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ART APP FINALS

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ART APP FINALS
MEDIEVAL PERIOD
- Also known as the Dark Ages: 5th century to
the 15th century
- Saw massive social and economic change
coupled with developments in agriculture
and medicine.
- Childbirth, famine, and bad weather
threatened the survival of ordinary people.
- Ognissanti Madonna – Giotto
Petrarch
- He argued that the dark age was a period a
period of intellectual darkness due to loss of
classical learning
- Period in which Christianity flourished in
Europe
- Art in this period saw many developments
- Adoration of the Magi
Illuminated Manuscripts
- Religious texts embellished with rich colors
which often featured the use of gold and
silver
- The Book of Kells (Latin: Codex
Cenannensis) is an illuminated manuscript
Gospel book in Latin, containing the four
Gospels of the New Testament together with
various prefatory texts and tables.
Metal Work
- Adornment made of either metal or bronze
used to create religious artifacts.
- Sainte Foy
Paintings
- Iconography, fresco, and panel painting
- Ascension – Dosso Dossi
Fresco
- Executed in plaster on walls or ceilings
- Saint Lucy Giving Alms
Panel Painting
- Painting on a panel made of a single or
several pieces of wood joined together.
- Madonna and Child
Embroidery
- Decorative fabric created through needle
thread or yarn
- Opus Anglicanum
Ceramics
- Hand-shaped wheel-turned to produce
cooking pots and jars. Jugs, and pitchers.
Mosaic
- Images with small pieces if colored glass,
stone or other material.
Tessera
- Individual tile in a mosaic
Sculptures
- Stiff and elongated style of statues used in
Romanesque art
- Pieta – Michelangelo
Heraldry
- Practice of designing and recording coats of
arms and badges.
Artists from the Medieval Period:
- Donatello
- Filippo Brunelleschi – Italian designer and
a key figure in architecture
- Giotto
- Fra Angelico
- Leon Battista Alberti
- Lorenzo Ghiberti
- Cimabue – Italian painter and designer of
mosaics from Florence.
- Hildegard of Bingen
RENAISSANCE PERIOD
- Means rebirth or awakening
- Began in Italy in the late 14th century
- Renewed interest in ancient Greece and
Rome, philosophy, literature and arts
- Vitruvian Man – Leonardo da Vinci
- Development of new technologies like the
printing press
- New system of astronomy
- Discovery and exploration of new continents
- Mona Lisa – Leonardo da Vinci
Early Renaissance (1401-1490s)
- Artists believed that art should be developing
and moving
- Emphasis on color, space, and light
elements
- focused on the human body and people
doing mundane activities
- realism dominated the art expression
- The Holy Trinity – Masaccio
High Renaissance (1490s-1527)
- Painting is the most dominant form
- Focused on human anatomy putting
emphasis on beauty and aesthetics
- Humanism prevailed in the art works
- Venus of Urbino – Titian
Late Renaissance
- Mannerism was developed to focus on style
or manner and less on substance
- Roman rule was depicted through painting or
anguished people
- Perseus and Andromeda – Titian
Renaissance Period
- Gothic style was also developed from this
period
- Spread to other European nations as well
- Symbolism was widely used
- Martyrdom of Saint Eulalia
Mannerism
- A style in European art that emerged in the
later years of Italian High Renaissance.
Gothic
- A style that was included in Northern
renaissance art
Individualism
- Showed individual people instead of groups
- St. John the Baptist – Leonardo da Vinci
Secularism
- Fewer church paintings
- A belief system that rejects religion
- The Ambassadors – Hans Holbein
Classicism
- Characterized by classic Roman and Greek
influences
- Bacchus and Ariadne – Titian
Nature
- Depicted outdoor scenarios
- Landscape with Charon Crossing Styx
Anatomy
- Focused on defined and precise human
anatomy
- Astronomicum Caesareum
Linear Perspective
- The appearance of things relative to one
another as determined by their distance from
the viewer
- Lamentation of Christ – Andrea Mantegna
Depth
- Used light and shading to create the illusion
of space and depth
- Portrait of Doge Leonard Loredan – Giovanni
Ballini
Realism
- Artistic representation that aimed for visual
accuracy.
Characteristics of Renaissance Arts:
Humanism
- Turned away from medieval scholasticism
and renewed interest in Greek and roman
thought.
- Belief system that prevailed in the works of
high renaissance artists.
- Arnolfini Portrait – Jan van Eyck
Artists from Renaissance Period:
- L’Ultima Cena – Leonardo da Vinci
Michelangelo Buonarroti Simoni (1475-1564)
- Works focused on the human body
- Most notable for sculptures but is also
known for his paintings
- Pieta
Raphael Sanzio
- The youngest of the Three Great High
Renaissance Masters
- Skillfully demonstrated the classical ideas of
beauty, serenity, and harmony
- St. Michael Vanquishing Satan
Leonardo da Vinci
- He was considered
Renaissance Man
as
the
ultimate
THE ASIAN ARTS
Portrait of Bada Shanren
- Also known as Mountain Man od the Eight
Greats by Tan Swie Hian
- Sold for $4.4 million at the 2014 Poly Auction
in Beijing
- Created using ink on rice
Religious Context of Asian Art:
1. Time is cyclical
2. The universe is created and destroyed in
endless cycles
3. The world is transitory and the appearance of
permanence is illusion
4. All living beings are born and reborn in
different lives and bodies
5. One’s good and bad deeds (karma)
accumulate from life to life and determine the
form in which one is reborn
Hinduism, Buddhism, and Jainism
- Shares a holistic view of life in which all forms
of life are integrally connected
- Incorporated a variety of physical disciplines
and magical practices such as yoga,
meditation, trance, breath control, and the
repetition of mantras (words of power) in
religious practices
- Vitruvian Man
Art in India
- Earlier religious practices include the worship
of spirits believed to dwell in trees, rivers, and
rocks
- Worships the yakshas and yakshis
- Shown in horned animal figures, phallic
sculptures, and many female figurines
- Brass figure of Lakshmi
Asian Ideal Human Body in Art
- Religious roots depict ideal human forms to
symbolize their transcendence and divine
natures
- The ideal human body is portrayed
depending upon the beliefs of the culture in
which the art is made
Context of Nature in Asian Art
- The Gupta Period (mid-4th to 6th century) had
artists create ideals of the human form by
using inspirations from nature
- Artists identify the ideal human form with
deities and spiritual beings
Lotus
- Indian symbol of par excellence and spiritual
perfection
- Appears in art both as a complete blossom
and as stylized petals that form the pedestal
upon which beings sit or stand
Wheel
- Represents the doctrine preached by
Buddha in his first sermon after attaining
enlightenment – “turning the wheel of the
law”
- Symbolizes time and the cycles of creation
and destruction that form successive
universes
Halo
-
Signifies transcendent radiance
Originated somewhere in Western or Central
Asia and spread eastward to India
Further signifies a deity spirituality
Adornment
- Symbol of learning and the transition to
adulthood worn the upper castes
- Crosses the left shoulder and falls in a curve
across the torso and around the right hip
Multiple Appendages
- Express
the
multiple
powers
and
responsibilities of the gods
- Several hands display the deity’s attributes
and to make gestures that symbolize
concepts associated with the deity
Expressions
- Ugly and horrific expressions protect people
against evil and ignorance
- May also represent human failings such as
greed, hatred, and ignorance
Education
- Narrative reliefs on temple walls perform an
education role by instructing worshippers
about religious and historical events
- Taman Wisata Candi Borobudur
Foreign Elements of Asian Art
- Resounded by the large amount of historical,
architectural, and cultural references
- Remain the same due to lasting influence of
cross-religious
influences
among
neighboring countries
THE PHILIPPINE ARTS
Emphasis on Volume
- Anatomy of figures does not emphasize the
internal structure of muscle and bone
- Expresses a body purifies of these elements
and instead filled with spirituality
- Yamauba Yokai – Hokusai
Measured Proportions
- Proportionate bodies were used to symbolize
the ideal human anatomy
- Earlier artworks tend to be shorter and
stockier than later ones
Scale and Placement
- Used hierarchy of proportion to clarify each
figure’s relative spiritual importance
- Size indicates the relative importance of a
deity
- Inao – Chakrabhand Posayakrit
-
Sarimanok – Abdulmari Imao
Pre-Colonization Art:
Iron Age
- Armlets, bracelets, rings, headbands, and
tattoos became fashionable especially to
royal families and to those who hold key
social functions in the community
- Weaving also became a preoccupation for
women during this time
- Apo Whang Od
Influences from Various Regions
- Negrito influence are seen on zigzag designs
on ancient lime tubes and ornamental
carvings
- Indonesian influence can be seen in the
apparel of the people of Kalinga, Maranao,
the Manobo, and the Bagobo
- Malay influence can be traced to the wood
carvings found in utensils boats and wooden
shiels of the people pf Sulu and the Mountain
Province
Worship
- Majority of temples were meant to be places
of worship
- Sculptures of deities are placed in the interior
of temples and shrined
- Wat Pho
Malong
- Draws heavy influence from Malay sultanate
clothing styles
- Used as garment by numerous tribes in
Maguindanao an the T’boli
- Handwoven malong is costly; thus, only used
at social functions to display the social and
economic status of the wearer
Glorification of the Royals
- Kings transmitted divine will through their
relationship with a particular god
- Images of deities were constructed by earlier
kings to symbolize the god’s approval of their
right to rule
- Temple of the Emerald Buddha
Indigenous Arts
- The Ifugao Funeral Dance serves as an
example of the dances in pure indigenous
form
- Shields, spoons, ladles, bowls, and figurines
in the Mountain Province are infused with art
through woodcarving
Colonial Art
- Spanish art forms brought about profound
changes in the life and art of the Filipino
people
- Spanish
missionaries
used
colorful
pageantry of the Roman Catholic Church in
enchanting the natives in the ‘new faith’
Sculptures
- Carvings of anito was replaced with carvings
of santos, images of Christ and the saints
- Santos commissioned by the church were
usually large, carved from hardwood such as
molave.
- Santo Nino de Cebu
Print
- First book printed in the country – Doctrina
Christiana en Lengua Espanola y Tagala
- Litography was developed to replace copperplate engraving
- Doctrina Christiana – Juan de Plasencia
Furniture
- The baul, aparador, and comoda were
reproduced locally
- Filipino homes had furniture resembling
those used in churches and conventos
Metal Casting
- Practiced in foundries; earliest are those
found in Intramuros and the port of Cavite
- Bells were also cast to supply the great
number of churches rising all over the
Philippines islands
- Sancta Maria Bell
Textile
- The Visayan nipis, woven from stalks of the
abaca planta, fascinated Spaniards
- The jusi, camisa, and panuelos were
introduced and developed
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