Gustave Guillaume Chronogenesis

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Translation into film:

Is Cinema a language?

The structuralist definition states that a language has 2 levels of articulation.

1: Articulation of Smallest Functional Units t,p, b allow for the articulation of different signs such as tin pin bin

2: Articulation of Smallest Meaningful Units go, come, take allow for the articulation of sentences such as we go we come we take

Translation into film:

Is Cinema a language?

Is there such a system of double articulation in film that uses 2 types of units to produce a third one?

Units without meanings combined to form

Units with meanings combined to form

Syntactic units of language

Graphemes

Phonemes

Words Sentences

Translation into film:

Is Cinema a language?

No

Translation into film:

Is Cinema a language?

Yes

Translation into film:

Is Cinema a language?

Yes

Something else

Gustave Guillaume

Psychomechanichs of language and

Chronogenesis

“Language is a dynamic system of thoughts. Not a fixed system of signs.”

“Langue” or Language

Langue refers to the system of signs used to communicate.

The approach is grammatical.

“Parole” or Discourse

Parole refers to utterances produced by the use of Langue.

The approach is pragmatic.

Language

Gustave Guillaume

Psychomechanichs of language and

Chronogenesis

Linguistics

Grammar

Generative Grammar

Psychology

Rhetoric

Structuralism

Discourse

Gustave Guillaume

Psychomechanichs of language

1 Unsayable 2 Sayable

Operative Time

3 Saying 4 Said

Gustave Guillaume

Psychomechanichs of language

1 Unsayable 2 Sayable 3 Saying

Langue

Language

Operative Time

Parole

Discourse

4 Said

Gustave Guillaume

Psychomechanichs of language

1 Unsayable 2 Sayable 3 Saying 4 Said

Langue

Language

Operative Time

Parole

Discourse

What is Unsayable? And how does the Unsayable becomes Sayable?

Gustave Guillaume

Psychomechanichs of language

1 Unsayable 2 Sayable 3 Saying 4 Said

Langue

Language

Operative Time

Parole

Discourse

Simple percepts in stage 1 are transformed into concepts in stage 2

Gustave Guillaume

Psychomechanichs of language

1 Unsayable 2 Sayable 3 Saying 4 Said

Langue

Language

Operative Time

Parole

Discourse

Proper translation has to retrieve the intended message in stage 1

Gustave Guillaume

Psychomechanichs of language

1 Unsayable 2 Sayable 3 Saying

Langue

Language

Operative Time

Parole

Discourse

From a permanent system of signs to the actualization

4 Said

Gustave Guillaume

Psychomechanichs of language

1 Unsayable 2 Sayable 3 Saying

Langue

Language

Operative Time

Parole

Discourse

From Representation to Expression

4 Said

Gustave Guillaume

Psychomechanichs of language

1 Unsayable 2 Sayable 3 Saying

Langue

Language

Operative Time

Parole

Discourse

From Expression to Impression

4 Said

Gustave Guillaume

Psychomechanichs of language

1 Unsayable 2 Sayable 3 Saying

Langue

Language

Operative Time

Parole

Discourse

From Expression to Impression

4 Said

Gustave Guillaume

Chronogenesis

Representing actions with words

The traditional scientific aporia of the many presents

The present of the action

The present of the witness

The present of the utterance

The present of the reception

Gustave Guillaume

Chronogenesis

Representing actions with words

The traditional scientific aporia of the many presents

The present of the action

The present of the witness

The present of the utterance

The present of the reception

Sometimes, the performer, the witness, the receiver are present together

Gustave Guillaume

Chronogenesis

Representing actions with words

The traditional scientific aporia of the many presents

The present of the action

The present of the witness

The present of the utterance

Most of the times, this is not the case!

The present of the reception

Gustave Guillaume

Chronogenesis

Representing actions with words

The traditional scientific aporia of the many presents

The present of the action

The present of the witness

The present of the utterance

Most of the times, this is not the case!

The present of the reception

Gustave Guillaume

Chronogenesis

Representing actions with words

The traditional scientific aporia of the many presents

The present of the action

The present of the witness

The present of the utterance

This is also possible!

The present of the reception

Gustave Guillaume

Chronogenesis

Representing actions with words

The traditional scientific aporia of the many presents has its origin in this representation of time

Past Future

Past

Where several Nows separate the line of Time

Into several different Pasts and Futures.

Future

Gustave Guillaume

Chronogenesis

Instead of analyzing the representation of actions on the sole basis of a pre-determined representation of Time, Guillaume proposes that the representation of actions with words contributes to the representation of Time…

Gustave Guillaume

Chronogenesis

The formation of the image of time or chronogenesis is observable as a thought process in the activity of the producer of the message. in Posse in Fieri in Esse

Gustave Guillaume

Chronogenesis

The action described by the verb is seen as a tension towards its achievement.

The meaning of an occurrence is determined by its position in this process. in Posse

Possible in Fieri

Probable in Esse

Actual

Gustave Guillaume

Chronogenesis

The verb does not only point to the identification of the instant of the action

(now) but also to the stage of development in the process of accomplishing the action in Posse

Possible in Fieri

Probable in Esse

Actual

Gustave Guillaume

Chronogenesis

We identify this capacity of the verb as its plasticity.

Something very important when coming to translate words into images… in Posse

To go

I will go in Fieri

I am going

I will be going

Je me suis couché de bonne heure in Esse

I went

I will have gone

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