final essay CAESAR

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Courtney Bates

Honors English 10

Ms. Emmett

5/18/11

Tragic Heroes Then and Now

Every story has a hero. Whether it is The Little Mermaid, with Prince Eric saving Ariel from both Ursala and a life at sea, or Leigh Anne Tuohy, taking in homeless high school boy and turning him into a good man playing in the NFL, they do heroic deeds for the ones they love. A tragic hero, however, has the potential for this heroism but is doomed to fail, like Tiger Woods, who has fallen from stardom after scandal. These heroes are embedded with flaws leading to their demise; the best example of this would be the trust and pride Brutus, from Julius Ceasar by

William Shakespeare, has in Rome. Brutus was born into nobility, endowed with a tragic flaw, doomed to make a serious error in judgment, and accepts his tragic death with honor, making him the quintessential model of a tragic hero.

From birth, Brutus has been in the line to do something great, as his ancestors were noble men. Brutus’s family had a history of overthrows dating back to approximately 509 BC. His uncle, Lucius Tarquinius Superbus, assassinated his father, the king of Rome, to take the throne.

He seized it, ruling like a despot, with the support of his wife Tullia and became the last king of

Rome (Joe). Because this great feat was in his blood, it made choosing to do like his ancestors

“did from the streets of Rome/The Tarquin drive when he was called a king” (Shakespeare

2.1.56-57). Brutus was also a nobility due to his place in the government. He was high standing and a friend to Caesar until Caesar turned his back on friends in exchange for power. Brutus has been as noble as Caesar since birth; he was “born free as Casaer…/Fed as well, and [Brutus] can

Bates 2 endure the winter’s cold as well as he” (Shakespeare 1.2.104-106). They are both from similar backgrounds, showing that they have both been noble since birth or before, with Tarquin the

Proud as Brutus’s ancestor.

Trust is an important virtue; however, Brutus trusts too many which makes him gullible to Cassius and Antony, ultimately leading to his fall as a tragic hero. Brutus trusts Cassius who takes advantage of their friendship and convinces him to murder Caesar against Brutus’s better judgment. Cassius attempts to persuade Brutus using numerous persuasive techniques, including appealing to the trust between him. Cassius is pleased that his “weak words/Have struck thus much show of fire from Brutus,” as his plan of persuasion has worked on the tragic hero

(Shakespeare 1.2.185-186).

Antony also takes advantage of Brutus after Caesar’s murder. Brutus puts his trust in

Antony to ally with the conspirators, a serious error in judgement, but he is betrayed once again.

While Antony does call Brutus an honorable man several times, he uses it in a rhetorical sense to portray the conspirators as murderers and traitors. He disproves Brutus’s points, saying that when “the poor have cried, Ceasar hath wept/Ambition should be made of sterner stuff./Yet

Brutus says he was ambitious/And Brutus is an honorable man” (Shakespeare 3.2.100-103).

Antony continues with this reasoning throughout his speech, showing that Brutus is wrong in trusting the assinated king’s loyal friend to not deceive him. This mistake in judgment is further benefited from by Antony because he speaks last. While Brutus has the ability to strategize, he makes the error of letting Antony speak last, leaving his words in their mind when the ceremony concludes. This move was not smart on Brutus’s part, yet he does not believe Antony will go against him; therefore, he knows no better.

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In the final days of his life, Brutus is still a noble man and faces his death with honor, fitting to his role as the tragic hero in Julius Caesar . He comes from the battle, only to see both

Titanius and Cassius lying dead on the ground, much to his dismay. He feels as though to his friends he “owes more than tears/to this dead man [he] shall pay” (Shakespeare 5.4.114-115).

Because Brutus’s friends died for him and their cause, he is indebted to them and owes them a great sacrifice. While Strato holds a sword, Brutus runs on to it, dying with honor as he declares that he “killed not [Caesar] with half so good a will” (Shakespeare 5.5.57). Brutus went much more willingly than Caesar, paying for his past debts and his cause. He realizes “that to uphold the cause of truth and honor he must sacrifice himself” (Paolucci). In order to clear his conscience and win the internal battle with himself, Brutus needs to sacrifice his own body for the others that have been lost. While Brutus may not win the external battle with Antony and

Octavian, he dies a noble man, a characteristic well respected in tragic heroes.

Brutus and others from classic literature are often classified into categories such as tragic heroes, but books from today still have similar characters in them, like Dobby from Harry Potter by J.K. Rowling, who is another example of a tragic hero. Dobby is an elf, standing no more than four feet tall and wearing rags, that is enslaved when he first appears to Harry Potter. His tragic flaw is soon after pointed out when he feels he must be loyal to Harry for freeing him from his master. In Deathly Hallows, this trait leads to his downfall and death. His death is honorable, however, which is another reason for him to be considered as a tragic hero. He dies washed up on the shore of a beach, in Harry’s arms, as a free elf and Harry’s friend. He receives a gracious funeral from those closest to him, and lives on nobly, qualifying him as a tragic hero.

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While tragic heroes are often easy to point out in literature, they are more difficult to find in our times today; however, there are many men and women that can fit the tragic hero criteria, like Martha Stewart. Martha Stewart has been known for years as the omniscient woman when it comes to baking, cooking, cleaning, and nearly every necessary chore around the house. What is hard to overlook, however, is her recent fall that makes her a tragic hero. Stewart was sent to jail in July 2004 for insider trading (“Martha Stewart Biography”). Prior to that, she had been seen as the woman with the answers and money, selling cookbooks, kitchenware, and countless other products to build up a legacy, but as they say, what goes up must come down. Martha Stewart’s great fall from her heights at the top of the ladder after being arrested and convicted places her in the category of a tragic hero as well as her flaw of greed. Greed is what caused Stewart’s great downfall, and therefore contributes the criteria of being a tragic hero.

William Shakespeare, like various authors of the time, embedded tragic heroes as lead characters in his works. Brutus, from Julius Caesar , is one example of this. His ancestor is

Tarquin, who was noble and overthrew Rome. Brutus had the tragic flaw of being too loyal and trusting, leading both Antony and Cassius to take advantage of him. He also died an honorable death, killing himself after seeing the consequences of his murder. While tragic heroes like

Brutus are much scarcer in our society today, they can still be seen in fictional characters like

Dobby or real people such as Martha Stewart. In a way, however, most people are embedded with a tragic flaw. Whether someone is too kind, too harsh, too shallow, or even too pretty, these can all lead to other negative traits and an eventual downfall. Whether these flaws are miniscule, like being blunt about an outfit, or more significant, like marrying someone primarily based on their wealth, the negative parts of character will have an impact on death, whether honorable or unexpected. While these flaws in personalities can bring out the worst, they are vital to make

Bates 5 each person an individual; therefore, people like Brutus, who do bad things for good reasons, will always exist in our society.

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Works Cited

Joe, Jimmy. "Tales of Rome." Timeless Myths. Classical Mythology, 16 Nov. 2008. Web. 13 May 2011.

"Martha Stewart Biography." Biography.com

. A&E Television Networks, 2011. Web. 16 May

2011.

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