MUSIC APPRECIATION TERMS FOUR DR. LOVE THE CLASSICAL ERA (1750-1820) AGE OF ENLIGHTENMENT RECAPTURE THE NOBLE SIMPLICITY AND CALM GRANDEUR, INFLUENCED BY GREEK AND ROMAN MODELS CLASSICAL CHARACTERISTICS OF CLASSICAL STYLE CONTRAST OF MOOD FLEXIBILITY OF RHYTHM BASICALLY HOMOPHONIC TEXTURE TUNEFUL MELODIES DYNAMICS AND THE PIANO END OF BASSO CONTINUO STANDARDIZED ORCHESTRA SYMPHONY, STRING QUARTET FORM: FAST, SLOW, DANCE, FAST SONATA FORM EXPOSITION, DEVELOPMENT, RECAPITULATION CODA MOZART: SYMPHONY NO. 40 IN G MINOR, FIRST MOVEMENT THEME AND VARIATIONS HAYDN: SYMPHONY NO 94 IN G MAJOR, SECOND MOVEMENT CHAMBER MUSIC STRING QUARTET RONDO FORM BEETHOVEN: STRING QUARTET IN C MINOR, OP. 18, NO. 4, 4TH MOVEMENT CONCERTO CADENZA FRANZ JOSEPH HAYDN TRUMPET CONCERTO IN E FLAT MAJOR, 3RD MOVEMENT WOLFGANG AMADEUS MOZART LA CI DAREM LA MANO, FROM DON GIOVANNI LUDWIG VAN BEETHOVEN HEILIGENSTADT TESTAMENT PIANO SONATA IN C MINOR, OP. 13, 1ST MOVEMENT SYMPHONY NO. 5, 1ST MOVEMENT THE ROMANTIC PERIOD (1820-1900) REBELLION AGAINST NEOCLASSICISM FANTASY, DREAMS CHARACTERISTICS OF ROMANTIC MUSIC INDIVIDUALITY OF STYLE – SELF EXPRESSION FLAMBOYANT, INTIMATE, UNPREDICTABLE FEELINGS SUBJECTS FROM MIDDLE AGES, SHAKESPEARE NATIONALISM EXOTICISM PROGRAM MUSIC EXPRESSIVE TONE COLOR COLORFUL HARMONY, CHROMATIC HARMONY EXPANDED RANGE OF DYNAMICS, PITCH, AND TEMPO FORM MINIATURE MONUMENTAL RUBATO FOUNDING OF MUSIC CONSERVATORIES VIRTUOSI ART SONG STROPHIC THROUGH-COMPOSED SONG CYCLE FRANZ SCHUBERT ERLKÖNIG FRÉDÉRIC CHOPIN NOCTURNE IN E FLAT MAJOR, OP. 9, NO. 2 FRANZ LISZT TRANSCENDENTAL ÉTUDE, NO. 10 IN F MINOR FELIX MENDELSSOHN CONCERTO FOR VIOLIN AND ORCHESTRA IN E MINOR HECTOR BERLIOZ IDEE FIXE SYMPHONIE FANTASTIQUE, 1ST MOVEMENT PETER ILYICH TCHAIKOVSKY *NUTCRACKER SUITE, OPUS 71, “DANCE OF THE REED PIPES” JOHANNES BRAHMS HOW LOVELY IS THY DWELLING PLACE, FROM A GERMAN REQUIEM GIUSEPPE VERDI *QUARTET, FROM RIGOLETTO GIACOMO PUCCINI CHE GELIDA MANINA, FROM LA BOHEME RICHARD WAGNER LEITMOTIF BAYREUTH DIE WALKURE, ACT I, CONCLUSION