Caldwell, H. (1974). The Kodály method by Lois Choksy [Electronic

advertisement

A Qualitative Comparison of The Kodály Method by Lois Choksy and Kodály Today by Mícheál Houlahan and Philip Tacka

Corrie Box

Texas State University-San Marcos corrie@corriebox.com

ABSTRACT

The purpose of this study was to compare two North American adaptations of the

Kodály philosophy. The Kodály Method (1999) by Lois Choksy and Kodály Today

(2008) by Mícheál Houlahan and Philip Tacka were the subjects of qualitative analysis. Curriculum context was established through published sources and author communication concerning vision and purpose for each respective curriculum.

Coding techniques were used through the process of unitization. Each page was considered a separate data unit and assigned a category code. Codes were grouped together to identify emerging themes that included:

Curriculum (Curriculum Development, Curriculum Implementation,

Evaluation, Pedagogical Tools, Song Material, Song Material Development)

Music Concepts (Melody, Rhythm, Sound Characteristics, Harmony)

Music Skills (Creative Expression, Listening, Literacy)

Organization (Book, Front Matter, Index, Resources)

Performance (Choral Literature, Choral Performance, Instruments,

Movement, Part-work, Singing)

Personal Perspectives (Historical Background, Philosophy)

Results from the category assignments along with the chapter information were entered into software called PASW 18.0 Statistical Analysis Software. Data were analyzed for the mode of each chapter and category code. Statistical results were compared to the vision and context expressed by personal communication. Thirdparty observers, Dr. Jerry L. Jaccard and Patty Moreno, were interviewed to inform and validate analysis. Results from personal communication, summative and statistical analysis were merged to explore commonalities and differences.

Similarities arose in areas supportive of the foundational pedagogical philosophy and beliefs of the Kodály Context. Some consistency was observed between curriculum purpose expressed during personal communication with the author(s) and results from frequency analysis of categories. Differences appeared to stem from variations in curriculum context and purpose. More specific differences were evident in the questioning process and pedagogical sequence. Other available resources published by the authors also seemed to influence content. Implications for future research include a greater use of the role of context as a foundation for analysis of both curriculum and teaching techniques. Recognition of previous pedagogical progress informs potential future development.

REFERENCES

Bresler, L. & Stake, R. (2006). Qualitative research methodology in music education. In R.

Colwell (Ed.), MENC Handbook of Research Methodologies (pp. 270-311).

Oxford:

Oxford University Press.

Brown, A. (2007).

Justine Ward: Her life, her method in comparison to Orff and Kodály, and applications for the public school classroom (Doctoral dissertation). Available from

ProQuest Dissertations and Theses database. (UMI No. 3271032)

Caldwell, H. (1974). The Kodály method by Lois Choksy [Electronic version].

Music Educators

Journal. 60(9), 59-60.

Choksy, L. (1969). Kodály in and out of context [Electronic version].

Music Educators Journal,

55(8), 57-59.

Choksy, L. (1985). From where and wither to. In. L. Vikar (Ed.),

Reflections on Kodály. ( pp. 44-

50). Budapest: International Kodály Society.

Choksy, L. (1999).

The Kodály method: Comprehensive music education

(Vol. 1.) (3rd edition).

Upper Saddle River, NJ: Prentice Hall.

Choksy, L. (1999).

The Kodály method: Folksong to masterwork

(Vol.2). Upper Saddle River,

NJ: Prentice Hall.

Choksy, L. (2003). Making (which?) music together. International Kodály Society Bulletin, 28(2),

3-9.

Choksy, L. and Brummitt, D. (1987). 120 Singing games and dances for elementary schools.

Englewood Cliffs, NJ: Prentice-Hall.

Choksy, L., Abramson, R.M., Gillespie, A.E., Woods, D., & York, F. (2001). Teaching music in the twenty-first century (2nd edition). New Jersey: Prentice Hall.

Creswell, J.W. (2009). Research design: qualitative, quantitative, and mixed methods approaches

(3rd edition). Thousand Oaks, CA: Sage Publications.

Eősze, L., Houlahan, M., & Tacka, P. (2007). Kodály, Zoltán [Electronic version]. Grove Music

Online, Oxford: Oxford University Press.

Erlandson, D., Harris, E. Skipper, B. & Alen, S. (1993). Doing naturalistic inquiry. Newbury

Park, CA: Sage Publications.

Gault, B. (2009). Kodály Today: A cognitive approach to elementary music education by Mícheál

Houlahan and Philip Tacka [Electronic version]. General Music Today, 22(2), 40-42.

Houlahan, M.B. (1988). A methodology for teaching ear training, sight singing and harmony at the college level based on the concept of Zoltán Kodály (Doctoral dissertation). Available from ProQuest Dissertations and Theses database. (ATT No. 8913819)

Houlahan, M. & Tacka, P. (1998).

Zoltán Kodály: A guide to research

. New York: Garland

Publishing.

Houlahan, M., & Tacka, P. (2008).

Kodály Today.

Oxford: Oxford University Press.

Houlahan, M. & Tacka, P. (2009) From sound to symbol: Fundamentals of music. Oxford:

Oxford University Press.

Houlahan, M. & Tacka, P. (2010, March).

Keys to a successful Kodály program.

Presentation at the meeting of Organization of American Kodály Educators, Dallas, TX.

Jaccard, J.L. (2009). Tribute to Lois Choksy on the occasion of her receiving the 2009 OAKE lifetime achievement award and founders award. Kodály Envoy, 35(4). 24-26.

Jorgensen, E. R. (1997). In search of music education. Chicago: University of Illinois Press.

Keene, J. (1982). A history of music education in the United States.

London: University Press of

New England.

Kodály, Z. (1974). A hundred year plan. In F. Bonis (ed.),

The selected writings of Zoltán Kodály.

(pp. 160-162). London: Boosey & Hawkes. (Original work written 1947)

Landis, B. & Carder, P. (1972). The eclectic curriculum in American music education:

Contributions of Dalcroze, Kodály and Orff.

Reston, VA: MENC: The National

Association for Music Education.

Salisbury, J. (1955). The metalogicon. London: Cambridge University Press. (Original work published 1610)

Tacka, P. (1982). Denise Bacon, musician and educator: Contributions to the adaptation of the

Kodály concept in the United States.

Dissertation Abstracts International. 43 (04) 1076.

Tacka, P. & Houlahan, M. (1990). A historical perspective for the introduction of the Kodály concept in the United States. Studia Musicologica Academiae Scientiarum Hungaricae,

32, 263-280.

Tanglewood Symposium II: Charting the Future. http://www.bu.edu/tanglewoodtwo.

Download