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ART & HISTORY WITHIN REGIS COLLEGE
Molly Hemenway
AH 201: Art History
April 5th, 2019
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Art and history are essential to each other’s existence. Art is valued more with a historical
value and backstory, and history is recorded in an artistic way. Art is the journal of those who
lived during that time, a record of how those living felt and viewed the world around them as it
was developing. Without history many of the images, architecture, statues or art of other forms
would have little to no meaning. An otherwise insignificant piece can be exponentially valuable
if it is signed by Monet, Leonardo or Dali simply due to their personal value in history as
trend-setting men. A modern example is of the famous Jackson Pollock, known for his abstract
splatter paintings that without his hand involved could be mistaken for a child’s craft. Keeping in
mind that art and history go hand in hand, this essay will discuss the history and it’s artistic
repercussions on the Regis College campus.
The greater Boston area in general has a combination of older, historical architecture
mixed with a fair share of sleek modernization in newer buildings around the city. Regis college
as a micro community compared with Boston represents these attributes with architecture
ranging from the 1800’s to additions built in the 2000’s. Regis is widely known as a private,
Catholic institute founded by the Sisters of Saint Joseph. Their original goal was to expand
opportunities for females in higher education. Based on their religious morals, they wanted to
create an educational facility that would give all (despite appearance) access to knowledge and
learning. On September 21, 1927 Regis opened its arms to their first ever class, but much of the
architecture here was built much before then as early as 1888 (​"A History of Regis College.").
There are many buildings on the Regis campus, many of them oozing with artistic and
historical significance. Just outside the Regis library is a white angelic statue greeting every
student to walk into the facility. Another ode to the catholic nuns who founded our college lies in
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the stone tower and sacred grounds in an off-the-path garden. This place features granite
benches, a stone tower, a statue of Madonna under a miniature stone arc topped with a cross.
There are even more statues, paintings and tapestries in the college church to be seen as well
(​"Regis College Virtual Tour.")​. My focus will be in breaking down the components of College
Hall inside and outside and discussing how these components relate to artistic styles discussed in
class​.
College Hall was
the first new
building to be
brought unto the
campus circa 1928.
Inside was offices,
class spaces, rooms
for residency, and more. This made Regis college the first Catholic women’s college in
Massachusetts with residential options for students. Eventually in 2007 Regis officially
transitioned into a co-ed facility (​"A History of Regis College.")​. College Hall represents much
of this history behind Regis, both inside and out there are glimpses of the past. The outer
structure frames the catholic roots of its founders and the inside contains relics in the form of
paintings, statues and of course more architecture.
The outward appearance of College Hall combines federal and religious styles, making
the building appear stately and deific at the same time. A golden cross is placed atop the front
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entrance, maybe a reference to the golden halo seen around the heads of Madonna and child, as
many biblical figures painted during classical European times had. The decorative columns
holding up the entryway and rooftop balcony give flashbacks to classical Greek and Roman
architecture. Immediately I am drawn to their similarity to the columns on the Pantheon in
Rome, Italy all with a simplistic shaft and more intricate moldings on the tops and bottoms.
This is also the format seen in many federal buildings of Washington, D.C. such as the
Lincoln Memorial or the White House itself. Clean white buildings with columns almost always
seems to signify that the building is for the purpose of duty, wisdom and higher power. Inside
there are more marble-esque columns and deep red carpeting emulating the patterns of a tapestry.
Maroon red is often a hue associated with leadership, energy and goodwill. Every aspect of this
building was put there meticulously to scream importance, and that it rightfully does. College
Hall is a center for many ceremonies. For some it is their first impression of the campus, so to
give a luxurious and opulent vibe is quite justified, and alluring to future alumni.
Finally, I will address these three statues found in the College Hall atrium.
Without a proper history of these sculptures, knowledge of the artist behind their making or even
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an informational plaque to base my opinions off of I am left to assume and surmise their
meanings. The basis of their creation has to have some significance to the college, therefore I
predict that they are of figures that have helped shape the college and the programs offered there.
As art is in the eye of the beholder, when little to no background information is given, my
imagination lead me to believe these three statues are representative of the nursing and education
majors on campus. The two children pose playfully in ruffled dresses which reminds me of the
education major and the children’s daycare on campus. The woman is posed more seriously with
a lean, hand on hip. Her vase (of water?) and rope sparked the thought of Florence Nightingale,
the founder of modern nursing. Her stature of confidence, head looking straight on and her basic
tools at her side symbolize the wit and knowledge of necessity nurses like her possess.
Reiterating my previous statement, I cannot be sure whatsoever that these are the true, original
intentions of this art but my guesses are educated and calculated as any.
It is clear to see that Regis College has much deep rooted history, and much of it
documented through old records and photos accessible online to anyone interested. It is
fascinating to discover and interpret the architecture and other art pieces that have arisen from
the foundation of such a unique place. The Sisters of Saint Joseph would be proud and
appreciative to see how astonishing our campus has become while still keeping lots of our past
elements as we progress into future renovations. Art and history has been and will always be an
outstanding part of Regis.
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Bibliography
"A History of Regis College." Regis College. Accessed April 13, 2019.
Kleiner, Fred S., and Helen Gardner. ​Gardners Art through the Ages: A Global History​.
Boston, MA, USA: Cengage Learning, 2020.
"Regis College Virtual Tour." Regis College. Accessed April 13, 2019.
https://www.regiscollege.edu/about-regis/find-us/virtual-tour.
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