EAS Higher Degree by Research Forum Christobel Kelly Reimagining The Aeneid and its savage children: an examination of the merging of human and animal nature, and its link to the abject. Christobel Kelly, 2012, sugarlift aquatint on steel plate, 27 x 30cm Christobel Kelly, 2012, Searching for Romulus, sugarlift aquatint on steel plate, 27 X 30cm Mimmo Paladino, 2008, Olimipiadi , etching, aquatint and direct acid 80.5 x 60 cm Christobel Kelly, 2012, Camilla, three plate colour monotype print, 42 x 51cm Jazmina Cininas, Else of Meersburg c.1450 2007, reduction linocut 24.5 x 35.0 cm Christobel Kelly, And Raised her as a Warrior, 2012, sugarlift aquatint on steel plate, 27 X 20cm Christobel Kelly, Circle of Animals, 2012, sugarlift aquatint on steel plate, 60 x 80cm Bibliography Creed, B, “The Monstrous Feminine: Stereotyping Against the Grain”, Contemporary Visual Art + Culture Broadsheet, Vol 41.1, Adelaide: Contemporary Art Centre of South Australia Inc, 2012, Bataille, G, “Literature and Anguish; Sacrifice and Horror,” in The Bataille Reader”, ed. Fred Botting and Scott Wilson, Massachusetts: Blackwell Publishers, 2000. Calle-Gubar, M, Rootprints/Mireille Calle-Guber and Hellene Cixous. Eric Prenowitz, trans., London, Routledge. Cininas, J, catalogue The Girlie Werewolf Project: Heretics and Hirsute Heroines, Melbourne: Centre for Australian Printmaking, 2007. Kristeva, J, Powers of Horror, an Essay on Abjection, New York: Columbia University Press, 1982. Newton, M, Savage Girls and Wild Boys, a history of feral children, New York: Picador, 2002. Virgil, The Aeneid, Baldick, R, and Radice, B, (ed), trans., Knight, J, Penguin Books, Victoria, 1971.