Creative Education Partnerships * Artist in

advertisement
Creative Education Partnerships – Artist in Residence program
Grant application information
Arts SA, the Department for Education and Child Development (DECD) and the Australia
Council for the Arts invite professional arts organisations, to apply for funding to undertake
artists in residence activities in collaboration with South Australian schools in term four of
2014 and throughout 2015.
The Community Education Partnerships: Artists in Residence (CEP: AIR) is a national
initiative that teams professional artists with students and teachers in Australian schools.
Guiding principles
Applications to the CEP: AIR program need to be guided by the following:
Provide opportunities for arts organisations and artists to assist the education sector to meet
its curriculum needs. The residencies need to be long term (minimum of one month) to very
long term (three to four school terms), noting that the more successful projects that have
taken place in the pilot stages were implemented over the longer duration.
Provide a quality engagement timeframe so that the artists, teachers and students involved
can overcome the hurdle of unfamiliarity, establish trusting relationships and gain deeper
understanding of the project, the arts practice and each other in the context of the project.
The aim is for the residencies to be deep relationship building projects that have a long-term
impact on the students, the teachers, the artists and arts organisation and the schools’
culture.
The residencies should be established as authentic, meaningful artistic collaborations
between schools, arts organisations and artists across all aspects of the project’s delivery,
including teaching, learning, core creativity and project management.
Improve access to quality arts education by ensuring that professional learning opportunities
for teachers are integral to every residency and, by concentrating the program’s delivery in
the hands of professional arts organisations and associated artists, they will expose teachers
and students to high quality arts practice in action.
All art forms are welcome and the residencies need to be conducted by high calibre artists
who will deliver outcomes of the highest artistic merit. Residencies should also be
opportunities for artists to enhance their arts practice and gain a knowledge, understanding
and appreciation of the value of arts education and the role the artist can play within this.
The residencies will need to contribute to the students’ development of their own creative
understanding and abilities and, where appropriate, can incorporate performances,
exhibitions and public events. The residencies must always focus on quality processes and
be grounded in purposeful and authentic practice that sees the student as creator and
responder to art as they work alongside and with arts professionals and teachers.
Arts organisations are encouraged to explore the capacity for contributory funding
arrangements through the school sites they partner with, as well as with key stakeholders,
corporate and philanthropic supporters that could bring additional funding to the project.
Both the artistic and educational value of the project’s aims need to be articulated by both the
arts organisation and the school site and residencies need to have a broad-based impact on
the current and future delivery of the arts curriculum.
Through the residencies, opportunities for artists and teachers to work together on developing
effective teaching methods for arts practices will be explored.
Contact details for DECD school sites in South Australia can be accessed through these links:
Preschools
Junior Primary Schools
Primary Schools
High Schools
Other Schools not included elsewhere
Combined Primary/Secondary Schools
Area Schools
Aboriginal/Anangu Schools
Special Schools and Centres
Legal requirements for working within DECD schools
DECD policy requires that all artists participating in a residency must have a current,
approved, Criminal History Screening at all times during their prescribed duties on a DECD
site. Criminal History Screenings are obtained through the Department for Communities and
Social Inclusion (DCSI): http://www.decd.sa.gov.au/hrstaff/pages/default/screeningprocess/
DECD policy also requires that people working with children and young people in DECD
schools are aware of their child protection responsibilities and have received Responding to
Abuse and Neglect – Education and Care Training (RAN-EC). Information about RAN-EC
training requirements and how to access it can be found here:
http://www.decd.sa.gov.au/speced2/default.asp?id=32430&navgrp=2305
For those wishing to conduct research on DECD sites as part of the project, approval must
first be sought from DECD. Appropriate research processes and the application form to do so
are located here:
http://www.decd.sa.gov.au/research/pages/research/
Any costs associated with receiving Criminal History Screenings or RAN-EC training may be
included in the project budget.
Assessment
Arts organisations are encouraged to partner with schools that have not had a residency
before. (Please refer to Attachment A for a list of schools that have already participated in
this program.)
An arts and education sector peer assessment panel, as well as representatives of Arts SA,
DECD and the Australia Council, will assess proposals and provide recommendations for
funding.
Successful arts organisations will be required to enter into a funding agreement and provide
information and evaluation of the funded projects as well as adhere to reporting requirements
on key performance indicators and agreed outcomes.
Proposals
Please include the CEP Artists in Residence covering pages (Attachment B) with your
proposal.
Proposals should be no more than five pages (excluding Attachment B) and must address the
following as well as demonstrate how the project meets the Guiding principles:









identify the partners and key personnel involved in the project
state the aims and projected long term outcomes of the partnership
outline the significant benefits of the project to the participants and the community
explain how the partnership will contribute to student wellbeing and learning
provide detail about how the partnerships between schools and arts communities can
be effective and sustainable
provide an indicative timeline and income and expenditure budget for the project
demonstrate that the residency is a long-term engagement that builds strong and deep
relationships between artists and students
integrate a thorough and ongoing evaluation into the project
establish artistic collaborations between schools and arts organisations with shared
priorities, such as at-risk youth, regional location/isolation, or creative facilities and
resources.
Applications close at 5pm Monday 23 June 2014.
Please email your submission marked to the attention of Sandra Naulty at
naulty.sandra@dpc.sa.gov.au
For information on contacting and liaising with schools please contact Sharyn Schell,
Manager, Arts Projects, DECD Teaching & Learning Services on (08) 8226 2072 or
sharyn.schell@sa.gov.au.
For further information please contact Sandra Naulty at Arts SA on (08) 8463 5445 or
naulty.sandra@dpc.sa.gov.au
Attached:
Attachment A – List of CEP: AIR projects to date.
Attachment B – Cover sheet
Attachment A:
CEP:AIR - Arts Organisations projects
School
Arts organisation
Adelaide High School
SA Writers' Centre
Adelaide Secondary School of English
Brink Productions
Blackwood R-12
Windmill
Burton Primary School
SA Writers' Centre
#
Charles Campbell High School
Windmill
#
Christies Beach High School
Ausdance
#
Christies Beach High School
Restless Dance
Craigmore High School
Windmill
Cummins Area School
Music SA
Eden Hills Primary
Windmill
Gilles Street Primary School
Jamfactory
#
#
Gilles Street Primary School
Windmill
#
#
Goolwa Primary School
Carclew Youth Arts
Mannum Community School
Windmill
Mimili Anangu School
Windmill
Murray Bridge High School
Ausdance
Murray Bridge High School
Nexus
Murray Bridge North Schools
Carclew Youth Arts & Country Arts
Oceanview High School
Ausdance
#
Para Hills High School
Ausdance
#
Para Hills Primary Schools
Nexus
#
Para Vista Primary Schools
Cirkidz
#
Paralowie High School
Windmill
Renmark High School
Riverland Youth Theatre
Riverland Special School Berri
Country Arts & Restless Dance
Riverland Special School Berri
Restless Dance
School for Vision Impaired
Restless Dance
Seaton Park Primary
Windmill
Smithfield High School
Ausdance
Smithfield Plains High School
Music SA
Sturt Street Community School
Patch Theatre Company
Tailem Bend Primary School
Carclew Youth Arts
Wandana Primary School
Cirkidz
William Light R-12
Windmill
William Light R-12
Nexus
Woodville High School/Wiltja School
Windmill
2009
2010
2011
2012
2013
2014
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Arts SA cover pages
Attachment B:
1
Creative Education Partnerships:
Artists in Residence
1
Applicant’s details
!
Name of applicant (organisation):
Important
Applications close at 5pm
on Monday 23 June 2014
Street address:
Postcode:
Please email your
application to:
Postal address:
Postcode:
Work ph:
Home ph:
Fax:
Mobile:
Sandra Naulty
naulty.sandra@dpc.sa.gov.au
(08) 8463 5445
Email:
Website:
Arts SA will not accept late
applications
Is this application by:
Individual
Company
Group
State Gov. agency
Inc. association
Local Gov. agency
Do you have an ABN?
Y
N
If you do, record here:
Do you have an ACN?
Y
N
If you do, record here:
Have you applied for an ABN and are waiting for it to be allocated?
Are you registered with the Australian Tax Office for the GST?
2
Organisations
Contact person for this project:
Position:
Email:
Work ph:
Chair / CEO / Responsible person:
Position:
3
Amount requested from Arts SA
$
4
Y
Y
(exclusive of GST)
Project summary
Title:
Brief description:
Start date:
Office use only
End date:
Client number:
Application number:
N
N
Arts SA cover pages
2
5
Art form area
Literature
6
Visual art, craft and design
Performing arts
Other information (about the project)
Does this application involve specific initiatives, targeted services or programs with the following
groups or individuals?
Youth (under 26)
Y
N
People with disability
Y
N
People from culturally and linguistically diverse backgrounds
Y
N
People living in regional or remote communities
Y
N
Does the activity (at any stage) involve working with children and
young people aged under 18 years?
Y
N
If yes, have you read, and do you comply with Arts SA's
Protocols for working with children in art?
Y
N
Protocols can be downloaded from: http://arts.sa.gov.au/protocols-for-working-with-children-in-art/
* Does this project directly involve ATSI people as artists or participants?
Y
N
* Does this project involve the representation of ATSI people, art or culture?
Y
N
Important: if you have answered YES to either of these questions *, you must provide additional information on
the ATSI arts processes and protocols being followed in your proposal. Applications from or involving ATSI artists
or cultures should be discussed with the Arts Development Officer, ATSI Arts, prior to the application being
submitted.
7
Funding proposal
Proposals should be no more than five pages and must address the following as well as demonstrate
how the project meets the guiding principles identified on the Application Information Sheet:

Identify the partners and key personnel involved in the project

State the aims and projected long term outcomes of the partnership

Outline the significant benefits of the project to the participants and the community

Explain how the partnership will contribute to student wellbeing and learning

Provide detail about how the partnerships between schools and arts communities can be
effective and sustainable

Provide an indicative timeline and income and expenditure budget for the project

Demonstrate that the residency is a long-term engagement that builds strong and deep
relationships between artists and students

Integrate a thorough and ongoing evaluation into the project

Establish artistic collaborations between schools and arts organisations with shared priorities,
such as at-risk youth, regional location/isolation, or creative facilities and resources.
Arts SA cover pages
3
8
Authorisation
Tick each relevant box and sign at the bottom (note: unsigned applications are considered ineligible).
I,
certify that:
I have discussed my application with the relevant Arts SA officer
I have no overdue funding acquittals due to any Arts SA program (speak to an Arts SA officer
if you are not sure)
The activity I am applying for is due to start after the relevant notification date
The information in my application is, to the best of my knowledge, complete and accurate
I understand that anything wrong or missing may disqualify my application
I understand that the peer assessment panel may decide not to recommend my application
I consent to Arts SA using the personal information I have provided for the purpose of
managing the grant assessment and approval process, including the collation of statistics
I agree to my name, suburb, grant details and project description being presented in media
releases and published on the Arts SA website, if my application is successful
I consent to Arts SA using the personal information I have provided to advise me of Arts SA
grant programs, services, initiatives and events
I consent to Arts SA providing my name, project description and contact details to Members of
Parliament to enable letters of congratulation to be sent, if my application is successful, and
acknowledge that Arts SA is then unable to prevent the information being used for other
purposes
My project involves working with children and young people aged under 18 years and that I
have read and agree to comply with Arts SA’s Protocols for Working with Children in Art
http://arts.sa.gov.au/protocols-for-working-with-children-in-art/
Name:
Signature:
Date:
Download