Human Coding/The Coding Scheme - Academic Server| Cleveland

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COM 633: Content Analysis

Human-coded Content Analysis;

The Coding Scheme

Kimberly A. Neuendorf, Ph.D.

Cleveland State University

Fall 2010

Human-coded

Content Analysis Measures:

Not So Different from other Quantitative Studies

Like survey or experimental measures. . .

Exhaustive, mutually exclusive categories

High level of measurement

Good distributions/transform if necessary

May combine into scales

The Coding Scheme

Codebook + Coding Form = Coding Scheme

See The Content Analysis Guidebook Online for some examples

Janstova Thesis example (27-page codebook)

Patrika Janstova Thesis:

Empirical Testing of Auteur Theory via Content

Analysis: A Study of Jane Campion Films

Sources of theory and variables:

Auteur theory (Bazin, Truffaut, Sarris,

Wollen & structuralism)

Campion films and scholarly literature

Other auteurs— 50 Contemporary

Filmmakers (Y. Tasker, 2002). . . Every third filmmaker listed

Janstova Thesis:

Themes & Motifs for Non-Campion Directors

Gregg Araki

1 Intensifies lighting and color of the city (LA)

2 Love, sex and lust

3 Queer characters

4 Tries to show being gay doesn’t make a difference among people

5 Characters are obsessed with video cameras

6 Adolescents and homosexuality

Luc Besson

7

8

5

6

3

4

1

2

Lack of dialog – comic strip influences?

Stories of young people who have difficulties adapting to a society

Society lets the family down - the young people become emotionally deprived

Youth in crisis

Dysfunctional families

Parents are absent

If mother figure appears – as evil force

Protagonists are lonely and suffering

9 Self-erasure of the protagonists

10 Literal portrayals of underworlds – metro, sea, lower regions of cities 11 Characters are

“larger than life”

12 Bricolage of genres – more genres in one

Janstova Thesis:

Themes & Motifs for Non-Campion Directors

Tim Burton

1

2

3

4

Love for horror and fantasy

Plain weirdness of main characters

Technical experimentation with possibilities of animation and visual effects

Main characters are outsiders villains with extremely complex personalities

5 Main characters have very pale skin

Themes of exclusion and inclusion7 Johnny Depp 6

Jackie Chan

1

2

3

4

David Cronenberg

1

4

5

2

3

6

David Fincher

Kung-Fu stunts

Master-pupil theme (comical)

Silent cinema feel to some of his scenes (i.e., chasing scenes, bar fights)

Female roles are always over the top girlish

The physical and the psychological are usually intertwined

Main character is often male scientist – with a bizarre name

Themes: science, disease, aging, invasion, death in literary metaphors

Bodily and psychic mutations

Hostility towards women – men fear and are jealous of females

Womb envy

1 Critiques of today’s society

2 A man alone in the universe

3 Visual translation of feelings of isolation of the characters

4 Wide angles, shallow focus = isolation

5 Muted light and color

6 Psychological and emotional state of American males of 20th century

7 Decay of American family

8 Females are barely present

Janstova Thesis:

Themes & Motifs for Non-Campion Directors

Jim Jarmusch

1

2

Alienation of characters

Use of jump cuts

3 Characters have no real direction in life

4 Not interested in What? and Why? but How did one character get where he is now...

5 Main characters are outsiders

Abbas Kiarostami

1 Challenges the audience

2 Poetic and philosophical style

3 Self-referentiality

4 Social realist traits/themes

5 Bleakness and loss - main themes

6 Often hopeful and enthusiasm accompanies the results

7 Likes to involve the audience as much as possible

Ang Lee

1 Modernity vs. tradition

2 Deep secrets and internal torment come to surface

3 Conflict between freedom and societal traditions

Michael Mann

1 Interested in real events

2 Fading centrality of a male

3 Visual: soft blues, and sterile and harsh whites

Janstova Thesis:

Themes & Motifs for Non-Campion Directors

John Sayles

1 Social concerns

2 Political awareness

3 Complex characters

4 No central protagonist, usually group of characters

5 Stretches the boundaries of genres

6 Witty dialog

7 Realistic characters

Steven Soderbergh

1 Character based films

2 Ironic humor

3 Sense of isolation and loneliness

4 Characters are harshly detached, emotionally frozen

5 Characters are unable to fit with the world around them – lonely

6 Ultimately, his films are character studies of populated with strangers in a strange land

Oliver Stone

1 Lonely and isolated male protagonist in quasi-spiritual journey

2 Character goes through innocence, suffering and experiences liberation or destruction

3 Testosterone-driven and often didactic dialog

4 Marginalization of women

5 The lure of homo-social is evident

Peter Weir

1 Very national – Australian – rather than international

2 Avoidance of sexuality

3 No vivid sex scenes

4 However he shows erotic desire

Allison Anders

1 Multiple protagonists

2 Teen angst (anxiety, fear, worry)

3 Gangsters

4 Biopic

5 Emotional intimacy and heterosexual love atavistic

Janstova Thesis:

Variable Sets & Units

Variable Set Unit of Data Collection

Themes & motifs Film

Narrative constructions Major character

Production techniques 5-minute interval

Janstova Thesis:

Sample

All 6 Campion films 1989-2003

18 “matched” non-Campion films

Total n=24 films

Janstova Thesis:

The Codebook

Available at the Content Analysis

Guidebook Online

(newer version, http://academic.csuohio.edu/neuendorf_ka/content )

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