Moonbeams & Fairytales : Jimi Saga (2) 66/67
(Revision 3 OCTOBER 2005)
This set/compilation of HENDRIX recordings surfaced somewhere around 2002 from indistinct
origins, as Jimi Saga 66/67. It was a collection of all the available HENDRIX material,
STUDIO (sessions, takes, mixing),
live performances, and interviews, at the time of
SAGA’s assembly, for the period of September 1966 through December 1967 inclusive. We do
know
two
versions
of
SAGA
were
produced at the time; this version
contains officially Hendrix material;
the other set does not.
With the greatest respect to whoever
originally, the ORIGINAL JIMI SAGA
nightmare in it’s original form; a
APE format on 11 CDr) So a tiny
that this needing sorting out, bigdecoded into AUDIO format. Then all
necessary) and re-located in order
SAGA ape set decoded to 21 AUDIO
approximately 140 minutes of extra
quality we could locate), and the set
distributed on 2 dvd in flac. It
differentiate (but NOT dissociate) it
Moonbeams & Fairytales Jimi Saga(2)
Where necessary, the following
ORIGINAL SAGA set:
1. Where there were factual
determine) they have been
2. Where there are omissions,
where possible.†
3. Upgrading
(when/where
APE originals. ††
4. Created new artwork. 1966
with its own art. 1967
Cd-r.
SPINE
TITLES
are
thru
21/22.
(11
CDa
numbered
consecutively
the year change… A full
tracking info relating to
follows.
The
track
but that’s how we found
To make full sense of the
will need From The Benjamin
(JP)), and Univibes, and
SEE BELOW….
† Omission:
 CURTIS KNIGHT: NO CK was on the
gesture on D12 “…you can’t use my
Ed (Edward) Chalpin, (PPX 17th(?) Jul
takes, we have inserted absolutely NO
be about 20cdr's worth. Knowing what
Knightmare!
†† NOT the Hoepla recordings 10th
hiss, but do have more studio chat
We haven’t done any of the following to
original/replaced/added. (See  )
NO digital or analogue restoration (NO
NO filters NO X-FADING) NO track
splicing NO composites NO Merges NO
think of WE HAVE NOT DONE. PERIOD.
(TO ALL THE ABOVE: WHAT WE GOT/HAVE IS
put
this
set
together
APE sets was/is a logistical
mess, in fact. (It popped up in
group of HENDRO-HEADS decided
time! All eleven discs were
the tracks were re-named (where
of date. This original 11 CDr
CDr; to that we have added
HENDRIX material, (in the best
now runs into 22 AUDIO CDR. It is
needed
a
new
name,
to
from
the
original,
hence;
66/67
changes have
been made to the
errors
(we
could
corrected.
they have been made good,
available)
from
the
SAGA
tracks are a CDA double.
tracks are on 10 double
NUMBERED in pairs from 1/2
doubles)
Discs
are
from 1 to 22 regardless of
WORD
document
for
the
specific
discs,
here
listings are very basic,
it, that’s how it remains.
track reference numbers you
Franklin
Studios(Jimpress
Doug Bells listing
original SAGA set. Apart from a token
name...” Studio chat between Jimi &
67 NYC) and the ensuing Gloomy Monday
Curtis Knight stuff. That alone would
to include and what to omit would be a
November ’67. Saga tapes have more
and are approx. 4 minutes longer.
ANY
of
the
tracks,
click repair, NO EQ, NO noise reduction
editing NO speed corrections NO tape
disc fillers! ANYTHING else you can
WHAT YOU GET; HOWEVER IT CAME TO US).
 WITH TWO exceptions:
1. D2 TR # 16 Additional/inserted track 13th Dec. ’66; Red House (90), had an
inexplicable 1.4 second (approx.) gap at ET 02:15.9. No complete, gap-free, copy
1
was or is available as far as we could ascertain. Missing section/gap ‘spliced’ in
from a mono copy of same track.
2. D13 Tr. #6 (PPX) Composite? Inserted in as one track from CDR boot “You Can’t Use
My Name!”
The BASE REFERENCE SYSTEM used here for determining the particular provenance of track(s)
was………
“FROM THE BENJAMIN FRANKLIN STUDIOS” and its conjoined twin, “JIMPRESS”.
 JIMPRESS: www.jimpress.co.uk Other references used were
 UNIVIBES: www.univibes.com
 DOUG BELL: http://home.earthlink.net/~ldouglasbell/jimi.html
 PLUG YOUR EARS: http://www.cs.ru.nl/~tvdw/pye/ and obligatory for
general reference
 ASK THE AXIS: http://www.digitalhighway.co.uk/axis/index.asp
 plus EYE WITNESS (Valkhoff) & EXPERIENCE THE MUSIC (Belmo/Loveless)
ALL the above are labours of love: exemplary, indispensable. BUT we needed to settle for
one system and balance the occasional variances between them. FTBFS/JP was chosen simply
because it is the most accessible, and updated more regularly (and corrected more
thoroughly). Doug Bells’ is largely based on the FTBFS/JP system, though it also uses UV
listings, and ventures out on its own from time to time. UV is not updated as often, AND
it has ONE distinct DISADVANTAGE, NO track timings, which makes “gumshoeing” all the more
difficult. Where there were/are differences of opinion, both UV and DB were consulted,
and based on the evidence of our ears, (and sometimes only our eyes) we would take a
view, AND failing any real conclusion on any given matter, FTBFS/JP would decide. Even
so, there are one or two matters still “floating round and round”.
THE WIND CRIES MARY Jan/Feb 67 etc., for one.
Mitch(’s) (Mitchell’s) recollections (FTBFS V2) of these sessions don’t really ring true
if you look at a calendar for 67. He cites that Friday night (January 13th 1967) the
original ‘ragged demo’ version(s?) were cut, and they came back the following Tuesday
(17th) to ‘get it right’. WRONG!! 11th Jan 67 was a Wednesday, when we know that the
ORIGINALS were recorded. The following TUESDAY was 17th when NO RECORDING took place.
(Although JHE et-al WERE back in London at the time). Neither were the second TWCM’s done
at Kingsway, as Mitch recalls- see below. Doug Bells TWCM refs on the 15th are the WRONG
DATE. Should be 11th Jan 67 (or 3rdFeb.) See JP 70 p28 for (1&2). (UV cross-matches that).
JP 70 indicates there was some TWCM stuff done on the 3 rd FEB, but DB makes no mention of
TWCM on that date; UV states that there were sessions that day (3rd Feb.), to the point of
stating the actual time of day the boys fell out of the door at Olympic Sound Studios,
the following morning - 06.30 (on the 4th!) So, DOUG BELL & SAGA have 15th as a date for
TWCM recordings. BUT, 15th Jan 1967 was a SUNDAY, and (AGAIN) there are no records of ANY
JHE recordings done on that day. Check Day to Day Diary UV #7: having played a club in
Nottingham (14th Saturday), JHE went to Yorkshire (NE England) afternoon of 15 th for gig
that night. HOWEVER, they (JHE) were back in London for GIG on Monday 16 th (night). (For
those of you who know nothing of SIXTIES ENGLAND, this journey, from and to LONDON, even
split over 3 days was some undertaking!) SO DOUG BELL’s/SAGA DATES ARE WRONG (or TYPO).
THE NEXT VIABLE DATE for recording TWCM (as previously stated), was the 3rd of FEB 67. SO
EITHER THOSE ‘MARYS’ were done on the 11 th Jan, OR 3rd Feb. To validate our point of view,
UV has TWCM’s [1065 & 1464] as on the 11th. (NO 15th, you notice).
FULL positive
definition from FTBFS V2 p157 not forthcoming either, quote “…It would seem that TWCM (3)
comes from that second session. (17th)”. (Make of that what you will). And just to add
more grist to the debating mill, in Chas Chandlers interview with the (said) Brian
Matthew (date unknown, but of that time), he states, categorically, that “..the whole
thing was done in about 25 minutes..” Are the waters any more, (or less?) clear than
before??
…And RED HOUSE for two.
Two dates are listed for the Red House sessions. 13th Dec. 66 & 29th Mar. ’67.
(Eddie Kramer alludes to a third in ‘early April 67 (see below). If a third session did
take place its not documented anywhere, so IF it occurred, it MAY have been a mixing
session before Are You Experienced went to the presses.) I/(we?) had this nagging doubt
that Red House as The RH (2, 3, 4, 5 & 6) which are as one on some releases – OOTS 1
(Demos 67) & 2 etc., (29th March 67) just seem so crude, raw, and experimental…
unsophisticated; unpolished; embryonic even! They would seem to fit the 13th Dec 66 CBS
studio run ups... BUT Jimi NEVER went backwards when developing stuff, and it was my
original opinion that these recordings were back to front chronologically. The musical
2
fact did not seem to fit the pattern of Jimi’s (normally) progressive work. OOTS 2
reviewed in Jimpress 57 no dates are clarified in article (wonder why?). OOTS 2 review in
Univibes 29 is VERY DATE SPECIFIC. SO, ONE golden rule broken? FTBFS does not hold sway?
UV does, at least as far as RH is concerned... OR DOES IT?
The clincher, to let Red House Stay in the order you now find it, is that Redding states
(in that cutting from AYE? Ltd liner notes for Polydor CD 521 036-2 (1993)), that he did
not play a bass guitar in the DEC 66 sessions... THE bass guitar in the approximate 11
minute session we have is more than apparent...and were cut with JHE intact. IF NOT, that
presumes that the bass lines of the Dec. 13th might have been added some time later? (by
Jimi?). After the immediate notes (below) follow two separate reviews below (repeated
verbatim), firstly from Jimpress/Jon Price, (Feb. 1994) the latter by the irascible and
fastuous, Michael “Conspiracy Theory” Fairchild.
Known Red House sessions:
13 Dec - sessions for the Track Records RH
Red House (1) with the Chas Chandler chat at the end 'yeh you should put that one on' original
AYE
album
Red House (90) with Chas Chandler chat at beginning 'why don't you try' AND (as above) at
end
OOTS
2
29 Mar - sessions for the Reprise RH
Red House (2) (3) (4) (5). (5) is the basic Reprise Smash Hits without the added effects.
Red House (6) is the polished version of (5) (without Jimi's chat at the beginning).
Originally on Reprise Smash Hits.
Red House - on this list (official, different mix) is version (5) polished up with Jimi
saying "another words we're cookin" etc. at the beginning. Or version (6) with Jimi
comments at the beginning added.
EXTRACT FROM Jimpress # 25 JON PRICE. Review: Out Of The Studio: Demos From 1967 aka OOTS
1. (Feb 1994)
JIMPRESS #25:
“….Next come four different
cuts of Red House (11.00)....
Take 1 (0.00 - 1.32) stops
at the beginning of the
second verse after which
you can hear Noel being
pulled up by Chas Chandler
about the way he is playing
his part. Take 2 (1.47 3.28) cuts off in the middle of
the second verse
when Chas whistles and says, "Start
again." Jimi replies, "Yeah, yeah,
'cause
when
I
hit
that
wrong
note...."
Chas says, "Cue it in." and we are
into Take 3 (3.37- 6.39) which gets
into the solo but is cut in the
middle when Jimi fluffs a note. Here
there is a break in the tape.
There then follows a short piece of
amusing dialogue:
Jimi: “One little thing throws
me off. Ok here we go. Mitch:
Can we have some of these
lights off? Jimi: Oh those
lights. That's what it was,
Oh Lord! Engineer: Can't
turn any more off because
it's a fire exit. Jimi: In
other words we're making up
all this smoke in here;
right? In other words we're
cooking; right? Is that
what you're tryin' to say
(laughs). Ok here we go!”
What we get in Take 4 (7.07
10.57) is the version of
3
Red
House
that
was
to
find
its
(very
belated)
way
onto
the
US
'Smash Hits' album except that here there is no echo present. This version now heard for
the
first
time
in
its original 'straight' format shows that there are some rough guitar phrases, which were
subsequently
hidden by the clever use of echo. If this was considered to be the take of the song then
the question must be asked why did they go on to record the later (?) 'Are You
Experienced?' version?
Eddie Kramer recounts that work first started on the song "at CBS, then later at De Lane
Lea,
Chandler
recorded several different versions until deciding on an acceptable take. Hendrix tried
the
song
a
number
of ways, singing and playing live, as well as laying down the rhythm and one of the
guitar
tracks.
Not
perfected at this stage, 'Red House' would be completed only in early April; until then
Hendrix
would continue to make further refinements."
To try and pin down an exact recording date for 'Red House' seems an almost impossible
task. It has been stated that two versions were recorded at CBS on Tuesday 13th December
'66
and
it
is
perhaps
possible
that the first three try-outs here are from that session. A pointer to this could be Chas
telling
Noel
how
to
approach the bass line after the first take. Take 4 sounds as if it is also from the
original
CBS
sessions.
It could be that the version that was finally chosen to be released was from De Lane Lea
on
Wednesday
29th March. Probably there are other recorded (but missing) takes between Take 4 here and
the
definitive
version which is sadly missing from the recent official (re- re-) re-release…..”
EXTRACT FROM BOOKLET for AYE? Ltd’s Polydor CD 521 036-2 (1993) FAIRCHILD. RE: Red House
RED HOUSE: "I was largely influenced by blues artists when I first started," Jimi said,
"but
I
was
way
up in the North West, in Seattle, and they don't have too many of the real blues singers
up
there.
Where
I
really learned to play was down South, Red House is a kind of R&B number which might make
the
Top
500.
It's a slow blues that we recorded in England when we first got together over there. Noel
plays
a
$5
guitar
that he bought off Alan Freeman, which is held together with bits of sticky tape and
makes
a
great
sound."
The first takes of Red House are thought to date from the group's first session at CBS
Studios on Dec. 13, with Mike Ross as engineer. Chas remembers "It was just wing’d in the
studio, just standing around talking for five minutes, and then record it, (like, only 11
minutes – if only one, brief, session? - ed), that was it."
"I actually played a guitar on the original Polydor recording of Red House," Noel said,
"there's
no
bass
on the original recording. Hendrix said, 'We're gonna do a blues in B' and I said show it
to me on the guitar, because I liked to play along on rhythm to familiarize myself with a
sequence. We ended up just recording that."
While Kramer confirms that several versions of Red House were attempted during the AYE?
sessions, with the track finally being completed "only in early April", the Dec. 13, 1966
CBS session is considered the origin of two takes which were released separately on two
different albums. The first appeared on the original Track AYE? Album in 1967, and the
second version was included on the Warner-Reprise Smash Hits LP in America in June 1969.
"In those days it was always very weird," Noel figures, "I could never understand why, if
you're in a European band, all the record companies used to re-mix or swap stuff about
for the American market. It had nothing to do with the band." Between these two released
takes of Red House, it is the later Smash Hits version which was chosen for MCA'S rerelease of Are You Experienced? Jimi's vocal is more developed while his guitar lines
build flawlessly to a synaptic climax." I knew where I was at when it came to specialist
blues scene," said Jimi, "'specially from my experience back in the States. The blues is
what I really dig and the blues is what we're supposed to dig. But we don't want to play
blues all the time; we just don't feel like it. We want to do other things. If I'd had
two bluesmen with me we would have gone straight into one bag, the blues. That's not for
me. This way we can do anything and develop our own music. Red House was released on our
English LP, but everybody was scared to release it in America, they said, 'Man, America
4
don't like blues, man!' Blues is a part of America, It means Elmore James and Howlin'
Wolf and Robert Johnson, it means Muddy Waters and Bo Diddley. It doesn't necessarily
mean that folk blues is the only type of blues in the world. You can have your own
blues."
A typical entry to Moonbeams & Fairytales … JIMI SAGA (2) 1966/67 is as follows…..
4.
13 Dec [S007]
(109(i)) Foxy Lady (official, alternate mix)
3:27
1. Track # (of that disc)
2. Date of recording (NB! date of transmission, where appropriate, may be
different)
3. [---]UNIVIBES REF #
4. (---) FROM THE BENJAMIN FRANKLIN STUDIOS /JIMPRESS REF #.
5. (---(i)) undefined mix/take
6. Track Title (comments*) *expanded if necessary at foot of page (NOTES)
7. Timing
NOTES
* denotes NOT on ORIGINAL SAGA (applies across ALL 22 DISCS)
IF you haven’t got a copy of FTBFS Vol.2, and a subscription to Jimpress & Univibes (now
up to issues 78 & 49 repectively), plus all the backdated copies (!), now is the time to
remedy the situation. You have missed the twist of the 3rd Stone.
So there you have it… Moonbeams & Fairytales-Jimi Saga (2) 1966/67. 22(3) audio CD-r,
comprising 389 tracks totalling just under 24 hours. As accurate and fastidious as we
have tried to be, mistakes will have been made; probably repeated some that were
inherited. Where there are any, apologies. HOPEFULLY the original SAGA KNOT we have
unravelled has brought some clarity to the situation; added some listening pleasure.
Rumours abounded at the time that sequels to Saga 66/67 (for ‘68 & ‘70) were on the
drawing board…as far as we know nothing materialised.. UNLESS (of course) you know
different!!
HUGE thanks to the Dude(s?) who put this together originally!!!!
October 15th t2005 Hotel Papa, and Charlie Mike
5
DISC 1 DISC TIME 61:28
‘Musicorama’, L’Olympia, Paris
1.
18 Oct [L1532] (5) Killing Floor
2.
18 Oct [L1147] (6) Hey Joe
3.
18 Oct
(1) Wild Thing
4.
18 Oct [L1532] (5) Killing Floor - French Radio
5.
18 Oct [L1147] (6) Hey Joe - French Radio
“KINGSWAY” De Lane Lea
6.
23 Oct [S1482]
3:30
7.
23 Oct [S1483]
8.
23 Oct [S1484]
9.
23 Oct
10.
23 Oct [S001]
11.
23 Oct [S001]
12.
23 Oct [S001]
3:30
13.
23 Oct
14.
23 Oct [S1086]
3:06
1966
3:06
2:50
4:05
1:43
3:12
Music Recording Studios, 129 Kingsway, London WC2
(70) Hey Joe (instrumental “rhythm guitar” take)
(71) Hey Joe (instrumental take)
(72) Hey Joe (alternate basic mono mix)
Hey Joe (fake alternative mix of (2))**
(1) Hey Joe (official, mono mix)
(2) Hey Joe (official) †
(2) Hey Joe (official slightly longer)
(3) Hey Joe ("Legacy" master)
(4) Hey Joe (outtake)***
1:57
3:36
3:26
3:21
3:25
3:20
“KINGSWAY” De Lane Lea Music Recording Studios, 129 Kingsway, London WC2
15.
02 Nov [S002] (1) Stone Free (official, mono mix)
3:36
16.
02 Nov [S002] (2) Stone Free (official, simulated stereo)
3:35
Regent Sound, 163-166 Tottenham Court Road, London W1
17.
18 Nov [S1481] (69) Hey Joe (alternate take)
3:4
“KINGSWAY” De Lane Lea Music Recording Studios, 129 Kingsway, London WC2
18.
24 Nov [S011] (1) Love or Confusion (official, mono mix)
19.
24 Nov [S011] (2) Love or Confusion (official)
DISC 2 DISC TIME 49:37
CBS Recording Studios, 73 New Bond Street, London W1
1.
13 Dec [S007] (1) Foxy Lady (official, mono mix)
3:12
2.
13 Dec [S007] (2) Foxy Lady (official)
3:17
3.
13 Dec [?????] (?) Foxy Lady (fake alternative mono mix)****
3:14
4.
13 Dec [S007] (109) Foxy Lady (official, alternate mix)
3:27
5.
13 Dec [S1465] (7) Can You See Me (instrumental take)
1:56
6.
13 Dec [S1466] (8) Can You See Me (instrumental take)
2:33
7.
13 Dec [S1467] (9) Can You See Me (instrumental take)
1:40
8.
13 Dec [S1468] (10) Can You See Me (backing track only)
2:35
9.
13 Dec [S1479] (11) Can You See Me (3 vocal tracks)
2:33
10.
13 Dec [S010] (1) Can You See Me (official, mono mix)****
2:32
11.
13 Dec [S018?] (2) Can You See Me (official)****
2:33
12.
13 Dec
(3) Can You See Me (official, "Legacy" master)
2:32
13.
13 Dec [S010] (1?) Can You See Me (alternate mono mix)*****
2:31
14.
13 Dec [S018?] (2?) Can You See Me (alternate mix)*****
2:32
15.
13 Dec [S009] (1) Red House (official, studio chat at end) 
3:45
16.
13 Dec [S1485] (90) Red House (alternate mono mix) 
4:29
"Top of the Pops" BBC Lime Grove Studios, Lime Grove, London W12
17.
29 Dec [S1317] (7) Hey Joe (LIVE! intro-Simon Dee. Backing vocals Breakaways)4:16
NOTES:
 * NOT on ORIGINAL SAGA (see introduction notes)
 ** Symphony of Experience (B421)
 *** NOT PYE studios as previously thought. See UV #16p13 & FTBFS V2p66
 **** Fake alternative mix of one channel of (2) bounced into mono. ‘Living Reels Vol.
1’ (B528)
 ***** UV & FTBFS with ?’s refs are UNCONFIRMED
 Substituted track from AYE? (mono) Barclay 930.016
  D2 Tr 16 ALL copies of this track had gap at ET 02:15.986 to 02:17.33. PATCHED.(see
intro notes)
 † late submission! Hey Joe (2) (23 Oct)This version lip-synched at Saville Theatre 29
or 31 Jan 67 for Swedish
6
3:1
3:1
TV show “Drop In” No transmission date available for this film..
DISC 3 DISC TIME 77:10
1967
“KINGSWAY” De Lane Lea Music Recording Studios, 129 Kingsway, London WC2
1.
11 Jan [S003] (1) Purple Haze (official, mono mix)
2.
11 Jan
(121) Purple Haze (different mono mix)
3.
11 Jan
(2) Purple Haze (official-stereo)
4.
11 Jan [????] (3) Purple Haze (official “legacy” master)
5.
11 Jan [S1053] (4) Purple Haze (different mix)
6.
11 Jan [S1462] (120) Purple Haze (different mix, complete)
7.
11 Jan
(5) Purple Haze (alt mix with 2 lead vocals, incomplete)
8.
11 Jan [S1531] (119) Purple Haze (official, diff mix & ending)
9.
11 Jan [S1469] (2) 51st Anniversary (instrumental take)
10.
11 Jan [S1470] (3) 51st Anniversary (instrumental take)
11.
11 Jan [S1471] (4) 51st Anniversary (backing track only)
12.
11 Jan [S004] (1) 51st Anniversary (official, mono)
13.
11 Jan [S1478] (5) 51st Anniversary (2 vocal tracks)
14.
11 Jan [????] (?) 51st Anniversary (part of u/k version)**
15.
11 Jan [S1535] (5pt.i)Third Stone from the Sun (official vocals hi)
16.
11 Jan [S1535] (5pt.ii)Third Stone from the Sun (official, diff mix)
17.
11 Jan
(4) Third Stone from the Sun (vocals hi) †
18.
11 Jan [S015] (1) Third Stone from the Sun (official, mono mix)
19.
11 Jan [S015] (2) Third Stone from the Sun (official)
20.
11 Jan [S005] (1) The Wind Cries Mary (official, mono mix)
21.
11 Jan [S005] (2) The Wind Cries Mary (official)
22.
11 Jan [S1065] (3) The Wind Cries Mary (alt. instrumental take)***
23.
11 Jan [S1464] (?) The Wind Cries Mary (alt. instrumental, alt mix)***
"Top of the Pops" BBC Lime Grove Studios, Lime Grove, London W12
24.
18 Jan
(8) Hey Joe (studio track with live vocals)
DISC 4 DISC TIME 64:45
Olympic Sound Studios, 117 Church Road, Barnes, London SW13
1.
03 Feb [S1472] (86) Fire (instrumental take)
2.
03 Feb [S1473] (87) Fire (instrumental take)
3.
03 Feb [S1474] (88) Fire (instrumental take)
4.
03 Feb [S1475] (89) Fire (instrumental take)
5.
03 Feb [S1476] (90) Fire (instrumental take)
6.
03 Feb [S1477] (90) Fire (instrumental take)
7.
03 Feb [S1064] (3) Fire (backing track only)
8.
03 Feb [S014] (1) Fire (official, mono mix)
9.
03 Feb [S014] (2) Fire (official)
10.
03 Feb [S014] (2) Fire (fake alternate mix)
11.
03 Feb
(?) Fire (alt mix with low vocals-from collectors tape)*
Flamingo Club, 33 – 37 Wardour Street, London W1
12.
04 Feb [L1245] (6) Killing Floor
13.
04 Feb [L1148] (2) Have Mercy Baby
3:37
14.
04 Feb [L1246]
(4) Can You See Me
3:52
15.
04 Feb [L1247] (1) Like A Rolling Stone
16.
04 Feb [L1248] (1) Rock Me Baby
17.
04 Feb [L1249] (3) Experiencing The Blues (Catfish Blues)
18.
04 Feb [L1250] (6) Stone Free
3:32
19.
04 Feb [L1251] (9) Hey Joe
3:52
20.
04 Feb [L1252] (2) Wild Thing
8:01
2:40
2:46
2:50
2:44
2:39
2:58
2:2
3:2
0:52
0:43
3:21
3:15
3:19
0:17
2:35
6:43
3:21
6:3
6:4
3:21
3:20
3:29
3:3
3:25
1:04
0:14
1:10
1:56
1:52
1:18
2:35
2:33
2:42
2:38
2:4
1:11
8:30
3:09
8:29
NOTES:
 ** 11th Jan 51st Anniversary 7 seconds + 10 seconds dead air. (?)
 D3: Track 15 & 16 split track from EXP BOX set (AD 2000 See JP #70 (09:18). EH
combined these tracks. 3rd Stone From The Sun (TR 15. 5 pt.1) has BASIC track as
background at normal speed. 3SFTS (4) same but backing track is TWICE normal speed, voice
dubbed on both trax.
 † D3. 3rd Stone Tr. 17 (4) see JP #63 p34. Boot 716 - “Lost In The Mists Of Time”
 *** Possibility of TWO dates for TWCM. See intro notes
DISC 5
DISC TIME 70:33
1967
Olympic Sound Studios, 117 Church Road, Barnes, London SW13
1.
08 Feb [S1486] (3) Remember (instrumental take)
2.
08 Feb [S1487] (4) Remember (instrumental take)
3.
08 Feb [S1488] (5) Remember (instrumental take)
4.
08 Feb [S1489] (6) Remember (instrumental take)
7
1:4
4:2
1:3
2:2
5.
6.
7.
8.
08
08
08
08
Feb
Feb
Feb
Feb
[S1490]
[S1491]
[S016]
[S016]
(7)
(8)
(1)
(2)
Remember
Remember
Remember
Remember
(instrumental take)
(rough mono mix)
(official, mono mix)
(official)
"Saturday Club" BBC Broadcasting House, Portland Place, London W1
9.
13 Feb [I858]
Interview With Brian Matthew
10.
13 Feb [S215] (5) Hey Joe (official)
11.
13 Feb [S961] (3) Foxy Lady (official, first take)
12.
13 Feb [S216] (4) Foxy Lady (official)
13.
13 Feb [S201] (3) Stone Free (official)
14.
13 Feb [S205] (3) Love or Confusion (official)
“KINGSWAY”
15.
20
16.
20
17.
20
18.
20
19.
20
20.
20
21.
20
22.
20
23.
20
De Lane Lea
Feb [S1059]
Feb [S1060]
Feb [S1061]
Feb [S1063]
Feb [S1062]
Feb [S012]
Feb [S012]
Feb [????]
Feb [????]
4:0
3:00
2:4
2:48
1:0
4:02
2:4
2:59
3:27
3:0
Music Recording Studios, 129 Kingsway, London WC2
(5) I Don't Live Today (instrumental take)
(6) I Don't Live Today (instrumental take)
(7) I Don't Live Today (instrumental take)
(4) I Don't Live Today (instrumental take)
(3) I Don't Live Today (two lead vocals)
(1) I Don't Live Today (official, mono mix)
(2) I Don’t Live Today (official)
(?) I Don't Live Today (fake alternate mix of (2))**
(42) I Don't Live Today (diff. mix)***
DISC 6 DISC TIME 44:04
“KINGSWAY” De Lane Lea Music Recording Studios, 129 Kingsway, London WC2
1.
23 Feb [???]
(?) Manic Depression (instrumental take)
2.
23 Feb [S1492] (11) Manic Depression (instrumental take)
3.
23 Feb [S1493] (12) Manic Depression (instrumental take)
4.
23 Feb [S008] (1) Manic Depression (official, mono mix)****
5.
23 Feb [S008] (2) Manic Depression (official)****
6.
23 Feb [S1480] (10) Manic Depression (mono, alternate vocal)***
7.
23 Feb [S008] (14) Manic Depression (official, sl.diff mono mix)****
2:1
0:29
0:27
4:36
3:33
3:4
3:3
3:3
Saturday Scene, Corn Exchange, Chelmsford, Essex UK
8.
25 Feb [….
(?) Stone Free (See notes for reference below)
9.
25 Feb
?..?
(?) Like A Rolling Stone
10.
25 Feb
…..] (?) Like A Rolling Stone
Marquee
11.
12.
13.
14.
Club, 90 Wardour Street, London W1; recordings for German TV †
02 Mar [L795] (11) Hey Joe
02 Mar [L656] (8) Purple Haze
02 Mar [L843] (10) Hey Joe (outtake)
02 Mar [L844] (7) Purple Haze (outtake)
3.3
3:40
3:15
3:38
2:3
NOTES:
 ** D5: TR. 22: fake alt. mix of official stereo, one channel into MONO. See ‘Living
Reels Vol 1’ (B528)
 *** D5: TR 23: FTBFS B603. I DON’T LIVE LIVE TODAY Major Tom 134.
 **** Manic Depressions FTBFS refs: (1,2,10+14) also listed for 29 Mar. 1967 in
JIMPRESS (Basic track fm. 23rd.)
 D6/tr’s 8-10 CORN EXCHANGE. Univibes notes: [UV #39 page 28] (FTBFS ref#?)
 † Marquee - Introductions: Dave Lee Travis (DLT)
DISC 7
DISC TIME 69:27
Speakeasy? 48 Margaret Street, London W1
1.
16 Mar? Interview Beat Instrumental - Jimi, Clapton & Christine Charles
"Twenclub"
2.
18
3.
18
4.
18
5.
18
6.
18
7.
18
NDR
Mar
Mar
Mar
Mar
Mar
Mar
Funkhaus, Hamburg, W.Germany. W.German radio; live broadcast
[I527]
Intro. Inc. interview with Jimi & Noel
[L528] (5) Foxy Lady
3.16
[L529] (12) Hey Joe
4.11
[L530] (7) Stone Free
3.30
MC Chatter 1
MC Chatter 2
1967
40.
1.57
0.34
0.04
8
8.
9.
18 Mar [L531]
18 Mar [L532]
(4) Fire
(9) Purple Haze (Intro –in German- Noel Redding)
3.04
3.4
BBC, "Saturday Club" BBC Broadcasting House, Portland Place London W1
10.
28 Mar [S204] (1) Killing Floor (official)
11.
28 Mar [S211] (5) Fire (official)
12.
28 Mar [S213] (6) Purple Haze (official) (Intro by Brian Matthew BBC DJ)
DISC 8
DISC TIME 77:59
“KINGSWAY” De Lane Lea Music Recording Studios, 129 Kingsway, London WC2
1.
29 Mar [S1054] (2) Red House (alternate take)
1:46
2.
29 Mar [S1055] (3) Red House (alternate take)
1:49
3.
29 Mar [S1056] (4) Red House (alternate take)
3:13
4.
29 Mar [S1057] (5) Red House (alternate take)
4:10
5.
29 Mar
(6(i)?) Red House (official different mix)**
6.
29 Mar [S049] (6) Red House (official stereo Reprise Smash Hits)
7.
29 Mar [S1058] (1) La Poupee Qui Fait Non (stereo)***
8.
29 Mar [S1463] (1) La Poupee Qui Fait Non (mono)***
"Top of the Pops" BBC Lime Grove Studios, Lime Grove, London W12
9.
30 Mar [S794] (10) Purple Haze (official version + live vocals)
10.
30 Mar [????] (108) Purple Haze (official version + live vocals)*
Olympic Sound Studios, 117 Church Road, Barnes, London SW13
11.
03 Apr [S013] (1) May This Be Love (official, mono mix)
12.
03 Apr [S013] (3) May This Be Love (official)
13.
03 Apr [S137] (2) May This Be Love (official, French single mix)
14.
03 Apr [S006] (1) Highway Chile (official, mono mix)
15.
03 Apr [S1533] (2) Highway Chile (official, stereo mix)
16.
03 Apr [S1534]
Title #3 (see notes below) ***
17.
03 Apr [S017] (1) Are You Experienced (official, mono mix)
18.
03 Apr [S017] (2) Are You Experienced (official)
19.
03 Apr [S017] (3) Are You Experienced (backward guitar solo)
20.
03 Apr
Are You Experienced (fake alt. mix)
21.
03 Apr
(18) Are You Experienced (forward/backward guitar solo)****
22.
04 Apr [S1537] (46) Lover Man (instrumental)
Jimi’s Apartment Flat 9, 43 Upper Berkeley Street, London W1
23.
10 Apr? [I869]
Interview with Lief Anderson, b’cast 19 Apr 67
"Late Night Line Up" BBC TV Studio, Kingsway, London W2
24.
17 Apr [S1504] (3) Manic Depression
2:2
2:4
3:53
3:48
3:41
3:26
2:4
2:4
2:58
3:10
3:1
3:32
3:3
2:11
4:05
4:13
2:4
4:1
5:19
3:02
1:18
3.09
NOTES:
 ** ‘Kiss The Sky’ (Reprise 9 25119-2). More Intro/Studio chat than RH (6)
 **** Are You Experienced (18) see JP 63 p34-Boot “Lost In The Mists Of Time”
 D8 Tr’s 7&8. See UV 14/p25 (OOTS 1) and UV 29/p7 (OOTS2) UV refs are different/FTBFS
refs same?!
 D8 Tr 13: May This Be Love, replaced with track from MAX EXPERIENCE (Rev 3)
 *** D8 Tr 16: Title #3. JHE compilation box. UV ref #. (FTBFS no x-ref if only
one version?)
DISC 9 DISC TIME 75.01
1967
"Top of the Pops" BBC Lime Grove Studios, Lime Grove, London W12
1.
04 May
(109) Purple Haze (studio track plus live vocals?)
Olympic Sound Studios, 117 Church Road Barnes, London SW13
2.
04 May [S932] (1) Mr. Bad Luck (Look Over Yonder)*†
3.
04 May [S236] (1?) Mr. Bad Luck (official, different mix)**
4.
04 May [S030] (3) She's So Fine (official, mono)
5.
04 May [S030] (1) She's So Fine (official)
6.
04 May [S030] (2) She's So Fine ("Backtrack" mix)
7.
04 May [S1004 (4) She's So Fine (original lead vocal)
8.
04 May [S1593] (5) She's So Fine (alt (1), official instrumental mix)*
9.
04 May [S927] (1) Taking Care of No Business (with o/d)
10.
04 May [S1536 (2) Taking Care of No Business (original tracks)
11.
04 May [S935] (1) Cat Talkin' to Me (vocal version)
12.
04 May [S027] (2) If 6 Was 9 (official, mono)***
13.
04 May [S027] (1) If 6 Was 9 (official)***
2.4
3:08
2:57
2:44
2:39
2:38
2:4
2:3
4:07
3:4
2:39
5:37
5:33
9
14.
04 May [S027] (1) If 6 Was 9 (fake alt. mix, Sothebys Reels B426)***
15.
04 May [S1539] (4) If 6 Was 9 (official, longer alt mono mix)***
16.
05 May [S021] (3) E.X.P. (official, mono)
1:12
17.
05 May [S021] (1) E.X.P. (official)
1:54
18.
05 May [
] ( ) E.X.P. ("Backtrack" mix)*
1.55
19.
05 May [S1103] (2) E.X.P. (Sotheby's mix)
1:54
20.
09 May [S1538] (11) Burning of the Midnight Lamp (instrumental)
"Top of the Pops" BBC Lime Grove Studios, Lime Grove, London W12
21.
10 May
(4)The Wind Cries Mary (studio track plus live vocals.)*
"Music Hall de Paris", Theatre d'Issy Les Moulineaux, Paris
22.
11 May
(13) Hey Joe
3:04
23.
11 May
(3) Wild Thing
4:39
DISC 10 DISC TIME 77:01
Hotel Intercontinental, Frankfurt, Germany
1.
17 May [I872]
Int.with Jimi, Mitch & Noel (Hans Schmidt)
18:08
"Beat,Beat,Beat!" Stadthalle, Offenbach, Germany; Broadcast on German TV
2.
18 May [L511] (8) Stone Free
3:24
3.
18 May [L512] (14) Hey Joe
4:18
4.
18 May [L513] (11) Purple Haze
3:06
Falkoner Centret, Copenhagen, Denmark
5.
21 May [?????] (29) Wild Thing
2:06
6.
21 May [?????] Interview by Carsten Grolin (for Danish Radio “Beat Forum”) 1:02
"Popside", Stockholm, Sweden. TV studio; broadcast on Swedish TV, 11 Jun
7.
24 May [L514] (5) The Wind Cries Mary
3:28
8.
24 May [L515] (12) Purple Haze
3:22
Stora Scenen, Grona Lund, Tivoli Garden, Stockholm, Sweden *
9.
24 May [----]
(-) Intro
2:20
10.
24 May [L1382] (6) Foxy Lady (inc tune-up)
3:52
11.
24 May [L1383] (2) Rock Me Baby
3:08
12.
24 May [L1384] (15) Hey Joe
4:20
13.
24 May [L948] (5) Can You See Me
4:05
14.
24 May [L1385] (13) Purple Haze
3:11
15.
24 May [L1386] (4) Wild Thing
6:13
Radiohuset? Stockholm, Sweden
16.
25 May [I870] Int. with Jimi by Klas Burling
10:58
NOTES
 ** Extracted from “OOTS 1 & 2. UV different ref#’s. FTBFS same ref#’s.
 *** If 6 Was 9 - 4th May basic cuts, 5th/9th overdubs & mixing. See JP 70
 D9/† INSERTED from Studio Haze INA6
 D9Tr 19 Recorded 10th May - transmission 18th May 67
 D9 She’s So Fine (1)&(2), and If 6 Was 9 (NEW Tr 18) INSERT from 3Cd ABAL Rev3.
 D10 24th May substituted from: The Spartan Studio Upgrades [Aka. "Spartan Studio
Stockholm 1967 Upgrade"] (Collector's Disc<Cm>/2000/2cdr) Complete conc. (See also 4th
Sept. concerts D14-Stora Scenen/Grona Lund)
DISC 11 DISC TIME 45:48
1967
Monterey International Pop Festival, Monterey, California 
1.
18 Jun [L073] (7) (Tune-up/Intro Brian Jones) Killing Floor
5:54
2.
18 Jun [L074] (7) Foxy Lady
3:36
3.
18 Jun [L075] (2) Like A Rolling Stone
6:51
4.
18 Jun [L076] (3) Rock Me Baby
3.44
5.
18 Jun [L077] (16) Hey Joe
4:47
6.
18 Jun [L078] (6) Can You See Me
3:11
7.
18 Jun [L079] (6) The Wind Cries Mary
3:39
8.
18 Jun [L080] (14) Purple Haze
4:20
9.
18 Jun [L081] (5) Wild Thing
9:46
DISC 12 DISC TIME 67:41
Unidentified Radio Station, San Francisco? California, USA
1.
26 Jun [I268]
Int. with Jimi by Harry Harrison
2.
26 Jun [I269]
Int. with Noel by Harry Harrison
2:56
2:43
Houston Studios, Los Angeles CA
3.
28 Jun [S271] (1) Stars That Play With Laughing Sams Dice INST(acetate) *** 4:02
Mayfair Recording Studio, 701 7th
Avenue. New York City. New York.
10
5:4
5:5
1:2
3:2
4.
5.
6.
7.
8.
06
06
06
06
06
Jul [S019]
Jul [S019]
Jul [S237]
Jul
Jul
(1) Burning of
(2) Burning of
Burning of
(4) Burning of
Burning of
the
the
the
the
the
Midnight
Midnight
Midnight
Midnight
Midnight
Lamp
Lamp
Lamp
Lamp
Lamp
(official, mono)**
(official)**
(off’l interview)†** 
(mixing tape)**
(breakdown mix)**
3:46
3:38
0:3
22:
3:18
Warwick Hotel, New York City (65 West 54th St?)
9.
17-19 Jul
Interview with Jimi/Noel/Mitch by Dan Paulson*
Three segments - tape splits at 22:30, 0:07 2:33 approx.
25:
NOTES:
  - OFFICIAL
 † Very short interview, left in as the track was on the original SAGA discs DELETED
see D15/tr9
 ** Two possible dates in JP 70 for BOTML 1,2,3,4 – 6th/7th July ????
 *** STPWLSD - Instrumental
  D12/tr#9 JP71 PG 22 info: – possibly (more than likely) Drake Hotel? (#440 Park
Avenue NYC?)?
Possibly conducted for “Hit Parade” magazine. DODGY tape in parts. 3 parts-tt 25:10
DISC 13
Mayfair
1.
2.
3.
4.
5.
DISC TIME 57:55
Recording Studio, 701 7th Avenue. New
19 Jul [S020] (2) STPWLSD (official,
19 Jul [S020] (3) STPWLSD (official)
19 Jul [S1120] (4) STPWLSD (alternate
19 Jul [S1120] (5) STPWLSD (alt. mono
19 Jul [S020] (3) STPWLSD (different
1967
York ***
mono mix)
4:17
4:21
stereo mix)*
mix with count in at start)
mix)**
4:36
4:36
4:27
“PPX Studio 76” 1650 Broadway, New York 10019
6.
Jul 25-31 [S683/4] (5&6) Gloomy Monday (takes 1&2)*†
“You can’t use my name”(Studio chat Jimi & Edward Chalpin)
4:08
"Top of the Pops" BBC Lime Grove Studios, Lime Grove, London W12
7.
24 Aug
(9) The Burning of the Midnight Lamp*
Saville
8.
9.
10.
11.
12.
13.
14.
15.
16.
Theatre, 135-149 Shaftesbury Avenue, London W1 ††
27 Aug [ ?
 (1) Summertime Blues
27 Aug
(6) Fire
27 Aug
(7) The Wind Cries Mary
27 Aug
(8) Foxy Lady
27 Aug
(4) Experiencing The Blues (Catfish Blues)
27 Aug
(8) I Don't Live Today
27 Aug
(82) Red House
27 Aug
(63) Hey Joe
27 Aug 
? ] (15) Purple Haze
3:54
1:29
1:55
2:04
2:07
5:50
3:41
3:09
2:48
4:45
11
DISC 14
DISC TIME 77:52
Stora Scenen, Grona Lund, Tivoli Garden, Stockholm, Sweden
1.
04 Sep [-----]
(-)
Intro
SPARTAN STUDIO SUB
2.
04 Sep [L1394] (2)
Sgt Pepper's Lonely Heart's Club Band
3.
04 Sep [L1395] (4)
Rock Me Baby
3:34
4.
04 Sep [L1396] (6)
Experiencing The Blues (Catfish Blues)
5.
04 Sep [L1397] (64)
Hey Joe
4:53
6.
04 Sep [L1398] (16)
Purple Haze
6:45
7.
04 Sep [-----]
(-) Intro
Dans In, Grona
8.
04 Sep
9.
04 Sep
10.
04 Sep
11.
04 Sep
12.
04 Sep
13.
04 Sep
14.
04 Sep
15.
04 Sep
Lund, Tivoli Garden, Stockholm, Sweden
[L949] (8) Killing Floor
[L950] (9) Foxy Lady
[L951] (5) Experiencing The Blues (Catfish Blues)
[L952] (17) Hey Joe
[L953] (7) Fire
[L954] (8) The Wind Cries Mary
[-----]
(-) Jimi & Noel’s banter with audience
[L955] (17) Purple Haze
2:1
1:51
8:58
1:37
4:53
4:29
11:
5:16
4:31
4:07
2:0
11:
NOTES:
 ** Fake alternate mix with echo effect, see Sessions 9.
 *** timed FTBFS ref. STOWLSD (1 to 5) 19th – basic cuts & 29th – overdubs etc
 †† Saville tracks: timed at track length. Most tracks contain a lot of in-between song
chatter.
 D13: STPWLSD track 3 (4) Alternate stereo mix
 D13: STPWLSD i) re-ref’d & numbered ii) (5) extract from Mixdown Masters Vol1. rev2
 † D13 Tr 6 PPX/Curtis Knight: NONE on SAGA (original) APE discs. D13/tr6 (composite)
inserted as token; burgled from “You Can’t Use My Name” CD-r (YCYMN – Rock Folders) BOOT.
Dates VERY uncertain. 17th July 67 is mooted by some as the most likely date for the
Gloomy Monday takes.
 D13 Tr 6 BOTML… audio cassette recording of the BBCtv show
 D14 NB COMPLETE CONCERTS including intros, and inter-song chat substituted from
Spartan Studio Update
DISC 15 DISC TIME 72:16
‘Tonarskvall’, Radiohuset, Stockholm, Sweden
1.
05 Sep [L503] (3) Sgt. Pepper's Lonely Hearts Club Band
2.
05 Sep [L504] (18) Hey Joe
3.
05 Sep [L505] (9) I Don't Live Today
4.
05 Sep [L506] (9) The Wind Cries Mary
5.
05 Sep [L507] (10) Foxy Lady
6.
05 Sep [L508] (8) Fire
7.
05 Sep [L509] (6) The Burning of the Midnight Lamp
8.
05 Sep [L510] (18) Purple Haze
Radiohuset Stockholm, Sweden
9.
05 Sep [I871]
Interview with Jimi by Klas Burling **
1967
1:50
4:11
4:35
3:52
3:39
3:11
4:06
5.21
3:57
MISSING 7 Sept. “Club Filips” Stockholm Sweden. Jams Hanson/Karlson (SEE Rev. 3 flac disc
trax 8-19)
Stora Salen, Akademiska Foreningen, Lund, Sweden (1st show)* To be inserted (now 38:38,
was 38.09)
10.
10 Sep
Intro.
1:14
11.
10 Sep
(17) Sgt Pepper
1:55
12.
10 Sep
(112) Foxy Lady
3:58
13.
10 Sep
(15) Experiencing The Blues (Catfish Blues)
10:08
14.
10 Sep
(97) Fire
3:51
15.
10 Sep
(22) The Wind Cries Mary
4:26
16.
10 Sep
(4) Have Mercy (incomplete)
2:04
17.
10 Sep
(15) Manic Depression
5:09
18.
10 Sep
(123) Purple Haze
6:13
DISC 16
DISC TIME 48:02
12
Radiohuset? Stockholm, Sweden
1.
11 Sep
Interview with Jimi, Noel & Mitch by Lief Anderson**
Stora Scenen, Grona Lund, Tivoli Garden, Stockholm, Sweden
2.
11 Sep [L1377] (11) Foxy Lady
3.
11 Sep [L911] (7) The Burning of the Midnight Lamp
4.
11 Sep [L1378] (9) Fire
5.
11 Sep [L1379] (7) Experiencing the Blues (Catfish Blues)
6.
11 Sep [L1380] (65) Hey Joe
7.
11 Sep [L1381] (19) Purple Haze
Olympic
8.
9.
10.
11.
12.
Sound Studios,
01 Oct [S032]
01 Oct [S032]
01 Oct [
]
01 Oct [S265]
01 Oct [S1541]
117
(2)
(1)
( )
(3)
(6)
Church
Little
Little
Little
Little
Little
3:5
5:24
4:05
3:40
7:45
5:19
6:08
Road, Barnes, London SW13
Miss Lover (official, mono)
Miss Lover (official)
Miss Lover ("Backtrack" mix)*
Miss Lover (acetate)
Miss Lover (official diff mix of (2)
2:24
2:2
2.2
2:19
2:2
NOTES:
 * 10th Sept Lund, Sweden – inserted. UPGRADE (1st Gen MASTER) rev 3
 ** Interviews on 5th & 11th poor quality. I871 (5th) inserted from “Sweeping Up The
Pieces Of Yesterdays Life”
 D16: Tr. 10 NEW insert from Backtrack ABAL LP (Sept 05)
 D16: Replacement Tr. 10 (NOW Tr. 11) Liitle Miss Lover Sept 05 ((3cd ABAL) Rev 2
 (4Hr.15min jam, in possession of one Anders Lind). ALSO available as, (we understand
it), AUD 16:15, 7/10 (vg)
(11 jam excerpts) – BOTH UNAVAILABLE SEE UV Day to DAY Diary of that date. Rev 3 (Sept
05) NOW AVAILABLE BUT NOT added on new flac disc. 12 trax. (NB Addition WILL result in
D15 overflow, and resultant, subsequent disc overflow)
DISC 17
Olympic
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
DISC TIME 61:54
Sound Studios, 117
03 Oct [S028] (3)
03 Oct [S028] (1)
03 Oct [S028] (2)
03 Oct [S1107] (4)
03 Oct [S031] (4)
03 Oct [S031] (1)
03 Oct [S240] (2)
03 Oct [S031] (3)
03 Oct [S240] (5)
03 Oct
1967
Church Road, Barnes, London SW13
You Got Me Floatin' (official, mono)
You Got Me Floatin' (official)
You Got Me Floatin' ("Backtrack" mix)
You Got Me Floatin' (alternate mix)
One Rainy Wish (official, mono)
One Rainy Wish (official)
One Rainy Wish (alternate mix)
One Rainy Wish ("Backtrack" mix)
One Rainy Wish (alternate mix of (2))
One Rainy Wish (alternate mix)**
2:3
2:46
2:41
2:4
3:42
3:40
3:44
3:42
3:45
3:56
Olympic Sound Studios, 117 Church Road, Barnes, London SW13 ****
11.
05 Oct [S1543] (7) Bold as Love (official, instrumental take)
12.
05 Oct [S033] (5) Bold as Love (official, mono mix)*
13.
05 Oct [S033] (1) Bold as Love (official)*
14.
05 Oct [
] ( ) Bold As Love ("Backtrack" mix)*
15.
05 Oct [S817] (2) Bold as Love (alternate mix)*
16.
05 Oct
(3) Bold as Love (alternate mix)*
17.
05 Oct
(4) Bold as Love (alternate mix, end only)*
DISC 18
DISC TIME 43:55
"Top Gear" BBC Playhouse Theatre, Northumberland Avenue, London WC2
1.
06 Oct [I1503]
Interview with BRIAN MATTHEW ***
2.
06 Oct [S479] (4) Little Miss Lover (official)
3.
06 Oct [S478] (1) Driving South (complete)
4.
06 Oct [S217] (5) Burning of the Midnight Lamp (official)
5.
06 Oct [S210] (1) Hound Dog (official)
6.
06 Oct [S207] (1) Experiencing The Blues (Catfish Blues)(off’l)
7.
06 Oct [S882]
Ain't Too Proud To Beg (complete)
8.
06 Oct [S1003]
Ain't Too Proud To Beg (Pt. 1) (official)*
9.
06 Oct [S882]
Ain't Too Proud To Beg (Pt. 2) (official)*
10.
06 Oct [S478] (2) Driving South (official,alternate take)
4:0
4:0
4:0
3:3
1:2
0:51
2:5
4:34
3:43
2:43
5:2
8:12
3:2
3:0
4:49
13
11.
12.
06 Oct [S218] (14)Driving South (official edited version)
?? ??? [2 pts of S479] (4) Little Miss Lover */
3:21
0:4
NOTES
1. ** D17, TR 10 no references available.
2. D17: You Got Me Floatin’(2), & One Rainy Wish (3) replaced from 3CD ABAL Sept 05 Rev2
3. D17: Tr. 14 BOLD AS LOVE: NEW (Backtrack) TRACK, latter trax move up one… Sept 05 Rev
2
4. *** The interviewer was listed on SAGA info as Tommy Vance. UNEQUIVOCALLY, it’s BRIAN
MATTHEWS. UV also makes this mistake.. BM still broadcasts for the BBC…, in ’05. Far
out!!
5. **** Bold As Love Sessions revisited on 29th October.
6. */ Little Miss Lover 2 pts of [S479] (4). The BBC transcription service picked up
some of this session for Top Of The Pops. Brian Matthew’s gushing (I think you’d call
it that, 60’s “happening” trailer for TOTP #161 - groovy!) Recording transmission
dates unknown. Inserted from “Hendrix At The Beeb”)
DISC 19 DISC TIME 71:31
"Musicorama", L'Olympia, Paris
1.
09 Oct [L1582] (19) Hey Joe (inc. intro)
2.
09 Oct [L1542] (14) Experiencing The Blues (Catfish Blues)
3.
09 Oct [L1583] (95) Fire *††
3:29
4.
09 Oct [L1581] (33) Stone Free *††
3:41
5.
09 Oct [L521] (12) Foxy Lady
5:47
6.
09 Oct [L522] (10) The Wind Cries Mary
7.
09 Oct [L523] (5) Rock Me Baby
8.
09 Oct [L524] (9) Red House
7:30
9.
09 Oct [L525] (20) Purple Haze
10.
09 Oct [L526] (7) Wild Thing
5:41
Olympic Sound Studios, 117 Church Road, Barnes, London SW13
11.
14 Oct [S1454] (7) Angel (instrumental) (official)
"Top Gear" BBC Playhouse Theatre, Northumberland Avenue, London WC2
12.
17 Oct [S962]
Alexis Korner Introduction (official)
13.
17 Oct [S481]
(1) Can You Please Crawl out Your Window(official)
14.
17 Oct
Alexis Korner Introduction (official)
15.
17 Oct [S212]
(1) Hoochie Coochie Man (official)
16.
17 Oct
Alexis Korner Introduction (official)
17.
17 Oct [S482]
(3) Driving South (official)
DISC 20 DISC TIME 72:07
Olympic Sound Studios, 117 Church Road, Barnes, London SW13
1.
25 Oct [S026]
(3) Little Wing (official, mono)
2.
25 Oct [S026]
(1) Little Wing (official stereo)
3.
25 Oct
Little Wing (fake mix of (1) - Living Reels B528)
4.
25 Oct [S026]
(2) Little Wing ("Backtrack” mix)
5.
25 Oct [S1540] (16) Little Wing (alternate instrumental take)
Olympic Sound Studios, 117 Church Road, Barnes, London SW13
6.
26 Oct [S024]
(3) Wait until Tomorrow (official, mono)
7.
26 Oct [S024]
(1) Wait until Tomorrow (official)
8.
26 Oct [
]
( ) Wait Until Tomorrow ("Backtrack" mix)*
3:01
9.
26 Oct [S1105] (2) Wait until Tomorrow (alt. mix, longer)
10.
26 Oct [S025]
(5) Ain't No Tellin' (official mono mix)
11.
26 Oct [S025]
(1) Ain't No Tellin' (official)
12.
26 Oct [S025]
(2) Ain't No Tellin' ("Backtrack" mix)
13.
26 Oct [S025]
(3) Ain't No Tellin' (alternate stereo mix)
14.
26 Oct [S1106] (4) Ain't No Tellin' (alt. mix with diff. guitar)
Olympic Sound Studios, 117 Church Road, Barnes, London SW13
1967
4:07
5:26
4:14
4:54
8:26
2:43
0:27
3:32
0:12
5:29
0:22
5:31
2:26
2:25
2:2
2:27
3:2
3:03
3:01
3:26
1:4
1:4
1:4
1:52
1:4
14
15.
27 Oct [S1005] (1) Spanish Castle Magic (instrumental take)
2:42
16.
27 Oct [S023]
(4) Spanish Castle Magic (official, mono)
3:04
17.
27 Oct [S023]
(2) Spanish Castle Magic (official)
3:02
18.
27 Oct [S1113] (3) Spanish Castle Magic (alternate mix)
3:08
Olympic Sound Studios, 117 Church Road, Barnes, London SW13
19.
29 Oct [S022]
(4) Up from the Skies (official, mono)
20.
29 Oct [S022]
(1) Up from the Skies (official)
2:56
21.
29 Oct [S022]
(2) Up from the Skies ("Backtrack" mix)
2:57
22.
29 Oct [S1104] (3) Up from the Skies (alternate mix)
2:55
23.
29 Oct [S029]
(5) Castles Made of Sand (official, mono)
2:48
24.
29 Oct [S029]
(1) Castles Made of Sand (official)
2:47
25.
29 Oct [S029]
(2) Castles Made of Sand ("Backtrack" mix)
2:47
26.
29 Oct [S1108] (3) Castles Made of Sand (alternate mix)
2:51
27.
29 Oct [S029]
(4) Castles Made of Sand (backward)
2:23
NOTES:
 9th Oct Burning Of The Midnight Lamp (BOTML) MISSING - NOT AVAILABLE (EH has)
 9th Oct †† D19 3&4 from EXP HEN Paris/SAN FRAN disc CATF-05056-2
 D20: Little Wing (2) Ain’t No Tellin’ (2) Up From The Skies (2) Castles Made Of
Sand (2), replaced with ‘non-scratchy’ trax from 3cd tripe ABAL Spt 05 Rev 2
 D20: Tr 8 NEW. Insert from 3 CD ABAL (all others move up a notch). Rev 2
DISC 21 DISC TIME 74:41
1967
"Hoepla", Vitus Studio, Bussum, Holland - Dutch TV ††
1.
10 Nov [L517] (13) Intro Foxy Lady
5:01
2.
10 Nov [L516] (2) Experiencing The Blues (Catfish Blues)(official)
8:21
3.
10 Nov [L518(i)?](118) Purple Haze (aborted take) 
2:56
4.
10 Nov [L518(ii)?](21) Purple Haze
6:19
5.
10 Nov [????] (22) Purple Haze (alternate take)
4:57
Olympic Sound Studios, 117 Church Road, Barnes, London SW13
6.
13 Nov [S1459] (8) Angel (official, start cut)*
3:55
7.
13 Nov [S1459] (10) Angel (official, complete, alt mix)
Opera House, Blackpool, Lancashire
8.
25 Nov
(4) Sgt Pepper's Lonely Hearts Club Band
1:51
9.
25 Nov
(10) Fire
2:31
10.
25 Nov
(20) Hey Joe
4:03
11.
25 Nov
(11) The Wind Cries Mary
2:41
12.
25 Nov [L519] (23) Purple Haze
4:08
13.
25 Nov [L520] (8) Wild Thing
5.04
Jimi’s Apartment, Flat 9, 43 Upper Berkeley Street London W1
14.
9? Dec [I295]
Interview with Jimi by Meatball Fulton
18:43
DISC 22 DISC TIME 69:54
"Top Gear" BBC Theatre, The Playhouse Theatre, Northumberland Avenue, London W2 
1.
15 Dec [I912]
Interview (by Tony Hall)
2.
15 Dec [S480]
Radio One Theme (official)
1:36
3.
15 Dec [S208] (4) Wait until Tomorrow (official)
4.
15 Dec [S203] (3) Day Tripper (official)
5.
15 Dec [S214] (5) Spanish Castle Magic (official)
6.
15 Dec [S1505] (1) Hear My Train A-Comin' (official)
7.
15 Dec [S209] (2) Hear My Train A-Comin' (official, alt. take)
8.
15 Dec
(3) Hear My Train A-Comin' (composite edit)**
Bruce Fleming Photo Studio, 12 Great Newport Street, London WC2
9.
19 Dec [I225] (V8) Interviews
4:00
10.
19 Dec [S144] (4) Hear My Train A-Comin' (false start from V8)
11.
19 Dec [S144] (4) Hear My Train A-Comin' (official)
Olympic Sound Studios, 117 Church Road, Barnes, London SW13
12.
20 Dec [S037] (1) Crosstown Traffic (official)
13.
20 Dec [S037] (2) Crosstown Traffic (alternate mix)
14.
20 Dec [S037] (3) Crosstown Traffic (alternate mix, mono)***
15.
20 Dec [S266] (1) Dream (acetate)
16.
20 Dec
(2) Dream (stereo mix)*
17.
20 Dec [S267] (1) Dance (acetate)
"Christmas On Earth Continued", Olympia, Kensington, London
18.
22 Dec [L796] (5) Sgt Pepper's Lonely Hearts Club Band
19.
22 Dec [L797] (14) Foxy Lady
20.
22 Dec
(9) Wild Thing
3:01
Olympic Sound Studios, 117 Church Road, Barnes, London SW13
2:5
4:1
6:31
2:55
3:29
3:08
5:00
5:0
1:40
0:5
3:05
2:2
2:2
2:0
2:19
1:5
1:5
3:38
15
21.
22.
23.
28 Dec [S879]
28 Dec [S880]
28 Dec [S930]
(1) Little One (take 1)*
(2) Little One (take 2)*
(3) Little One (with vocals)*
3:2
3:2
3:5
NOTES:
 †† HOEPLA: SAGA tapes are hissy, but contain timing signals, studio chatter, and as a
consequence are
approx 4 mins longer. We also believe these particular trax to
be in TRUE recorded order.  Purple Haze (118) aborted at et 01.17 - Jimi’s guitar goes
wildy out of tune. 1.30 of tuning ensues before JMH is ready for PH(21)
(SEE UV #4 page 11-19 for full write up……)
 ** End of Live Unreleased with voice over, composite edit (ie end-butted best bits) of
(1) + (2)
 (*) *** INSERTED Not on original SAGA, official (A212-Reprise GRE 0742). One channel
of stereo (1) in mono
  Live radio recoding for BBC Radio 1, 15th Dec. Broadcast 24th December 67. Engineer
Pete Ritzema.
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04:45:04 Tuesday, March 8, 2016
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