Thursday 13th July - Poetry and Politics

advertisement

Thursday 13 th July

10.30 – 11.45 Paper Sessions A1-A5

Session A1 Title: Whitman and his Legacy

Danny Robinson, Bloomsburg University, USA.

David K. Heckerl, Saint Mary’s University, Canada.

Rachel Harmon, University of New Mexico, USA.

Session A2 Title: Ekphrasis

Room: C1 Chair: Rory Watson, University of Stirling

The Polemics of Publishing: The Unlikely Birth of Leaves of Grass

Kateb's Whitman: Democracy, Poetry, and Human Extinction

Exclusive Spaces: Sharon Olds' and Walt Whitman's Gender Privileged Creativity

Soeren Hattesen Balle, Aalborg University, Denmark.

Anne Keefe, Rutgers University, USA.

Daniel Cross Turner, Siena College, USA.

Room: D1

The Politics of Genre and Medium

Washington Crossing the Delaware

Chair: Dorothy Alexander, University of Glasgow apropos of Frank O'Hara's 'On Seeing Larry Rivers's

' (1955): Ekphrasis and Representation

'Geometry of the visible': Eavan Boland, Ekphrasis, and Ars Poetica

Photographic Memory: Natasha Trethewey's Calculated Disarray

. 'A deliberate collection of cross purposes'

Session A3 Title: Poetry and Pedagogy Room: D3 Chair: Suzanne Gilbert, University of Stirling

Anne F. Herzog, West Chester University, USA. What Is (and Isn't) Found There: Indifference, Boredom, and Today's U.S. High School 'Poetry Unit'

Julia Lisella, Regis College, USA.

Priscila Uppal, York University, Canada

Teaching Poetry and Politics in an American University

‘Who Cares?’: Teaching Creative Writing as Political Activity to the ‘It’s all about Me’ Generation

Session A4 Title: Poetry and Soviet Politics

Tony Brinkley, University of Maine, USA

Room: A7 Chair: Adrian Hunter, University of Stirling

& Raina Kostova, Emory University, USA

Natalia Vid, University of Maribor, Slovenia.

Vera Shamina, Kazan State University, Russia

Session A5 Title:

Constructions of ‘Poet’ (1)

Christophe Fricker, St John’s College, Oxford, UK.

Christy Scheuer, University of Illinois, USA.

Annette Pankratz, University of Passau

Mandelshtam's Mastery

Political - Ideological Translations of Robert Burns' Poems in the Soviet Union

Political and Ideological Approaches to the Translation and Interpretation of British Poetry in Soviet Russia

Room: C23 Chair: Cedric Barfoot, Leiden University

The Changing Role of the Poet in Stefan George’s Late Works

'The house of the poet': Muriel Rukeyser's Poetics of Hospitality

British Poets Laureate Between Politics and Literature

& University of Siegen, Germany.

1.45 – 3.00 Paper Sessions B1-B5

Session B1 Title: Césaire and Glissant

John Maerhofer, CUNY Graduate Centre, NY, USA.

Room: D3 Chair: Gemma Robinson, University of Stirling

Aimé Césaire and the Crisis of Aesthetic and Political Vanguardism

Lorna Burns, University of Glasgow, UK.

Evan Bibbee, University of Saint Thomas, USA.

A Field of Islands: Édourd Glissant’s Cross-Cultural Poetics of the Caribbean Landscape

In Search of the Next Cahier : Poetry and Politics in Martinique Today

Session B2 Title: Poetry and the Nation (1) Room: C1 Chair: Cedric Barfoot, Leiden University

Diana Forman, Murdoch University, Australia. The Furnace of Los: The Political Dimension of William B lake's Final Prophetic Poem,

Jerusalem, The Emanation of the Giant Albion

Paul Tenngart, Lund University, Sweden.

Smita Agarwal, University of Allahabad, India.

Session B3 Title: Problematic Identities

Rebels Without a Cause? Riots and Romantic Poetry in Post-war Sweden

India: The Nation in Verse; Pre and Post Independence Poetry in English

Room: A7 Chair: Sheree Mack, University of Newcastle upon-Tyne

Sharon L. Barnes, University of Toledo, USA.

Zoe Brigley, University of Warwick, UK.

Session B4 Title: Neoliberalism and Globalisation

Marvellous Arithmetics: Audre Lorde and the Political Challenge of Difference

'Every Difference is Significant': A New Feminist Poetics between Didacticism and Essentialism

Room: D1 Chair: Franca Bellarsi, Université Libre de Bruxelles

Jeff Derksen, Simon Fraser University, Canada.

Cornelia Gräbner,

Amsterdam School of Cultural Analysis, Netherlands.

Robin Purves, University of Central Lancashire, UK.

Poetry and the Neoliberal Movement

Political Performance Poetry and the Market

Politics and Poetry in the Future Perfect Tense: On Some Recent Work by Keston Sutherland

Session B5 Title: Poetry and Commitment (1)

Kathleen Bell, De Montford University, UK.

Amy Evans, King’s College London,

University of London, UK.

Ashley Chantler, University of Chester, UK.

Friday 14 th July

09.00-10.15 Paper Sessions C1-C5

Room: C23 Chair: Brian Abel Ragen, Southern Illinois University Edwardsville

'the force … is clearly with them': Dissent and Opposition in the Later Auden

‘Verbal Atrocity’: Warring Poetics and the Erotic in Robert Duncan and Denise Levertov

Against Tub-thumping: Zbigniew Herbert and the Extraction of Meaning

Session C1 Title: Seventeenth-Century Politics

Andrea Brady, Brunel University, UK.

Emma Wilson, University of St Andrews, UK.

Robert Mayer, Oklahoma State University, USA.

Session C2 Title: South African Poetry (1)

Mary DeShazer, Wake Forest University, USA.

Room: A7

Room: D1

Chair: Annette Pankratz, Universities of Passau and Siegen

Katherine Philips and the Politics of Friendship

Andrew Marvell and the Politics of Garden Maintenance

Politics and the Elegy: The Case of Lucy Hutchinson

Chair: Evie Shockley, Rutgers University

Postapartheid Literacies: South African Women’s Poetry of Franchise and Reconciliation

Rishma Dunlop &

Vanessa Barnett, York University, Canada.

Michael Rozendal, University of San Francisco, USA.

Alwin A.D. Jones, University of Virginia, USA.

Session C4 Title: Robert Lowell

Armed With Stones and Dreams: Politics and the Child in South African Poetry

Session C3 Title: The State of the Union (1)

Sheryl L. Meyering,

Room: D3 Chair: Scott Hames, University of Stirling

Southern Illinois University Edwardsville, USA. 'No fetters in the Bay State': The Northern Response to Slavery

Political Execution, Poetic Coalition: Representing Sacco and Vanzetti in the Early Thirties

Poetry, a Black Political Matter: God, Race, and Gender in the Prophetics/Poetics of Saul Stacey Williams

Stephen James, University of Bristol, UK.

Reena Sastri, Boston University, USA.

Diederik Oostdijk, Vrije Universiteit Amsterdam,

Netherlands.

Room: C23 Chair: Adrian Hunter, University of Stirling

Robert Lowell: The Poet and Tyrant

Agency, Relationality, and the Political in Lowell's Day by Day

Robert Lowell’s Manic Masculinity

Session C5 Title: Experimental Poetics (1): Surrealism

Anthony Caleshu, University of Plymouth, UK.

Ernesto Suárez-Toste,

Universidad de Castilla-La Mancha, Spain.

Room: C1 Chair: Soeren Hattesen Balle, Aalborg University

Bivouacked between Worlds: James Tate and the Vietnam Years

'I am not a surrealist': Elizabeth Bishop's Gentle Censorship

Gemma Robinson, University of Stirling, UK. Snapshot of a Caribbean Intelligentsia: Surrealism and Politics in Guyana

10.15 – 11.15 Paper Sessions D1 – D5

Session D1 Title: Migrating Subjects: Exiles

Sheshalatha Reddy, University of Michigan, USA.

David Callahan, Universidade de Aveiro, Portugal.

Room: C1 Chair: Angela Smith, University of Stirling

The Form(ing) of Nation: Indian Poets, British Empire, and the 'Lyric of Exile' in the Nineteenth Century

‘There's nothing I can't find under there': Survival Strategies in the Poetry of Li-Young Lee

Session D2 Title: The Politics of L=A=N=G=U=A=G=E Poetry

Jacob Edmond, University of Otago, New Zealand.

Room: A7 Chair: Anthony Caleshu, University of Plymouth

Theory and Practice in the Politics of Language Poetry

Tatiani Rapatzikou

Aristotle University of Thessaloniki, Greece. The 'negative potential' of Bruce Andrews's Language Politics

Session D3 Title: Ecocriticisms

Marilyn J. Rose, Brock University, Canada.

Håkan Sandgren, Högskolan Kristianstad, Sweden.

Room: D3 Chair: Jenny Bann, University of Stirling

Eco-lyricism: Power and Politics in the Nature Poetry of Lorna Crozier

Ecological Politics in Swedish Poetry of the 1980s

Session D4

Session D5

Title: Speech and Identity: Orality and Literature

Jamie A. Hughes, University of North Florida, USA.

Katrien Van der Aa, University of Leuven, Belgium.

Title: Chartism

Room: D1

"Hunted and penned in an inglorious spot": The Politics of Identity in the Poetry of the Harlem Renaissance

'The empire rhymes back': Oral Caribbean Poetry and its Reception in the West

Room: C23

Chair: Sheree Mack, University of Newcastle Upon-Tyne

Chair: Scott Hames, University of Stirling

'Rhymes of a most rubbishly description': Poetry as Politics in the Northern Star's Poetry Column

Irish Illustrations: The Conscription of Irish 'Heroes' for Chartist Poetry

Mike Sanders, University of Manchester, UK.

Timothy Keane, National University of Ireland, Ireland.

11.45 – 1.00 Paper Sessions E1 – E5

Session E1 Title: Poetry and the Nation (2)

Steven Matthews, Oxford Brookes University, UK.

Ben van Humbeeck,

Room: C23 Chair: Brian Abel Ragen, Southern Illinois University Edwardsville

T.S. Eliot and the Politics of Allusion

Catholic University of Leuven, Belgium.

Stef Craps, Ghent University, Belgium.

Session E2 Title: Blues Lyrics

Harriet Davidson, Rutgers University, USA.

Glenn Sheldon, University of Toledo, USA.

Jihee Han, Yonsei University, South Korea.

Nation Building in Flanders (1980-94)

Beyond Recovery: Witnessing, Ethics and Nationhood in the Poetry of Eavan Boland

Room: D1 Chair: Bent Soerensen, Aalborg University

'New words in their mouths': Langston Hughes's Weary Blues and Polemical Ballads

Two Blues Poems: Thomas McGrath’s Poetry of American Politics

Modern Bardic Aesthetics in Langston Hughes' Weary Blues and Kyong-Nim Shin's Love Song for Poor

Folks

Session E3 Title: Poetry and Political Spaces

Jules Boykoff, Pacific University, USA

Zoë Skoulding, University of Wales, Bangor, UK.

Room: D3 Chair: Rory Watson, University of Stirling

Poems in the Streets: Poetry, Dissent, and the Politicization of Public Space in the United States

Underground: Owning and Disowning Urban Space in the Poetry of Alice Notley

Kevin McGuirk, University of Waterloo, Canada. Cornell '69 and the Ammons Poetic

Session E4 Title: The Politics of the Sacred and Prophetic

Robin Waugh, Wilfred Laurier University, Canada

Room: A7 Chair: Sheryl Meyering, Southern Illinois University Edwardsville

The Debate in Cynewulf’s Elene : Politics, the Law, and the Individual

Allen C. Jones, University of New Mexico, USA.

Lisa Katz, Hebrew University, Israel.

Session E5 Title: Revisions, Re-visions and Justice

Robinson Jeffers and the Call to Action: An Ecocritical Treatment of Jeffers' Transhuman Sublime

Who Loves Jerusalem? Unlawful Politics in Contemporary Israeli Poetry

Room: C1 Chair: Rose Lucas, Monash University

Barbara J. McGrath, College of the Southwest, USA. Political Animals in the Landscape of the Revisionist Poem: Eavan Boland's 'War

Horse' and Adrienne Rich's 'Fox-Vixen'

Mary Lynn Broe, Rochester Institute of Technology, USA. Beyond 'verbal privilege': Negotiating the Transformative Politics in Adrienne Rich's poetry

Miriam Marty Clark, Auburn University, USA. Bodily Pain and the Jurisdiction of Justice in Contemporary American Poetry

(Adrienne Rich and Jean Valentine)

2.15 – 3.15 Paper Sessions F1-F5

Session F1 Title: Poetry and Disability

David J. Connor, Hunter College – CUNY, USA.

Beth A. Ferri, Syracuse University, USA.

Session F2 Title: Poetry and the ‘Everyday’

Victoria Bazin, Northumbria University, UK.

Dámaso López García,

Universidad Complutense de Madrid, Spain.

Session F3 Title: Political Landscapes: Canada

Franca Bellarsi, Université Libre de Bruxelles, Belgium.

Steve Cloutier, St Mary’s University, Canada.

Session F5 Title: ‘Deleuzean’ Poetics

Sarah Posman, University of Ghent, Belgium.

Erik Bordeleau, University of Montreal, Canada.

3.15 – 4.30 Poetry Sessions G1 – G5

Session G1 Room: D1

Joe Gouveia (USA)

Rose Lucas (Australia)

Room: A7 Chair: John Drakakis, University of Stirling

Gilles Deleuze meets 'Patriarchal Poetry'

China and the line: A study of the Chinese Reference in Thousand Plateaus

Chair: Susan Azar Porterfield

Room: D1

Room: D3

Chair: Dale Townshend, University of Stirling

'I feel like there's something wrong with me': New York City Youth Labelled

Learning Disabled 'talk back' through Poetry

'Pimp' or 'Gimp': Explorations of Race and Disability in Lynn Manning's Weights

'I've spent my life in nothing': Lorine Niedecker and the Politics of Everyday Life

Philip Larkin: The Politics of Lifestyles

Room: C1

Chair: Lyn Barzilai, Oranim College, Haifa

Chair: Christine Wiesenthal, University of Alberta

Remapping the Political Landscape of the Canadian West: Walter

Hildebrandt’s Brooks: Coming Home and Where the Land Gets Broken

'Soon whores will be obvious at corners': Raymond Souster and the City

Roderick Watson (UK)

Session G2 Room: D3

Mark Yakich (USA)

Alan Soldofsky (USA)

Tony Brinkley & Raina Kostova (USA)

Chair: Sue Walker

Session G3 Room: A7

Sandra Simonds (USA)

Amy Evans (UK)

Ann Fisher-Wirth (USA)

Session G4 Room: C1

Helen Farish (UK)

Robert Gibbons (USA)

Bron Bateman (Australia)

Session G5 Room: C23

Andy Weaver (Canada)

Cedric Barfoot (Netherlands)

Jason Guriel (Canada)

Saturday 15 th July

Chair: Yvonne Murphy

Chair: Camelia Elias

Chair: Christopher Doda

09.00 – 10.15 Paper Sessions H1 – H5

Session H1 Title: Poetry and Commitment (2)

Gaston Franssen, University of Utrecht, Netherlands.

Room: D1 Chair: David Miller, John Cabot University, Rome

The Politics of Muteness: Silence and Political Commitment in Modern Poetry

Ben Bollig, University of Westminster, UK.

Anne Decelle, Catholic University of Louvain, Belgium.

Resistance and Cynicism: The committed Poet in Twentieth-century Argentine Verse

Stefan Hertmans and the (Im)Possibility of Committed Writing

Session H2 Title: Of War and Canons

Jean Mills, Hunter College, USA. The Radical

Room: C23

Wasteland

Chair: Grahame Smith, University of Stirling

: Hope Mirrlees’

Paris: A Poem

Jaime Weida, Fear in a handful of dust: Unreal Cities and Hollow Men in Eliot's The Waste Land

Borough of Manhattan Community College, USA.

Cori L. Gabbard, CUNY Graduate Center, USA. His Sword Rang in England's Head: Canonicity, Nationalism, and David Jones' In Parenthesis

Session H3 Title: Poetry and the Nation (3) Room: C1 Chair: Annette Pankratz, University of Passau

Pierre Carboni, University of Nantes, France. James Thomson's 'Doric reed': The Scottish Poet and the Politics of the Pastoral in Augustan Britain after the Union

Katherine Firth, Oxford Brookes University, UK Fanfares for Elizabeth: Poetry and the Coronation (1953)

Vincent Dussol, Université de Montpellier III, France. Versions of the Earth

Session H4 Title: Boundaries, Form and Tradition

Peter Howarth, University of Nottingham, UK.

Ali Fuat Bilkan,

Economics and Technology University, Turkey.

Joel Johnson, Augusta College, USA.

Room: A7 Chair: Sergi Mainer, University of Stirling

Artificial Boundaries: Poetry and Politics in Sally Potter's Yes

The contribution of Indian thought to Persian poetry: Sebk-I Hindi

(Indian-style poetic movement in Iran and Turkey)

Oppressive Rhyming: Orwell on Totalitarian Poetry and Politics

Session H5 Title: Constructions of ‘Poet’ (2)

C.C. Barfoot, University of Leiden, Netherlands.

Kevin A. Morrison, Rice University, USA.

Simon Kress, Emory University, USA.

10.15 – 11.30 Paper Sessions I1 – I5

Sessions I1 Title: Narrating Women

Fabienne Moine, University of Paris Nanterre, France.

Paula Guimarães, Minho University, Portugal.

Room: D3

The Politics of Keats’ Odes

Thomas Hardy at a Time of War

Politics and Poetic Self-Fashioning in Seamus Heaney’s North

Room: D3

Chair: Dale Townshend, University of Stirling

Cryptic Poems by Victorian Female Poets: The Power of Withholding Secrets

The Political Dimension of the Poetry Written by the Brontes: Dramatizing the Constructions of Class, Nation,

Religion and Gender

Chair: Patricia Tabarés Pérez, University of Valladolid

Poetry in the Cut: Harvests of Loss and Consolation in Two Poems by Jane Kenyon Rose Lucas, Monash University, Australia.

Sessions I2 Title: Dub Poetry

Bartosz Wojcik, UMCS Lublin, Poland.

David Bousquet, Université Marc Bloch, France.

Sessions I3 Title: Early Modern Politics

Elena Dominguez, University of Huelva, Spain

Room: D1

Exposing the Great Baton's Underbelly

Dub Poetry: From Political Message to a Politics of Identity

Room: A7

Chair: Angela Smith, University of Stirling

Chair: Stephen Penn, University of Stirling

Added Responses to Religious and Political Changes in the Spanish Diana and the English

An Alternative.

Writing International Protestantism: Politics and Psalmic Verse in Elizabethan England

Helicon .

Jenna Lay, Stanford University, USA.

Session I4 Title: Politics and Form

Billy Clem, Waubonse Community College

/ Northern Illinois University, USA.

Dana Salvador, University of New Mexico, USA.

Ursula McTaggart, Indiana University, USA.

The Feminization of Form

Making the Political Personal: Holocaust History, Contemporary Politics and Personal Narrative in Irena

Klepfisz's Poetry

Room: C23 Chair: Marilyn Rose, Brock University

'for every drop of blood': War, the villanelle, and Three U.S. English-language Poets

Session I5 Title: Selfhood and Otherness

Lyn Barzilai, University of Haifa, Israel.

Room: C1 Chair: Grahame Smith, University of Stirling

Exiled by Language: The Song of the Other in Margaret Atwood's Poetry

Chloe Li, Chinese University of Hong Kong, Hong Kong. R.S. Thomas and the Politics of (Mis)Recognition

Anjali Nerlekar, University of Kansas, USA. Dabydeen's 'Slave Song' and the Poetry of Translated Selves

12.00 – 1.15 Paper Sessions J1 – J5

Session J1 Title: Women and Embodiment

Helen Farish, Sheffield Hallam University, UK.

Room: C1

'The terrible pressure of their contact': Political Daughters and Guilty Mothers in the Prose and Poetry of

Adrienne Rich and Sharon Olds

Chair: Jessica Dyson, University of Stirling

Body Politics: Representations of the Female Body by Contemporary Women Poets

The Embodied Word: Adrienne Rich's Politics and Poetics

Yvonne Murphy, Empire State College, USA.

Victoria F. Harris, Illinois State University, USA.

Session J2 Title: Migrating Subjects (2)

Aaron Abbarno, University of Pittsburgh, USA.

Stéphane Robolin, Rutgers University, USA.

Andreia Sarabando, University of Aveiro, Portugal.

Session J3 Title: Creation and Crisis

Yves-Marie Bouillon,

Université de Bretagne Occidentale, Brest, France.

Ann K. Hoff,

Room: D1 Chair: John Drakakis, University of Stirling

Transplantation Literature: 'Imagining' Pan-African Nationalism in Italy

Keorapetse Kgositsile in the African Diaspora

‘Elsewhere’ in the Poetry of John Mateer

Room: C23

Poetry and Mass Murder

Chair: Sergi Mainer, University of Stirling

'Over the top': Millay's Anti-fascist Poetry and the Demise of her Career

University of Alabama at Birmingham, USA.

Rich Murphy, Emmanuel College, USA.

Session J4 Title: Public and Private Myths

Marlene K. Sokolon, Concordia University, Canada.

Kate Faber Oestreich, The Ohio State University, USA.

Rajbir, RKSD College, Kaithal, India.

Session J5 Title: Experimental Poetics (2)

Kerry Doyle, York University, Canada.

Alan Soldofsky, San Jose State University, USA.

Dorothy Alexander, University of Glasgow, UK.

2.30 – 3.45 Paper Sessions K1 – K5

McLuhan’s Warning, Frye’s Strategy, Emerson’s Dream

Room: A7 Chair: Robin Sowerby, University of Stirling

The Iliad : A Song of Protest

The Sexual Politics of John Keats's 'The Eve of St Agnes'

Interplay of Patriarchy and Symbolism: A Reading of Ted Hughes' Gaudete

Room: D3 Chair: Nick Selby, University of Glasgow

Poetry and the Politics of Naming: The Avant-garde Lyric Divide

'Just when I thought I couldn't stand it': Embedded political vision in the poetry of Elizabeth Bishop

Out of the Cage: the Use of Experimental Poetics to Tell a Different Story

Session K1 Title: Spectres of War

Jan Mieszkowski, Reed College, USA.

Jacques Coulardeau, Université Paris-Dauphine, France.

Jason Wiens, University of Calgary, Canada.

Room: C23

Poetic Spectacles of War

Poetry's Commitment Against War

Chair: John Drakakis, University of Stirling

Poetry and Political Dissent after September 11, 2001

Session K2 Title: Powerful Women Room: D1 Chair: Christine Wiesenthal, University of Alberta

Melanie Waters, University of Newcastle upon Tyne, UK. 'I'm always the victim … but no longer!' Politics, Power and (Post)Feminism in the Poetic Praxis of Anne Sexton

Joanna Gill, Bath Spa University, UK. Remote from History? Anne Sexton and Politics

Andrea W. Leavey, University of Texas at Dallas, USA. Words as Weapons: The Power of Eroticism in the Poetry of Adrienne Rich,

Marilyn Hacker, and Susan Mitchell

Session K3

Joe Gouveia, Cape Cod Community College, USA.

Ciaran Wrenn, University of Stirling, UK.

Rachel Plasch, Northeastern University, USA.

Session K4

Title: Music and Protest

Title: Political Forms

Matthew Potolsky, University of Utah, USA.

David Ten Eyck, Université de Nancy 2, France.

Tommi Kotonen, University of Jyväskylä, Finland.

Room: C1 Chair: Bent Soerensen, Aalborg University

The American Protest Song: From Whitman to a New Millenium

'Look away, you rolling river': Re-interpreting the Protest Song

The Rock Concert and Track-two Diplomacy: A Case Study of U2

Room: A7

Aestheticism and Politics

Chair: Nick Selby, University of Glasgow

Poetry and Fascism: the Political Subtext of Ezra Pound's John Adams and Pisan Cantos

Poetics and Politics of Open-form in Charles Olson's Maximus Poems

Session K5 Title: Irish Poetry: Nationalism and Conscience

Maud Hilaire Schenker,

Room: D3 Chair: Alasdair Macrae, University of Stirling

University Paris III La Sorbonne Nouvelle, France. Possible Interactions between Politic and Poetry in Yeats' Work

Catriona Clutterbuck, University College Dublin, Ireland. Religious Politics and the Idea of Good Faith in Irish Poetry of the 1930s and 1990s: the Work of Austin

Clarke and Eiléan Ní Chuilleanáin

'Their embassies were everywhere': Amnesty International and Seamus Heaney's Ambassadors of Conscience Brenda Carr Vellino, Carleton University, Canada.

3.45 – 5.00 Poetry Sessions L1 – L5

Session L1 Room: C1 Chair: Ann Fisher-Wirth

Christopher Doda (Canada)

Evie Shockley (USA)

Rishma Dunlop (Canada)

Session L2 Room: C23

Louis Cabri (Canada)

Priscila Uppal (Canada)

Zoe Skoulding (UK)

Session L3 Room: D3

Julia Lisella (USA)

Smita Agarwal (India)

Mary Lynn Broe (USA)

Session L4 Room: A7

Jordana Ashman Long (USA)

Rachel Tzvia Back (Israel)

Zoe Brigley (UK)

Session L5 Room: D1

Chair: Sandra Simmonds

Chair: Joe Gouveia

Chair: Rose Lucas

Chair: Alan Soldofsky

John McAuliffe (Ireland)

Sue Walker (USA)

Sunday 16 th July

09.00 – 10.15 Paper Sessions M1 – M5

Session M1 Title: The Politics of the Poetry Anthology

Abbie Garrington, University of Edinburgh, UK.

Ann Vickery, Monash University, Australia.

Jason Guriel, York University, Canada.

Room: D3 Chair: Marilyn Rose, Brock University

The Rhymes They Are A-changin': Two Attempts to Anthologise Socialist Verse

The Problem of Being Root-bound: Analysing the Publication and Aftermath of Australia's First Anthology of

Women's Poetry

The News from Poems: Partisan Politics in Poetry (Chicago)

Session M2 Title: South African Poetry (2) Room: D1 Chair: Andreia Sarabando, University of Aveiro

Andrew Foley, University of Witwatersrand, South Africa. Poetry and Liberty: South African Poetry against Apartheid in Retrospect

Susan Spearey, Brock University, Canada. “Living with a disappointment/ still not without cure:” HIV/AIDS, Denialism and the “post”-Apartheid Body

Politic in the Poetry of Jeremy Cronin

Kontein Trinya, Rivers State College of Education, Nigeria. Musical Paradigms for Social Conflicts in the Poetry of Dennis Brutus

Session M3 Title: Activisms

Ann Volin, The University of Kansas, USA.

Evie Shockley, Rutgers University, USA.

Camelia Elias, Aalborg University, Denmark.

Session M4 Title: Irish Poetry: Relics and Artefacts

John McAuliffe, University of Manchester, UK.

Room: C23 Chair: Alasdair Macrae, University of Stirling

Curating the Future: Yeats and the Politics of Museums

Jordana Ashman Long, Independent Scholar, USA. Saints Preserved: Mysticism, Myth and History in Seamus Heaney's Bog Poems

Angela Teatino, University of Bari, Italy. Yin twa maghogani gazpaighp boke! The awful gub began to roar and bawl, for gibberish was all he ever spoke': Translating Classics for Ireland

Session M5 Title: Victorian Women

Gemma Palmer, De Montfort University, UK.

Room: A7

The Curious Case of Mary Furley

Chair: Fabienne Moine, University of Paris Nanterre

'Song-birds left voiceless': Augusta Webster's Poetics of the 'Redundant Women' and Suffrage Debates.

Annabel Rutherford, York University, Canada.

11.45-1.00 Paper Sessions N1 – N5

Session N1 Title: Problematic Readings

Andy Weaver, University of Alberta, Canada.

Nick Selby, University of Glasgow, UK.

Bent Sørensen, University of Aalborg, Denmark.

John R. Woznicki, Georgian Court University, USA.

Louis Cabri, University of Windsor, Canada.

Session N2 Title: From Songwriting to Blogging

Martin Butler, University of Duisburg-Essen, Germany.

Room: C1

The Cutting Edge: Poetry and the Development of Three Civil Rights Leaders

Language, Politics, Poetry, and Race: Reading Renee Gladman's The Activist.

Dogs and Daggers: The Aesthetics of Political Community in Lyn Emanuel's Prose Poems

Room: D1

To Speak a Silence: John Cage's 'Writing for the Second Time through

Act of Political Anarchy

Too Close for Comfort: Lyric and the Politics of Close-reading in John Wilkinson

O’Hara’s Mayakovsky

Room: C1

Chair: Marilyn Michaud, University of Stirling

Chair: Dorothy Alexander, University of Glasgow

Finnegan's Wake'

Chair: Suzanne Gilbert, University of Stirling

as an

(De-)Constructing the 'Sunkist' State: Memories of California as Political Subversion in Woody Guthrie's

Dust Bowl Songs

Neil Young, Leonard Cohen, and Joni Mitchell's Post-AIDS lyrics: Canadian Cultural Critiques?

Baraka, Blogging, and 'blowing it up': Death of the Poet and Birth of the Front Man in Contemporary Political

Poetry and Discourse

Session N3 Title: Committed Poets

David Miller, John Cabot University, Rome, Italy.

Christine Wiesenthal, University of Alberta, Canada.

Sheree Mack, University of Newcastle-Upon-Tyne, UK.

Room: D3 Chair: Marilyn Rose, Brock University

'Your slighted weakness': Irony, Commitment and Estrangement in the Later Lyrics of Thomas Hardy

The Craft of Memory: Cultural Politics in the Wake of Pat Lowther's Death

'Speaking in Tongues': Black British Women Writers

Session N4 Title: The State of the Union (2): Civil Rights

Vivian M. May, Syracuse University, USA.

Room: C23 Chair: Sheryl Meyering, Southern Illinois University Edwardsville

Maids Mild and Dark villains, Sweet Magnolias and Seeping Blood: Gwendolyn Brooks' Poetic Response to

Rachel Carroll, University of Teesside, UK. the lynching of Emmett Till

The Violent Space: Poetry, Black Power and African American Masculinity in the 'Prison Poetry' of Etheridge Knight

Session N5 Title: Polyglot Subjects

John Sears, Manchester Metropolitan University, UK.

Room: A7 Chair: Stephen Penn, University of Stirling

‘Learning how to speak’: Poetry and Politics in George Szirtes' Bridge Passages .

Sara H. D'Orazio, Manchester Metropolitan University, UK. Beyond the Boundaries of a Nation: Political Implications of Multilingual Intertextuality in Geoffrey Hill’s

The Orchards of Syon .

'Dalawa ang bibig': Reading the Bilingual poem Lucy Van, University of Melbourne, Australia.

2.15 – 3.30 Paper Sessions O1 – O4

Session O1 Title: A Coldwar Context

James Womack, Wadham College, Oxford, UK.

Helen Goethals, University of Lyon 2, France.

Session O2 Title: Poetry of Witness

Lorin Schwarz, York University, Canada.

Maria Stoianova, Lancaster University, UK

Mark Yakich, Central Michigan University, USA.

Session O3

Susan Lewis,

Title: Political Wits

Centre for Manx Studies, University of Liverpool, UK.

Cécile Marshall, University of Bordeaux, France.

Brian Abel Ragen,

Southern Illinois University, Edwardsville, USA

Session O4 Title: Playing with Genre

Rebecca Gordon, University of Aberdeen, UK.

Patricia Tabarés Pérez, University of Valladolid, Spain.

Room: C23 Chair: Franca Bellarsi, Université Libre de Bruxelles

‘JasieÅ„ek’ to ‘Johnny’: W.H. Auden as Translator of Mickiewicz

Poetry in a Cold Climate: A Political Reading of E.J. Pratt's

Room: D1

Towards the Last Spike

We Were Such a Good Idea: Travel in Israel and the Poetry of Yehuda Amichai

Why the Poem?: Singularity Bearing Witness to ‘being-in-the-world’ Poetically

Beyond the Poetry of Witness

Room: C1 Chair: Cedric Barfoot, Leiden University

(1952)

'To deter, if not to reform': The Continuing Relationship between Poetry and Politics in the Isle of Man

Tony Harrison: Political Poet or Ironical Aesthete?

'As Wulfstan said on another occasion': The Political Poems of Richard Wilbur

Room: D3

(Re)Generation Poet

Chair: Lyn Barzilai, Oranim College, Haifa

Chair: Suzanne Gilbert, University of Stirling

Communist Fairy Tales: Manipulation of Genre Fiction in the Poetic Works of W.H. Auden in the 1930s

Carol Ann Duffy's Transgression of the Tradition: The Dramatic Monologue's (Sub)Version of a New

3.30 – 4.30 Poetry Sessions P1 – P4

Session P1 Room: C1

Jeff Derksen (Canada)

Chair: Evie Shockley

Jules Boykoff (USA)

Chair: Louis Cabri Session P2 Room: C23

Cori Gabbard (USA)

Lyn Barzilai (Israel)

Session P3 Room: D1

Erin E. Smith (USA)

Yvonne C. Murphy (USA)

Chair: Mary Lynn Broe

Session P4 Room: D3

Susan Azar Porterfield (USA)

Dorothy Alexander (UK)

Chair: Priscila Uppal

Download