2006 - Programme

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Sunday 28 May 2006/Lundi 28 mai 2006
3:00 Registration (until 7:30 pm)
7:30 Opening Concert
The Recital Hall, ACE
Performers include: Robbin, Elmes, Petrowska Quilico, Scanurra, Chow,
Morris, Chambers, Markoff, Murley, Sankaran, Lofsky, and others
9:00 CUMS Reception
Hosted by Department of Music, York University
Location: tbc
Monday 29 May 2006/Lundi 29 mai 2006
8:00
Registration (until 3:30 pm)
8:45
Welcome/ Allocutions de bienvenue
9:00
All Streams (A,B,C) Session I: Keynote Address
Room: 001 ACE
Keynote Speaker: Will Straw, McGill University
10:30
Break
11:00
A Stream Session II: Canada Old/New
Room: 231 ACE
The Evatt Collection: A Tale of Two Cities, James Wright, Carleton University
An Analysis of Anne Eggleston's Quartet for Piano and Strings, Roxane Prevost, Université
d'Ottawa
11:00
B Stream Session II: Wagner
Room: 235 ACE
New Light on Wagner's 'Trauermusik' ('Trauersinfonie'), Keith Kinder, McMaster University
Die Welt sei Ode, und ihr Held ein Knecht": Conflicted Musical Practices and the Dubious
Artistic Heroism of Wagner's Tannhauser, Rebekah McCallum, University of Victoria
11:00
C Stream Session II: Extremes
Room: 237 ACE
Rhetoric: A Vehicle for Persuasion and Expression in Liturgical Drama, Melanie Batoff,
University of Western Ontario
Rufus Wainwright, Camp, and the Fusion of "High" and "Low" Cultures, Kate Galloway,
University of Toronto
12:00
All Streams (A,B,C), Break
12:30
Lecture/Recital
The Recital Hall
A Celebration of Fanny Hensel
Sharon Krebs, soprano
Harald Krebs, piano.
1:30
A Stream Session III: 20th Century
Room: 231 ACE
Scriabin's Art of the Fresco: Large-scale Pitch Organization in the Octatonic Piano Sonatas,
E. Greenwood and F. de Médicis, Université de Montréal
Le modèle associatif de conduite des voix appliqué à la musique de Jacques Hétu: Le Concerto
pour orgue et orchestre, op. 68. René Champigny, Université Laval
The Early Serial Works of Luigi Dallapiccola, Michael Chikinda, University of Buffalo
1:30
B Stream Session III: Education/Praxis
Room: 235 ACE
Creating a Space for Choice in Inner City Youth: How the 'One World' Project is Challenging
the Music Education Paradigm. Roger Mantie, University of Toronto
Teaching Pop Music as Embodied Knowledge: A Phenomenological Model of Music Teaching
and Learning. Karen Snell, University of Western Ontario
Images, themes and values in Inuit-invented musical games. Joan Russell, McGill University
1:30
C Stream Session III: Toronto
Room: 237 ACE
Jazz at the CBC: Shaping a Canadian Sound, Michael Cadó, York University
Rising like the Phoenix: Chinese Music of Toronto in Transition, Kim Chow-Morris, Ryerson
University
Fresh Air: Reconceptualizing Communities at CHRY Radio, Gillian Turnbull, York University
3:00
All Streams (A, B, C), Break
3:30
Panel I: The Place of Popular Music in Canadian Universities
Room: tbc
Panelists: Serge Lacasse, Chair
Rob Bowman (York), David Brackett (McGill), Norma Coates (UWO), Susan Fast
(McMaster), Kip Pegley (Queen's), John Shepherd (Carleton), Will Straw (McGill)
3:30
B Stream Session III: Education/Praxis (continued)
Room: 235 ACE
The 17 Piano Fragments by Arnold Schoenberg Fragments: Lecture Recital
Yoko Hirota, piano, Huntington University
7:00 pm
Meeting of the Standing Committee for Institutional Members
Location: tbc
Tuesday May 30 2006/Mardi 30 mai 2006
8:00 Registration (until 3:30 pm)
9:00
A Stream Session I: Analysis
Room: 231 ACE
Tinctoris on Varietas, Alexis Luko, McGill University
Brahms and the Principle of Destablilized Beginnings, Ryan McClelland, University of
Toronto
9:00
B Stream Session I: The Voice Constructed
Room: 235 ACE
"Don't Make Fun of Daddy's Voice": The Enigma and Morrisey's Changing Identity, Nicholas
Greco, McGill University
Creating Lucia: The Voice of Luisa Tetrazzini in E. M. Forester's “Where Angels Fear to Tread”,
Michelle Fillion, University of Victoria
9:00
C Stream Session I: France
Room: 237 ACE
Musical semantics in Darius Milhaud's Cantate pour l'inauguration du Musée de l'Homme,
op. 164, Jacinthe Harbec, Université de Sherbrooke
La dimension symphonique dans Ravel: Daphnis et Chloé (1912) de Ravel: partenaire ou
rivale de la chorégraphie?, Elisabeth Reid, Université de Montreal
10:00
All Streams (A, B, C), Break
10:30
All Streams (A, B, C) CUMS Student Session
Room: tbc
Getting the Job: Advice from Hirers
Panelists:
C. Morrison (Wilfrid Laurier University)
F. de Médicis (Université de Montréal)
B. Power (Brock University)
11:30
CUMS Town Hall Meeting
12:30
Concert: The Recital Hall
Canadian Music for Flute and Piano
Amy Hamilton, flute
Beth Ann de Sousa, piano,
Wilfrid Laurier University
1:30
A Stream Session III: Transformations
Room: 231 ACE
Getting a "Handel" on Baroque Pitch: Geographical pitch standards in the vocal music of
G. F. Handel and their implications for modern singers, Catherine Arcand-Pinette,
UWO
Keyboard Transcriptions of Handel's Overtures, Sandra Mangsen, University of Western
Ontario
From "lifestyle modernism" to "populist modernism": the musical evolution of the everyday in
interwar France, Christopher Moore, McGill University
1:30
B Stream Session III: The Sonata
Room: 235 ACE
Neoclassicism and Sonata Form in Prokofiev's 'Classical' Symphony, op. 25, Jon Wild,
McGill University
The Functions of Harmonic Motives in Schubert's Sonata Forms, Brian Black,
University of Lethbridge
L'esthétique de la forme sonate en 1800-1840: Plaidoyer pour une réhabilitation de ses
titres de noblesse, Jon-Tomas Godin, Université de Montreal
1:30
C Stream Session III: Locality/Identity
Room: 237 ACE
A Tale of Two Anthems: Francis Forbes, Cavendish Boyle, and the Evolution of
Newfoundland Musical Nationalism, Glenn Colton, Lakehead University
Bull-roarer cult in Cuba, Michael Marcuzzi, York University
In the noble city of Granada - Bingo!": Microworlds of Sephardic Music in Montreal and
Toronto, Judith Cohen, York University
3:00
All Streams (A, B, C)
SSHRC's New Strategic Plan: What it Means for Student and Faculty Researchers
Dr. Stephen McClatchie, Assoc. Vice-President, Academic & Professor, University of Regina
4:00
CUMS COMPOSITION CONCERT: The Recital Hall:
Compositions by Straffelini, Grahl, Reid, Harman, Dawson,
McGowan, Champagne, Andonian
5:30
York President's Reception
Location: tbc
6:30
CUMS Banquet
Location: Schulich Executive Dining Room
Wednesday May 31 2006/Mercredi 31 mai 2006
8:00
Registration (until 12:00 noon)
9:00
A Stream Session I: Location and Idea
Room: 231 ACE
Selling the War in Iraq: Television News Music and the Shaping of American Public Opinion,
James Deaville, Carleton University
The Improvising Listener, Charles Morrison, Wilfred Laurier University
Live8: Locating "The Canadian" in Barrie, Ontario, Karen Pegley, Queen's University
9:00
B Stream Session I: Individuals
Room: 235 ACE
Nadia Boulanger's Lasting Imprint on Canadian Music, Jean Boivin, Université Sherbrooke
Kathleen Parlow's 1922 Tour of the Far East, Andrew Homzy, Concordia University
Searching for Otis Spann: The Life and Music of Otis Spann, Christy De Felice, York
University
9:00
C Stream Session I: Revisiting
Room: 237 ACE
The Commodity Revisited: Reading Jazz History in Light of Adorno's Dialectics, Paul Louth,
University of Western Ontario
Blue Rodeo on the Outskirts of Genre, Colette Simonot, McGill University
The Waltz: Technology's Ruse, Teresa Magdanz, York University
10:30
All Streams (A,B,C): Break
11:00
A Stream Session II: 19 Century plus
Room: 231 ACE
Une leçon d'August Wilhelm Schlegel dans le Cours de composition musicale de Vincent
d'Indy?, Catherine Mathieu, Université de Montréal
Picturing Difference: Mussorgsky and the Formation of Russian National Identity,
Steven Bauer, Dalhousie University
11:00
B Stream Session II: Mini Concert
Room: 235, ACE
Eleven Pieces for Improvising Trio
Peter Johnston, York University
11:00
C Stream Session III: Varied Performance
Room: 237, ACE
La notion de "personnage vocal" en musique populaire enregistrée, Marion Bec, Université
Laval
Reflections on the application of Empirical methodologies on Performance, Johanna Devaney,
Columbia University
12:00
All Streams (A, B, C): Break
12:30
Lecture/Recital 12:30 - 1:15
The Recital Hall
Bach's Model Suites
Stephanie Martin, York University
1:00
CUMS-SMUC Annual General Meeting
Room: 235 ACE
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