Blackberry Eating
The Black Snake
I love to go out in late September
among the fat, overripe, icy, black
blackberries
to eat blackberries for breakfast,
the stalks very prickly, a penalty
they earn for knowing the black art
of blackberry-making; and as I stand
among them
lifting the stalks to my mouth, the
ripest berries
fall almost unbidden to my tongue,
as words sometimes do, certain
peculiar words
like strengths or squinched,
many-lettered, one-syllabled lumps,
which I squeeze, squinch open, and
splurge well
in the silent, startled, icy, black
language
of blackberry -- eating in late
September.
When the black snake
flashed onto the morning road,
and the truck could not swerve-death, that is how it happens.
Now he lies looped and useless
as an old bicycle tire.
I stop the car
and carry him into the bushes.
He is as cool and gleaming
as a braided whip, he is as beautiful
and quiet
as a dead brother.
I leave him under the leaves
and drive on, thinking
about death: its suddenness,
its terrible weight,
its certain coming. Yet under
reason burns a brighter fire, which
the bones
have always preferred.
It is the story of endless good
fortune.
It says to oblivion: not me!
It is the light at the center of every
cell.
It is what sent the snake coiling and
flowing forward
happily all spring through the green
leaves before
he came to the road.
Galway Kinnell
Mary Oliver
Rain
To a Poor Old Woman
A teacher asked Paul
what he would remember
from third grade, and he sat
a long time before writing
"this year somebody tutched me
on the sholder"
and turned his paper in.
Later she showed it to me
as an example of her wasted life.
The words he wrote were large
as houses in a landscape.
He wanted to go inside them
and live, he could fill in
the windows of "o" and "d"
and be safe while outside
birds building nests in drainpipes
knew nothing of the coming rain.
munching a plum on
the street a paper bag
of them in her hand
They taste good to her
They taste good
to her. They taste
good to her
You can see it by
the way she gives herself
to the one half
sucked out in her hand
Comforted
a solace of ripe plums
seeming to fill the air
They taste good to her
Naomi Shihab Nye
William Carlos Williams
Laughing Boy
The Red Wheelbarrow
In the falling snow
A laughing boy holds out his palms
Until they are white.
Richard Wright
so much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens.
William Carlos Williams
Shooting
I wade through wheat up to my belly,
cradling a shotgun in my arms.
Tess is asleep back at the ranch
house.
The moon pales. Then loses face
completely
as the sun spears up over the
mountains.
Why do I pick this moment
to remember my aunt taking me
aside that time
and saying, What I am going to tell
you now
you will remember every day of your
life?
But that's all I can remember.
I've never been able to trust memory.
My own
or anyone else's. I'd like to know
what on earth
I'm doing here in this strange regalia
It's my friend's wheat--this much is
true.
And right now, his dog is on point.
*
Tess is opposed to killing for sport,
or any other reason. Yet not long
ago she
threatened to kill me. The dog inches
forward.
I stop moving. I can't see or hear
my breath any longer.
Step by tiny step, the day advances.
Suddenly,
the air explodes with birds.
Tess sleeps through it. When she
wakes,
October will be over. Guns and talk
of shooting behind us.
Raymond Carver
Rosa
How she sat there,
the time right inside a place
so wrong it was ready.
That trim name with
its dream of a bench
to rest on. Her sensible coat.
Doing nothing was the doing:
the clean flame of her gaze
carved by a camera flash.
How she stood up
when they bent down to retrieve
her purse. That courtesy.
By Rita Dove