Truths of War All Quiet on the Western Front

advertisement

All Quiet on the Western

Front

Erich Maria Remarque

This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it.

It will try simply to tell of a generation of men who, even though they may have escaped its shells, were destroyed by the war.” (Remarque 6)

"It is just as much a matter of chance that I am still alive as that I might have been hit. In a bomb-proof dug-out

I may be smashed to atoms and in the open may survive ten hour's bombardment unscratched. No soldier outlives a thousand chances. But every soldier believes in Chance and trusts his luck."

Remarque During the War

Notes packet should include the following background info on page 1:

Describe the alliance system that was established before WWI.

Describe how and why this war was more advanced and deadly than most previous wars.

Describe what the Western Front was.

Describe what trench warfare was and what

“No Man’s Land” was.

Explain why the went on for years in stalemate.

Remarque’s Technique: PARALLELISM

 Style and structure: Paul as a poet; Moments of quiet reflection juxtaposed with intense action.

 Definition: The use of successive verbal constructions in poetry or prose that correspond in grammatical structure, sound, meter, meaning, etc.

 From the Greek, "beside one another”

Ex 1: “Mankind must put an end to war, or war will put an end to mankind.”

-John F. Kennedy

Ex 2: "Immature poets imitate; mature poets steal.” –T.S. Elliot

 Parallels create repetitions and rhythm, accentuating certain words or phrases to impact the audience.

 Evaluate how Remarque uses parallelism, combined with another technique to impact the reader.

The creation of poetry: Sensory details (imagery)

“Preludes” by TS Elliot:

The winter evening settles down

With smell of steaks in passageways.

Six o'clock.

The burnt-out ends of smoky days.

And now a gusty shower wraps

The grimy scraps

Of withered leaves about your feet

And newspapers from vacant lots;

The showers beat

On broken blinds and chimney-pots,

And at the corner of the street

A lonely cab-horse steams and stamps.

And then the lighting of the lamps.

Imagery:

Imagery=SENSORY DETAIL

Each type of imagery is paired with an example from TS Elliot’s poem

“Preludes”:

Visual imagery pertains to sight, and allows you to visualize events or places in a work. Ex: “ and then the lighting of the lamps.”

Auditory imagery pertains to a sound. Ex: “ The showers beat on broken blinds and chimney-pots.”

Olfactory imagery pertains to an odor.

Ex: “ Six o'clock. The burnt-out ends of smoky days.

Gustatory imagery pertains to a taste. Ex: “ The winter evening settles down with smell of steaks in passageways.”

Tactile imagery pertains to a texture or sensation of touch. Ex: “ And at the corner of the street, a lonely cab-horse steams and stamps.”

Kinesthetic imagery pertains to movement, or an action. Ex: “ A lonely cab-horse steams and stamps.”

Organic imagery pertains to feelings of the body, including hunger, thirst, and fatigue

Ex : “and now a gusty shower wraps the grimy scraps of withered leaves about your feet”

Animal imagery: Why?

Literal: Deplorable living conditions (rodents, lice)

Figurative: Represent the pain inflicted on people through other creatures (horses)

Men dehumanized (beasts)

Figurative: Animals as representative of instinct, the primitive part of the self –

(hunting like animals/hunted like prey)

FIGURATIVE LANGUAGE: non-literal language; secondary meaning or significance

Figurative language

Personification

Pathetic Fallacy

Simile

Metaphor

Oxymoron

Idiomatic expressions

Symbolism

Hyperbole

Synecdoche

Pun

PATHETIC FALLACY:

Natural world personified

Weather or nature reflective of human emotions

Ex: “the all-cheering sun” (-Shakespeare)

Pathos=empathy, emotion

PERSONIFICATION is when inanimate objects, or ideas are given qualities as if they were alive. It could also be when animals are given human qualities.

Personification vs. pathetic fallacy:

Ex: The wind howled through the trees.

Ex: The car died of exhaustion.

The return home

Symbols of war and home

Paul’s disconnection

Male vs. female responses

Erich Maria Remarque studied at the University of

Münster but had to enlist in the German army at the age of 18.

He fought on the Western Front and was wounded several times.

After the war, Remarque worked as a teacher, a stonecutter, and a test-car driver.

He became famous after his first novel, All Quiet on the Western Front

 touched a nerve of the time

 sparked off a storm of political controversy

Militarism

• Competition for military power

• Build up of military in

Germany

• France vs. Germany

Alliance System

• For peaceful purposes

• Protection of nations

• The Triple Alliance :

Germany, Austria-Hungary, and Italy

Triple Entente: Britain,

France, and Russia.

Imperialism

• Competition for colonies

• Colonies in

Africa and

Asia.

Nationalism

• Patriotism

• Competition for the largest army and navy

• Competition for the greatest industrial development.

Spark

 Serbian murdered Archduke Franz Ferdinand, heir to the

Austrian throne.

 Austria asked for and received from Germany a "blank check" of support for any action Austria-Hungary might take against Serbia.

 Austria reacted by declaring war on Serbia. The Russians prepared to defend Serbia.

 Germany declared war on Russia.

 France came to the aid of its Russian ally by declaring war on Germany.

 The British hesitated, but when the Germans marched into Belgium, they declared war on Germany as well.

 Italy, the third member of the Triple Alliance, refused to back Germany and Austria-Hungary.

 Italy claimed the Triple Alliance was for defensive purposes only and Austria's declaration of war against

Serbia was not defensive.

 Allied Powers included France, Great

Britain, and Russia (and eventually the US).

Central Powers

Central Powers included Germany, Austro-Hungarian

Empire, and the Ottoman Empire.

 On day I of the Somme offensive, 36,000 British troops wounded

 More than 35% of all the German men who were btw

19 and 22 when the fighting started were killed in the next 4 1/2 yrs; many others grievously wounded

 One half of all Frenchmen aged 20-32 at war ’ s outbreak were dead when it was over

 For 3 years, the armies on the Western Front were locked in place

 Trenches were sometimes 40 ft below ground

Barbed wire

 Loss of Innocence

 Truths of War

 Hopes, Dreams, Plans

 Sacrifice

 Death

 Primitiveness

Innocence is almost an enemy in All Quiet on the Western Front – a soldier must get rid of it right away if he wants to survive.

Our narrator learns to lose his innocence others around him, but also through his own experiences. And he consciously feels – and particularly our narrator's fact that they sacrifice for unknown reasons gives rise to great and

– concept in order to keep sane and in order to stay entering the fray, recruits only a year or so younger than he is, but far more innocent.

of being hunted. Lots of animalistic imagery thread throughout the novel, highlighting the wilder urges that the men face.

 Nov. 1916: Drafted into German army at age 18

 Sent to Western Front; worked in a support unit laying barbed wire and building bunkers and dugouts

 Wounded several times, once seriously while retrieving an injured soldier during an attack

 Spent most of the rest of the war recuperating in a military hospital; his mother died from cancer during this time

 Worked as a tombstone salesman, substitute teacher, organist, and freelance journalist

 Suffered from depression (now post-traumatic stress disorder); began writing All Quiet on the Western Front to come to terms with his experience.

AQWF published in 1929; an international bestseller

 In first year sold more than 1 million copies in Germany; translated into 23 languages

 Nominated for Nobel Prize for Literature

 Movie made in 1930 won Academy Award—Best

Picture

 Paul Baumer (narrator) enlisted with his classmates in the

German army of World War I. Youthful, enthusiastic, they become soldiers.

 But despite what they have learned, they “ break into pieces ” under the first bombardment in the trenches.

 And as horrible war plods on year after year, Paul holds fast to a single vow: “ to fight against the principles of hate that meaninglessly pits young men of the same generation but different uniforms against each other ” --if only he can come out of the war alive.

 Novel viewed as a humanitarian antiwar statement

 Attacked by Nazi party

 Hitler and Nazis viewed the “ message ” of the book as unpatriotic, pacifist, and anti-nationalist

 Remarque forced to leave Germany; moved to

Switzerland in 1931

AQotWF was burned in public by the Nazis, who declared it as a “ betrayal of the soldiers of the First

World War ”

 Remarque ’ s German citizenship revoked by the Nazi party in 1938

 Creed that places loyalty to the political and economic goals of one ’ s nation above all other public considerations

 Strong national identity

 Sense of entitlement: to colonize, to build up the military

 What ’ s good for the country is good for the people

 Moved to US in 1939 and became a citizen

 Friends with Greta Garbo, Ernest Hemingway, Charlie

Chaplin, F. Scott Fitzgerald

 Continued to write until his death in 1970, including a sequel to AQotWF, The Road Back, about veterans trying to assimilate back into civilian culture

 Refers to those who came of age during or after WWI

 Developed a pessimistic and uncertain outlook on life and society

 Had feelings of disillusionment, despair, emptiness, cynicism

 Started to question traditional authority figures and values

 Remarque forced to leave Germany; moved to

Switzerland in 1931

AQWF was burned in public by the Nazis, who declared it as a “ betrayal of the soldiers of the First World War ”

 Remarque ’ s German citizenship revoked by the Nazi party in 1938

 In Germany, before WWI:

 Teachers and parents were respected and obeyed

 Educational system emphasized dry memorization of facts, not teaching students to think for themselves

 Nationalism, patriotism, duty were unquestioned

 The brutal realities were far different from the “ glory ” and “ heroism ” that elders had led young men to expect

 Many survivors blamed the older generation for allowing the war ’ s “ ghastly and wasteful destruction ”

Paul Baeumer in All Quiet on the Western Front:

“ We are forlorn like children, and experienced like old men . . . I believe we are lost.

• How would you feel if, immediately after you graduated from high school, you were sent off to fight a war and during this time, you were put in the position of having to make the choices like the ones we just discussed? How do you think you would adapt to life of a soldier? How would your attitude be influenced if you felt the war you were fighting was “ unnecessary ” ?

• Is there such a thing as a necessary war? If so, when and under what circumstances?

• How do you think the war experience would be different if you were fighting face-to-face with the enemy versus deploying bombs from airplanes, submarines, or even a computer workstation in a building somewhere?

How do you imagine the experience of war would change you and affect the rest of your life? What are your impressions of war?

 Protagonist: Paul Baumer

 Secondary: Stanislaus Katczinsky

 Background characters: Muller, Tjaden, Albert Kropp, Kimmerich,

Leer, Haie Westhus, Detering

 Kantorek (their Schoolmaster)

 Corporal Himmelstoss

 Baumer, Muller, Leer and Kropp went to school together and were encouraged to enlist Kantorek. All are age nineteen.

 Tjaden, Westhus and Detering are lower class workers or farmers.

 Katczinsky is the oldest and becomes a mentor or father figure to

Paul.

PART I:

The book opens five miles behind the front. Kimmerich has just died.

After the excerpt, we follow Paul with the Second Company to the front line where he experiences a bombardment of French bombs, trench warfare and death on an intimate level.

Juxtaposed with the harsh experiences of war, we also learn of the intimate camaraderie that develops between the group as they work together to find food, and battle against lice and rats.

We learn of Kat’s amazing ability to scavenge and are privy to the debates the boys have on the merits of fighting a war that they did not start.

Half way through the book, Paul is given leave and returns home to find that his mother is very sick and bedridden. He is reunited with his boyhood items but is now so disconnected from the boy he was just a few years ago that he is filled with a profound sadness. He ends his visit with the thought “I ought never to have come on leave” (Remarque 160).

PART II:

Half way through the book, Paul is given leave and returns home to find that his mother is very sick and bedridden. He is reunited with his boyhood items but is now so disconnected from the boy he was just a few years ago that he is filled with a profound sadness. He ends his visit with the thought “I ought never to have come on leave” (Remarque 160).

 After his leave and before returning to the front, Paul is stationed on the base for additional training and is assigned to guard the Russian POWs, an experience which makes him question the validity of the German propaganda.

 He returns to the front and feels unable to reintegrate into the group. He is rusty and finds himself making mistakes that he wouldn’t have if he had never gone on leave. After a routine patrol into no man’s land, he finds himself paralyzed by fear behind enemy lines and forced to kill a French soldier.

 After coming under fire while evacuating a town, Paul and Albert are wounded and bribe their way into a military hospital where a new group of injured soldiers bond. They even conspire to help one of them sleep with his wife who comes to visit after years apart.

 Paul is discharged and returns to the front.

 The book ends with the knowledge of the inevitable defeat of the German army and a montage of each character’s death, culminating with Paul’s death on the last page.

WWI

Propaganda

The war

The soldier’s life

Life in the trenches:

Using at least ten phrases or words from the book and at least ten phrases or words from the article, create a montage poem.

The poem should portray the reality of life as a soldier in an authentic and clear manner.

In Flanders Fields

Lieutenant Colonel John McCrae, MD (1872-1918)

Canadian Army

Symbol: examine the title and text for symbolism

IN FLANDERS FIELDS the poppies blow

Between the crosses row on row,

That mark our place; and in the sky

The larks, still bravely singing, fly

Scarce heard amid the guns below.

Images: identify imagery and sensory details

We are the Dead. Short days ago

We lived, felt dawn, saw sunset glow,

Loved and were loved, and now we lie

In Flanders fields.

Take up our quarrel with the foe:

To you from failing hands we throw

The torch; be yours to hold it high.

If ye break faith with us who die

We shall not sleep, though poppies grow

In Flanders fields.

Figures of Speech: analyze figurative language and other devices (use the terms on the handout).

Tone and Theme: discuss how all devices reveal tone and theme

Sift through the poem. What is the tone and theme of this piece? How does this parallel at least one passage from the novel? Support with specific example from the text.

Download