EAS Higher Degree by Research
Christobel Kelly
Reimagining The Aeneid and its
savage children: an examination of
the merging of human and animal
nature, and its link to the abject.
Christobel Kelly, 2012, sugarlift aquatint on steel plate,
27 x 30cm
Christobel Kelly, 2012, Searching for Romulus,
sugarlift aquatint on steel plate, 27 X 30cm
Mimmo Paladino, 2008, Olimipiadi , etching, aquatint and direct acid
80.5 x 60 cm
Christobel Kelly, 2012, Camilla, three plate colour monotype print,
42 x 51cm
Jazmina Cininas, Else of Meersburg c.1450 2007,
reduction linocut 24.5 x 35.0 cm
Christobel Kelly, And Raised her as a Warrior, 2012,
sugarlift aquatint on steel plate, 27 X 20cm
Christobel Kelly, Circle of Animals, 2012, sugarlift aquatint on steel plate,
60 x 80cm
Creed, B, “The Monstrous Feminine: Stereotyping Against the Grain”, Contemporary Visual
Art + Culture Broadsheet, Vol 41.1, Adelaide: Contemporary Art Centre of South Australia
Inc, 2012,
Bataille, G, “Literature and Anguish; Sacrifice and Horror,” in The Bataille Reader”, ed. Fred
Botting and Scott Wilson, Massachusetts: Blackwell Publishers, 2000.
Calle-Gubar, M, Rootprints/Mireille Calle-Guber and Hellene Cixous. Eric Prenowitz, trans.,
London, Routledge.
Cininas, J, catalogue The Girlie Werewolf Project: Heretics and Hirsute Heroines, Melbourne:
Centre for Australian Printmaking, 2007.
Kristeva, J, Powers of Horror, an Essay on Abjection, New York: Columbia University Press,
Newton, M, Savage Girls and Wild Boys, a history of feral children, New York: Picador, 2002.
Virgil, The Aeneid, Baldick, R, and Radice, B, (ed), trans., Knight, J, Penguin Books, Victoria,