Antigone - 2014-15 School Year

advertisement

The land

The stage

The myths

 Greece has thousands of inhabited islands and dramatic mountain ranges

 Greece has a rich culture and history

 Democracy was founded in Greece

 Patriarchal (male dominated) society

 Philosophy, as a practice, began in

Greece (Socrates, Plato, Aristotle)

Look at pg. 768

Let’s fill out the front page of our packets

The Theater: Greek drama usually accompanied religious festivals and was part of the fanfare. The stage was built into a hillside and plays were performed during the day before thousands of onlookers. A large orchestra, located in a pit between the stage and the audience, provided music before, during, and after the performance.

 Greek plays were performed during religious ceremonies held in honor of

Dionysus, the Greek god of wine and revelry (altars generally on stage)

 Banks would shut down for days, people would travel from all around to see the drama competitions—even prisoners were temporarily released to see the plays

Tragedy means “goat song” (relates to

Dionysian rituals)

Three Main

Portions of Greek

Theatre:

Skene – Portion of stage where actors performed

(included 1-3 doors in and out)

Orchestra –

“Dancing Place” where chorus sang to the audience

Theatron –

Seating for audience

3.

4.

5.

6.

1.

2.

Explained the unexplainable

Justified religious practices

Gave credibility to leaders

Gave hope

Polytheistic (more than one god)

Centered around the twelve Olympians

(primary Greek gods)

 Dionysian cults in ancient Greece were founded to worship Dionysus, god of grapes, vegetation, and wine.

The Romans used myths to create family trees for their leaders, enforcing the made-up idea that the emperors were related to the gods and were, then, demigods.

The Olympians:

The Main Gods of Greece

 King of gods

 Heaven

 Storms

 Thunder

 Lightning

Poseidon

• Zeus’s brother

• King of the sea

• Earthquakes

• Horses

Hades

• Brother to Zeus and

Poseidon

• King of the

Underworld

• Husband of

Persphone

(Demeter’s daughter)

• Zeus’s son

• God of war

• Zeus’s wife

• Queen of gods

• Women

• Marriage

• Childbirth

Hera

Apollo

• God of the sun

• Music

• Poetry

• Fine arts

• Medicine

Hephaestus

[hifes -tuhs]

• Hera’s son

• God of fire

• Craftspeople

• Metalworkers

• Artisans

[dahyuh -nahy-s uh s

]

Dionysus

[dahy-uhnahy -suhs]

• God of Wine

• Partying (Revelry)

 Zeus’s son

 God of messages

 Trade

 Commerce

 Travelers

 Thieves & scoundrels

Demeter

[dihmee -ter]

• Goddess of Harvest

• Agriculture

• Fertility

• Fruitfulness

• Mom to Persephone

Hestia

[ hes -tee-uh]

• Goddess of Hearth

• Home

• Community

Athena

• Goddess of wisdom

• Practical arts

• War

Aphrodite

• Goddess of love and beauty

Artemis

• Virgin goddess of hunting and the moon.

Actors: All roles were played by men wearing large masks , extravagant robes , and platform shoes. Sophocles, the most popular of Greek dramatists, used three actors who changed costumes between scenes.

 I. Prologue: Spoken by one or two characters before the chorus appears. The prologue usually gives the background information needed to understand the events of the play.

 II. Parodos : the song sung by the chorus as it makes its entrance

 III. Episodes/Scenes : the main action of the play

 IV. Odes : songs (and often dances) that reflect on the events of the episodes, and weave the plot into a cohesive whole

A.

B.

Choragos : the leader of the chorus who often interacts with the characters in the scenes.

Chorus : the 15 singers/dancers who remark on the action

1. strophe : the movement of the chorus from right to left across the stage

2. antistrophe : the reaction to the strophe - moves across the stage from left to right.

 V. Paean : a prayer of thanksgiving to

Dionysos in whose honor the Greek plays were performed

 VI. Exodos : sung by the chorus as it makes its final exit, which usually offers words of wisdom related to the actions and outcome of the play

 Ancient Greek tragedies should be thought of as closer to opera/operetta than to our spoken, prose dramas.

 Though deviations were possible, most tragedies had a typical structure, which derived from the role played by the chorus.

Dramatist Born

Aeschylus 524 B.C.

Sophocles 496 B.C.

Euripides 480 B.C.

Wrote

Seven

Against

Thebes

Antigone

Oedipus

Medea

(496-406 B.C.)

won 24 contests

never lower than 2

nd

believed to have introduced the

3

rd

actor

fixed the chorus at 15 (had been

50)

 emphasis on individual characters

 reduced role of chorus

 complex characters, psychologically well-motivated

 characters subjected to crisis leading to suffering and self-recognition including a higher law above man

 exposition carefully motivated

scenes suspenseful and climactic

action clear and logical

poetry clear and beautiful

few elaborate visual effects

theme emphasized: the choices of people

 Oedipus was the son of Laius [ley-uhs] and

Jocasta

[joh-kas-tuh], king and queen of Thebes.

After having been married some time without children, his parents consulted the

Oracle of Apollo at Delphi about their childlessness. The Oracle prophesied that if

Jocasta should have a son, the son would kill her husband Laius and marry her.

 In an attempt to prevent this prophecy's fulfillment, when Jocasta indeed bore a son,

Laius had his ankles pinned together so that he could not crawl, and gave the boy to a servant to abandon on the nearby mountain .

 However, rather than leave the child to die of exposure, as Laius intended, the sympathetic servant passed the baby onto a shepherd from

Corinth and then to another shepherd.

 Oedipus the infant eventually comes to the house of Polybus [pol-uh-buhs] , king of

Corinth and his queen, Merope [mer-uh-pee] , who adopt him as they are without children of their own.

 Many years later, Oedipus is told by a drunk that Polybus is not his real father but when he asks his parents, they deny it.

 Oedipus seeks counsel from the same Delphic

Oracle. The Oracle does not tell him the identity of his true parents but instead tells him that he is destined to kill his father and marry his mother.

 In his attempt to avoid the fate predicted by the Oracle, he decides to not return home to

Corinth. Since it is near to Delphi, Oedipus decides to go to Thebes.

 As Oedipus travels he comes to the place where three roads meet, Davlia. Here he encounters a chariot, driven by his

(unrecognized) birth-father, King Laius.

 They fight over who has the right to go first and Oedipus kills Laius in self defense, unwittingly fulfilling part of the prophecy. The only witness of the King's death was a slave who fled from a caravan of slaves also traveling on the road.

 Continuing his journey to Thebes, Oedipus encounters a Sphinx which would stop all those who traveled to Thebes and ask them a riddle. If the travelers were unable to answer correctly, they were killed and eaten by the sphinx; if they were successful, they would be able to continue their journey.

 Oedipus was the first to answer the riddle correctly. Having heard Oedipus' answer, the

Sphinx is astounded and inexplicably kills itself by throwing itself into the sea, freeing

Thebes.

 Grateful, the people of Thebes appoint

Oedipus as their king and give him the recently widowed Queen Jocasta's hand in marriage.

 The marriage of Oedipus and Jocasta fulfilled the rest of the prophecy. Oedipus and Jocasta have four children: two sons , Eteocles and

Polyneices, and two daughters , Antigone and

Ismene.

 Many years after the marriage of Oedipus and Jocasta, a plague of infertility strikes the city of Thebes; crops no longer grow to harvest and women do not bear children.

 Oedipus, in his hubris, asserts that he will end the pestilence. He sends Creon,

Jocasta's brother, to the Oracle at Delphi, seeking guidance.

 When Creon returns, Oedipus hears that the murderer of the former King Laius must be found and either be killed or exiled.

 In a search for the identity of the killer,

Oedipus follows Creon's suggestion and sends for the blind prophet, Tiresias , who warns him not to try to find the killer.

 In a heated exchange, Tiresias is provoked into exposing Oedipus himself as the killer, and the fact that Oedipus is living in shame because he does not know who his true parents are.

 Oedipus becomes unnerved as he begins to think that he might have killed Laius and so brought about the plague.

 When a messenger arrives from Corinth with the news that King Polybus has died,

Oedipus is relieved concerning the prophecy, for it could no longer be fulfilled if Polybus, whom he thinks is his father, is now dead.

 Nonetheless, he is wary while his mother lives and does not wish to go. To ease the stress of the matter, the messenger then reveals that Oedipus was, in fact, adopted.

Jocasta finally realizes Oedipus' true identity , and begs him to abandon his search for Laius's murderer.

 Oedipus misunderstands the motivation of her pleas, thinking that she was ashamed of him because he might have been the son of a slave. Jocasta then goes into the palace where she hangs herself .

 Oedipus seeks verification of the messenger's story from the very same herdsman who was supposed to have left

Oedipus to die as a baby.

 From the herdsman, Oedipus learns that the infant raised as the adopted son of Polybus and Merope was the son of Laius and Jocasta.

 Thus, Oedipus finally realizes in great agony that so many years ago, at the place where three roads meet, he had killed his own father, King Laius, and as a consequence, married his mother, Jocasta.

 Oedipus goes in search of Jocasta and finds she has killed herself. Using the pin from a brooch he takes off Jocasta's gown,

Oedipus gouges his eyes out .

 Oedipus asks Creon to look after his daughters, for his sons are old and mature enough to look after themselves, and to be allowed to hold them one last time before he is exiled.

 His daughter Antigone acts as his guide as he wanders blindly through the country, ultimately dying at Colonus after being placed under the protection of Athens by

King Theseus.

 His two sons, Eteocles and Polyneices, arrange to share the kingdom, each taking an alternating one-year reign.

 However, Eteocles refuses to cede his throne after his year as king.

 Polyneices brings in an army to oust

Eteocles from his position, and a battle ensues.

The Tale in 8 Minutes

 In the battle for the throne of Thebes ,

Antigone's brother Eteocles has died defending the city, while her brother

Polyneices has died attacking it. Creon , the king of Thebes, has sworn that although Eteocles has been given a soldier's funeral, Polyneices' body will remain unburied .

 Antigone defies the decree and buries her brother, even though her sister, Ismene , refuses to help her. Creon then condemns both Antigone and Ismene to death . He changes his mind about Ismene, but locks

Antigone away in a stone vault .

 Later, after the blind prophet Teiresias predicts doom, Creon decides to free

Antigone, only to find that she has committed suicide .

 Antigone's death leads to the suicide of

Creon's son, Haemon , who was betrothed to her, and then to the suicide of Creon's wife, Eurydice .

Families torn apart by political/moral differences

Gender bias

Death penalty

Suicide

Divine law

Crime and Punishment

Fate /Prophesy

Leadership

Vengeance

Pride

Respect for the Dead

The Tragic Hero: A tragedy recounts the downfall of a tragic hero. A tragic hero is:

 A dignified character, usually of noble birth .

 A person who possesses a tragic flaw , or hamartia (usually pride, or hubris ) which leads to a catastrophe .

 A tragic hero is someone well-known & prosperous, usually royalty – who suffers a downfall due to their own flaw(s)

 A hero’s flaw or weakness is called a tragic flaw

Modern Examples: Britney Spears, Lindsay

Lohan & much of the NFL

 Tragic Flaw is oftentimes caused by “Hubris”

 Hubris is…

 Excessive Pride

Examples: politicians, movie stars, athletes

What actually happens is the opposite of what is expected

General Life Examples:

 A fire station burns down

A police station gets robbed

A child runs away from someone throwing a water balloon but falls into a pool

Literary Examples:

 In Romeo & Juliet Romeo finds Juliet drugged and assumes she is dead; when she awakens she sees that

Romeo is dead and kills herself

Oedipus killed his father and married his mother unaware of the relationship due to his being left to die by his father because of a prophesy

 Speaker says one thing but means another

(like sarcasm)

 Example: “Woah, nice haircut!” (you mean the opposite)

 The reader or audience knows something that the character does not know

 Example: In a movie where the audience knows the bad guy is around the corner

 Character who serves as a contrast to another character

 Examples:

 Pretty sweet Cinderella compared to her selfish, ugly stepsisters

 Dr. Watson & Sherlock Holmes

 Huck Finn & Tom Sawyer

 Dumbledore and Lord Voldemort

(Harry Potter)

Antigone and her sister Ismene

Antigone THEMES

 Is life determined by destiny (already written in the stars) or do people have free choice?

 What is more important to obey?

Divine laws (based on Religion)?

or Human laws (based on Government)?

For Example: What if your religion demands you shave your head but local government (like your school) forbids it?

 What is more important – to follow your own conscience (sense of right vs wrong) or to obey authority?

For example: During WWII, it was against the law to help Jews escape…what would you do?

Obey your conscience & risk being arrested (or worse!) to assist the Jews or play it safe and obey the law?

Oedipus’ two sons Polyneices and Etiocles were supposed to take turns being the King of Thebes.

Etiocles takes his turn first, but won’t give up the throne at the end of his term.

Polyneices goes to Arogs and hires an army to attack

Thebes

In the battle, Polyneices and Etiocles kill one another

 Creon (Jocasta’s brother/Oedipus’ brother-in-law uncle) becomes king and rules that Polyneices is a traitor and won’t be buried

Greek religious beliefs:

The holy laws demand that all people be buried properly, or their souls won’t be able to rest

The conflict in the play revolves around this decision.

Creon remains determined that Polyneices remain unburied.

Antigone wants to make sure that her brother is properly buried

Download