(1.14) where
Y is the complex amplitude.
• For the sake of simplicity, Equation 1.14 will be written as
( , )
Y e
t
.
(1.15)
• We can also express Equation 1.15 with respect to time instead of space, that is
( , )
Y e
j
t kx
.
(1.16)
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.3 One-dimensional Wave Equation
• Any one-dimensional wave can be expressed as
( , )
.
(1.17)
• We would like to determine the derivative of Equation 1.17 with regard to time and space and thereby examine its underlying physical meaning.
• Let’s see how Equation 1.17 behaves in the case of a small spatial change:
y (1.18)
x
h ', where
' denotes the derivative of each function with respect to its arguments (e.g.,
( )'
/
). Its time rate of change is expressed as
y
t
cg '
ch ' which leads to
g
t
h
t
cg '
c
ch '
c
g
x
h
x
.
,
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
(1.19)
(1.20)
(1.21)
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1.3 One-dimensional Wave Equation
• Figure 1.7 illustrates the associated kinematics of the right-going and leftgoing wave.
Figure 1.7
Understanding waves from the perspective of wave kinematics (a wave that has a positive slope or negative slope has a negative or positive rate of change, i.e., velocity)
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.3 One-dimensional Wave Equation
• If we differentiate Equations 1.20 and 1.21, we obtain
2 g
t
2
c
2
2 g
x
2
,
2 h
t
2
c
2
2 h
x
2
.
(1.22)
• Any one-dimensional wave ( differential equation: y x t
) which has left-going and right-going waves with respect to the selected coordinates satisfies the partial
2 y
t
2
c
2
2
x
2 y
.
(1.23)
• Equation 1.23 can then be rewritten as
2 x y
2
c
1
2
2 t
2 y
.
(1.24)
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.3 One-dimensional Wave Equation
• A three-dimensional version of Equation 1.24 can be written as where
1
2
c
2
t
2
, denotes the amplitude of three-dimensional wave.
(1.25)
• The boundary condition can generally be written as
x
,
(1.26) where ψ expresses the general force acting on the boundary.
α and β are coefficients that are proportional to force and spatial change of force, respectively.
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.3 One-dimensional Wave Equation
• Two types of boundary conditions: passive and active
Figure 1.8 Examples of passive and active boundary conditions
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.4 Specific Impedance (Reflection & Transmission)
• Waves traveling along a string are representative of the many possible one-dimensional waves.
• Let us first examine waves propagating along two different strings, as illustrated in Figure 1.9.
Figure 1.9
Waves in two strings of different thickness ( g
1 transmitted wave) is an incident wave, h
1 represents a reflected wave, and g
2 is a
• We wish to determine the relation between the incident wave g
1 reflected wave h
1 and the transmitted wave g
2
.
, the
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.4 Specific Impedance (Reflection & Transmission)
• Let’s envisage what really happens at this discontinuity, and then express it mathematically.
• The velocities in the y direction ( u y
) of the thin string and thick string have to be identical. In addition, the resultant force in the y direction ( f y
) has to be balanced according to Newton’s second law. These two requirements at the discontinuity are expressed mathematically as u y x
0
u y x
0
, (1.27) f y x
0
f y x
0
0 .
(1.28)
• Denote the waves on the negative x axis region, #1 string, as y express the wave that propagates in the positive x axis as y these waves with regard to time, they can be written as
2
1 and
. Describing y
1
g t
1
x c
1
h t
1
x c
1
, y
2
g
2
t
x c
2
.
(1.29)
(1.30)
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.4 Specific Impedance (Reflection & Transmission)
• The velocity in the y direction at x
0
can be written as u y
x
0
y
1
x
0
g
1
' x
0
h
1
' x
0
.
(1.31)
• At x
0
, it is u y
x
0
y
2
g
2
' x
0
.
(1.32) x
0
• We therefore obtain the following equality since the velocity must be continuous: g
1
' x
0
h
1
' x
0
g
2
' x
0
.
(1.33)
• The forces in the
T
L y direction ( ) are related to the tension along the string a and the slope (Figure 1.10) as f y
x
0
T
L
y
x
, f y
x
0
T
L
y
x
.
(1.34)
• Therefore, we can rewrite Equation 1.28 as
T
L g
1
' c
1 x
0
T
L c
1 h
1
' x
0
T
L c
2 g
2
' x
0
.
(1.35)
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.4 Specific Impedance (Reflection & Transmission)
Figure 1.10 Forces acting on the end of the string where
T
L amplitude of the string, and x denotes the coordinate) is tension, f y describes the force in the y direction, y indicates the
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.4 Specific Impedance (Reflection & Transmission)
• We can postulate that the string’s wave amplitude at can therefore write Equations 1.33 and 1.35 as g
1
h
1
g ' 0 ,
2
x
0, t
0 is zero. We
(1.36)
T
L g
T
L h
c
1 c
1
• The ratio of the string’s force in the velocity ( u y
) can be written as
T
L g
(1.37) c
2 y y direction ( f y
) and the associated f y
T
L u y c
.
(1.38)
• The force that can generate the unit velocity is generally defined as the impedance.
• We normally express this using the complex function
Z
, which allows us to express any possible phase difference between the force and velocity.
Therefore, Equation 1.37 can be rewritten as
Z g ' 0
1 1
Z h ' 0
1 1
Z g ' 0
2 2
(1.39) where
Z
1 and
Z
2 are equal to
T
L
/ c
1 and
T
L
/ c
2
, respectively.
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.4 Specific Impedance (Reflection & Transmission)
• Using Equations 1.36 and 1.39, the reflection ratio ( h
1 expressed as
/ g
1
) can be h
1 g
1
Z Z
1
Z Z
1
2
2
.
(1.40)
• The transmission ratio ( h
1
/ g
1
) can be written as g
2 g
1
2 Z
1
Z Z
1
2
.
(1.41)
• The ratio of the reflected wave and transmitted wave to the incident wave
T
L
/ c
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.4 Specific Impedance (Reflection & Transmission)
• Figure 1.11 exhibits how the waves on a string propagate when they meet a change of impedance or, in this case, a change of thickness of string.
Figure 1.11 Incident, reflected, and transmitted waves on a string; note the phase changes of the reflected and transmitted waves compared to the incident wave. The thin line has impedance
Z
1 and the thick line has impedance
Z
2
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.5 The Governing Equation of a String
• Let us examine an infinitesimal element of string (Figure 1.12).
Figure 1.12 Newton’s second law on an infinitesimal element of a string (notation as for Figure 1.10)
• Newton’s second law in the x direction can be written:
T
L cos
T
L
dT
L
d
L ds
2 x
t
2
.
(1.42)
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.5 The Governing Equation of a String
• The force and motion in the y direction can be written:
T
L sin
T
L
dT
L
d
L ds
2 y
t
2
, (1.43) where expresses the slope of the string with respect to the arbitrary position of x
: tan
y
x
.
x axis at an
(1.44)
• The change of this slope with regard to a small change in written as x dx
d
y x
2 x
2 y dx
(1.45) using a Taylor expansion.
• Assuming that the displacement of the string is small enough to be linearized, then sin cos
1.
,
(1.46)
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.5 The Governing Equation of a String
• Equations 1.42 and 1.43 thus become
L
T
L
dT
L
L ds
2 x
t
2
,
T
L
y
x
T
L
dT
L
y
2
x x y
2 dx
L ds
2
t
2 y
.
• The small ds can be rewritten as ds
dy
2 dx 1
y x
2
dx
1
1
2
y x
2
.
(1.47)
(1.48)
(1.49)
• Its square can therefore be neglected compared to other variables.
Therefore, we can approximate ds
dx .
(1.50)
• The small change of tension approximation as dT
L dT
L can be expressed by a first-order
T
L
x dx .
(1.51)
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.5 The Governing Equation of a String
• Equation 1.47 can be rewritten as
T
L
x
L
2 x
t
2
.
• We can easily write Equation 1.48 as
T
L
2 y
x
2
L
2 y
t
2
.
• Rearranging Equation 1.53 results in
2 x y
2
T
L
L
2 t
2 y
.
• Equation 1.54 can be summarized as
2 x
2 y
c
1 s
2
2 t
2 y
, where c s c s
2
T
L
L
.
is the propagation speed of the string.
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
(1.55)
(1.56)
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(1.52)
(1.53)
(1.54)
1.5 The Governing Equation of a String
• Recall that the impedance of the string
Z is
Z =
T
L c s
.
• Using Equation 1.56, we can rewrite Equation 1.57 as
Z =
c
L s
.
(1.57)
(1.58)
• Impedance has two different implications.
- The impedance is a measure of how effectively the force can generate velocity (response), that is, the input and output relation between force and velocity.
- The impedance represents the characteristics of the medium.
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.6 Forced Response of a String: Driving Point Impedance
• We first investigate what happens if we harmonically excite one end of a semi-infinite string.
Figure 1.13 Wave propagation by harmonically exciting one end of a semi-infinite string (
T is period, is propagation speed, the wavelength, f is the frequency in Hz (cycles/sec), and ω is the radian frequency in rad/sec) c s
λ is
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.6 Forced Response of a String: Driving Point Impedance
• For mathematical convenience, we begin by expressing the waves in
Figure 1.13 using a complex function: y
g
x c t s
.
(1.59)
• The boundary condition at x
0 can be written as y
g
c t s
Y e
,
(1.60) where at x
Y e
0.
denotes the response of the string due to the excitation (
• We can therefore rewrite Equation 1.60 as
F e
g
c t s
Y e jk
c t
,
(1.61) where we use the dispersion relation k
/ c s
.
• If we rearrange Equation 1.61 using an independent variable , then we obtain
g
Y e
jk
.
(1.62)
)
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.6 Forced Response of a String: Driving Point Impedance
• We can therefore substitute α by g
s
Y e
s
, which gives us
Y e
j
t kx
.
• The velocity can be expressed using Equation 1.60:
(1.63) u y
y
x
0
j
Y e
.
(1.64)
• The force at the end of the string is related to the tension and the slope of string (Figure 1.10): f y
= F e
T
L y
x
0
.
(1.65)
• We can rewrite the impedance at the end as
Z m 0
f y u y
c
L s
.
(1.66)
• The characteristics of the driving point impedance determine the spatial phenomenon of wave propagation, that is, the ways in which waves propagate in space.
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.6 Forced Response of a String: Driving Point Impedance
• Another extreme case that can demonstrate how the driving point impedance reflects the wave propagation along a string is a string that has finite length
L
.
• One end ( x=0
) is harmonically excited and the other end ( x=L
) is fixed.
• The boundary condition at x=L requires that the displacement y ( x,t ) this boundary condition can be written as y
always be 0. The solution that satisfies the governing wave equation and y
Y sin
.
(1.67)
• If we calculate the velocity using Equation 1.67 at x x =0 , then we have u y
y
x
0
sin kL e
.
(1.68)
• The force at x=0
0 is f y
=
T
L y
x
0
T kY cos kL e
L
.
(1.69)
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.6 Forced Response of a String: Driving Point Impedance
• Equations 1.68 and 1.69 give us the impedance (specifically, the driving point impedance
Z m0
) at x
0
. That is,
Z m 0
f y u y
j
T
L c s cot kL
j
c
L s cot kL .
(1.70)
• When the wavelength is large compared to the length of the string, then
Equation 1.70 reduces to
Z m 0
j
c
L s
1 kL
.
(1.71)
• Rearranging this equation, we obtain
Z m 0
j
T
L
L
.
(1.72)
• Driving point impedance represents how much force is required to obtain unit velocity, or how much velocity will be generated by a unit force at the point of interest.
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.6 Forced Response of a String: Driving Point Impedance
Figure 1.14 The driving point impedance of a finite string ( k is wave number and
L is the length of the string)
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
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1.6 Forced Response of a String: Driving Point Impedance
• Summary of Driving point impedances
Table 1.1 Driving point impedances
Nomenclature: ρ
λ
P
L
: Poisson’s ratio;
: mass per unit length of string, rod; ρ c s
: speed of propagation of string; c b
A
: mass per unit area of membrane;
Y /
; c p
Y
2 p
)
ρ : mass per volume of plate;
; ω : angular frequency; k
: wavenumber;
L
: length of string, rod, and bar;
Y
: Young’s modulus;
S
: cross-sectional area of rod and beam; χ : radius of gyration of beam and plate; d
: thickness of plate;
T on frequency); v p bending moment of beam;
Z F m 0 m
: membrane tension (N/m); v
: propagation speed of plate ( p b
: propagation speed of bar ( =
, depending on frequency);
Z M m 0
: driving point impedance by shear force of beam and plate.
b
, depending
: driving point impedance by
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
38
1.7 Wave Energy Propagation along a String
• Let’s determine how much energy can be stored in an infinitesimal element of string.
Figure 1.15 The change of an infinitesimal element of a string in infinitesimal time
• The kinetic and potential energy in the infinitesimal element of the string can be written
1
y
2 dE
K
2
L dx , dE
P
T
L
2
t
1 dy dx T dx
2
L
y x
2
,
(1.73)
(1.74) where d expresses a small element.
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.7 Wave Energy Propagation along a String
• The total energy of the string can be written dE
1
2
L
y t
2
T
L
y x
2
dx .
• Energy density can be expressed by
dE
.
dx
• The total energy in the string can be written as
(1.75)
(1.76)
E
dx
1
2
c
L s
2
y x
2
1
y c s
t
2
dx .
(1.77)
• Equation 1.77 demonstrates that the greater the slope along the string
(with regard to ) and the faster the speed of wave propagation, the more energy we have.
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
1.7 Wave Energy Propagation along a String
• Consider that we raise one end of the string (see Figure 1.16).
• The kinetic energy can be approximated as 1
2
L
2 c u
E
2 y
.
• The potential energy is 1
2
T
L
u c
E y
2 c
E
; this can be readily obtained by the work done due to the elongation of string.
Figure 1.16 Energy propagates along a string by raising one end ( time, and u y lifting velocity at the end)
T
L is tension along the string, c
E energy propagation speed,
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
41
1.7 Wave Energy Propagation along a String
• These lead to the equation:
L u y
T u c
E y
1
2
L
u
2 y
1
2
T
L
u c
E y
2 c
E
, which gives us c
E
2
T
L
L
.
(1.78)
(1.79)
• The speed of energy propagation is identical to the phase velocity of a string.
Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd
42
1.8 Chapter Summary
• We have studied wave propagation along a piece of string, which is a typical one-dimensional wave.
• A wave is an expression of a space–time relation.
• A harmonic wave solution gives us the dispersion relation, which determines the relation between wave number and frequency and is determined by the characteristics of the medium.
• The ways in which waves are reflected and transmitted are completely determined by the characteristic impedances of two strings, which create an impedance mismatch between the strings.
• The driving point impedance represents how the waves on a string propagate.
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Sound Propagation: An Impedance Based Approach Yang-Hann Kim © 2010 John Wiley & Sons (Asia) Pte Ltd