JOUR 232 Reporting for Mass Media II MWF 11-11:50 p.m. 220 Simpkins • Spring 2015 Lisa Kernek C– 70-72.9 L-Kernek@wiu.edu D+ 67-69.9 Tel. (309) 569-1270 D 63-66.9 Office: Simpkins 226-i D- 60-62.9 F 0-59.9 Office hours T-Th 10-10:50 a.m. T-Th 12:20-1 p.m. F 8:50-9:50 a.m. and by appointment Required Books Intimate Journalism: The Art and Craft of Reporting Everyday Life, Walt Harrington America's Best Newspaper Writing, second edition (white cover), Roy Peter Clark, Introduction In this course you will practice reporting a news beat. You will study the craft of writing by reading great works of journalism. Each student will be required to generate three stories from a news beat. Periodically I will hold one-on-one meetings with students to "coach" your reporting and writing. Christopher Scanlan On Writing Well: The Classic Guide to Writing Nonfiction, 30th anniversary edition, William Zinsser Recommended Associated Press Stylebook Course Grading Scale A 93-100 percent A- 90-92.9 B+ 87-89.9 B 83-86.9 B– 80-82.9 C+ 77-79.9 C 73-76.9 Readings will be assigned from "Intimate Journalism" and "America's Best Newspaper Writing." A brief written summary of each reading will be due on the day that reading is discussed. No summaries are required for the reading assignments from "On Writing Well," but you will be quizzed on those. Course requirements Story No. 1: Story No. 2: Story No. 3, first draft: Story No. 3, final draft: Reading summaries: Quizzes Participation/attendance*: 10 percent 10 percent 10 percent 10 percent 30 percent 10 percent 20 percent Story requirements You’ll be held to the standards of a working newsroom: Interviews with family members, boyfriends or girlfriends are unacceptable. Use first and last names for every person quoted. Anonymous sources and fake names are unacceptable. Stories will be graded on: Accuracy and completeness; strength of lead; fairness, diversity in reporting; news angle; freedom from grammar, AP Style errors. Beat stories No. 1 and 2 a minimum of three human sources three to four pages, typed, double spaced attached source list Beat story No. 3--two drafts at least four human sources four to five pages, typed, double-spaced attached source list Getting people to return phone calls takes time – don’t wait until the last minute to make calls and do interviews. You are expected to produce original work. Reading summaries: Reading summaries should note the following points: 1. The use of literary or storytelling techniques such as dialogue, scene-setting and description through the senses. 2. The principal "characters" or sources. 3. How the story was reported, i.e. through interviews, direct observation of events, reconstruction or a combination. Deadlines Stories are due at the start of class on deadline days. An assignment submitted late or e-mailed after class on the day it is due will lose 5 percentage points or a half-letter grade. An assignment will lose 10 percentage points or one letter grade for every weekday it is late. *Participation/Attendance I grant three automatically excused absences—no questions asked, no documentation needed. Beginning with the fourth absence, points will be deducted from the participation grade and any missed work may not be made up. I make exceptions for circumstances beyond students’ control, so please contact me in the event of an emergency. Homework missed because of the first three excused absences should be turned in within a week of the absences. Make-up work turned in more than a week after the missed class will not be accepted. Exams cannot be rescheduled or made up without special permission in advance from me. PLEASE NOTE: Eighteen or more absences will result in automatic failure of the course. No-Cell-Phone Zone Cell phones should be silenced and out of sight during class. Personal use of mobile devices during class time may result in being dismissed from that day’s class and having it counted as an absence. Plagiarism/fabrication You are expected to do your own, original work. WIU’s academic integrity policy defines plagiarism as “intentionally or knowingly presenting the work of another as one's own” (http://www.wiu.edu/policies/acintegrity.php). Penalties range from an F for an assignment to an F for the course for plagiarism or fabrication of quotes, names, events or other material in what are supposed to be original works of nonfiction. Disabilities: Please see me if you have any special needs. Class Schedule (subject to change, with notice). "ABN"="America's Best Newspaper Writing. "IJ"=Intimate Journalism. "Zinsser"=On Writing Well. WEEK 1 Wednesday Jan. 21 Friday Jan. 23 Introduction Reading: Todd Frankel (handout) WEEK 2 Monday Jan. 26 Wednesday Jan. 28 Friday Jan. 30 "All She Has," Bragg, ABN p.30 "Captain Lerro," Finkel, ABN p. 186 Beat conferences/no class WEEK 3 Monday Feb. 2 Wednesday Feb. 4 Friday Feb. 6 Beat conferences/no class "Last Housewife," Finkel, IJ p. 61, "TV Without Guilt," Finkel, IJ p. 77 WEEK 4 Monday Feb. 9 Wednesday Feb. 11 Friday Feb. 13 Writing workshop: Read ch. 1-3, Zinsser "Santa Claus Killer," LaPeter, ABN p. 13 "Caught in the Web," Frye, ABN p. 75 WEEK 5 Monday Feb. 16 Wednesday Feb. 18 Friday Feb. 20 Writing workshop Ch. 4-5 Zinsser Story 1 due Conferences/no class WEEK 6 Monday Feb. 23 Wednesday Feb. 25 Friday Feb. 27 Conferences/no class "Gunplay Victim," Albom, ABN p. 46 "Losing It," Boswell, ABN p. 34 WEEK 7 Monday March 2 Wednesday March 4 Friday March 6 Writing workshop ch. 6-7 Zinsser "Ray Bolger," Shales, ABN p. 63 "Edward E. 'Ace" Clark," Nicholson, ABN p. 66 "Tastykake Retiree," Nicholson, ABN p. 70 WEEK 8 Monday March 9 Wednesday March 11 Friday March 13 Quiz: Ch. 1-7 Zinsser "Life of a Cowboy," Blundell, ABN p. 114 "Property Tax Exemptions," Gartner, ABN p. 132 SPRING BREAK MARCH 16-20 WEEK 9 Monday March 23 Wednesday March 25 Friday March 27 Writing workshop: Ch. 8-9 Zinsser "A One-Word Assault on Women," ABN Britt, p. 146 "Second Thoughts," Pitts, ABN p. 159 "Captain Waskow," Pyle, ABN p. 267 WEEK 10 Monday March 30 Wednesday April 1 Friday April 3 Writing workshop: Ch. 10 Zinsser Story 2 due Conferences: no class WEEK 11 Monday April 6 Wednesday April 8 Friday April 10 Conferences: no class "A Sentimental Journey," Ojito, ABN p.180 "Fighting for Life," Dwyer, ABN p. 238 WEEK 12 Monday April 13 Wednesday April 15 Friday April 17 Quiz: Ch. 8-10 Zinsser Writing workshop: Ch. 11-12 Zinsser "American Man at Age 10," Orlean, IJ p. 45 WEEK 13 Monday April 20 Wednesday April 22 Friday April 24 "Mrs. Kelly's Monster," Franklin, IJ p. 97 TBA Story 3 first draft due WEEK 14 Monday April 27 Wednesday April 29 Friday May 1 "Missing Alice," Earley, IJ p. 109 "Each Other's Mirror," Laskas, IJ 157 Story 3 first-draft conferences: no class WEEK 15 Monday May 4 Wednesday May 6 Friday May 8 Story 3 first-draft conferences: no class "Hope is a Muscle," Blais IJ p.123 TBA FINAL EXAM WEEK MAY 11-15 Final exam 10 a.m. Wednesday, May 13: Story 3 final draft due