THE ME DECADE THE SELF SEEKING SEVENTIES FASHIONS POLYESTER LEISURE SUITS a fashion of the 1970s, consisting of a shirtlike jacket and matching pants. Frequently the fabric used was double knit polyester, though not all fashions using this fabric are automatically leisure wear. In fact, the fashion has some precedent in styles of the 70s and earlier, but only became popular when -- with the creation and popularization of synthetic materials -- unprecedented cheapness met with a culture that had come to hate formality. The leisure suit gained popularity with its promise to bring a stylish suit that could be used in formal business, but was comfortable and trendy enough for every day wear. LEISURE SUIT POLYESTER PLATFORM SHOES So the '30s had passed and toward the end of the 1960s, something reemerged: those thick chunky platform shoes. This time round, however, the shoes took on a new dash of flavor. By 1975, platforms were so common and fashionable that, to be "hip," at least 2 inch soles and 5 inch heels were required. It was during these years that experimentation with fashion, not only drugs and sex, broke all kinds of rules of the pretentious 50s. Men, as well as women, adorned platforms. Pop art emulated the platform shoe, and by 1971, it was considered the most exciting year in shoe design, not only for the population but for Pop artists. The colors and designs were raved as "psychedelic," for their swirls and colors. It was during the 1970s that the platform shoe experienced it's most playful and colorful look. PLATFORM SHOES The 70s look TERRY CLOTH CLOTHING Designed primarily for women Dresses Beach clothes Sun clothes CLOGS Swedish clogs became popular in the seventies and eighties for both sexes. They were usually worn without socks. EARTH SHOES were an unconventional style of shoe invented in the 1970s in Scandinavia: unlike other shoes, the soles were thick and the heels were thin (Negative Heel Technology), so wearing them one walked heel-downward. The advertisements said that it was like walking on the beach, where one's footprints are this way. EARTH SHOES COWL NECK SWEATERS DICKIE Cloth turtle neck fronts worn under shitrs or sweaters. HALTER TOP refers to a type of women's clothing with a single strap around the back of the neck instead of straps over each shoulder. This can refer to either a dress or a separate top, called a halter top. The latter is a type of sleeveless shirt similar to a tank top. HOT PANTS Commonly known as "short shorts," primarily worn by women. These are short, tight shorts, usually made of cotton, nylon, or some other common material. They are meant to emphasize the buttocks and the legs. Hot pants are sometimes worn with dark tights and knee-length boots to create an edgy, sexy look. Hot pants were very popular in the early 1970s, but declined in popularity during the late 1970s. The fashion revived in the 1990s. HOT PANTS TUBE TOP is a shoulder less, sleeveless "tube" that wraps the torso (not reaching higher than the armpits). It is kept in place by elasticity. Such a top is generally very tight over the breasts in order to prevent the garment from falling. A similar version is the halter top, which is a tube top that uses a single strap that passes round the back of the neck and has both ends attached to the front of the tube. NIK-NIK SHIRT Mens polyester shirt IZOD SHIRT FADS AND TRENDS Corduroy look Designer jeans 1. Gloria Vanderbilt 2. Calvin Kline 3. Britannica Not: Lee, Levi STREAKING Popular on College Campuses in the mid 1970s. SMILEY FACE The graphic was popularized in the early 1970s by a pair of brothers, Murray and Bernard Spain, who seized upon it in a campaign to sell novelty items. The two produced buttons as well as coffee mugs, t-shirts, bumper stickers and many other items emblazoned with the symbol and the phrase "Have a happy day" (devised by Murray Spain). SMILEY CB RADIO WATERBEDS MOOD RINGS TOGA PARTIES popular fad on college and university campuses, a toga party is a particular kind of costume party in which everyone wears a toga, or a semblance thereof, normally made from a bed sheet, and sandals. Toga parties were depicted in the 1978 film Animal House, which propelled the ritual into a widespread and enduring practice. Ivan Reitman was one of the producers of Animal House, who attended McMaster University and stayed in Whidden Hall. which is reputed to be the origin to the toga party. TOGA, TOGA, TOGA PET ROCKS Pet Rocks were a 1970s fad conceived in Los Gatos, California by an advertising executive Gary Dahl. The first Pet Rocks were ordinary gray pebbles bought at a builder's supply store and marketed as if they were live pets. The fad lasted only about six months, ending with the Christmas season in December 1975; but in its short run, the Pet Rock made Dahl a millionaire. In 1975, Dahl established "Rock Bottom Productions", a company that sold the rocks for US$3.95 each. The pebbles, imported from Rosarito Beach in Baja California, Mexico, were swaddled in excelsior and nestled in a small cardboard box, similar to a pet carrier. A "Pet Rock Training Manual," with instructions on how to properly raise and care for one's newfound pet (notably lacking instructions for feeding), was included. The instruction manual contained several commands that could be taught to the new pet. While "sit" and "stay" were fairly easy to accomplish, "roll over" usually required extra effort on the part of the trainer. "Come" was found to be impossible to teach reliably. PET ROCK DUNGEONS AND DRAGONS Established 1974 THE APPLE COMPUTER 1976 PONG PAC MAN HACKEYSACK 1970’s-200? TELEVISION (COMEDY) Welcome Back Kotter The title character, Gabe Kotter (Gabriel Kaplan), plays a wise-cracking teacher who returns to the same high school from which he graduated - James Buchanan High in Brooklyn, New York - to teach an often unruly group of remedial students known as the "Sweathogs." WELCOME BACK KOTTER ALL IN THE FAMILY an acclaimed American situation comedy that was originally broadcast on the CBS television network from January 12, 1971 to September 16, 1979. In September 1979, the show was retooled under the title, Archie Bunker's Place. This version of the sitcom lasted another four years, finally ending its run in 1983. Also airs on CBS Daytime for all the repeats of the show from December 1, 1975 to September 14, 1979. Produced by Norman Lear and based on the British television series Til Death Us Do Part, the show broke ground in its depiction of issues previously deemed unsuitable for U.S. network television comedy, such as racism, homosexuality, women's liberation, rape, breast cancer and impotence. The show was wildly popular, and ranked #1 in the yearly Nielsen ratings from 1971 to 1976. Only one other program, The Cosby Show, has tied All in the Family in terms of years at the top of the ratings. In 2002, it ranked #4 on TV Guide's list of the 50 greatest TV shows of all time. TV Guide also named the show's protagonist, Archie Bunker, TV's greatest character of all time. ALL IN THE FAMILY HAPPY DAYS The show presented an idealized version of American life in late 1950s and early 1960s America. LAVERNE AND SHIRLEY Nostalgia SANFORD AND SON THE JEFFERSONS Spin-off-All in the Family TAXI Working at a taxi cab company THE MARY TYLER MOORE SHOW THREE’S COMPANY THE BRADY BUNCH Blended perfect family. M*A*S*H* MAUDE THE ODD COUPLE MARCUS WELBY M.D. CHARLIE’S ANGELS THE SIX MILLION DOLLAR MAN THE BIONIC WOMAN MANNIX HAWAII FIVE-O STARSKY AND HUTCH LITTLE HOUSE ON THE PRARIE BARETTA CHIPS THE WALTONS JULIE ANDREWS HOUR SONNY AND CHER DONNY AND MARIE OSMOND THE CAROL BURNETT SHOW THE FLIP WILSON SHOW TONY ORLANDO AND DAWN THE MUPPET SHOW SUPER FRIENDS SESAME STREET THE ELECTRIC COMPANY ZOOM FAT ALBERT AND THE COSBY KIDS SCOOBY DOO H.R. PUFNSTUF LAND OF THE LOST DANCES The Hustle YMCA Electric Slide The Robot DISCO Disco is King!!! The disco sound has soaring, often reverberated vocals over a steady "four-on-thefloor“ beat, an eighth note (quaver) or sixteenth note (semi-quaver) hi-hat pattern with an open hi-hat on the off-beat, and a prominent, syncopated electric bass line sometimes consisting of octaves. DONNA SUMMER ABBA Dancing Queen CHERYL LYNN Got to be Real THE VILLAGE PEOPLE YMCA AMII STEWART Knock On Wood LIPPS INC. Funky Town KC AND THE SUNSHINE BAND VICKI SUE ROBINSON Turn the Beat Around ANITA WARD Ring My Bell GLORIA GAYNOR-I WILL SURVIVE THE BEE GEES Stayin Alive WILD CHERRY-PLAY THAT FUNKY MUSIC ALICIA BRIDGES-I LOVE THE NIGHT LIFE VAN MCCOY-DO THE HUSTLE CHIC-LE FREAK THE JACKSON FIVE-SHAKE YOUR BODY DOWN TO THE GROUND SISTER SLEDGE-WE ARE FAMILY LED ZEPPELIN Whole Lotta Love PETER FRAMPTON KISS Rock and Roll All Night CCR CREEDANCE CLEARWATER REVIVAL BLACK SABBATH Iron Man ALICE COOPER Schools Out DAVID BOWIE Changes JETHRO TULL Bungle In The Jungle PINK FLOYD LYNARD SKYNARD Sweet Home Alabama DOOBIE BROTHERS THE CARPENTERS HELEN REDDY OLIVIA NEWTON-JOHN LINDA RONSTADT THE PARTRIDGE FAMILY JAMES TAYLOR JOHN DENVER ABBA BARRY MANILOW AMERICA THE EAGLES DON MCCLEAN ELTON JOHN PUNK ROCK Loud, Fast, Repetitive Guitars, Drums, Bass, and Singing (Bad) Break the rules of music and make new ones. Took a stand tro do their own thing. A new musical style mixed with a new clothing style. Really did not involve musical talent. THE RAMONES THE CLASH THE SEX PISTOLS BILLBOARD The Number 1 Hits of the decade. 1970 Bridge Over Troubled Water 1971 THE THREE DOG NIGHT Joy to the World 1972 ROBERTA FLACK The First Time Ever I Saw Your Face 1973 TONY ORLANDO AND DAWN 1974 BARBARA STREISAND The Way We Were 1975 THE CAPTAIN AND TENILLE Love Will Keep Us Together 1976 ROD STEWART Tonight’s the Night 1977-SILLY LOVE SONGS 1978 ANDY GIBB Shadow Dancing 1979 THE KNACK My Sharona TOP ALBUMS OF THE DECADE 1970 Bridge Over Troubled Water-Simon and Garfunkel 1971 Tapestry Carole King 1972 Chicago Chicago V 1973 Elton John Goodbye Yellow Brick Road 1974 Elton John’s Greatest Hits 1975 Captain Fantastic and the Brown Dirt Cowboy Elton John 1976 Songs in the Key of Life Stevie Wonder 1977 Rumors Fleetwood Mac 1978 1979 The Long Run The Eagles WHAT WE SAID Bogue-Disgusting or distasteful. “Don’t Leave Home Without It”: An advertising line used by the American Express Company to remind its customers that they could use their card nearly anywhere. Advertising-saturated Americans began using this slogan in everyday speech. Dweeb-A loser or social outcast. “Get a clue!”: a warning that someone should figure out what’s going on. Gnarly-very cool or good. Groupies: fans-usually women-who followed rock stars from concert to concert, sometimes offering sexual favors. “Like”: An interjection used by teenagers to interrupt and add emphasis to their speech, such as in “She was like, so bogue. When combined with “totally” it could be used to express real approval: “Like totally!” Male Chauvinist Pig-A man who thinks women are inferior. This label was used by feminists in the women’s liberation movement to blast those men who resisted their efforts to gain equal rights. Me Generation-A term used to describe people who left behind the social activism of the 1960s and focused on improving their own souls through a variety of self-help methods. “Plop, plop, fizz, fizz, oh what a relief it is” (1977): Part of a popular advertising jingle for Alka-Seltzer, this catchy phrase was used to describe anything that brought relief. “YO!” Similar to hi or hey, this greeting was popularized in the movie Rocky. WHAT WE READ Bury My Heart at Wounded Knee (1970): This important history of the effect of white settlement on Native Americans, written by Dee Brown, was the rare historical work that became a bestseller. Everything You Always Wanted to Know About Sex (But Were Afraid to Ask) (1970): Dr. David Reuban Jonathan Livingston Seagull (1970): A Parable by Richard Bach that told the story of an outcast seagull who seeks perfection. Love Story (1970): Erich Segal’s story of of the love between a talented Harvard athlete and his dying girlfriend was the publishing sensation of the year, with 21 hardcover printings and an initial paperback print run of over 4 million. Made into a movie. The Exorcist (1971): William Peter Blatty’s novel topped the New York Times Best Seller’s List. It was the first horror novel to do so. MS. (1972): Magazine dedicated to the Women’s liberation movement. Published by Gloria Steinam. The Joy of Sex (1972): Watership Down (1974): This exciting tale of a group forced to flee its home because it is being threatened by a developer had an interesting twist: the protagonists were rabbits. All the President’s Men (1974): Written by Carl Bernstein and Bob Woodward, this expose revealed how the authors discovered the Watergate cover-up that led to the resignation of Richard Nixon. People (1974): Respectable version of the supermarket tabloid. Roots (1976): Alex Haley’s historical saga about his family began with Kunta Kinte, a native of Gambia who is sold into slavery in the New World. Haley’s tale followed the family’s difficult journey from slavery up to present day. Your Erroneous Zones (1977): One of the key books of the 1970s self-help movement. Written by Wayne Dyer. It offered to make psychology simple enough for everybody and to help people live happier lives. The Complete Book of Running (1978): Written by Jim Fixx. Came out at the peak of the jogging craze in America. He died while jogging in 1984. MOVIES OF THE DECADE Comedy: Animal House Young Frankenstein Blazing Saddles American Graffiti MASH Monty Python Films Drama: The French Connection Rocky The Godfather One Flew Over the Cuckoo's Nest Chinatown Star Wars Horror/Suspence Exorcist JAWS Halloween Alien Texas Chainsaw Massacre Disaster Films: Airport The Poseidon Adventure Earthquake The Towering Inferno The SWarm BLAXPLOITATION MOVIES Blacula Cleopatra Jones Black Ceasar Shaft were made specifically (and perhaps exclusively) for an audience of urban black people; the word itself is a portmanteau of the words "black" and "exploitation". Blaxploitation films were the first to feature soundtracks of funk and soul music. These films starred primarily black actors. Variety magazine credited Sweet Sweetback's Baadasssss Song with the invention of the blaxploitation genre. Others argue that the Hollywood-financed film Shaft is closer to being blaxploitation, and thus is more