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An introduction to analog communications anacom 11.12

An Introduction to
Analog Communications
AT02 Curriculum Manual
©2007 LJ Create. This publication is copyright and no
part of it may be adapted or reproduced in any material
form except with the prior written permission of LJ Create.
Lesson Module: 20.71 Version 1
Issue: MT6027/A
AT02
Curriculum Manual
An Introduction to Analog Communications
About This Learning Program
About This Learning Program
Introduction
This Curriculum Manual covers the AT02 Teaching Set, which is based around
the following LJ Telecommunications Trainers:
ANACOM 1 DSB/SSB AM Transmitter/Receiver Module
ANACOM 2 FM Modulator/Demodulator Module
At the end of each chapter of the AT02 Curriculum Manual, you will be directed
to one of the Student Assessment Tests provided. These tests may be used to
verify your understanding of the subject matter covered in each chapter of the
Curriculum Manual.
What do I need to follow AT02: Introduction to Analog Communication?
To follow the AT02 learning program you will need the following items:
1.
2.
3.
4.
5.
6.
7.
AT02 Curriculum Manual
AT02 Student Workbook
ANACOM 1/1, ANACOM 1/2 and ANACOM 2 AM and FM
Transmitter/Receiver System
Dual Trace Oscilloscope
Power Supply capable of delivering +12V at 1A, -12V at 1A.
Function Generator
Set of 4mm patching leads
i
An Introduction to Analog Communications
About This Learning Program
AT02
Curriculum Manual
The AT02 Curriculum Manual
To gain a practical introduction to Analog Communications, you will need to
follow the AT02 Curriculum Manual carefully. It has been specifically designed to
lead you in a step by step manner through the following topic areas:
●
●
●
●
●
●
●
Introduction to Amplitude Modulation Transmission
The ANACOM 1/1 AM Transmitter
The ANACOM 1/2 AM Superheterodyne Receiver
Introduction to Frequency Modulated transmission
FM Modulators
A range of FM Demodulators
System Troubleshooting
The practical exercises of the Curriculum Manual use the ANACOM 1 and
ANACOM 2 AM and FM Analog Communication training system. This is one of
a range of communications trainers which are available from LJ Create.
As you work through the Curriculum Manual you will be guided by a series of
student objectives and your progress will be monitored by questions in the theory,
practical exercises and student assessments of each chapter.
Your instructor has a copy of the Instructors' Guide for the Curriculum Manual. It
contains solutions to all of the questions presented in the Curriculum Manual, plus
background information on the practical exercises.
Your Student Workbook
The Student Workbook provided is an essential part of your learning. It provides
you with grids on which to draw sketches and spaces to record results, as you
work through the practical exercises in the AT02 Curriculum Manual.
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AT02
Curriculum Manual
An Introduction to Analog Communications
About This Learning Program
Computerized Assessment of Student Performance
If your laboratory is equipped with the ClassAct computer managed learning
system, then the system may be used to automatically monitor your progress as
you work through the chapters of the Curriculum Manual.
If your instructor has asked you to use this facility, then you should key in your
responses to questions at your computer managed workstation.
To remind you to do this, a
require a keyed-in response.
symbol is printed alongside questions that
The following D3000 Lesson Module is available for use with the AT02
Curriculum Manual:
D3000 Lesson Module 20.71
iii
An Introduction to Analog Communications
About This Learning Program
iv
AT02
Curriculum Manual
AT02
Curriculum Manual
An Introduction to Analog Communications
Contents
Chapter
Contents
Pages
Chapter 1
The ANACOM 1/1 and ANACOM 1/2 Boards ....................... 1 - 16
Chapter 2
An Introduction to Amplitude Modulation ........................... 17 - 40
Chapter 3
DSB Transmitter and Receiver ................................................ 41 - 78
Chapter 4
Single Sideband Systems ...................................................... 79 - 108
Chapter 5
Locating Faults in DSB and SSB Transmission Systems... 109 - 126
Chapter 6
The ANACOM 2 Board ...................................................... 127 - 138
Chapter 7
FM Transmitters.................................................................. 139 - 170
Chapter 8
FM Frequency Demodulators-1 .......................................... 171 - 204
Chapter 9
FM Frequency Demodulators-2 .......................................... 205 - 232
Chapter 10
Locating Faults in FM Transmission Systems.................... 233 - 242
Appendix 1
Adjustment of Tuned Circuits ............................................ 243 - 254
Appendix 2
ANACOM 1 and ANACOM 2 Circuit Diagrams ...... 255 - onwards
An Introduction to Digital Communications
Contents
AT02
Curriculum Manual
AT02
Curriculum Manual
DSB Transmitter and Receiver
Chapter 3
Chapter 3
DSB Transmitter and Receiver
Objectives of
this Chapter
Having studied this chapter you will be able to:
■
Explain the operation of the main components of a
double sideband AM transmitter.
■
Explain and investigate the operation of a double
sideband AM Superheterodyne Receiver.
■
Describe the function and operation of an Automatic
Gain Control circuit.
Introduction
This chapter investigates the operation of a double sideband AM transmitter and
receiver.
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Chapter 3
3.1
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The Double Sideband Transmitter
Information Signal
Audio
Oscillator
Antenna
Output
Amplifier
Modulator
Carrier
Generator
AM Waveform
Amplified Output
Signal
Carrier Wave
Figure 31 An Amplitude Modulated Transmitter
The transmitter circuits produce the amplitude modulated signals that are used to
carry information over the transmission path to the receiver. The main parts of the
transmitter are shown in Figure 31.
In Figures 31 and 32, we can see that the peak-to-peak voltages in the AM
waveform increase and decrease in sympathy with the audio signal.
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Chapter 3
Information signal
Amplitude modulated
wave
The envelope
Figure 32 The Modulation Envelope
To emphasize the connection between the information and the final waveform, a
line is sometimes drawn to follow the peaks of the carrier wave as shown in
Figure 32. This shape, enclosed by a dashed line in our diagram, is referred to as
an ‘envelope’, or a ‘modulation envelope’. It is important to appreciate that it is
only a guide to emphasize the shape of the AM waveform.
2kHz envelope
200kHz carrier wave
(not drawn to scale)
3.1a
The AM waveform shown above will contain frequency components of:
a
2kHz, 198kHz, 202kHz and 200kHz.
b
200kHz and 2kHz.
c
198kHz, 202kHz and 200kHz.
d
200kHz and 202kHz.
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We will now consider the action of each circuit as we follow the route taken by
the information that we have chosen to transmit.
The first task is to get hold of the information to be transmitted.
3.2
The Information Signal
We have a choice of information signals on ANACOM 1/1. We can use the audio
signal provided in the audio oscillator or we can provide our own input signal
from an external source. A convenient way of providing an external source is by
using the optional AUDIO INPUT MODULE CT7 which allows us to plug in a
microphone or a cassette recorder.
In test situations it is more satisfactory to use a simple sinusoidal information
signal since its attributes are known and of constant value. We can then measure
various characteristics of the resultant AM waveform, such as the modulation
depth for example. Such measurements would be very difficult if we were using a
varying signal from an external source such as a broadcast station.
The next step is to generate the carrier wave.
3.3
The Carrier Wave
The carrier wave must meet two main criteria.
It should be of a convenient frequency to transmit over the communication path in
use. In a radio link transmissions are difficult to achieve at frequencies less than
15kHz and few radio links employ frequencies above 10GHz. Outside of this
range the cost of the equipment increases rapidly with very few advantages.
Remember that although 15kHz is within the audio range, we cannot hear the
radio signal because it is an electromagnetic wave and our ears can only detect
waves which are due to changes of pressure.
The second criterion is that the carrier wave should also be a sinusoidal waveform.
Can you see why?
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Chapter 3
A sinusoidal signal contains only a single frequency and when modulated by a
single frequency, will give rise to just two side frequencies, the upper and the
lower side frequencies. However, if the sinewave were to be a complex wave
containing many different frequencies, each separate frequency component would
generate its own side frequencies. The result is that the overall bandwidth
occupied by the transmission would be very wide and, on the radio, would cause
interference with the adjacent stations. In Figure 33, a simple case is illustrated in
which the carrier only contains three frequency components modulated by a single
frequency component. Even so we can see that the overall bandwidth has been
considerably increased.
Carrier
Amplitude
0
A sinusoidal Carrier Wave
Frequency
Total
bandwidth
Carrier
Amplitude
Frequency
0
Total
bandwidth
If the carrier wave contained several frequencies,
each would produce its own side frequencies.
Figure 33
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DSB Transmitter and Receiver
Chapter 3
3.3a
AT02
Curriculum Manual
If a carrier wave contained components of 200kHz, 400kHz and 750kHz
and was modulated by a 5kHz information signal, the overall bandwidth
of the transmission would be:
a
550kHz
b
10kHz
c
1.5MHz
d
560kHz
On ANACOM 1/1, the carrier wave generated is a sinewave of 1MHz.
Now we have the task of combining the information signal and the carrier wave to
produce amplitude modulation.
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3.4
DSB Transmitter and Receiver
Chapter 3
The Modulator
There are many different designs of amplitude modulator. They all achieve the
same result. The amplitude of the carrier is increased and decreased in sympathy
with the incoming information signal as we saw in Chapter 2.
Information Signal
Modulator
AM Waveform
Carrier Wave
Figure 34 Modulation of Information Signal and Carrier Wave
The signal is now nearly ready for transmission.
If the modulation process has given rise to any unwanted frequency components
then a bandpass filter can be employed to remove them.
3.5
Output Amplifier (or Power Amplifier)
This amplifier is used to increase the strength of the signal before being passed to
the antenna for transmission. The output power contained in the signal and the
frequency of transmission are the two main factors that determine the range of the
transmission.
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Chapter 3
3.6
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The Antenna
An electromagnetic wave, such as a light ray, consists of two fields, an electric
field and a magnetic field. These two fields are always at right angles to each other
and move in a direction that is at right angles to both the magnetic and the electric
fields. This is shown in Figure 35.
y
x
Electric
Field
Antenna
z
This shows the electric field
moving out from the antenna. In
this example the electric field is
vertical because the antenna is
positioned vertically (in the
direction shown by y).
y
x
Magnetic Field
Antenna
y
z
The magnetic field is always at
right angles to the electric field
so in this case, it is positioned
horizontally (in the direction
shown by x).
x
Antenna
Electromagnetic
Wave
z
In an electromagnetic wave
both fields exist together and
they move at the speed of light
in a direction that is at right
angles to both fields (shown by
the arrow labeled z).
Figure 35 An Electromagnetic Wave
The antenna converts the power output of the Output Amplifier into an
electromagnetic wave.
How does it do this?
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Chapter 3
The output amplifier causes a voltage to be generated along the antenna thus
generating a voltage difference and the resultant electric field between the top and
bottom. This causes an alternating movement of electrons on the transmitting
antenna that is really an AC current. Since an electric current always has a
magnetic field associated with it, an alternating magnetic field is produced.
The overall effect is that the output amplifier has produced alternating electric and
magnetic fields around the antenna. The electric and magnetic fields spread out as
an electromagnetic wave at the speed of light (3 x 108 meters per second).
For maximum efficiency the antenna should be of a precise length. The optimum
size of antenna for most purposes is one having an overall length of one quarter of
the wavelength of the transmitted signal.
This can be found by:
λ=
v
f
where v = speed of light, λ = wavelength and
f = frequency in Hertz
In the case of the ANACOM 1/1, the transmitted carrier is 1MHz and so the ideal
length of antenna is:
3 × 108
1 × 10 6
λ = 300m
λ=
One quarter of this wavelength would be 75 meters (about 245 feet).
We can now see that the antenna provided on the ANACOM 1/1 is necessarily
less than the ideal size!
3.6a
A ship’s short range communication system operates at 156.8MHz. The
ideal length for the antenna would be:
a
0.52m
b
0.48m
c
0.13m
d
1.91m
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DSB Transmitter and Receiver
Chapter 3
3.7
AT02
Curriculum Manual
Polarization
If the transmitting antenna is placed vertically, the electrical field is vertical and
the magnetic field is horizontal (as seen in Figure 35). If the transmitting antenna
is now moved by 90° to make it horizontal, the electrical field is horizontal and the
magnetic field becomes vertical. By convention, we use the plane of the electric
field to describe the orientation, or polarization, of the em (electromagnetic) wave.
A vertical transmitting antenna results in a vertically polarized wave, and a
horizontal one would result in a horizontally polarized em wave.
Polarization will be mentioned again in Section 3.9.
3.8
The DSB Receiver
The em wave from the transmitting antenna will travel to the receiving antenna,
carrying the information with it.
Antenna
RF Amplifier
Mixer
IF Amplifier
IF Amplifier
Diode
Detector
AF Amplifier
Loudspeaker
Local
Oscillator
Figure 36 A Superheterodyne Receiver
We will continue to follow our information signal as it passes through the
receiver.
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3.9
DSB Transmitter and Receiver
Chapter 3
The Receiving Antenna
The receiving antenna operates in the reverse mode to the transmitter antenna.
The electromagnetic wave strikes the antenna and generates a small voltage in it.
Ideally, the receiving antenna must be aligned to the polarization of the incoming
signal so generally, a vertical transmitting antenna will be received best by using a
vertical receiving antenna.
The actual voltage generated in the antenna is very small - usually less than 50
millivolts and often only a few microvolts. The voltage supplied to the
loudspeaker at the output of the receiver is up to ten volts.
We clearly need a lot of amplification.
3.10 The Radio Frequency (RF) Amplifier
The antenna not only provides very low amplitude input signals but it picks up all
available transmissions at the same time. This would mean that the receiver output
would include all the various stations on top of each other, which would make it
impossible to listen to any one transmission.
The receiver circuits generate noise signals that are added to the wanted signals.
We hear this as a background hiss and is particularly noticeable if the receiver is
tuned between stations or if a weak station is being received.
The RF amplifier is the first stage of amplification. It has to amplify the incoming
signal above the level of the internally generated noise and also to start the process
of selecting the wanted station and rejecting the unwanted ones.
3.11 Selectivity
A parallel tuned circuit has its greatest impedance at resonance and decreases at
higher and lower frequencies. If the tuned circuit is included in the circuit design
of an amplifier, it results in an amplifier that offers more gain at the frequency of
resonance and reduced amplification above and below this frequency. This is
called selectivity.
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5
4
Amplifier
gain
Selectivity of
the amplifier
3
2
1
0
Strength of
received
stations
Frequency
(kHz)
10mV
0
800
810
820
840
Frequency
(kHz)
We have tuned the
receiver to this
station
50
Signal
strength
after the
amplifier
in mV
830
40
30
20
10
0
800
810
820
830
840
Frequency
(kHz)
Figure 37
In Figure 37 we can see the effects of using an amplifier with selectivity.
The radio receiver is tuned to a frequency of 820kHz and, at this frequency, the
amplifier provides a gain of five. Assuming the incoming signal has an amplitude
of 10mV as shown, its output at this frequency would be 5 x 10mV = 50mV. The
stations being received at 810kHz and 830kHz each have a gain of one. With the
same amplitude of 10mV, this would result in outputs of 1 x 10mV = 10mV. The
stations at 800kHz and 840kHz are offered a gain of only 0.1 (approx.). This
means that the output signal strength would be only 0.1 x 10mV = 1mV.
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Chapter 3
The overall effect of the selectivity is that whereas the incoming signals each have
the same amplitude, the outputs vary between 1mV and 50mV so we can select, or
‘tune’, the amplifier to pick out the desired station.
The greatest amplification occurs at the resonance frequency of the tuned circuit.
This is sometimes called the center frequency.
In common with nearly all radio receivers, ANACOM 1/2 adjusts the capacitor
value by means of the TUNING control to select various signals.
3.11a The amplifier in Figure 37 was re-tuned to give a maximum response at
800kHz. An input signal of 2mV at 820kHz would then result in an
output signal with an amplitude of approximately:
a
10mV
b
50mV
c
2mV
d
200µV
3.12 The Local Oscillator
This is an oscillator producing a sinusoidal output similar to the carrier wave
oscillator in the transmitter. In this case however, the frequency of its output is
adjustable.
The same tuning control is used to adjust the frequency of both the local oscillator
and the center frequency of the RF amplifier. The local oscillator is always
maintained at a frequency that is higher, by a fixed amount, than the incoming RF
signals.
The local oscillator frequency therefore follows, or tracks, the RF amplifier
frequency.
This will prove to be very useful, as we will see in the next section.
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3.13 The Mixer (or Frequency Changer)
The mixer performs a similar function to the modulator in the transmitter.
We may remember that the transmitter modulator accepts the information signal
and the carrier frequency, and produces the carrier plus the upper and lower
sidebands.
The mixer in the receiver combines the signal from the RF amplifier and the
frequency input from the local oscillator to produce three frequencies:
(i) A ‘difference’ frequency of local oscillator frequency - RF signal frequency.
(ii) A ‘sum’ frequency equal to local oscillator frequency + RF signal frequency.
(iii) A component at the local oscillator frequency.
3.13a If two out of the three frequency components at the output of the mixer
were to be 1MHz and 1.4MHz, the other component could be:
a
2.4MHz
b
400kHz
c
0.7MHz
d
1.8MHz
Mixing two signals to produce such components is called a ‘heterodyne’ process.
When this is carried out at frequencies above the audio spectrum, called
‘supersonic’ frequencies, the type of receiver is called a ‘superheterodyne’
receiver. This is normally abbreviated to ‘superhet’. It is not a modern idea having
been invented in the year 1917.
To IF amplifier
From RF amplifier
Mixer
From
local oscillator
Figure 38 The Mixer
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Chapter 3
In Section 3.12, we saw how the local oscillator tracks the RF amplifier so that the
difference between the two frequencies is maintained at a constant value. In
ANACOM 1/2 this difference is actually 455kHz.
As an example, if the radio is tuned to receive a broadcast station transmitting at
800kHz, the local oscillator will be running at 1.255MHz. The difference
frequency is 1.255MHz - 800kHz = 455kHz.
If the radio is now retuned to receive a different station being broadcast on
700kHz, the tuning control re-adjusts the RF amplifier to provide maximum gain
at 700kHz and the local oscillator to 1.155MHz. The difference frequency is still
maintained at the required 455kHz.
This frequency difference therefore remains constant regardless of the frequency
to which the radio is actually tuned and is called the intermediate frequency (IF).
Local oscillator
frequency
Amplitude
IF frequency
0
455
RF frequency
800
1255
Frequency
(kHz)
Figure 39 A Superhet Receiver Tuned to 800kHz
Note: In Figure 39, the local oscillator output is shown larger than the IF and RF
frequency components, this is usually the case. However, there is no fixed
relationship between the actual amplitudes. Similarly, the IF and RF
amplitudes are shown as being equal in amplitude but again there is no
significance in this.
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3.13b A superheterodyne receiver is tuned to receive a broadcast station
transmitting on a frequency of 1.04 MHz. If the IF frequency was
455kHz, the local oscillator would be operating at:
a
585kHz
b
1.495MHz
c
1.04MHz
d
455kHz
3.14 Image Frequencies
In the last section, we saw we could receive a station being broadcast on 700kHz
by tuning the local oscillator to a frequency of 1.155MHz thus giving the
difference (IF) frequency of the required 455kHz.
What would happen if we were to receive another station broadcasting on a
frequency of 1.61MHz?
This would also mix with the local oscillator frequency of 1.155MHz to produce
the required IF frequency of 455kHz. This would mean that this station would also
be received at the same time as our wanted one at 700kHz.
Station 1:
Frequency 700 kHz, Local oscillator 1.155MHz, IF = 455kHz
Station 2:
Frequency 1.61MHz, Local oscillator 1.155MHz, IF = 455kHz
An ‘image frequency’ is an unwanted frequency that can also combine with the
Local Oscillator output to create the IF frequency.
Notice how the difference in frequency between the wanted and unwanted stations
is twice the IF frequency. In the ANACOM 1/2, it means that the image frequency
is always 910kHz above the wanted station.
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This is a large frequency difference and even the poor selectivity of the RF
amplifier is able to remove the image frequency unless it is very strong indeed. In
this case it will pass through the receiver and will be heard at the same time as the
wanted station. Frequency interactions between the two stations tend to cause
irritating whistles from the loudspeaker.
3.14a A superhet receiver having an IF of 465kHz is tuned to a frequency of
840kHz. An image frequency received would have a frequency of:
a
930kHz
b
375kHz
c
1.305MHz
d
1.77MHz
3.15 Intermediate Frequency Amplifiers (IF Amplifiers)
The IF amplifier in this receiver consists of two stages of amplification and
provides the main signal amplification and selectivity.
Operating at a fixed IF frequency means that the design of the amplifiers can be
simplified. If it were not for the fixed frequency, all the amplifiers would need to
be tunable across the whole range of incoming RF frequencies and it would be
difficult to arrange for all the amplifiers to keep in step as they are re-tuned.
In addition, the radio must select the wanted transmission and reject all the others.
To do this the bandpass of all the stages must be carefully controlled. Each IF
stage does not necessarily have the same bandpass characteristics, it is the overall
response that is important. Again, this is something that is much more easily
achieved without the added complication of making them tunable.
At the final output from the IF amplifiers, we have a 455kHz wave which is
amplitude modulated by the wanted audio information.
The selectivity of the IF amplifiers has removed the unwanted components
generated by the mixing process.
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3.15a The unwanted components at the output of the mixer are:
a
the local oscillator frequency and the RF frequency.
b
the sum and difference frequencies.
c
the local oscillator frequency, the RF frequency and the sum of the
local oscillator and RF frequencies.
audio information signals.
d
3.16 The Diode Detector
The function of the diode detector is to extract the audio signal from the signal at
the output of the IF amplifiers.
It performs this task in a very similar way to a halfwave rectifier converting an AC
input to a DC output.
Figure 40 shows a simple circuit diagram of the diode detector.
Input
Output
0V
Figure 40 A Simple Diode Detector
In Figure 40, the diode conducts every time the input signal applied to its anode is
more positive than the voltage on the top plate of the capacitor.
When the voltage falls below the capacitor voltage, the diode ceases to conduct
and the voltage across the capacitor leaks away until the next time the input signal
is able to switch it on again (see Figure 41).
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Chapter 3
Waveform at the
output of the detector
Capacitor discharges
Diode conducts and
capacitor charges
0V
0V
AM waveform at the
input of the detector
Figure 41
The result is an output that contains three components:
(i) The wanted audio information signal.
(ii) Some ripple at the IF frequency.
(iii) A positive DC voltage level.
3.17 The Audio Amplifier
At the input to the audio amplifier, a lowpass filter is used to remove the IF ripple
and a capacitor blocks the DC voltage level. Figure 42 shows the result of the
information signal passing through the Diode Detector and Audio Amplifier.
The input to the diode detector
from the last IF amplifier
Output of diode detector includes:
a DC level,
the audio signal,
0V
ripple at IF frequency
Output after filtering
0V
Figure 42
The remaining audio signals are then amplified to provide the final output to the
loudspeaker.
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3.18 The Automatic Gain Control Circuit (AGC)
The AGC circuit is used to prevent very strong signals from overloading the
receiver. It can also reduce the effect of fluctuations in the received signal
strength.
The AGC circuit makes use of the mean DC voltage level present at the output of
the diode detector.
If the signal strength increases, the mean DC voltage level also increases. If the
mean DC voltage level exceeds a predetermined threshold value, a voltage is
applied to the RF and IF amplifiers in such a way as to decrease their gain to
prevent overload.
As soon as the incoming signal strength decreases, such that the mean DC voltage
level is reduced below the threshold, the RF and IF amplifiers return to their
normal operation.
At low signal strength the
AGC circuit has no effect
AGC OFF
This part of the transmission
will overload the receiver
and cause distortion
Threshold level
0V
The AGC has limited the
amplification to prevent
overload and distortion
AGC ON
Threshold level
0V
Figure 43
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The mean DC voltage from the detector is averaged out over a period of time to
ensure that the AGC circuit is really responding to fluctuations in the strength of
the received signals and not to individual cycles.
Some designs of AGC circuit provide a progressive degree of control over the gain
of the receiver at all levels of input signals without using a threshold level. This
type is more effective at counteracting the effects of fading due to changes in
atmospheric conditions. The alternative, is to employ an AGC circuit as used in
ANACOM 1/2. In this case the AGC action does not come into effect until the
mean value reaches the threshold value, this type of AGC circuit is often referred
to as ‘Delayed AGC’.
3.18a A delayed AGC circuit is able to:
62
a
prevent a strong signal overloading the receiver.
b
c
automatically retune the receiver if the transmission frequency
changes.
introduce a time delay between a strong signal and its reduction.
d
reduce weak signals without affecting very strong ones.
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DSB Transmitter and Receiver
Chapter 3
3.19 Practical Exercise: The DSB Transmitter and Receiver
To avoid unnecessary loading of the circuits’ signals, X10 oscilloscope probes
should be used during this practical exercise. Remember to take this into account
when measuring signal amplitudes.
■
Connect the ANACOM 1/1 and ANACOM 1/2 boards to the power supply
as shown below:
POWER
SUPPLY
+12V
0V
-12V
+12V
0V
ANACOM 1/1
-12V
+12V
0V
ANACOM 1/2
Figure 44
■
On ANACOM 1/1 set the following initial conditions:
a)
b)
c)
d)
AUDIO INPUT SELECT switch to INT position.
MODE switch to DSB.
SPEAKER switch to OFF.
In the AUDIO OSCILLATOR both the AMPLITUDE PRESET and the
FREQUENCY PRESET should be set to maximum (fully clockwise).
e) In the BALANCED MODULATOR & BANDPASS FILTER CIRCUIT
1, the BALANCE PRESET should be set to maximum (fully clockwise).
f) In the OUTPUT AMPLIFIER, increase the gain to its maximum value
(fully clockwise).
g) The TX OUTPUT SELECT should be set to ANT. (antenna) and the
antenna should be in a vertical position and fully extended.
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On ANACOM 1/2 set the following initial conditions:
a) In the AUDIO AMPLIFIER switch the SPEAKER to ON and decrease
the VOLUME preset to its minimum value (fully counter-clockwise).
b) RX INPUT SELECT switch to ANT. (antenna).
c) In the RF amplifier switch the TUNED CIRCUIT SELECT to INT
(internal) position and increase the RF AMPLIFIER GAIN
CONTROL to maximum (fully clockwise).
d) Set the AGC switch to the IN position.
e) Set the DETECTOR switch to the DIODE position.
f) Switch the BEAT FREQUENCY OSCILLATOR to the OFF position.
g) Fully extend the antenna and set in a vertical position.
■
Switch on the power supply.
■
Use your oscilloscope to measure the depth of modulation of the transmitter
output at tp13 and record this in your workbook. It may be helpful to trigger
the oscilloscope from the audio signal at tp14.
3.19a Enter the value of the depth of modulation expressed as a percentage.
■
The ANACOM boards should be placed about 6 inches (150mm) apart and
the AUDIO AMPLIFIER volume preset increased until sounds are audible
from the loudspeaker.
■
Adjust the receiver tuning control until the audio signal from ANACOM 1/1
can be clearly heard. This should occur between 400 and 500 on the tuning
scale (fine tuning for the strongest possible signal may be required).
We will start by investigating the polarization of the antennas.
64
■
With both antennas fully extended and vertical, reduce the RF GAIN on
ANACOM 1/2 to minimum then adjust the AUDIO AMPLIFIER volume
until the tone is just audible.
■
Leaving the receiver antenna in a vertical position, lower the transmitter
antenna to the horizontal so that it is a right angles to the receiving antenna.
The received volume will be reduced significantly owing to the opposite
polarization of the antennas.
AT02
Curriculum Manual
DSB Transmitter and Receiver
Chapter 3
3.19b The polarization of the transmitting antenna is now:
a
horizontal.
b
at a minimum value.
c
vertical.
d
zero.
■
Return both antennas to the vertical position.
■
On the receiver board increase the RF Amplifier gain preset to its mid-point
and adjust the volume preset until the tone is just audible.
We will now follow the progress of the signals through the receiver starting from
the RF Amplifier.
On your double beam oscilloscope:
■
Set the oscilloscope inputs to AC.
■
Use Channel 2 as the trigger channel and use it to monitor the audio input
signal at tp14 (the output of the audio oscillator on ANACOM 1/1).
A note on oscilloscope triggering:
Leave Channel 2 connected to tp14 during this practical exercise. Use Channel 2
to trigger the oscilloscope whenever an AM wave is being observed. Use Channel
1 for triggering whenever we are looking at the RF or IF component of the
waveform.
■
Use channel 1 to monitor the RF Amplifier output at tp12 on ANACOM 1/2.
Adjust the oscilloscope timebase to display 2 or 3 complete audio patterns in
the AM waveform.
■
Record the waveform in the copy of Figure 45 in your workbook, adding
your own choice of voltage scale to the figure. The waveform may drift up
and down slightly on the oscilloscope display. This effect is due to the action
of the AGC circuit and will be investigated further at a later stage.
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Amplitude
0
0.2
0.4
0.6
Time (ms)
0.8
1.0
Figure 45 The Output of the RF Amplifier at tp12
■
Now increase the oscilloscope timebase speed to measure the RF frequency
contained within the envelope (you may need to trigger the oscilloscope on
Channel 1 to achieve this).
3.19c Enter your measured frequency (in kHz).
■
Measure the output frequency of the local oscillator at tp40.
3.19d Enter your measured local oscillator output frequency (in kHz).
The incoming RF amplitude modulated wave is mixed with the output of the local
oscillator to provide an amplitude modulated waveform at the required IF
frequency.
The RF carrier and its sidebands have effectively been reduced in frequency to the
required IF frequency.
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DSB Transmitter and Receiver
Chapter 3
Record the waveform at the output of the Mixer at tp20 in Figure 46 of your
workbook.
Amplitude
0
0.2
0.4
0.6
Time (ms)
0.8
1.0
Figure 46 The Output of the Mixer Circuit at tp20
■
Now, increase the timebase speed to view the waveform in more detail. The
IF frequency should be able to be seen (again, triggering on Channel 1 may
be necessary).
The first IF amplifier provides some amplification and a narrow bandpass. It only
allows the wanted frequencies to pass to the second IF amplifier.
■
Record the waveform at the output of the first IF amplifier at tp24 in Figure
47 of your workbook.
Amplitude
0
0.2
0.4
0.6
Time (ms)
0.8
1.0
Figure 47 The Output of the First IF Amplifier at tp24
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By increasing the timebase speed and using Channel 1 as the trigger, the
individual sinewaves of the signal are visible.
3.19e Enter your measured value for the frequency of the sinewave within the
envelope (in kHz).
The final IF amplifier provides some additional amplification and more selectivity.
■
This can be seen by observing the waveform at tp28.
■
Record the waveform in Figure 48 of your workbook.
Amplitude
0
0.2
0.4
0.6
Time (ms)
0.8
1.0
Figure 48 The Output of the Second IF Amplifier at tp28
■
By comparing the signal amplitude of tp24 and tp28, the gain of the second
IF amplifier can be calculated.
3.19f Enter your calculated value for the gain of the second IF amplifier.
The diode detector extracts the audio signal and removes, as nearly as possible,
the IF signal.
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Chapter 3
■
Observe the detector output at tp31, switching the oscilloscope input to DC.
■
Record the waveform in Figure 49 of your workbook.
Amplitude
0
0.2
0.4
0.6
Time (ms)
0.8
1.0
Figure 49 The Output of the Diode Detector at tp31
We can see that the sinewave appears thicker than the original audio input signal.
This is because what appears to be a sinewave is actually an envelope containing
another frequency.
■
Change the trigger over to Channel 1 and expand the timebase to observe the
contents of the envelope.
3.19g The high frequency component within the envelope is:
a
AF
b
IF
c
RF
d
Noise
The output signal from the detector is now passed through a low pass filter that
removes all the unwanted components to leave just the audio signals.
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This can be seen at tp39 and if the signal is compared with the original input
on the transmitter (at the output of the AUDIO OSCILLATOR tp14 on
ANACOM 1/1), we can see that the information signal has been passed
through the transmitter and the receiver with very little distortion.
Note that there is a slight delay between the output and input audio signals. This is
due to the circuits of the Transmitter and Receiver.
So far, we have been using a single tone as the information signal since this makes
the waveforms steadier to allow closer examination.
We will now look at a ‘real’ signal from a broadcast station.
■
On ANACOM 1/1 reduce the gain of the output amplifier to minimum by
turning the preset gain control fully counter-clockwise. This is to prevent
ANACOM 1/1 from drowning out the broadcast stations.
■
On ANACOM 1/2, set the gain preset control in the RF Amplifier to its
midpoint and the volume control in the Audio Amplifier to maximum (fully
clockwise).
■
Adjust the tuning control to select a broadcast station.
■
Use your double-beam oscilloscope to monitor the output signal at tp39.
This is the audio signal to the loudspeaker.
■
Now use the other beam to monitor the output from the IF Amplifier at tp28.
Note how the modulation is clearly visible. Adjust the tuning to a variety of
broadcast stations and observe the relationship between the sound from the
loudspeaker, the audio signal at tp39 and the envelope at tp28.
■
Observe the signal from the RF Amplifier at tp12 as various broadcast
stations are received.
The RF amplifier has a wide bandwidth and consequently it has little selectivity.
The result of this is that a strong broadcast signal on an adjacent frequency will
also pass through this amplifier. This may mean that it may be difficult to see the
modulation envelope.
■
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Switch off the power supply.
AT02
Curriculum Manual
DSB Transmitter and Receiver
Chapter 3
3.20 Practical Exercise:
Operation of the Automatic Gain Control Circuit
(AGC)
To avoid unnecessary loading of the circuits’ signals, X10 oscilloscope probes
should again be used during this practical exercise. Remember to take this into
account when measuring signal amplitudes.
■ Connect the ANACOM 1/1 and ANACOM 1/2 boards to the power supply as
shown in Figure 50 below:
POWER
SUPPLY
+12V
0V
-12V
+12V
ANACOM 1/1
0V
-12V
+12V
0V
ANACOM 1/2
Figure 50
■
On ANACOM 1/1 set the following initial conditions:
a)
b)
c)
d)
AUDIO INPUT SELECT switch to INT position.
MODE switch to DSB.
SPEAKER switch to OFF.
In the AUDIO OSCILLATOR the AMPLITUDE and the FREQUENCY
presets should be set to maximum (fully clockwise).
e) In the BALANCED MODULATOR & BANDPASS FILTER CIRCUIT
1, the BALANCE PRESET should be set to maximum (fully clockwise).
f) In the OUTPUT AMPLIFIER, increase the gain to its maximum value
(fully clockwise).
g) The TX OUTPUT SELECT should be set to SKT. (socket).
h) Connect a screened lead from the TX OUTPUT socket on ANACOM 1/1
to the RX INPUT socket on ANACOM 1/2.
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On ANACOM 1/2 set the following initial conditions:
a) In the AUDIO AMPLIFIER switch the SPEAKER to ON.
b) RX INPUT SELECT switch to SKT. (socket).
c) In the RF amplifier switch the TUNED CIRCUIT SELECT to INT
(internal) position and increase the RF AMPLIFIER GAIN CONTROL
to its maximum position (fully clockwise).
d) Set the AGC switch to the IN position.
e) Set the detector switch to the DIODE position.
f) Switch the BEAT FREQUENCY OSCILLATOR to the OFF position.
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■
Switch on the power supply.
■
Using your double-beamed oscilloscope, use Channel 1 to monitor the audio
output signal at tp39 and to act as the trigger input for the oscilloscope.
■
Adjust the VOLUME preset in the output stage of the receiver until a sound
is just audible, then tune into the audio signal generated by the ANACOM
1/1 (fine tuning for the strongest possible signal may be required).
■
Adjust the VOLUME preset in the output stage of the receiver to provide a
4V peak-to-peak signal.
■
On the transmitter, set the GAIN control in the OUTPUT AMPLIFIER to
minimum (fully counter-clockwise).
■
On your oscilloscope, set the Channel 2 input selector to DC and the
amplifier gain to 1 volt/division (0.1 volt/division with X10 probes). Use
this channel to monitor the output from the AGC circuit at tp1. (At the
moment the voltage present is zero volts.)
■
Slowly and carefully increase the amplitude of the transmitted signal by
increasing the GAIN preset in the transmitter OUTPUT AMPLIFIER as you
observe the increasing sinewave at the receiver output at tp39 and the AGC
signal at tp1.
■
The receiver output will slowly increase without any change of AGC level.
This is the ‘delay’ mentioned in Section 3.17. Further increases in
transmitter level will cause the AGC voltage to decrease.
AT02
Curriculum Manual
DSB Transmitter and Receiver
Chapter 3
3.20a Enter the peak-to-peak voltage (in volts), observed at tp39, at which the
AGC voltage starts to be applied to the RF and IF Amplifiers.
Notice how the increased input signal from the transmitter is largely offset by the
AGC circuit to maintain a reasonably constant level of signal at tp39.
3.20b Enter the maximum change (in volts) in the AGC voltage level that
occurs between minimum and maximum levels of transmitter output
power.
■
Switch off the power supply.
We can now observe the operation of the AGC circuit under ‘real’ conditions.
■
Remove the screened lead connecting ANACOM 1/1 and ANACOM 1/2.
■
Disconnect and remove the ANACOM 1/1 - the transmitter is not going to
be used in this part of the investigation.
■
Fully extend the receiver antenna and set it up vertically.
■
Switch the RX INPUT SELECT to ANT (antenna) and adjust the GAIN
control in the RF Amplifier to its minimum value (fully counter-clockwise).
The VOLUME control in the AUDIO AMPLIFIER should be set to its midpoint.
■
Switch on the power supply.
■
Set up the oscilloscope as in the previous measurements - use Channel 1 to
monitor the audio output signal at tp39 and to act as the trigger input for the
oscilloscope and set Channel 2 input selector to DC with the amplifier gain
to 1 volt/division (0.1 volt/division with X10 probes). Use this channel to
monitor the output from the AGC circuit at tp1.
■
Tune the receiver until a broadcast station is heard. If no station is heard
over the whole tuning range, the RF Amplifier GAIN can be increased
slightly before re-tuning.
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It is likely that the volume from the speaker will be quite low and the AGC output
signal will be showing no response.
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■
Now slowly increase the RF Amplifier GAIN observing the effects on the
loudspeaker volume and the signals on the oscilloscope.
■
Using a low strength (weak) input signal, touch the antenna and notice the
improved reception. You are actually acting as an antenna and picking up
additional signal to reinforce the reception.
■
At moderate signal levels, touching the antenna will cause the signal
strength to increase sufficiently to cause the AGC to be activated. In fact,
with a moderate to high level of input signal, moving your hand close to the
antenna can be seen to affect the levels on the oscilloscope.
■
Tune into a strong broadcast station and increase the RF Amplifier GAIN
control to maximum (fully clockwise). The volume control in the AUDIO
AMPLIFIER can be reduced to a comfortable sound level. On your
oscilloscope the AGC circuit should be producing high control voltages to
reduce the gain of the amplifiers.
■
Switch the AGC OFF and listen to the loudspeaker output. The signal will
sound very distorted due to the receiver amplifiers being overloaded.
■
Switch the AGC back on again and notice how effective it is in preventing
overloading.
■
Switch off your power supply and oscilloscope.
AT02
Curriculum Manual
DSB Transmitter and Receiver
Chapter 3
Student Assessment 3
1.
2.
3.
An envelope is:
a used to enclose information to be sent by electronic mail.
b
the audio signal contained in a transmitted signal.
c
a curve that follows the outer edge of an amplitude modulated waveform.
d
generated by a local oscillator.
Excessively wide bandwidths in a transmitted signal could be limited by:
a a bandpass filter.
b
using a shorter antenna.
c
increasing the modulating frequency .
d
a detector.
The block marked ‘A’ in the diagram below is most likely to be labeled:
A
a
‘modulator’.
b
‘filter’.
c
‘detector’.
d
‘mixer’.
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Student Assessment 3 Continued ...
4.
5.
Selecting a desired signal by means of a superheterodyne receiver is normally achieved
by tuning:
a just the RF amplifier.
b
both the RF amplifier and the local oscillator.
c
the mixer.
d
the IF amplifiers.
An AGC circuit provides automatic control over the:
a transmitter power.
b
gain of the receiver.
c
local oscillator frequency.
d
polarization of the antenna.
Continued...
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Chapter 3
Student Assessment 3 Continued ...
6.
A block diagram of an AM transmitter is shown in option:
Output
Amplifier
a
Audio
Oscillator
Modulator
Audio
Oscillator
b
Carrier
Generator
Carrier
Generator
Modulator
IF Amplifier
Audio
Oscillator
c
Carrier
Generator
d
Modulator
Output
Amplifier
None of the above.
a
a
b
b
c
c
d
d
Continued...
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Student Assessment 3 Continued ...
7.
8.
9.
For best reception, the receiver antenna should normally be:
a shorter than the transmitter antenna.
b
positioned at right angles to the transmitter antenna.
c
pointing directly at the transmitter.
d
aligned parallel to the transmitter antenna.
In a superhet receiver, the RF amplifier is tuned to the same frequency as the:
a local oscillator.
b
transmitter information signal.
c
transmitter carrier signal.
d
IF amplifiers.
A delayed AGC circuit:
a does not control the gain until the signal reaches a threshold level.
b
waits a while before responding to changes in input level.
c
controls the output power of the transmitter to prevent fading.
d
alters the efficiency of the receiver antenna by a process called ‘Antenna Gain Control’.
10. The input to the AGC circuit is the:
a peak voltage at the output of the RF amplifier.
78
b
mean DC level at the output of the detector.
c
output of the bandpass filter in the mixer.
d
ripple at the output of the detector.