New Postgraduate Courses: Supporting Information Guidance for the Course Organiser (Proposer) | New Level 11 courses must be approved by the ECA Postgraduate Board of Studies. Provided this Board is quorate and scrutinises new courses using UoE/CHSS criteria, there is no longer a requirement to approve courses at Level 2 (CHSS). To ensure the sustainability of PG programmes (CHSS criteria), unless the new course forms part of a new programme, it should normally replace an existing Level 11 course. http://www.docs.sasg.ed.ac.uk/AcademicServices/Policies/Prog_Course_Design.pdf https://www.wiki.ed.ac.uk/display/PCIM/Home Timing | 1. Complete this form as far in advance as possible and email it to ECA PG Office for initial review and feedback. You should also arrange to discuss the new course at this stage with PGO to assist in marketing it within UoE. 2. Following feedback from the ECA PG Director, submit your course using CCAM (accessed via EUCLID) at least two weeks before ECA Postgraduate Board of Studies meets. This allows the paperwork to go out to all five ECA Subject Areas for review and feedback from PGT Directors (this is a key requirement of the Board of Studies). 3. Your course proposal will be placed on the Agenda for approval by ECA Postgraduate Board of Studies. 4. Approval is subject to any amendments recommended by the ECA PG Board of Studies. Please note: • New courses should normally be proposed in Semester 2 to run in the following academic session. • The final PG Board of Studies before the following academic session will take place in May Guidelines | Please make sure you read and follow these guidelines carefully as they include the latest UoE criteria for new course design. If you need any assistance, please contact ECA PGO: Writing Learning Outcomes: https://www.wiki.ed.ac.uk/pages/viewpage.action?title=Writing+Learning+Outcomes&spaceKey=E CATO Writing Statement of Assessment: https://www.wiki.ed.ac.uk/display/ECATO/Statement+of+Assessment CCAM Guidelines: www.studentsystems.ed.ac.uk/staff/Support/User_Guides/CCAM/index.html To be completed by the Course Organiser (Proposer): Key Information | • History of Art ECA PG Office Feb 2015; updated Nov 2015 • • • • • • • • Other Subject Areas (in ECA | non-ECA): ECA: 19th-21th-century art and visual culture, Non ECA: courses on post-colonialism in Literature and History Course Title: The Aesthetics of Difference: Post-colonial Perspectives Programme(s) / DTP(s): Taught MSc Option course, relevant to MSc History of Art, Theory and Display, Msc in Modern and Contemporary Art Course Organiser (Proposer): Dr Claudia Hopkins Programme Director(s): Professor Viccy Coltman SCOTCAT Credits: 40 Level 11 Course(s) new course replaces: Title/Code (if relevant) n/a. This is a new course, designed to grow capacity in History of Art, expand the ‘global’ in History of Art, and links across HSS. Resources shared with UG course(s)?: There is a related UG course “Orientalism in Visual Culture” (focusing on 19th-century representations of the Middle East) in History of Art. This enables resources to be shared across the area, particularly in the way of books and research tools. In addition, there are regular and extra-curricular activities in HoA, ESALA and History to which the students are alerted. This course will also be available to MSc students in all other CHSS MSc programmes, as relevant. Academic and Commercial Rationale for the new course | Detail where the rationale has arisen from, where the idea has been discussed and provide evidence to support it (e.g. External Examiner’s Report, Subject Area PG Committee, Student Demand, Financial forecast, etc.). This is a new course in History of art. It is aimed at postgraduate students interested (cross-) cultural encounters between the West, the Middle East, and Africa, from the nineteenth to the twenty-first century. The course will create links with local and national institutions. There are important research collections in the National Library of Scotland, the National Museum of Scotland, and University Collections. HoA has longstanding relations with these institutions for both research and teaching. The course will appeal to MSc students in History of Art as well as other disciplines, eg. History, Literature, Sociology, Islamic and African Studies. This is the only dedicated course on Postcolonial Perspectives at MSc level in History of Art at the UoE. Fit with existing Programme(s) | How does the new course compliment existing programme(s) it is included in and what is the overall effect of this course on the programme(s)? The course makes a unique contribution to the ‘global’ profile of History of Art. HoA has a proven track record in teaching non-Western art (Chinese, Islamic, Japanese). The department also hosts the journal Art in Translation (edited by the course organiser), which is committed to a ‘global’ history of art. There is currently no other course on the MSc programme that explicitly focuses on issues of cultural translation in the arts, exploring post-colonial theory. It uniquely enhances the current offering in the MSc History of Art, Theory and Display, and MSc in Modern and Contemporay Art. ECA PG Office Feb 2015; updated Nov 2015 Internal Competition / Potential | Does the course overlap or compete with any other UoE courses viewable on path.is.ed.ac.uk? Are there any other UoE programmes that it might benefit and, if so, have the programme directors been approached? There are courses in History dealing with Post-colonialism ( Politics and Power in Postcolonial Africa, level 10) and in Literature (Post-colonial Writing, level 10). In History of Art, as mentioned above, there is a UG course on ‘Orientalism and Visual Culture’, but the overlap is limited as this UG course focuses on nineteenth-century Orientalism in relation to the Middle East and North Africa. It does not deal with contemporary issues, nor with sub-Saharan Africa. Resource Implications | Fully detail the resource implications that will result from the validation of the new course (e.g. technical workshops, estates, learning and teaching, admin, IS, and ECA support departments). This is a straightforward seminar-based course on the standard CHSS model. There are no additional requirements. Additional classes and activities will be incorporated but these are low or no cost, local partnerships with the external bodies mentioned above. Teaching cost per student | Based on the proposed contact time, calculate the basic cost of teaching the course to one student. (1hr of staff teaching costs £100; this is a CHSS sustainability review requirement.) Not relevant EU fees for Programme hosting the proposed course | Please provide the full-time EU fees for the next academic session. Min/Max Student Population | Estimate the minimum and maximum number of students that the course can accommodate. Will the course be taught in more than one class/more than one tutor? (If there is no max. limit, please state so.) Minimum – History of Art MSc courses run on an ideal minimum of 6 students. Sometimes this is lower because certain students come to study with us to take specific subjects. These students are high-value as they are most likely to go on and do PhD study with us. Lower student numbers on a course are balanced by higher numbers on others. This changes from one year to the next, and is in part dependent on activities outwith the control of ECA/HoA. Therefore in HoA we aim for a mean student cohort across MSc option courses. In some cases courses will be taken off last minute but only where this does not cause significant problems for managing student expectation and for reallocation of teaching staff to alternative teaching duties. This is often neither possible nor desirable. Minimum 3; maximum 12, though this often rises to 15 even though it is not ideal at this level. Seminar room size across ECA/HSS limits group size to 15, even when capacity is advertised to be 20 or 24. SCQF Level | Explain how the course Learning Outcomes satisfy SCQF Level 11 Descriptors scqf.org.uk/theframework/scqf-levels ECA PG Office Feb 2015; updated Nov 2015 Knowledge and Understanding will be addressed by LO1: LO1 Demonstrate a specialist and integrated knowledge of post-colonial theory and visual representations of otherness, ranging from European Orientalist traditions in the nineteenth century to responses to racial and cultural difference in the modern and contemporary period. Practice: Applied Knowledge and Understanding will be addressed by LO2: LO2. Demonstrate skills in visual and theoretical analysis in relation to key works and visual displays that relate to (cross-) cultural encounters between the West, the Middle East, and Africa, from the nineteenth to the twenty-first century. Students will apply their knowledge and theoretical understanding through the choice of examples and case studies they select for class discussion and for formative and summative assessment activity. The summative assignment in particular will enable them to execute a significant project of research through which they will be expected to demonstrate originality, creativity and critical/questioning of core case studies and values that underlie this subject, history and politics. Generic Cognitive Skills will be addressed by LO3: LO3. Apply skills of critical reflection, synthesis and evaluation towards complex translational processes that are at work in visual representations of cultural and racial difference. In classes, and in peer and expert interaction, students will test and apply their critical analysis, synthesis and evaluation of historical and theoretical knowledge. Communication, ICT and numeracy Students will communicate to a range of audiences – peer and expert – in class presentations, essays, and interaction with professionals on class visits to the National Library of Scotland and the National Museum of Scotland. The research necessary for successful independent study, class presentation and research demands high level literacy and research skills. Autonomy, accountability and working with others Students on their course (and indeed all MSc programmes in HoA) join a learning community of peers, and the learning community of HoA in ECA. In addition to class and programme activities, students attend weekly research seminars. Peer learning groups and class sessions demand critical reflection, self-awareness and interaction. This is especially relevant in this course as it deals with social, historical and political issues (racism, colonialism and its legacies) which are highly significant within our society. Assessment Rationale | Please explain the rationale for Assessment (‘how’ and ’why’). The course will be assessed through the essay (standard practice throughout the History of Art department). Students will negotiate knowledge and find their own research question with the ECA PG Office Feb 2015; updated Nov 2015 support of the course organiser. They will prepare a bibliography together with a formal abstract, including detailed information on the proposed topic, research methodologies and essay structure. One-to-one 30-minute feed-forward sessions will be arranged for each student to review progress and offer advice. The construction of a longer piece of work (4,000 words) is a key stage towards the longer narrative (15,000 words) demanded in the MSc dissertation. It is a greater word length than most MSc students are used to, especially those who come to us from outside the UK HEI sector. Alignment of LOs & Assignments | Please explain how the Learning Outcomes will be aligned with Assignments. One 4,000-word essay. The essay will allow students to exercise all elements of the learning outcomes in line with SCQF 11 requirements. In addition to the course-specific learning outcomes, the assignment activities align with the generic Los embedded in the University of Edinburgh’s Common Marking Scheme (4). Weighting of LOs & Assignments | Please explain your rationale for the weighting of Learning Outcomes and/or related Assignments based on learning hours attributed to student workload. 100% weighting of the 4,000-word essay using the University Common Marking Scheme 4 (standard HoA practice). VLE | Please state which VLE will host and support the course (e.g. LEARN, PebblePad, Course WordPress, etc). LEARN Level 1 Ethical Approval | For courses of 40 credits or less, please confirm that the mandatory course assignments do not require research that exceeds Level 1 Ethical Review. The course proposer should tick this box to confirm that they have used the Audit Checklist for this purpose. X☐ ECA PG Office Feb 2015; updated Nov 2015