Journal of Anglo-Italian Studies Vol. 12 (2013)
Volume Editor: Gloria Lauri-Lucente
Contents:
Shakespeare’s The Tempest and Virgil’s Aeneid: Gonzalo on Claribel and ‘Widow Dido’ - Robert Hollander
Dante, ‘The Prophet of Liberty’: The Mainstream Ideological Paradigm in Romantic Britain vis-à-vis Isaiah
Berlin’s Reflections on Liberty - Edoardo Crisafulli
The Humanist Petrarch in Medieval and Early Modern England - Alessandra Petrina
‘Mia Bella Italia’: Mary Shelley’s Italies – Timothy Webb
‘The Burning Bush’: Browning’s First Visit to Asolo, June 1838 – Sue Brown
‘This Extraordinary Apathy’: Wilkie Collins, Italy and the Contradictions of the Risorgimento Mariaconcetta Costantini
The Italian Scenes in Anthony Trollope’s He Knew He Was Right - David Farley-Hills
Gendering Madness: Shakespeare’s Macbeth re-visited by Verdi - Maria Frendo
John Ruskin, Venice, and the ‘Stones’ of an Italian Utopia - Michela Marroni
William Morris’s Mediaevalism between Dante and Boccaccio: A Cognitive Approach to Literature Eleonora Sasso
By the Southern Sea: Gissing’s Meridian Flight from the Realm of Modernity - Luigi Cazzato
Modernist Myths. A Comparison between La cognizione del dolore and Ulysses - Valentino Baldi
Mysterious Apparitions in the Land of Darkness: The Influence of Conrad in Buzzati’s Short Fiction Valentina Polcini
The Narrative of Realism and Myth in Francesco Rosi’s Salvatore Giuliano and Michael Cimino’s The
Sicilian - Gloria Lauri-Lucente
Betrayal Italian Style - Sara Soncini
Counterfeit Classics: Shakespeare/Camilleri Joking with Masks, Translations and Traditions - Carla Dente
Conducting the Orchestra: Recent Experiences in Translating Italian Fiction into English - Silvester
Mazzarella